Directed by | |||
| Yves Simoneau | |||
Writing credits(in alphabetical order) | ||
| Didier Decoin | writer | |
| Max Gallo | novel | |
Produced by | |||
| Adam Betteridge | .... | associate producer | |
| Michael Cowan | .... | co-producer (as Michael Lionello Cowan) | |
| David Craig | .... | supervising producer: A&E | |
| Gérard Depardieu | .... | producer | |
| Salim Fassi Fihri | .... | executive producer | |
| Jean-Marc Félio | .... | producer: New Brunswick | |
| Delia Fine | .... | executive producer: A&E Network | |
| Jean-Pierre Guérin | .... | producer | |
| Max Gusberti | .... | co-producer | |
| Marc Jenny | .... | executive producer | |
| Claude Léger | .... | co-producer | |
| Véronique Marchat | .... | associate producer | |
| Alex Marshall | .... | associate producer | |
| Jan Matjo | .... | co-producer | |
| Jason Piette | .... | co-producer | |
| David Rogers | .... | co-producer | |
| Yves Simoneau | .... | associate producer | |
| Kornél Sipos | .... | co-producer | |
| Marc Vadé | .... | executive producer | |
| Jonathan Vanger | .... | co-producer | |
Original Music by | |||
| Michel Cusson | |||
| Richard Grégoire | |||
Cinematography by | |||
| Guy Dufaux | |||
Film Editing by | |||
| Yves Langlois | |||
| Isabelle Malenfant | |||
Casting by | |||
| Zsolt Csutak | |||
| Martina Kubesova | |||
| Françoise Menidrey | |||
| Cornelia von Braun | |||
| Jeremy Zimmerman | (2002) | ||
Production Design by | |||
| Richard Cunin | |||
Art Direction by | |||
| Lionel Acat | |||
| Mónika Esztán | |||
| Rémy Jouvin-Bessière | |||
| Pierre Michon | |||
Set Decoration by | |||
| Frédéric Karali | |||
Costume Design by | |||
| Pierre-Jean Larroque | |||
Makeup Department | |||
| Muriel Baurens | .... | key makeup artist | |
| Sabrina Bernard | .... | makeup artist | |
| Agathe Dupuis | .... | hair stylist | |
| Barbara Kichi | .... | hair stylist | |
| Barbara Kichiova | .... | hair stylist | |
| Klaudia Király | .... | assistant hair stylist | |
| Christine Larocque | .... | wig maker | |
| Serge Lavigueur | .... | special makeup effects artist | |
| Adrien Morot | .... | special makeup effects artist | |
| Gabi Nemeth | .... | hair stylist | |
| Michel Perrot | .... | wig stylist | |
| Gabriela Polakova | .... | makeup artist | |
| Fulvio Pozzobon | .... | hair stylist: extras | |
| Estelle Tolstoukine | .... | hair stylist | |
| George Tucci | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Thierry Bouteiller | .... | second assistant director: France | |
| Olivier Breton | .... | second second assistant director: France | |
| Ali Cherkaoui | .... | first assistant director: Morocco | |
| Ali Cherkaoui | .... | key second assistant director: Czech Republic, Austria, Hungary | |
| Tamás Császár | .... | first assistant director: Hungary | |
| Karim Djerbi | .... | third assistant director: Czech Republic | |
| Gábor Gajdos | .... | first assistant director: Hungary | |
| Laurent Herbiet | .... | first assistant director: preproduction (2002) | |
| Mario Luraschi | .... | second unit director | |
| Frantisek Rezek | .... | second assistant director | |
| Dénes Sajgál | .... | first assistant director: second unit, Hungary | |
| Dominique Talmon | .... | first assistant director | |
| Andrea Taschler | .... | third assistant director: Hungary | |
| Tamás Vass | .... | third assistant director: Hungary | |
Art Department | |||
| Donald Beaulieu | .... | scenic technician | |
| Pascal Chatton | .... | first assistant decorator | |
| Jean-François Corneille | .... | set dresser | |
| Mónika Esztán | .... | assistant production designer | |
| Sylvie Fennec | .... | set dresser | |
| Tomas Hais | .... | set dresser | |
| Radan Kapinos | .... | props | |
| József Kiss | .... | construction manager | |
| Jérome Lafargue | .... | furniture and accessories supplier | |
| Jacques Leguillon | .... | set dresser | |
| Lenka Pavlakova | .... | art department interpreter | |
| Réal Proulx | .... | set decorator: Canada | |
| Patricia Ruelle | .... | painter | |
| Patricia Ruelle | .... | scenic artist | |
| Patricia Ruelle | .... | weathering painter | |
| Béla Tollay | .... | props assistant (2002) | |
| Mirka Valova | .... | art department interpreter (2002) | |
Sound Department | |||
| Justine Angus | .... | supervising foley editor | |
| Philip Barnes | .... | dialogue editor | |
| Steve Cook | .... | sound supervisor: UK & France | |
| Colin Cooper | .... | adr mixer | |
| Colin Cooper | .... | foley mixer | |
| Ivan Dumas | .... | sound assistant | |
| Csaba Erös | .... | boom operator: Hungary | |
| Susan French | .... | adr editor | |
| Frederic Gibert | .... | assistant sound supervisor (2002) | |
| Carl Goetgheluck | .... | sound re-recording mixer | |
| Max Hoskins | .... | supervising sound editor | |
| János Köporosy | .... | sound mixer: Hungary | |
| Claude La Haye | .... | production sound mixer | |
| Claude La Haye | .... | sound mixer: Hungary, Morocco, Canada | |
| Richard Lewis | .... | sound re-recording mixer | |
| Laurie McDowell | .... | sound effects editor (2002) | |
| Peter Murphy | .... | boom operator | |
| Louis Piche | .... | boom operator: Hungary, Canada | |
| Simon Price | .... | adr editor | |
| Szabolcs Stella | .... | boom operator: Hungary | |
| Trevor Swanscott | .... | additional foley editor | |
| Lauren Ana Walker | .... | sound effects editor (as Roger Walker) | |
Special Effects by | |||
| Louis Craig | .... | special effects supervisor | |
| Jacques Godbout | .... | special effects | |
| Ferenc Hábetler | .... | pyrotechnics supervisor | |
| Eric-André Paquin | .... | motion control technician | |
| Eric-André Paquin | .... | special effects technician | |
| László Pintér | .... | pyrotechnician | |
| Péter Pozsonyi | .... | special effects crew | |
| Pierre Riverin | .... | special effects technician: Canada | |
| Sebastien Roussel | .... | special effects | |
| Ryan Storm | .... | special effects technician | |
| Attila Török | .... | pyrotechnician | |
| Ferenc Török | .... | pyrotechnics supervisor | |
| Attila Vásári | .... | pyrotechnician | |
| Antonio Vidosa | .... | special effects foreman: Canada | |
| Jirí Vojtech | .... | special effects technician | |
| Martin Williams | .... | special effects technician | |
Visual Effects by | |||
| Romain Bayle | .... | digital artist | |
| Romain Bayle | .... | matte painter | |
| Sébastien Bergeron | .... | visual effects production supervisor | |
| Benoit Blouin | .... | digital effects artist | |
| Xavier Bourque | .... | digital compositor: Hybride Technologies | |
| Marc Cote | .... | motion control operator | |
| Michael Cozens | .... | animator | |
| Anouk Deveault-Moreau | .... | visual effects coordinator: Hybride | |
| Mathieu Dupuis | .... | digital compositor: Hybride | |
| Thierry Fortier | .... | digital artist | |
| Balázs Harmati | .... | motion control assistant | |
| Timothy Heys-Cerchio | .... | motion control operator: Hungary | |
| Joseph Kasparian | .... | lighting artist | |
| Joseph Kasparian | .... | senior textures | |
| Nicolas Langlois-Demers | .... | technical director: 3D character setup, Hybride | |
| Jean Lapointe | .... | digital compositor: Hybride | |
| May Leung | .... | digital effects animator: Hybride | |
| Jonathan Paquin | .... | 3D artist: Hybride | |
| Sean Stranks | .... | digital compositor: Hybride | |
| Jessy Veilleux | .... | matte painter | |
| Yanick Wilisky | .... | computer graphics supervisor | |
Stunts | |||
| Ferenc Berecz | .... | stunts (2002) | |
| Sándor Boros | .... | stunts | |
| Stéphane Bourquin | .... | stunts | |
| William Chatel | .... | stunts | |
| Pascal Chemel | .... | stunts | |
| François Claudin | .... | stunts | |
| Patrice Cossoneau | .... | stunts (as Patrice Cossonneau) | |
| Hugues Dalmagro | .... | stunts (as Hugues Dal Magro) | |
| David Doucinot | .... | stunts | |
| Cedric Gary | .... | stunts | |
| László Imre | .... | stunts | |
| Mario Luraschi | .... | stunt coordinator | |
| Pascal Madura | .... | stunts | |
| Domonkos Pardanyi | .... | stunt performer | |
| Eric Tonetto | .... | stunts | |
| Levente Lezsák | .... | stunts (uncredited) | |
| Béla Unger | .... | stunt coordinator (uncredited) | |
Casting Department | |||
| Yann Mari Faget | .... | casting assistant: Morocco | |
| Tamás Kertész | .... | extras casting | |
| Cornelia von Braun | .... | casting: Germany | |
| Tomas Zelenka | .... | casting: Czech Republic | |
Costume and Wardrobe Department | |||
| Nathalie Chesnais | .... | costume supervisor | |
| Nathalie Chesnais | .... | key costumer | |
| Miroslav Fantys | .... | assistant to wardrobe supervisor | |
| Vera Mirová | .... | wardrobe master | |
Editorial Department | |||
| Tracie Gemmel | .... | assistant editor | |
| Guillaume Saint-Aubin-Seers | .... | on-line editor | |
Transportation Department | |||
| Richard Chabot | .... | driver | |
| Zoltán Fohn | .... | driver | |
| Silvie Janculová | .... | unit transportation coordinator | |
| Roman Jedlicka | .... | driver (2002) | |
| Claudia Kossik | .... | transportation captain | |
| Andrée Roy | .... | driver (as Andree Roy) | |
| Zsolt Somogyi | .... | transportation coordinator | |
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| Waterloo | Imperium: Augustus | "Napoleon" | Alexander | Napoléon |
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This series, consisting (in Germany) of 4 parts, tells the story of the most important figure in French history, Napoléon Bonaparte whose remarkable career started as a mere officer in an artillery regiment. The film focuses especially on Napoléon's (C. Clavier) relationship to his early love, Josephine, who is quite beautiful but also some years older than Napoléon. Indeed, most of the film is centered largerly around the numerous affairs and relationships of the Emperor, who seeks an heir but also to strenghten the french influence in Europe. There are some quite fascinating battle-scenes, although, for a 42 million Euro project, one might say they could've been done better. Obviously most of the money has been spent on the wonderful costumes, and, naturally, on the prominent cast, which includes some famous European, as well as Amercian actors.
Generally, if you are interested in such kind of movies and have a certain knowledge of the historical facts, "Napoléon" is absolutely recommendable. It might have some flaws, and some historical facts may be, to the normally educated, not clear, but then, it's only a TV movie. And it's really rather enjoyable, bringing a fascinating period of European history to life.