| Photos (see all 18 | slideshow) | Videos (see all 5) |
| Selma Blair | ... | Vi ('Fiction') | |
| Leo Fitzpatrick | ... | Marcus ('Fiction') | |
| Robert Wisdom | ... | Mr. Scott ('Fiction') | |
| Maria Thayer | ... | Amy ('Fiction') | |
| Angela Goethals | ... | Elli ('Fiction') | |
| Devorah Rose | ... | Lucy ('Fiction') | |
| Nancy Anne Ridder | ... | Joyce ('Fiction') | |
| Steve Rosen | ... | Ethan ('Fiction') (as Steven Rosen) | |
| Aleksa Palladino | ... | Catherine ('Fiction') | |
| Mary Lynn Rajskub | ... | Melinda ('Fiction') | |
| Tina Holmes | ... | Sue ('Fiction') | |
| Paul Giamatti | ... | Toby Oxman ('Non-fiction') | |
| Mike Schank | ... | Mike the Cameraman ('Non-fiction') | |
| Xander Berkeley | ... | Mr. DeMarco ('Non-fiction') | |
| Mark Webber | ... | Scooby Livingston ('Non-fiction') | |
| John Goodman | ... | Marty Livingston ('Non-fiction') | |
| Julie Hagerty | ... | Fern Livingston ('Non-fiction') | |
| Jonathan Osser | ... | Mikey Livingston ('Non-fiction') | |
| Noah Fleiss | ... | Brady Livingston ('Non-fiction') | |
| Lupe Ontiveros | ... | Consuelo ('Non-fiction') | |
| Jessica Dunphy | ... | Cheryl ('Non-fiction') | |
| Nick Maltes | ... | Esposito ('Non-fiction') | |
| Steve Railsback | ... | Mr. Kirk ('Non-fiction') | |
| Crista Moore | ... | Elizabeth St. Clair ('Non-fiction') | |
| Franka Potente | ... | Toby's Editor ('Non-fiction') | |
| Andrew Marantz | ... | Stanley ('Non-fiction') | |
| Conan O'Brien | ... | Himself ('Non-fiction') | |
| Frederick B. Owens | ... | Football Coach ('Non-fiction') (as Frederick Owens) | |
| Barry Jordan | ... | Himself ('Non-fiction') (as Dr. Barry Jordan) | |
| Robin Goodman | ... | Herself ('Non-fiction') (as Dr. Robin Goodman) | |
| Eric Nieves | ... | Dave ('Non-fiction') | |
| Marisa Redanty | ... | Onlooker #1 ('Non-fiction') | |
| Ilana Levine | ... | Onlooker #2 ('Non-fiction') | |
| Pat Kiernan | ... | TV News Announcer (voice) | |
| rest of cast listed alphabetically: | |||
| Jennifer Elise Cox | ... | Musical Theatre Actress - Fiction | |
| Tom Schimmels | ... | Man in Toby's Apartment (segment "Non-fiction") (uncredited) | |
| Jim Titus | ... | Football Player (uncredited) | |
Directed by | |||
| Todd Solondz | |||
Writing credits(WGA) | ||
| Todd Solondz | (written by) | |
Produced by | |||
| Declan Baldwin | .... | line producer | |
| Michael De Luca | .... | executive producer (as Mike De Luca) | |
| Amy Henkels | .... | executive producer | |
| Ted Hope | .... | producer | |
| David Linde | .... | executive producer | |
| Christine Vachon | .... | producer | |
Original Music by | |||
| Nathan Larson | |||
Cinematography by | |||
| Frederick Elmes | |||
Film Editing by | |||
| Alan Oxman | |||
Casting by | |||
| Ann Goulder | |||
Production Design by | |||
| James Chinlund | |||
Art Direction by | |||
| Judy Rhee | |||
Set Decoration by | |||
| Jennifer Alex Nickason | |||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
Makeup Department | |||
| Quentin Harris | .... | key hair stylist | |
| Evelyne Noraz | .... | additional makeup artist | |
| Kyra Panchenko | .... | key makeup artist | |
| Kerrie Smith | .... | first hair stylist | |
| Taurance F. Williams | .... | hair stylist (uncredited) | |
Production Management | |||
| Paul Leonardo Jr. | .... | post-production supervisor | |
| Jeff Roth | .... | production supervisor | |
Art Department | |||
| Bruce W. Arcieri | .... | carpenter | |
| Ann Marie Auricchio | .... | scenic artist | |
| Russell Bullock | .... | scenic artist | |
| Brian Buteau | .... | lead dresser | |
| Thomas Costabile | .... | construction coordinator (as Tom Costabile) | |
| Nicholas Decaneas | .... | art department assistant | |
| Heather Dunbar | .... | assistant to production designer | |
| William Egan | .... | construction grip | |
| Deborah Greene | .... | set dresser | |
| Roman Greller | .... | set dresser | |
| Michael Herlihy | .... | construction foreman | |
| Dierdre Kane | .... | prop assistant (as Dierdre L. Kane) | |
| Ruth Katz | .... | set dresser | |
| Robin Koenig | .... | lead man | |
| Byron K. Lovelace | .... | set dresser (as Byran Lovelace) | |
| Gala Magrina | .... | art department intern | |
| Ron Miller | .... | carpenter | |
| Monique Mitchell | .... | construction grip foreman | |
| Dana Neuwirth | .... | set dresser (as Dana C. Neuwirth) | |
| Tim Oravetz | .... | property master | |
| Kevin C. Reidy | .... | construction grip | |
| Paul Roer | .... | set dresser | |
| Jeffrey Rollins | .... | on-set dresser (as Jeffrey S. Rollins) | |
| Steven T. Scarphilla | .... | construction grip | |
| Connie Schlier | .... | scenic artist | |
| Steven Shellooe | .... | camera scenic artist (as Stephen Shellooe) | |
| Robert W. Smith | .... | key construction grip | |
| Jonathan Stein | .... | carpenter (as Jon Stein) | |
| Greg Sullivan | .... | charge scenic | |
| Frankie Tonkin | .... | construction grip | |
| Harriet Zucker | .... | assistant set decorator | |
| Anthony Baldasare | .... | set dresser (uncredited) | |
| Brick Mason | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Nancy Cabrera | .... | foley artist | |
| Matthew Fleece | .... | foley mixer | |
| Thomas Kodros | .... | stereo sound engineer: Dolby | |
| Andrew Kris | .... | sound re-recording mixer (as Andy Kris) | |
| Andrew Kris | .... | supervising sound editor (as Andy Kris) | |
| Drew Kunin | .... | production sound mixer | |
| Lisa J. Levine | .... | adr editor | |
| David Novack | .... | sound re-recording consultant (as David Novak) | |
| Mary Ellen Porto | .... | dialogue editor | |
| Michael Primmer | .... | boom operator | |
| Jerry Yuen | .... | utility sound technician | |
Special Effects by | |||
| Mark Bero | .... | special effects (as Mark Boro) | |
| Drew Jiritano | .... | special effects coordinator | |
| Andrew Mortelliti | .... | special effects | |
| Robert J. Scupp | .... | special effects | |
| John Stifanich | .... | special effects (as John R. Stikanch) | |
| Thomas Viviano | .... | special effects | |
Visual Effects by | |||
| Randall Balsmeyer | .... | visual effects supervisor/designer: Balsmeyer & Everett, Inc. | |
| Don Canfield | .... | motion control operator | |
| J. John Corbett | .... | digital animator/compositor: Balsmeyer & Everett, Inc. | |
| Kathy Kelehan | .... | titles/effects producer: Balsmeyer & Everett, Inc. | |
| Alex MacDonald | .... | motion control assistant | |
| Matt McDonald | .... | digital animator/compositor: Balsmeyer & Everett, Inc. | |
| Amit Sethi | .... | digital animator/compositor: Balsmeyer & Everett, Inc. | |
| Fabian Tejada | .... | digital animator/compositor: Balsmeyer & Everett, Inc. | |
| Dan Trezise | .... | digital animator/compositor: Balsmeyer & Everett, Inc. | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
Casting Department | |||
| Elizabeth Baird | .... | casting assistant | |
| John Barba | .... | additional casting assistant | |
| Lori Eastside | .... | extras casting | |
| Benny Flay | .... | extras casting assistant | |
| Johanna Hosking | .... | additional casting assistant | |
| Aimee Howard | .... | additional casting assistant | |
| Brian Pitt | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Susan Carrano | .... | assistant costume designer | |
| David Davenport | .... | wardrobe supervisor | |
| Amy Habacker | .... | wardrobe supervisor (as Amy S. Habacker) | |
| Stacey Havens | .... | wardrobe assistant | |
| Mary Jo McGrath | .... | additional costumer (as M.J. McGrath) | |
| Jessica T. Sinoway | .... | costume assistant | |
| Niki Strippoli | .... | costumer | |
Editorial Department | |||
| Janell Fletcher | .... | post-production facilities | |
| Alfredo Frasson | .... | color timer | |
| Tim Streeto | .... | first assistant editor | |
| Jay Van Hoy | .... | post-production coordinator | |
| Matt Nash | .... | post-production intern (uncredited) | |
Music Department | |||
| Geoff Allen | .... | music engineer: "The State I Am In" | |
| Willie Deans | .... | assistant music engineer | |
| Tony Doogan | .... | music engineer: Belle & Sebastian | |
| Juan García del Tocado | .... | assistant music engineer (as Juan Garcia) | |
| Susan Jacobs | .... | music supervisor | |
| Robin Rankine | .... | assistant music engineer | |
| Gregory Reid | .... | music engineer: "The State I Am In" | |
| Tom Unish | .... | assistant music engineer | |
Transportation Department | |||
| Henry S. Avelin | .... | transportation captain | |
| Matthew Callagy | .... | driver | |
| Michael D. Canale | .... | driver | |
| David Chacon | .... | driver | |
| Mark A. Chomow | .... | driver | |
| Walter Chomow | .... | driver | |
| Ernie Clemens | .... | driver | |
| Paul Coscia | .... | driver | |
| Carlos Covian | .... | driver | |
| Thomas Crehan | .... | transportation co-captain (as Tom Crehan) | |
| Sean Leahy | .... | driver | |
| Paul Massey | .... | driver | |
| David M. Salisbury | .... | driver | |
| Alessio Giorgetti | .... | driver: video segments (uncredited) | |
Other crew | |||
| Sean Ackerman | .... | office production assistant | |
| Kimberly Acosta | .... | stock footage provider | |
| Laird Adamson | .... | assistant: Christine Vachon | |
| Eric Agopian | .... | production assistant | |
| Alan Aguilar | .... | chef | |
| Crystal Bahmaie | .... | on-set assistant: Christine Vachon | |
| Craig Bankey | .... | unit publicist | |
| Michael Bederman | .... | production accountant | |
| Sarah Bicknell | .... | office intern | |
| Susan H. Bodine | .... | legal counsel: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein, L.L.P. (as Sue Bodine) | |
| Kevin Breznahan | .... | adr loop group | |
| Shannon Burkett | .... | adr loop group | |
| David Chambers | .... | location assistant | |
| Cory Chew | .... | completion bond: Film Finances Inc. | |
| Alison S. Cohen | .... | legal counsel: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein, L.L.P. (as Alison Cohen) | |
| Joan Devilla | .... | payroll accountant (as Joan De Villa) | |
| Maureen Duffy | .... | completion bond: Film Finances Inc. | |
| Chris Ekstein | .... | office intern (as Chris Eckstein) | |
| Joe Facey | .... | craft service | |
| David L. Feinberg | .... | office intern | |
| Alexis Fish | .... | product placement and clearances | |
| Maryann C. Fondulas | .... | first assistant accountant | |
| Jamie Gannon | .... | production assistant | |
| Becky Goldberg | .... | office intern | |
| Greg Gordon | .... | production assistant | |
| Krista Haimovitch | .... | location coordinator | |
| Sharyn Hauck | .... | animal handler | |
| Sharyn Hauck | .... | animal trainer | |
| Sid Hauck | .... | animal handler (as Sig Hauck) | |
| Sid Hauck | .... | animal trainer (as Sig Hauck) | |
| Jesse Hove | .... | location assistant | |
| Robert Kahoud | .... | consultant: cerebral palsy | |
| Jeremy Konner | .... | location assistant | |
| Jane Kelly Kosek | .... | assistant: Declan Baldwin | |
| James Lepow | .... | production assistant | |
| Erica Levy | .... | product placement and clearances | |
| Rafael Lima | .... | production secretary | |
| Cathryn Long | .... | animal handler | |
| Cathryn Long | .... | animal trainer | |
| Jennifer Lyne | .... | assistant location manager | |
| Spike McClure | .... | adr loop group | |
| Ross Miller | .... | insurance: D.R. Reiff & Associates | |
| Kristal D. Moseley | .... | key set production assistant (as Kristal Mosley) | |
| Jordan Moussouros | .... | office intern | |
| Carlos Oliva | .... | office intern | |
| Sean Oliver | .... | adr loop group | |
| Chris Parsons | .... | office intern | |
| Jennifer Perito | .... | adr loop group | |
| Jason Rogers | .... | office intern | |
| Dana Rudys | .... | office intern | |
| Mike S. Ryan | .... | location manager | |
| Michael Jason Schiff | .... | office intern (as Michael Schiff) | |
| Paula Schmit | .... | completion bond: Film Finances Inc. | |
| Keith Schofield | .... | office intern | |
| Timothy Shea | .... | chef | |
| Frank Slaten | .... | production assistant | |
| Julie Slotnik | .... | production assistant | |
| Karen Koula Sossiadis | .... | production coordinator (as Koula Sossiadis) | |
| Daniel Steinhart | .... | office intern | |
| Katie Stern | .... | office intern | |
| Michael Taylor | .... | script supervisor | |
| José Tejada | .... | coordinator: parking and security (as Jose Tejada) | |
| Melinka Thompson-Godoy | .... | assistant: Ted Hope | |
| Steven W. Thrasher | .... | office production assistant | |
| Jenelle Troxell | .... | research assistant | |
| Jon Vachon | .... | office intern | |
| Peter Brogna | .... | office intern (uncredited) | |
| Katherine Dorrer | .... | assistant location manager: Washington D.C. (uncredited) | |
| Damon Michael Gordon | .... | location scout (uncredited) | |
| Jeff Maksym | .... | pre-production office intern (uncredited) | |
Thanks | |||
| Keith Addis | .... | special thanks | |
| Mark Borchardt | .... | special thanks | |
| Thomas R. Burman | .... | special thanks (as Tom Burman) | |
| Stef D'Andrea | .... | special thanks | |
| Bari Dreiband-Burman | .... | special thanks (as Bari Burman) | |
| Lyle Hysen | .... | special thanks | |
| Todd Interland | .... | special thanks | |
| Eytan Mirsky | .... | special thanks | |
| Neil Robertson | .... | special thanks | |
| Eric Rosner | .... | special thanks | |
| Roger Schwarzschild | .... | special thanks | |
| Ben Slatkin | .... | special thanks | |
| Don Steele | .... | special thanks | |
| Walter Teller | .... | special thanks | |
| Nick Wechsler | .... | special thanks | |
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| La historia oficial | Factory Girl | Across the Universe | The Squid and the Whale | Ceux qui m'aiment prendront le train |
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Writer/director Todd Solondz last rocked my world with Happiness, which was the sharpest, most unflinching black comedy I'd ever seen. He does it again with Storytelling, keeping his impeccable edge while exploring some intriguing new turf. No doubt wary after his previous ventures, Solondz attempts to circumvent some of the criticisms that less savvy viewers are bound to make. Sure enough, they go ahead and make them; the reviews are polarized. But the film is a masterpiece.
The film has two parts. The first part, titled Fiction, focuses on a creative writing student Vi (Selma Blair), her Cerebral Palsy-stricken boyfriend Marcus (Leo Fitzpatrick) and their professor Mr. Scott (Robert Wisdom).
The classroom setting provides an unusual venue: a story writing workshop within a story. Solondz puts one of the characters through a perversely traumatic experience, which we witness as viewers of the movie. Before we have a chance to pass judgment on Solondz, his character writes about the event in the 3rd person and reads the story in class. All accusations one might level against Solondz (namely: bad taste, plus every "ism" in the book) get made by the fellow students, who detest the story. But in the context of the movie, they're condemning an account of an event that actually happened! Very clever...
In spite of some of the grotesque twists, I found myself laughing out loud fairly often. Solondz has a gift for rendering subtle ironies that become overwhelmingly funny.
The lead characters are fascinating and multi-layered. Vi seems innocent, but if you pay close attention, you'll notice she's not particularly sincere. One would like to root for Marcus, but his condition doesn't excuse him for being a lousy writer and a self-absorbed a**hole. The professor may be a monster, but he is also very frank.
The second part Nonfiction is also highly self-aware. It covers the making of a two-bit documentary. In the process, the dialog once again anticipates many of the charges some will make against Solondz (that he exploits his subjects and creates a sensational freak show for us to snicker at). There's a cameo role with Mike Schank, who was featured in real life in American Movie. The similarities between the documentary American Movie, the fiction Storytelling and the documentary within a fiction (tentatively titled American Scooby) are uncanny.
Scooby (Mark Weber) is the ultimate apathetic suburban slacker teen. While very much spoiled and sheltered, he is also alienated from, and resentful of, his elders. He perks up a bit when there are no grownups around, but most of the time the "stupid" barrier is up and his eyes are half-closed and red from smoking pot. He's such a lost cause, he attracts the attention of an aspiring documentarian (Paul Giamatti).
As you might expect, the rest of Scooby's family is a real piece of work. Scooby's dad (John Goodman) is loud and domineering. His mom (Julie Hagerty) is idiotic. His younger brother Brady (Noah Fleiss) is a jock, perhaps the closest to what we'd like to consider "normal".
The brainy youngest brother, Mikey (Jonathan Osser) is a real standout. He tags around with the overworked El Salvadorian housemaid Consuelo (Lupe Ontiveros) and asks her lots of questions. His curiosity is cute, but his conceited insensitivity truly boggles the mind.
Solondz definitely favors the sordid, but I'm not sure he does so gratuitously. I think he simply refuses to pretend, as so many other do, that the world is a tidy, simple place. (Those who seek to preserve such a notion are guaranteed to abhor his work.) But is it fair to berate Solondz just because he dares to present what others systematically avoid? Whose vision is more skewed: Solondz for pointing out the dog***t on our shoes, or the mainstream for ignoring it?
I wish I could agree that his writings are contrived and distorted, but I don't think they are. Through the media, through the grapevine and sometimes with my own eyes, I've seen events that are every bit as twisted and "wrong" as those Solondz creates. Everywhere I look, I encounter people who could easily be incorporated into a Solondz script.
Every storyteller recreates the world according to his/her own vision. Todd Solondz just happens to be vastly more perceptive and talented than most. Storytelling is one of the most insightful, clever and thought-provoking films I've ever seen. Watch it multiple times for maximum yield.