| Photos (see all 60 | slideshow) | Videos (see all 13) |
Directed by | |||
| Robert Luketic | |||
Writing credits(WGA) | ||
| Amanda Brown | (novel) | |
| Karen McCullah Lutz | (screenplay) & | |
| Kirsten Smith | (screenplay) | |
Produced by | |||
| Ric Kidney | .... | producer | |
| Christian McLaughlin | .... | co-producer | |
| David Nicksay | .... | co-producer | |
| Marc E. Platt | .... | producer (as Marc Platt) | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Anthony B. Richmond | (director of photography) | ||
Film Editing by | |||
| Anita Brandt-Burgoyne | (as Anita Brandt Burgoyne) | ||
| Garth Craven | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Missy Stewart | (as Melissa Stewart) | ||
Art Direction by | |||
| Daniel Bradford | |||
Set Decoration by | |||
| Kathy Lucas | |||
Costume Design by | |||
| Sophie Carbonell | (as Sophie de Rakoff Carbonell) | ||
Makeup Department | |||
| Linda Arnold | .... | hair stylist | |
| Jenny-King Turko | .... | makeup artist | |
| Brad Wilder | .... | key makeup artist | |
| Joy Zapata | .... | key hair stylist | |
| Denise Paulson | .... | makeup artist (uncredited) | |
| Roddy Stayton | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Ric Kidney | .... | unit production manager (as Richard J. Kidney) | |
| Shelly Kidney | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Marcei A. Brown | .... | second assistant director (as Marcei Brubaker) | |
| Marisa Ferrey | .... | second second assistant director | |
| Josh King | .... | first assistant director | |
Art Department | |||
| Paul Ashmore | .... | stand-by painter | |
| Ron Ashmore | .... | paint foreman | |
| Adam Austin | .... | on-set dresser | |
| Douglas Berkeley | .... | set designer | |
| Steve Borgese | .... | greens person | |
| Jon J. Bush | .... | lead man (as Jon Bush) | |
| Laura J. DeRosa | .... | art department coordinator | |
| Douglas Fox | .... | property master | |
| Lance Gunnin | .... | construction foreman | |
| Steve A. Hagberg | .... | construction coordinator (as Steve Hagberg) | |
| China Iwata | .... | assistant property master | |
| Patricia Owen | .... | assistant art director (as Patty Owen) | |
| Michael P. Sweeney | .... | assistant property master (as Mike Sweeney) | |
| Eric Bryant | .... | art department assistant (uncredited) | |
| Chris Peterson | .... | set dresser (uncredited) | |
| David Scott | .... | graphic artist (uncredited) | |
| Richard Blake Wester | .... | set dresser (uncredited) | |
Special Effects by | |||
| David P. Kelsey | .... | special effects coordinator (as Dave Kelsey) | |
Visual Effects by | |||
| Lloyd Lee Barnett | .... | digital compositor (uncredited) | |
| Scott Dougherty | .... | digital effects producer: Cinesite (uncredited) | |
| Christopher Grandel | .... | digital compositor (uncredited) | |
| Vincent Lavares | .... | digital asset manager (uncredited) | |
| Derek Ledbetter | .... | visual effects (uncredited) | |
| Josh Novak | .... | lead compositor: main title sequence (uncredited) | |
| Alfredo Ramirez | .... | titles compositor: Picture Mill (uncredited) | |
Casting Department | |||
| Dena Berman | .... | casting assistant | |
| Michelle Morris | .... | casting associate (as Michelle Morris-Gertz) | |
| Mariann H.W. Lee | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Kim Carleton | .... | costumer | |
| Kim Johnson | .... | costumer | |
| Mary C. Lane | .... | key costumer (as Mary Lane) | |
Editorial Department | |||
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Shawn Petersen | .... | post-production assistant | |
| Alex Renskoff | .... | first assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Tim Vincent | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Anita Camarata | .... | music supervisor | |
| Debbi Datz-Pyle | .... | orchestra contractor | |
| Brian Dixon | .... | music recordist | |
| Ron Fair | .... | executive soundtrack producer | |
| Dennis S. Sands | .... | scoring mixer (as Dennis Sands) | |
| Nick South | .... | music editor | |
| William T. Stromberg | .... | conductor (as William Stromberg) | |
| Paul Wertheimer | .... | music recordist | |
| Brent Brooks | .... | music editor: temp music (uncredited) | |
| Mark Eshelman | .... | scoring crew (uncredited) | |
| Jason Lloyd | .... | scoring crew (uncredited) | |
| Eric Stonerook | .... | music preparation (uncredited) | |
| Pat Weber | .... | scoring technician (uncredited) | |
Transportation Department | |||
| Daniel Canamar | .... | transportation office coordinator (as Dan Canamar) | |
| David Menapace | .... | transportation captain (as Dave Menapace) | |
| Michael Menapace | .... | transportation coordinator (as Mike Menapace) | |
| Lin C. Smith | .... | driver | |
| Mark Brown | .... | driver: production van (uncredited) | |
| Pete Newman | .... | unit driver (uncredited) | |
| Chad Wingerd | .... | transportation assistant (uncredited) | |
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| Legally Blonde 2: Red, White & Blonde | Catch Me If You Can | The Reader | Sullivan's Travels | The Pelican Brief |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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I didn't go into "Legally Blonde" expecting too much. I rarely go to actual movie theaters to see a film (I usually rent videos/DVDs), but I got an advance on this one, and I was kind of sad it had to be this film I was going to see, but I had been invited along with two other people to see it and I wasn't going to say "no" for no reason. So I went.
One of the persons I went with just wanted to see Reese Witherspoon in a Playboy bunny costume, so I figured I was in for another average run-'o-the-mill sex comedy. But I was very surprised with the outcome.
So many girl-power comedies these days are made just for the sake of trying to prove a point that women are equals to men (I suppose that's the message behind it--what else was "Now and Then" made for?) and/or support for women. Fortunately, the 2001 hit "Legally Blonde" is not only a pleasant surprise, but an intelligent film, as well. (Sorry, that was my main "gripper" for this review and I had to leave it in.)
Reese Witherspoon plays California sorority girl Elle Woods. Unlike other people her age that are worrying about grades in school, Elle only worries about what toilet paper is the softest. But after her boyfriend dumps her and goes off to Harvard Law School, Elle is determined to go to Harvard and get her man back. So after putting together a very shallow video for the chairmen of Harvard, they accept her into the prestige college (because of her innocent sexuality, no doubt, as we see them gaping at Elle in a bathing suit on the video), and she packs her bags and heads off to Harvard with her little dog Bruiser; as the ads say, "Boldly Going Where No Blonde Has Gone."
"Legally Blonde" doesn't give up on the plot and completely divulge into dumb blonde/sex jokes. This film not only has a funny--if ridiculous--plot, but the jokes are, surprisingly, NOT crude sexual jokes. This film is not another "Scary Movie" made for teens: It has divinely orchestrated comic timing.
Sometimes the plot gets a bit too heavy--the whole teacher-hitting-on-Elle thing is a bit stereotypical for a film like this--but in the long run it seems to break away from the typical girl-power comedy.
Reese Witherspoon tends to play the same characters a lot, but hey, if she can pull them off, good for her. I don't mind if all her characters tend to be the same (to a certain extent) because they tend to be quite funny and cute--who can't laugh at her Elle Woods persona?
The film has a very nice co-star cast: Victor Garber ("Titanic," "Sleepless in Seattle"), Luke Wilson ("Blue Streak," "Charlie's Angels"), and Selma Blair ("The Sweetest Thing," A Guy Thing"--pretty much anyTHING).
In the end, not only does "Legally Blonde" come off very funny, but also very witty, good-natured and sweet: One of the most pleasant surprises of 2001, indeed.
4/5 stars -
John Ulmer