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Directed by | |||
| Rob Zombie | |||
Writing credits(WGA) | ||
| Rob Zombie | (written by) | |
Original Music by | |||
| Scott Humphrey | |||
| Rob Zombie | |||
Cinematography by | |||
| Alex Poppas | (director of photography) | ||
| Tom Richmond | (director of photography) | ||
Film Editing by | |||
| Kathryn Himoff | |||
| Robert K. Lambert | |||
| Sean K. Lambert | (as Sean Lambert) | ||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Gregg Gibbs | |||
Art Direction by | |||
| Michael Krantz | |||
Set Decoration by | |||
| Lisa K. Sessions | |||
Costume Design by | |||
| Amanda Friedland | |||
Makeup Department | |||
| Mustaque M. Ashrafi | .... | makeup artist (as Mustaque Ashrafi) | |
| Kelly M. Beatty | .... | key makeup artist | |
| Michael Burnett | .... | special makeup effects artist: corpse bodies | |
| Norman Cabrera | .... | makeup effects | |
| Gray Creasy | .... | special makeup effects technician | |
| Michael Deak | .... | makeup effects (as Mike Deak) | |
| Pete Farrell | .... | special makeup effects artist | |
| Patricia Gundlach | .... | key hair stylist | |
| Matt Henkelmann | .... | makeup effects | |
| Jake McKinnon | .... | makeup effects | |
| Bart Mixon | .... | makeup effects (as Bart J. Mixon) | |
| Cristina Patterson Ceret | .... | contact lens technician (as Cristina Haines) | |
| Gary J. Perticone | .... | hair stylist (as Gary Perticone) | |
| Vicky Phillips | .... | department head hair (as Vicki Phillips) | |
| Gilbert Romero | .... | makeup artist | |
| Gilbert Romero | .... | special makeup effects artist | |
| Keith Sayer | .... | department head makeup | |
| Leslie Ann Sebert | .... | makeup artist (as Leslie Sebert) | |
| 'Evil' Ted Smith | .... | makeup effects (as Ted Smith) | |
| Laurie Smith | .... | contact lens technician | |
| Cedric Summerbell | .... | makeup effects (as Cedirc Summerbell) | |
| Wayne Toth | .... | makeup artist | |
| Wayne Toth | .... | special makeup effects supervisor | |
| Wayne Toth | .... | special makeup effects | |
Production Management | |||
| Andy Given | .... | unit production manager (as Andrew D. Given) | |
| Joel Hatch | .... | unit production manager | |
| Virginia Landis Albertson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ty Arnold | .... | second assistant director | |
| Marco Black | .... | first assistant director | |
| Wendi Lampassi | .... | second assistant director | |
| John Nelson | .... | first assistant director | |
| Robert Schroer | .... | second second assistant director (as Robert D. Schroer) | |
Art Department | |||
| Oscar Alvarado | .... | carpenter (as Oscar A. Alvarado) | |
| Brian K. Anderson | .... | swing (as Brian Anderson) | |
| Eric Andresen | .... | painter | |
| Bennett Andrews | .... | greens foreman | |
| Fred Apolito | .... | propmaker (as Fredrick Apdito) | |
| Rick M. Atwell | .... | propmaker | |
| Matthew Kern Atzenhoffer | .... | set dresser (as Matthew K. Atzenhoffer) | |
| Maria L. Baker | .... | set designer (as Maria Baker) | |
| Tammy Banal | .... | on-set dresser | |
| Ellis J. Barbacoff | .... | assistant property master | |
| Tobey Bays | .... | set dresser | |
| Daniel Beralas | .... | painter | |
| Brian Berkel | .... | propmaker | |
| Cliff Berns | .... | painter | |
| Dominique Blaskovich | .... | scenic artist | |
| Tony Bonaventura | .... | property master | |
| Donald Boyd | .... | painter | |
| Maxwell Britton | .... | swing (as Maxwell Jean Britton) | |
| Bob Carmody | .... | propmaker | |
| Mike Carrillo | .... | property master | |
| Tim Castagnola | .... | labor foreman | |
| Darrin Denlinger | .... | storyboard artist | |
| Colin De Rouin | .... | set designer (as Colin de Rouin) | |
| Gerard A. Dery | .... | greensman (as Gerard Dery Jr.) | |
| Craig Diantonio | .... | painter (as Craig L. Diantonio) | |
| Christopher Elledge | .... | swing | |
| John Empero | .... | propmaker | |
| Steven Eustace | .... | property master | |
| Tom Fedele | .... | painter | |
| Pete Flynn | .... | swing | |
| Michael Grover Forster | .... | propmaker | |
| Martin Goulding | .... | painter | |
| Mariana Grubbs | .... | painter | |
| Anthony A. Guilar | .... | propmaker | |
| Curtis Hamill | .... | painter | |
| Mitchell Hammer | .... | painter | |
| Tim James | .... | assistant property master (as Timothy A. James) | |
| William Johnson | .... | propmaker (as Bill Johnson) | |
| Keith A. Kropf | .... | painter | |
| Maureen Kropf | .... | painter (as Maureen Krope) | |
| Jeffrey A. Leake | .... | propmaker | |
| Yvonne Lopez Bas | .... | scenic artist | |
| Ramón López | .... | propmaker (as Ramon Lopez) | |
| Dave T. MacDonald | .... | propmaker (as Dave T. Macdonald) | |
| Sergio Martinez | .... | painter | |
| Matthew Martin | .... | propmaker foreman | |
| Atron McFadden | .... | labor | |
| Anthony Medina | .... | propmaker (as Tony Medina) | |
| Kiven Meyer | .... | painter | |
| Dorit Oberman | .... | swing | |
| Cesar Orozco | .... | carpenter | |
| Perry L. Paolone | .... | painter | |
| Missy Parker | .... | art department coordinator | |
| Tim Park | .... | set dresser | |
| Jean-Pierre 'J.P.' Patry | .... | painter (as J.P. Patry) | |
| Lisa Penaranda | .... | set decorating buyer | |
| Lisa Penaranda | .... | set dresser | |
| Edmond Scott Ratcliff | .... | set dresser | |
| Gerardo Rodriguez | .... | painter | |
| Jonathan Rose | .... | labor foreman | |
| Chris Santini | .... | construction coordinator (as C.R. Santini) | |
| Clare Scarpulla | .... | set designer | |
| Terry Sheffield | .... | drapery foreman | |
| Erin Smith | .... | assistant art director | |
| Russell J. Smith | .... | production illustrator (as Russ Smith) | |
| Michael Spitaletto | .... | painter | |
| Tim Stadler | .... | painter | |
| Rick Staves | .... | drapery | |
| Dugald Stermer | .... | swing | |
| Robert Tagle | .... | painter | |
| Adam Tankell | .... | graphic designer (as Adam Tanrell) | |
| Rick Tanner | .... | painter | |
| Daniel Tull | .... | scenic artist | |
| Freddy Waff | .... | leadman (as Freddy A. Waff) | |
| Nate Walton | .... | painter | |
| Paul Walton | .... | head paint foreman | |
| Rick Welden | .... | construction coordinator | |
| Mykal Williams | .... | set dresser | |
| Mark Wong | .... | painter | |
| Isaac Wright | .... | labor | |
| Ricky Zamudio | .... | set dresser | |
Special Effects by | |||
| Roy Augenstein | .... | special effects technician | |
| Jared Baker | .... | special effects technician | |
| David Blitstein | .... | special effects coordinator | |
| Kam Cooney | .... | special effects coordinator (as M. Kam Cooney) | |
| Michael Deak | .... | special effects | |
| John Fontana | .... | special effects technician (as Johnny Fontana) | |
| Roger Lifsey | .... | special effects set foreman | |
| Michael O'Brien | .... | mold department: Ex Mortis Effects | |
| Christine Onesky | .... | special effects technician | |
| Gil Romero | .... | special effects makeup | |
| Brian Sveum | .... | special effects technician | |
| Wayne Toth | .... | special effects | |
Visual Effects by | |||
| Richard Eberhardt | .... | lineup: Howard Anderson Company | |
| Steven Fagerquist | .... | digital artist: Howard Anderson Company | |
| David Feinner | .... | digital artist: Howard Anderson Company (as Dave Feinner) | |
| Christopher Grandel | .... | digital artist: Howard Anderson Company | |
| Michael L. Griffin | .... | lineup: Howard Anderson Company (as Mike Griffin) | |
| Peter Koczera | .... | digital artist: Howard Anderson Company (as Peter Kozera) | |
| Derek Ledbetter | .... | digital artist: Howard Anderson Company | |
| Steve Mayer | .... | lineup: Howard Anderson Company (as Steven Mayer) | |
| Leilani McHugh | .... | lineup: Howard Anderson Company | |
| Hillary Murray | .... | effects color timer: Howard Anderson Company | |
| Ken D. Smith | .... | digital fxs supervisor: Pacific Title & Howard Anderson Co. ) (uncredited) | |
Stunts | |||
| Rick Avery | .... | stunt performer | |
| Jon Braver | .... | stunt performer | |
| Gregg Brazzel | .... | stunt coordinator | |
| Gino Crognale | .... | stunt performer | |
| Wally Crowder | .... | stunt performer | |
| Alisa Hensley | .... | stunt performer (as Alisia Hensley) | |
| Terry James | .... | stunt performer | |
| Louis Kiss | .... | stunt performer (as Lou Kiss) | |
| Jake McKinnon | .... | stunt performer | |
| Roger W. Morrissey | .... | stunt performer (as Roger Morrisey) | |
| Tony Santoro | .... | stunt performer | |
| Michelle Sebek | .... | stunt performer | |
| 'Evil' Ted Smith | .... | stunt performer (as Ted Smith) | |
| John Vitale | .... | stunt performer | |
| Webster Whinery | .... | stunt performer | |
| Laura Lee Connery | .... | utility stunts (uncredited) | |
| Chris Nielsen | .... | stunts (uncredited) | |
| Nicole Randall | .... | stunt double (uncredited) | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
| Greg Sacks | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sara Daubney | .... | costumer (as Sara W. Daubney-Kinney) | |
| Sloane Morrison | .... | costumer (as Sloane Perry Thorne) | |
| Jennifer Starzyk | .... | costumer (as Jennifer L. Starzyk) | |
| Cesha Ventre | .... | costumer | |
| Josephine Willes | .... | costumer | |
| Christi Work | .... | costume supervisor | |
Editorial Department | |||
| Mark Bourgeois | .... | assistant editor | |
| Bob Fredrickson | .... | color timer | |
| Lara Khachooni | .... | assistant editor | |
| George Koran | .... | telecine colorist | |
| Chris Miller | .... | post-production services | |
| Anne Sawyer | .... | assistant editor | |
| Ronald White | .... | assistant editor (as Ron White) | |
Thanks | |||
| Dennis Fimple | .... | in memory of: 1940 - 2002 | |
| David Fox | .... | acknowledgment: House of 1000 Corpses mouthpiece | |
| Jeffrey T. Light | .... | acknowledgment: House of 1000 Corpses mouthpiece (as Jeffrey Taylor Light) | |
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| The Devil's Rejects | Halloween | Friday the 13th | The Texas Chain Saw Massacre | Dawn of the Dead |
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Initially I had little or no interest in this film but after hearing good things about it from a lot of sources I decided to check it out. Unfortunately for me this was not a new classic of horror that some people hail it as, it's a disjointed mess that's light on scares, originality, and fun. House of 1000 Corpses somehow manages even to mess up when it comes to plot structure, something even the lowest of horror movies can usually pull off.
It does have a few redeeming elements; the carnival sideshow style of horror is an interesting motif for the film, Sid Haig's character is cool and underused unfortunately, and occasionally Zombie manages to unnerve by using quick jumps to snuff like 16mm footage, a technique that would have been better served if the director was able to exercise more restraint, especially in the early film. The film also contains a rather clever plot misdirection about mid way through, a subplot about cops and one of the victim's father that makes you think the plot is going to evolve one way, but then completely changes direction you. I have to give credit to Zombie for fooling and surprising me.
The film's real problem is in the comparison it invites with its betters, this film basically is "The Texas Chainsaw Massacre", and it doesn't hold up well to the seminal 1974 classic. A movie that was made for approximately $140,000, that still manages to be way more effective then House. Maybe if you stripped Zombie of his 7 million dollar budget he would have been able to show his true film-making chops and been able to pull off the low budget fun and carnage he so desperately tries to achieve with this film; more likely this film would have been stripped of it's disguise of high production values and clever sets, and be revealed to everyone as the naked unfocused mess that it is. Even with its budget, the gore is nothing; there is nothing shocking or creative or fun. Maybe the unrated version is better, but since it's completely unavailable I have no way of knowing. As the R rated version stands it fails as a gross out flick and then later goes on to fail even completely at the loftier goal of actually being scary. When I first watched TCM I really was unnerved by it, and I found myself thinking about for weeks after. I watched House of 1000 Corpses today, and nothing has stayed with me; what little effect it had on me was gone the second I stopped watching it. Hell, I might even be fooled into renting this again years from now when I completely forget about it.
"So what", you might say, "it's not scary, not all movies of this variety have to be scary, look at Evil Dead 2". Well the problem is it's not really fun either. The teen victims are completely indistinguishable, which in fairness is pretty common complaint for this genre, and the killers, who the film is obviously in love with, are just too gaudy and derivative of slasher stereotypes. The one that had the ability to stand out from the crowd, Sid Haig's Captain Spaulding, disappears for most of the movie. So for most the film you are left with a plot, that much like victims, runs but never gets anywhere. It almost seems like a masturbation reel for serial killers. I get what he was going for, I've seen the dinner scene from Texas Chainsaw Massacre (there is that comparison again, but I can't help if the shoe fits), Zombie just doesn't achieve the disquieting creepy effect that film had. Towards the end the plot just spirals out of control into what I think was a failed attempt at surrealism, personally I was just glad it was going somewhere. After what is a close approximation of the last teen going through a house of horrors, the films ends on a truly predictably note that once again feels ripped from TCM.
Overall this movie just kinda sucks plain and simple. I get that it's a homage, but it's just not a particularly effective one. Zombie might eventually be able to develop his directing into something interesting but first he has to clear the hurdle from music video style and shock to film atmosphere and substance. I will end by saying one more positive thing about the film; it's not the 2003 remake of Texas Chainsaw Massacre.