| Photos (see all 78 | slideshow) | Videos (see all 9 NEW) |
| Adrien Brody | ... | Wladyslaw Szpilman | |
| Thomas Kretschmann | ... | Captain Wilm Hosenfeld | |
| Frank Finlay | ... | Father | |
| Maureen Lipman | ... | Mother | |
| Emilia Fox | ... | Dorota | |
| Ed Stoppard | ... | Henryk | |
| Julia Rayner | ... | Regina | |
| Jessica Kate Meyer | ... | Halina | |
| Michal Zebrowski | ... | Jurek | |
| Wanja Mues | ... | SS Slapping Father | |
| Richard Ridings | ... | Mr. Lipa | |
| Nomi Sharron | ... | Feather Woman | |
| Anthony Milner | ... | Man Waiting to Cross | |
| Lucy Skeaping | ... | Street Musician | |
| Roddy Skeaping | ... | Street Musician | |
| Ben Harlan | ... | Street Musician | |
| Thomas Lawincky | ... | Schutzpolizei (as Thomas Lawinky) | |
| Joachim Paul Assböck | ... | Schutzpolizei | |
| Roy Smiles | ... | Itzak Heller | |
| Paul Bradley | ... | Yehuda | |
| Daniel Caltagirone | ... | Majorek | |
| Andrzej Blumenfeld | ... | Benek | |
| Darian Wawer | ... | Child at the Wall | |
| Zbigniew Zamachowski | ... | Customer with Coins | |
| Lejb Fogelman | ... | Customer with Coins | |
| Detlev von Wangenheim | ... | SS Officer | |
| Popeck | ... | Rubenstein (as Popek) | |
| Zofia Czerwinska | ... | Woman with Soup | |
| Emilio Fernandez | ... | The Soup Snatcher | |
| Udo Kroschwald | ... | Schultz | |
| Uwe Rathsam | ... | SS Shooting the Woman | |
| Joanna Brodzik | ... | Woman Shot in the Head | |
| Katarzyna Bargielowska | ... | Wailing Woman | |
| Maja Ostaszewska | ... | Woman with Child | |
| John Bennett | ... | Dr. Ehrlich | |
| Cyril Shaps | ... | Mr. Grün | |
| Wojciech Smolarz | ... | Boy with Sweets | |
| Lech Mackiewicz | ... | Fellow Worker | |
| Ruth Platt | ... | Janina Godlewska | |
| Frank-Michael Köbe | ... | SS Shooting Benek | |
| Torsten Flach | ... | Zig Zag | |
| Peter Rappenglück | ... | SS Making a Speech | |
| Ronan Vibert | ... | Janina's Husband | |
| Krzysztof Pieczynski | ... | Gebczynski | |
| Katarzyna Figura | ... | Kittie, neighbour | |
| Valentine Pelka | ... | Dorota's Husband | |
| Andrew Tiernan | ... | Szalas | |
| Tom Strauss | ... | Dr. Luczak | |
| Cezary Kosinski | ... | Lednicki | |
| Grzegorz Artman | |||
| Adam Bauman | |||
| Pawel Burczyk | ... | Polish Workman | |
| Zbigniew Dziduch | |||
| Marian Dziedziel | |||
| Jerzy Góralczyk | (as Jerzy Goralczyk) | ||
| Nina Franoszek | ... | Polish Woman | |
| Jaroslaw Kopaczewski | |||
| Patrick Lanagan | |||
| Dmitri Leshchenko | ... | Russian Soldier (as Dymitr Leszczenko) | |
| Dorota Liliental | |||
| Rafal Mohr | ... | Schutzpolizei | |
| Andrzej Pieczynski | ... | Prisoner | |
| Morgane Polanski | ... | Girl | |
| Norbert Rakowski | |||
| Piotr Siejka | |||
| Weronika Szen | |||
| Andrzej Szenajch | |||
| Tomasz Tyndyk | |||
| Andrzej Walden | |||
| Zbigniew Walerys | |||
| Maciej Winkler | |||
| Andrzej Zielinski | |||
| Maurycy Zylber | ... | German film crew | |
| Xawery Zylber | |||
| rest of cast listed alphabetically: | |||
| Roman Garbowski | |||
| Malgorzata Trybalska | ... | Zydówka | |
| Rafal Dajbor | ... | Soldier (uncredited) | |
| Anna Gryszka | ... | Woman in ghetto (uncredited) | |
| Adrian Hood | ... | Piano buyer (uncredited) | |
| John Keogh | ... | Polish Officer (uncredited) | |
| Ryszard Kluge | ... | Jew working on the bulding site (uncredited) | |
| Maciej Kowalewski | ... | Officer SS (uncredited) | |
| Ireneusz Machnicki | ... | SS Officer (uncredited) | |
| Pawel Malaszynski | ... | Man in ghetto (uncredited) | |
| Adam Malecki | ... | German soldier in the Ghetto (uncredited) | |
| Aleksandra Nizynska | ... | Girl (uncredited) | |
| Axel Prahl | ... | German Soldier, rummage bags (uncredited) | |
| Dagmara Sieminska | ... | Women in ghetto (uncredited) | |
| Izabella Szolc | ... | Women in ghetto (uncredited) | |
| Dawid Szurmiej | ... | Man in ghetto (uncredited) | |
| Borys Szyc | ... | Young gestapo (uncredited) | |
| Jacek Wolszczak | ... | Man in ghetto (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| Wladyslaw Szpilman | (book) | |
| Ronald Harwood | (screenplay) | |
Original Music by | |||
| Wojciech Kilar | |||
Cinematography by | |||
| Pawel Edelman | |||
Film Editing by | |||
| Hervé de Luze | |||
Casting by | |||
| Celestia Fox | |||
| Heta Mantscheff | |||
Production Design by | |||
| Allan Starski | |||
Art Direction by | |||
| Sebastian T. Krawinkel | |||
| Nenad Pecur | |||
Costume Design by | |||
| Anna B. Sheppard | |||
Makeup Department | |||
| Didier Lavergne | .... | makeup artist | |
| Waldemar Pokromski | .... | makeup artist | |
Production Management | |||
| Sonja Döring | .... | assistant production manager | |
| Oliver Lüer | .... | unit production manager | |
| Henning Molfenter | .... | production supervisor: Germany | |
| Françoise Piraud | .... | post-production manager | |
Art Department | |||
| Pierre Brayard | .... | draughtsman | |
| Zuzana Cizmarova | .... | set designer | |
| Eckart Friz | .... | prop buyer | |
| Philipp Hübner | .... | carpenter | |
| Oliver Humke | .... | construction manager: backlot | |
| Gracia Janowicz | .... | property master | |
| Christoph Kettenring | .... | prop buyer | |
| Marek Kukawski | .... | set designer | |
| Alexander Liebenthron | .... | props | |
| Anja Müller | .... | assistant art director | |
| Peter Naguib | .... | stand-by props | |
| Matthias Prange | .... | construction supervisor | |
| Matthias Prange | .... | stand-by carpenter | |
| Grzegorz Rzepecki | .... | props | |
| Uwe Schaer | .... | hod carpenter | |
| Tobias Schroeter | .... | plasterer | |
| Torsten Schwartz | .... | supervisor plasterer | |
| Joey Weber | .... | lead man | |
| Joey Weber | .... | prop buyer | |
| Waldemar Weiss | .... | construction manager | |
| Berndt Wenzel | .... | plasterer | |
| Gabriele Wolff | .... | set decorator: Germany | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Jean-Marie Blondel | .... | sound mixer | |
| Katia Boutin | .... | dialogue editor | |
| Claude Broutin | .... | assistant sound editor | |
| Marilena Cavola | .... | assistant sound editor | |
| Fabrice Conesa | .... | foley recordist | |
| Paul Conway | .... | supervising adr editor | |
| Gérard de Lagarde | .... | sound effects | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Philippe Dongé | .... | sound mix technician | |
| Marie Guesnier | .... | sound librarian | |
| Gérard Hardy | .... | supervising sound editor | |
| James Harrison | .... | adr editor | |
| Stefan Henrix | .... | adr editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Nikolas Javelle | .... | assistant dialogue editor | |
| Anne Le Campion | .... | sound re-recording mixer | |
| Stephane Lioret | .... | boom operator | |
| Pierre Mertens | .... | sound librarian | |
| Carlos Pinto | .... | assistant sound editor | |
| Raphael Sohier | .... | sound assistant | |
| Svetlana Vaynblat | .... | assistant sound editor | |
| Alexandre Widmer | .... | sound editor | |
Special Effects by | |||
| Jan Gwiasda | .... | special effects technician | |
| Maurice Koester | .... | special effects assistant | |
| Adrian Lorbert | .... | special effects technician | |
| Volker Lorig | .... | special effects technician | |
| Alister Mazzotti | .... | special effects supervisor | |
| Jason Oettle | .... | special effects technician: physical effects | |
| Hans Seck | .... | special effects supervisor | |
| Roland Tropp | .... | snow effects | |
| Zbigniew Urbaszek | .... | special effects technician | |
| Kazimierz Wróblewski | .... | special effects coordinator | |
| Lightning Bear | .... | special effects advisor (uncredited) | |
Visual Effects by | |||
| Nastuh Abootalebi | .... | digital effects compositor: das werk | |
| Andreas Beck | .... | assistant compositor: das werk | |
| Roger Beck | .... | systems administrator: Das Werk | |
| Odile Beraud | .... | visual effects production assistant: Eclair Numerique | |
| Elena Blum | .... | assistant compositor: das werk | |
| Stephanie Boutinaud | .... | digital effects artist | |
| Michel Briegel | .... | assistant compositor: das werk | |
| Cania | .... | digital matte paint artist: das werk | |
| Arnaud Chelet | .... | digital artist: Eclair Numerique | |
| Peter Connelly | .... | digital effects compositor: das werk | |
| Philipp Danner | .... | junior compositing artist: das werk | |
| Olivier Debert | .... | digital artist: Eclair Numerique | |
| Mark Dollery | .... | scanning and recording: Das Werk | |
| Yann Doray | .... | digital artist: Eclair Numerique | |
| Christian Dutac | .... | color grader | |
| Philipp Eckel | .... | image data wrangler: Das Werk | |
| Mitch Enzmann | .... | motion control operator | |
| Roxane Fechner | .... | visual effects production assistant: Eclair Numerique | |
| Nico Feindt | .... | 3D animator: Das Werk | |
| Derek Flood | .... | 3D animator: das werk | |
| Jerome Fournier | .... | matte painter: Eclair Numerique | |
| Alexander Gabrysch | .... | digital effects compositor: das werk | |
| Stefan Galleithner | .... | lineup operator | |
| Moritz Glaesle | .... | digital effects compositor: das werk | |
| Melanie Göggelmann | .... | production coordinator: das werk | |
| Joachim Grüninger | .... | miniature supervisor | |
| Joachim Grüninger | .... | motion control supervisor | |
| Philip Hahn | .... | production accountant: das werk | |
| David Hofmann | .... | 3D technical director: das werk | |
| Walter Hörger | .... | scanning and recording: Das Werk | |
| Philippe Jarland | .... | digital artist: Eclair Numerique | |
| Michel Jonas | .... | programming and software development: Das Werk | |
| Oliver Kirchhoff | .... | 3D animator: das werk | |
| Martin Kretschmer | .... | assistant model maker: Magicon | |
| Ines Krüger | .... | assistant compositor: das werk | |
| Christian Künstler | .... | visual effects producer: das werk | |
| Christian Künstler | .... | visual effects supervisor | |
| Michel Lazarus | .... | model maker: Magicon (as Michel 'Lazy' Lazarus) | |
| Jörg Lehnert | .... | motion control assistant | |
| Yvan Lucas | .... | color grader: Eclair Numerique | |
| Stephane Martini | .... | digital color grader (as Stephane Martinie) | |
| Marcel Mazoyer | .... | color grader | |
| Joyce Menger | .... | visual effects producer: Eclair Numerique | |
| Frederic Moreau | .... | visual effects producer: Eclair Numerique | |
| Sarah Moreau | .... | visual effects production assistant: Eclair Numerique (as Sarah Flament) | |
| Nicolas Morlet | .... | digital artist: Eclair Numerique | |
| Michael Multhoff | .... | image data wrangler: Das Werk | |
| Katharina Nobis | .... | camera assistant: miniatures | |
| Jan Oehlschläger | .... | assistant compositor: das werk | |
| Connie Oettl | .... | model painter: Magicon | |
| Fabien Pascal | .... | color grader: Eclair Numerique | |
| Paul Poetsch | .... | lead shake compositor: das werk | |
| Tanja Rath | .... | graphics artist: Das Werk | |
| Michel Roca | .... | digital artist: Eclair Numerique | |
| Matthias Scharfenberg | .... | digital film I/O supervisor: das werk | |
| Henrik Scheib | .... | workshop coordinator: Magicon | |
| Abraham Schneider | .... | digital effects compositor: das werk | |
| Bernd Schulze | .... | digital effects compositor: das werk | |
| Hans Seck | .... | visual effects coordinator | |
| Britta Sell | .... | miniature director of photography (as Britta Mangold) | |
| Philippe Soeiro | .... | digital artist: Eclair Numerique | |
| Philippe Soeiro | .... | digital compositing supervisor: Eclair Numerique | |
| Swen Spichtinger | .... | 3D animator: das werk | |
| Gerhard Spring | .... | scanning and recording: Das Werk | |
| Robinson Steinke | .... | 3D animator: das werk | |
| Saskia Stoever | .... | model maker: Magicon (as Saskia Stoewer) | |
| Oliver Stück | .... | assistant compositor: das werk | |
| Sebastian Tuttas | .... | model maker: Magicon | |
| Christoph Unger | .... | digital matte paint artist: Das Werk | |
| Morgan Varona | .... | digital artist: Eclair Numerique | |
| Carole Vasseur | .... | visual effects production assistant: Eclair Numerique | |
| Gunnar Wittig | .... | 3D technical director: das werk | |
| Steffen Zeugner | .... | motion control assistant | |
| Thomas Tannenberger | .... | visual effects producer (uncredited) | |
Stunts | |||
| Zofia Bachleda-Zolnierczyk | .... | stunts | |
| Janusz Chlebowski | .... | stunts | |
| Piotr Cichon | .... | stunts | |
| Robert Cichon | .... | stunts | |
| Jacek Dlugosz | .... | stunts | |
| Jim Dowdall | .... | stunt coordinator | |
| Ryszard Francman | .... | stunts | |
| Oliver Fritsche | .... | stunt rigger | |
| Christof Genesis | .... | stunts | |
| Udo Harnach | .... | stunt performer | |
| Jacek Jelen | .... | stunts | |
| Jacek Kadlubowski | .... | stunts | |
| Stella Kuczynska | .... | stunts | |
| Zbigniew Modej | .... | stunt coordinator: Polish location | |
| Pawel Pliszka | .... | stunts | |
| Tomasz Przybysz | .... | stunts | |
| Antje Rau | .... | stunt supervisor | |
| Jacek Ryniewicz | .... | stunts | |
| Armin Sauer | .... | assistant stunt coordinator: Germany | |
| Armin Sauer | .... | stunt supervisor | |
| Rene Schobes | .... | stunts (as Rene Schobess) | |
| Lee Sheward | .... | assistant stunt coordinator | |
| Józef Stefanski | .... | stunts | |
| Sylwester Zawadski | .... | stunts | |
Camera and Electrical Department | |||
| Guy Ferrandis | .... | still photographer | |
| Volker Gläser | .... | camera operator: "b" camera | |
| Zbigniew Gustowski | .... | assistant camera | |
| Sönke Hansen | .... | additional photographer | |
| Patrick Kaethner | .... | camera operator | |
| Zsolt Kalbér | .... | electrician: Germany | |
| Cezary Lisowski | .... | gaffer: Poland | |
| Andres Lizana Prado | .... | assistant camera: second unit | |
| Marcus Pohlus | .... | Steadicam operator | |
| Marcus Pohlus | .... | camera operator | |
| Marek Rajca | .... | camera operator | |
| Teja Schwede | .... | video operator | |
| Albrecht Silberberger | .... | gaffer: Germany | |
| Jörg Widmer | .... | Steadicam operator | |
| Anna-Maria Hora | .... | camera trainee (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Alex Johnson | .... | casting assistant | |
| Iris Müller | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sabine Groh | .... | dresser: Mr. Brody | |
| Brita Hofmann | .... | costume breakdown | |
| Gudrun Leyendecker | .... | associate costume designer | |
| Adrianna Wozniak | .... | dresser: Mr. Brody | |
Editorial Department | |||
| Lionel Cassan | .... | assistant editor | |
| Yvan Lucas | .... | color grader: Eclair Numerique | |
| Margot Meynier | .... | first assistant editor | |
| Fabien Pascal | .... | color grader: Eclair Numerique | |
| Carlos Pinto | .... | second assistant editor | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Tadeusz Boniecki | .... | orchestra contractor | |
| Marcus Herzog | .... | music mixer: Chopin | |
| Marcus Herzog | .... | music recordist: Chopin | |
| Marcus Herzog | .... | music supervisor: Chopin | |
| Grazyna Kozlowska | .... | music coordinator | |
| Anne-Laure Lermyte | .... | music editor | |
| Janusz Olejniczak | .... | musician: solo piano | |
| Suzana Peric | .... | music editor | |
| Tadeusz Strugala | .... | conductor | |
| Wladyslaw Szpilman | .... | musician: piano (as Wladislaw Szpilman) | |
| John Timperley | .... | music mixer | |
| John Timperley | .... | music recordist | |
| Henry Vars | .... | composer: song "Umówilem sie z nia na dziewiata" (as Henryk Wars) | |
| Hanna Wolczedska | .... | musician: clarinet | |
| Zbyszek Zbrowski | .... | music coordinator | |
Transportation Department | |||
| Markus Bendler | .... | additional action vehicle coordinator: Germany | |
| Michael Fechner | .... | action vehicle coordinator: Germany | |
| Katja Heissig | .... | driver | |
| Axel Hübner | .... | driver: cast | |
| Tobias Lauterberg | .... | production driver | |
| Inga Meissner | .... | transportation coordinator | |
| Grit Menzzer | .... | driver | |
| Enrico Taubert | .... | production driver | |
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| Schindler's List | Nackt unter Wölfen | Uprising | La tregua | Europa Europa |
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The Pianist is the true story of Wladyslaw Szpilman, at the time Poland's most acclaimed pianist whose life is transformed during the Nazi occupation of Warsaw beginning in 1939. The film spans several years and maps his many personal trials in addition to providing the perspectives of his family, rebel factions and sympathizers.
Brilliantly directed by Roman Polanski and starring an amazing Adrien Brody, The Pianist is bound to garner comparisons to Schindler's List, for obvious reasons. However similar the subject matter, the approach is different. While Schindler's List was filmed in a beautiful, crisp black and white that offered many incredible images, The Pianist was filmed with almost muted color. Schindler's List featured what has been argued as a complicated hero. Oskar Schindler did save many Jews, but not without battling his own materialistic demons first. The Pianist's Szpilman is a sympathetic character throughout. His plight was desperate, and the demons he fought were over his own guilt in surviving a fight that eventually turns into a primal will to live.
Polanski does not spare the viewer any grief with his film. The horrific scenes between the Nazis and the Warsaw Jews were more terrifying and horrible than any horror/suspense movie I have seen in some time, possibly ever. The humiliation and complete loss is wrenching. In several scenes, Jews are lined up in the middle of the night and subjected to either torture or death. In one case, a woman asks of a Nazi officer, "What will happen to us?" and is promptly shot point blank in the head. The camera does not flinch or subdue any of these atrocities.
A mention must be made of Brody's performance. Having only previously seen Brody in two other films, Spike Lee's "Summer of Sam" and Terrence Malick's "The Thin Red Line" (a part that was supposed to be his launch into stardom before his part was unfortunately cut drastically) I knew his potential was great. After his Oscar win, I viewed this movie with more criticism than I normally would have and he certainly did not disappoint. He transcended my expectations. His physical transformation was amazing, but more importantly, he conveyed the sorrow of this man shockingly well - in both verbal and non-verbal contexts. It will be very interesting to see what kind of opportunities this role will afford him, and the kinds of roles he will accept.
Something worth mentioning is the affect this movie had on the audience with whom I viewed this film. Normally, when a film ends, the regular hardcore filmsters like myself will stay and watch the credits in their entirety. The rest of the audience stands up and leaves, usually to the chagrin of the remaining enthusiasts. This was one of the few times I have seen a film at a theater where not one person stood to leave during the final credits. It wasn't until the house lights came up at the end did people begin to disperse. Personally, I hightailed it out of the theater the second the lights came on because not only was my face a mess from crying during the film (Tammy Faye comes to mind) but I had this overwhelming need for an emotional release, so when I reached my car I sat and wept for about five minutes. It has been years since I have watched a film that upset me to that extent. Conversely, while discussing this film with my brother, (someone who loves movies as much and has similar tastes as I do) he mentioned that while he thought the movie was excellent, he wasn't as profoundly emotionally effected as I was. After thinking about this for a couple of days, I realized the difference: The music. As a classical music enthusiast and erstwhile musician, the thought of not being able to enjoy, much less play the music you love is a tragic one. Then the emotional outpouring that comes when you return to it - there aren't words to describe how intense that is. Not having the same appreciation for this musical genre, one will be able to sympathize with the physical and emotional tribulations, but perhaps not in the musical sense.
The Pianist was truly an astonishing film. I was riveted from start to finish and so emotionally affected that I couldn't even consider writing a review until a week later. Having said that, I am filing this away with my list of movies which include Schindlers List and Philadelphia, as films that I love but cannot rewatch for a long time after due to their intensely emotional content.
--Shelly