| Photos (see all 24 | slideshow) | Videos |
| John Cameron Mitchell | ... | Hedwig | |
| Miriam Shor | ... | Yitzhak | |
| Stephen Trask | ... | Skszp - Band Member | |
| Theodore Liscinski | ... | Jacek - Band Member | |
| Rob Campbell | ... | Krzysztof - Band Member | |
| Michael Aronov | ... | Schlatko - Band Member | |
| Andrea Martin | ... | Phyllis Stein | |
| Ben Mayer-Goodman | ... | Hansel - 6 years old | |
| Alberta Watson | ... | Hansel's Mom | |
| Gene Pyrz | ... | Hansel's Dad | |
| Michael Pitt | ... | Tommy Gnosis | |
| Karen Hines | ... | Tommy's Publicist | |
| Max Toulch | ... | Goth Menses Boy | |
| Maurice Dean Wint | ... | Sgt. Luther Robinson | |
| Ermes Blarasin | ... | Fat Man | |
| Sook-Yin Lee | ... | Kwahng-Yi (as Sook Yin Lee) | |
| Maggie Moore | ... | Trailer Park Neighbor | |
| Renate Options | ... | Tranny Hooker | |
| rest of cast listed alphabetically: | |||
| Taylor Abrahamse | ... | Singing Boy (uncredited) | |
| Thérèse DePrez | ... | Laundromat Customer (uncredited) | |
| Mary Krohnert | ... | Rabid Fan (uncredited) | |
| Shane Mackinnon | ... | HedHead (uncredited) | |
| Alan Mandell | ... | Patron at restaurant (uncredited) | |
| Eileen Murphy | ... | Singer (uncredited) | |
| Rosie O'Donnell | ... | Herself (uncredited) | |
| Mike Potter | ... | Renate Options Options - 2nd call girl (uncredited) | |
| Michael Stevens | ... | HedHead (uncredited) | |
Directed by | |||
| John Cameron Mitchell | |||
Writing credits(WGA) | ||
| John Cameron Mitchell | book for the musical play "Hedwig and the Angry Inch" and | |
| Stephen Trask | book of musical play | |
| John Cameron Mitchell | (screenplay) | |
Produced by | |||
| Colin Brunton | .... | line producer | |
| Michael De Luca | .... | executive producer | |
| Amy Henkels | .... | executive producer | |
| Pamela Koffler | .... | producer | |
| Katie Roumel | .... | producer | |
| Mark Tusk | .... | executive producer | |
| Christine Vachon | .... | producer | |
Original Music by | |||
| Stephen Trask | (original score) | ||
Cinematography by | |||
| Frank G. DeMarco | |||
Film Editing by | |||
| Andrew Marcus | |||
Casting by | |||
| Susan Shopmaker | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| Nancey Pankiw | |||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Arianne Phillips | |||
Makeup Department | |||
| Debra Johnson | .... | key hair stylist | |
| Mary Monforte | .... | key makeup artist | |
| Cynthia Patton | .... | assistant hair stylist (as Cynthia Ann Patton) | |
| Mike Potter | .... | hair stylist: "Hedwig" | |
| Mike Potter | .... | makeup artist: "Hedwig" | |
| Rita Stapleton | .... | assistant makeup artist | |
Production Management | |||
| Colin Brunton | .... | unit production manager | |
| Suzanne Colvin | .... | production manager: additional photography (as Suzanne Colvin-Goulding) | |
| Carla Fry | .... | executive in charge of production | |
| Peter Phillips | .... | post-production supervisor | |
| Heather Ross | .... | production manager | |
| Hanna Tower | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dara Bratt | .... | trainee assistant director | |
| Felix Gray | .... | first assistant director: additional photography | |
| Karl Irvine | .... | second assistant director: additional photography | |
| Katrina Lee | .... | third assistant director | |
| Andrew Marcus | .... | second unit director | |
| Patrick Murphy | .... | third assistant director: additional photography | |
| Kristie Sills | .... | second assistant director | |
| Patrick Tidy | .... | first assistant director | |
| Andrew Pritchard | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Debra Armstrong | .... | art department production assistant | |
| Shan Barr | .... | on-set dresser | |
| Michaela Cheyne | .... | graphic artist | |
| Michaela Cheyne | .... | second assistant art director | |
| Cheryl Chung | .... | artist | |
| Rae Crombie | .... | assistant property master | |
| Rae Crombie | .... | props: additional photography | |
| Darryl D. Deegan | .... | on-set dresser (as Darryl Deagan) | |
| John Deslauriers | .... | set dresser | |
| Jeremiah Dickey | .... | artist | |
| Brian Fowler | .... | construction coordinator | |
| Alistair Hepburn | .... | art department production assistant | |
| Suzanne Hoffman | .... | lead set dresser | |
| Emily Hubley | .... | artwork designer | |
| Yoori Kang | .... | artist | |
| James Kinnie | .... | artist | |
| Tara Knight | .... | artist | |
| Phaedra Kolias | .... | artist | |
| Biljana Labovic | .... | artist | |
| Jose Martinez | .... | artist | |
| Raoul Martinez | .... | carpenter | |
| Brad Milburn | .... | art department apprentice | |
| Steve Mita | .... | artist | |
| Elizabeth Moran | .... | clearances | |
| Elizabeth Moran | .... | second assistant art director | |
| Mario Moreira | .... | property master | |
| Linda K. Moroney | .... | artist (as Linda Moroney) | |
| James Ridyard | .... | painter | |
| Tullis Rose | .... | set dresser | |
| Tanya Sakolsky | .... | art department intern | |
| Jason Sills | .... | slide guy | |
| Glen Smith | .... | carpenter | |
| Janice Thompson | .... | key scenic painter: additional photography | |
| Joanne Thompson | .... | head scenic artist | |
| Ethan Trask | .... | graphic designer | |
| Miguel Villalobos | .... | visual consultant | |
Special Effects by | |||
| Gorett Ala | .... | special effects key | |
| Sean Armstrong | .... | special effects key | |
| Harry Chaggaris | .... | special effects key | |
| Tim Good | .... | special effects coordinator | |
| Derek Liscoumb | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| John Bair | .... | effects animator | |
| Trevor Bajus | .... | digital artist | |
| Jamie Hallett | .... | digital compositor | |
| Chris Kairalla | .... | digital effects supervisor | |
| Scott Lawrence Klein | .... | coordinating producer | |
| Stanley Monahan | .... | optical effects | |
| Dave Salter | .... | digital artist | |
| David Tecson | .... | effects technical supervisor | |
Stunts | |||
| Taryn Ash | .... | stunt player | |
| Randy Butcher | .... | stunt player | |
| C.J. Fidler | .... | stunt double: Hedwig, additional photography | |
| Bryan Renfro | .... | stunt coordinator | |
| Bryan Renfro | .... | stunt player | |
| Bryan Thomas | .... | stunt player | |
Animation Department | |||
| Celia Bullwinkel | .... | animator | |
| Jeremiah Dickey | .... | animator | |
| Emily Hubley | .... | animation designer | |
| Emily Hubley | .... | animator | |
| Emily Hubley | .... | producer: animation sequence | |
| Sal Malimo | .... | track reading/animation photography: Mimondo Productions Ltd. | |
| C.J. Sarachene | .... | animator | |
Casting Department | |||
| Luisa Cabbidu | .... | extras casting assistant | |
| Robin D. Cook | .... | casting: Canada | |
| Zameret Kleiman | .... | extras casting | |
| Andrea Kool | .... | casting assistant: Toronto | |
| Erica Palgon | .... | casting assistant: USA | |
Costume and Wardrobe Department | |||
| Jozi Conte | .... | wardrobe supervisor (as Jozie Conte) | |
| Anna Dal Farra | .... | assistant costume designer | |
| Les Handrahan | .... | wardrobe assistant: truck | |
| Karen Steele | .... | wardrobe cutter | |
Editorial Department | |||
| Cristina Cacioppo | .... | post-production assistant | |
| Jack Deutchman | .... | executive in charge of post-production | |
| Chris Hinton | .... | color timer | |
| Myron I. Kerstein | .... | additional editor (as Myron Kerstein) | |
| Perri Pivovar | .... | assistant editor | |
| Catherine Rankin | .... | negative cutter | |
| Annellie Rose Samuel | .... | first assistant editor: Toronto (as Annellie Samuel) | |
| Maisie Weissman | .... | first assistant editor | |
Music Department | |||
| Patrick Derivaz | .... | additional music recording engineer | |
| Matthew Ellard | .... | additional music recording engineer | |
| Alexis Fleisig | .... | musician: score, 'Girls Against Boys' | |
| Perry James | .... | band musician | |
| Eli Janney | .... | musician: score, 'Girls Against Boys' | |
| Mark Kaufman | .... | music clearance executive: New Line | |
| Robert Kennedy | .... | location music playback operator | |
| Dick Kondas | .... | assistant music recording engineer | |
| Annette Kudrak | .... | music editor | |
| Alison LaCourse | .... | music assistant (as Alison Lacourse) | |
| Alex Lasarenko | .... | composer: additional music | |
| Doug McClement | .... | location music recordist | |
| Scott McCloud | .... | musician: score, 'Girls Against Boys' | |
| Tim O'Heir | .... | music mixer | |
| Tim O'Heir | .... | music recordist | |
| Bill Orrico | .... | assistant music editor | |
| Blair Packman | .... | location music recording assistant | |
| Dana Sano | .... | music executive: New Line | |
| Damian Shannon | .... | assistant music recording engineer | |
| Lori Silfen | .... | music business affairs: New Line | |
| Alex Steyermark | .... | executive music producer | |
| Johnny Temple | .... | musician: score, 'Girls Against Boys' | |
| Stephen Trask | .... | composer: songs | |
| Stephen Trask | .... | musician: score | |
| Ike Zimbel | .... | location music recording assistant | |
| Eric Perlmutter | .... | music assistant (uncredited) | |
Transportation Department | |||
| Mike Adams | .... | transportation captain: additional photography | |
| Owen Baird | .... | driver: honeywagon | |
| Brad Bell | .... | transportation coordinator | |
| Rob Bertrand | .... | driver | |
| Tony Bifano | .... | transportation coordinator: additional photography | |
| Bill Bowman | .... | transportation captain | |
| Brian Davey | .... | head driver | |
| Rob French | .... | driver | |
| Roy Ignagni | .... | driver | |
| Don Lamoureaux | .... | driver | |
| George Mantis | .... | driver | |
| Mickey McAllister | .... | driver: additional photography (as Mickey McAllistar) | |
| Johnny Opasinis | .... | driver | |
| Gaby Revesz | .... | driver: additional photography | |
| Jim Ryder | .... | driver | |
| Michael Thomas | .... | driver: additional photography | |
Other crew | |||
| Laird Adamson | .... | production executive: Killer Films | |
| Taryn Ash | .... | stand-in | |
| Claire Best | .... | production executive | |
| Paul Brennan | .... | production counsel (as Paul Brennan Esq.) | |
| Andrew Capelli | .... | titles: vBureau.com | |
| Jonathan Contreras | .... | locations production assistant: additional photography | |
| Brent Cox | .... | production counsel: Sloss Law Office P.C. | |
| Rachel Dawson | .... | assistant: Amy Henkels | |
| Danielle Depeyre | .... | script supervisor | |
| Jack DePoe | .... | production office assistant (as Jack Depoe) | |
| Jennifer Zolten Freed | .... | post-production accountant | |
| Jennifer Gaylord | .... | production counsel (as Jennifer Gaylord Esq.) | |
| Michelle Gebert | .... | post-production accountant | |
| Amy Goodman | .... | business affairs executive: New Line | |
| Keanne Goulet | .... | location production assistant (as Deanne Goulet) | |
| Gerhard Hauck | .... | language consultant: German | |
| Jocelyn Hayes | .... | development executive: Killer Films | |
| Deirdre Hughes | .... | production secretary: additional photography (as Deidre Hughes) | |
| Scott Hunter | .... | production assistant | |
| Scott Hunter | .... | production assistant: additional photography | |
| Joshua David Jordan | .... | voice | |
| Stephanie Keating | .... | unit publicist | |
| Randy Kumano | .... | production coordinator: additional photography | |
| Dan'l Linehan | .... | rough-cut screener | |
| Arlene Lum Lock | .... | payroll | |
| Sandra Lum Lock | .... | production accountant | |
| Brandon Long | .... | assistant location manager | |
| Brandon Long | .... | location manager: additional photography | |
| Neil Lumlock | .... | location manager (as Neil Lum Lock) | |
| Shana MacMahon | .... | on-set craft service | |
| Sarah Mae | .... | on-set craft service | |
| Jon Marcus | .... | production executive: Killer Films | |
| James Mauro | .... | assistant to line producer (as Jim Mauro) | |
| Jen McCann | .... | production intern | |
| Marlene McCarty | .... | titles: vBureau.com | |
| Stacey McKay | .... | key accountant: additional photography | |
| Jerry Mitchell | .... | choreographer | |
| John Nadalin | .... | production office assistant | |
| Terrence Nelson | .... | assistant: J.C. Mitchell (as Terry Nelson) | |
| Monica Perez Gelbman | .... | post-production accountant (as Monica Perez-Gelbman) | |
| Brad Peyton | .... | assistant to producers | |
| Greg Rang | .... | production resources | |
| Sara Robichaud | .... | stand-in | |
| Heather Ross | .... | production coordinator | |
| Jesse Rupert | .... | first assistant accountant | |
| Catherine Sample | .... | assistant production coordinator | |
| Megan Sanchez-Warner | .... | production associate: Killer Films (as Megan Warner) | |
| Tim Sebert | .... | production intern | |
| Sharon Seto | .... | electronic press kit | |
| Bradford Simpson | .... | head of development: Killer Films (as Brad Simpson) | |
| Hanna Tower | .... | production coordinator | |
| Dylan Verrechia | .... | intern | |
| Daniel Wagner | .... | head of operations: Killer Films | |
| Jane Walker | .... | script supervisor: additional photography | |
| Nikia Nelson | .... | production assistant: additional photography (uncredited) | |
Thanks | |||
| Kevin Adams | .... | special thanks | |
| Todd Armitage | .... | thanks | |
| Jonathan Arnold | .... | thanks | |
| Peter Askin | .... | special thanks | |
| Stephen Bachner | .... | special thanks | |
| Anne Bakoulis | .... | thanks | |
| Scott Bilbrey | .... | special thanks | |
| David Binder | .... | acknowledgment: originally produced in New York City by | |
| David Bowie | .... | special thanks | |
| Susann Brinkley | .... | acknowledgment: original off-Broadway stage production produced by | |
| John Bruce | .... | special thanks | |
| Terry Byrne | .... | special thanks | |
| Ellen Cavolina | .... | special thanks | |
| Tom D'Ambrosio | .... | special thanks | |
| Dean DeLeo | .... | thanks | |
| Robert DeLeo | .... | thanks | |
| Danny DeVito | .... | special thanks | |
| Susan Dietz | .... | special thanks | |
| Arnie Engelman | .... | special thanks | |
| Alli Farrell | .... | special thanks | |
| Danny Fields | .... | special thanks | |
| Doug Foote | .... | thanks | |
| James B. Freydberg | .... | acknowledgment: original off-Broadway stage production produced by | |
| Werner Fritsching | .... | special thanks | |
| Gina Garan | .... | special thanks | |
| Jean-Paul Gaultier | .... | thanks | |
| Eric Gilliland | .... | special thanks | |
| Judith E. Goldman | .... | special thanks (as Judy Goldman) | |
| Mitchell Goldman | .... | special thanks | |
| Adriano Goldschmied | .... | thanks | |
| Josh Greir | .... | special thanks | |
| Peter Hawkins | .... | thanks | |
| Todd Haynes | .... | special thanks | |
| Richie Jackson | .... | special thanks | |
| Tom Kalin | .... | special thanks | |
| Brian A. Kates | .... | special thanks (as Bryan Kates) | |
| Eva Kolodner | .... | thanks | |
| Abbie Konowitch | .... | special thanks | |
| Eric Krotz | .... | thanks | |
| Michael Leon | .... | thanks | |
| Eric Levine | .... | thanks | |
| James Lyons | .... | special thanks | |
| Alan Mandell | .... | special thanks | |
| Steven M. Martin | .... | thanks | |
| Dave McKinley | .... | special thanks | |
| Rebecca Meis DeMarco | .... | thanks (as Becca Demarco) | |
| John H. Mitchell | .... | special thanks (as Maj. Gen. John H. Mitchell) | |
| Mrs. John H. Mitchell | .... | special thanks | |
| James Morrison | .... | special thanks | |
| Jeff Newton | .... | thanks | |
| Keith Nobbs | .... | special thanks | |
| Rosie O'Donnell | .... | special thanks | |
| Kevin O'Neil | .... | special thanks | |
| Eric Osben | .... | special thanks | |
| Rifat Ozbek | .... | thanks | |
| Dolly Parton | .... | special thanks | |
| Jodi Peikoff | .... | special thanks | |
| Lou Reed | .... | special thanks | |
| Laura Rosenthal | .... | special thanks | |
| Steven Saporito | .... | special thanks | |
| Michelle Satter | .... | special thanks | |
| David Schmerler | .... | special thanks | |
| Michael Schmidt | .... | special thanks | |
| Bob Schwartz | .... | special thanks | |
| Miriam Schwartz | .... | special thanks | |
| Vin Scolsa | .... | special thanks | |
| Efrem Seeger | .... | special thanks | |
| Lori Seld | .... | special thanks | |
| Jack Steeb | .... | special thanks | |
| Joe Stefko | .... | thanks | |
| Joan Stein | .... | special thanks | |
| Christine Taylor | .... | special thanks | |
| Fabio Toblini | .... | special thanks | |
| Michael Trask | .... | special thanks | |
| David Tumblety | .... | thanks (as Dave Tumbelty) | |
| Sergio Valente | .... | thanks | |
| Scott Weiland | .... | thanks | |
| Chris Weilding | .... | special thanks | |
| Jonathan Weisgal | .... | special thanks | |
| JoJo Whilden | .... | thanks (as Jo Jo Wilden) | |
| Diane White | .... | special thanks | |
| Stephen Winter | .... | special thanks | |
| Joe Witt | .... | special thanks | |
| James Youmans | .... | special thanks | |
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| The Nomi Song | Rainbow Around the Sun | Rent | Cabaret | Confessions of a Drag Queen |
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No matter how much I do praise it, I'll end up turning people against it. But, let me ask you: what were you expecting when you first heard of Hedwig and the Angry Inch? It's been billed as a punk rock musical about a transsexual from East Germany who was duped into coming to live in a trailer park in Kansas City. So what was I expecting? A gay camp film. I had no doubts that it would be anything else. And that's not to say that I wouldn't have enjoyed a gay camp movie. After all, I liked Moulin Rouge. But I got a surprise that was entirely unexpected: what I experienced was the best new film I had seen in years. And I mean that. Hedwig and the Angry Inch is equally hilarious and touching. Not that I want to spread cliches, but I seriously laughed and I seriously cried, often simultaneously. This manages to be the best American comedy since, damn, Preston Sturges was still writing and directing. It's easily the best movie musical since Cabaret. It's also one of the most heartfelt and passionate dramas, and one of the best character studies I've ever seen. Along with that, John Cameron Mitchell delivers a performance that perhaps hasn't been equalled since, I don't know, Robert DeNiro in Raging Bull, which might be the ultimate cinematic character study. I shouldn't say that, because it might hint that Hedwig is a dark character, but, well, I'd call her just a great protagonist. She's a heroine, especially to anyone experiencing sexual confusion, but even to me, a straight, Midwestern boy. Hedwig is a heroine for anyone who's ever felt that they've been treated like crap their entire life. I wanted to clap for and support Hedwig emotionally throughout the entire film. In short, Hedwig is a character I deeply loved, equal to just a few other characters I've met throughout my extensive journeys in the cinema. Parallel to a situation in the film, if I should ever see John Cameron Mitchell on the street, I'd have to hug him.
I also have another heap of praise that I have to go through before I am done. I've always thought that movie musicals adapted from stage plays were the death of the genre. Only a few exceptions ever seemed more than unimaginative, slavish films that worked only to bring Broadway to an audience who could or would never visit NYC. Cabaret was the one big exception that I had seen previously, but you also hear West Side Story mentioned as being a great film. But, in adapting a stage play for the screen, I always expect the film to seem stranded on stage. To boot, Hedwig had another mark against it: the director, Mitchell again, had never directed a film before. Well, I really don't know what training he had in the art, but it must have been enough. The cinematic art, at least the visual aspect of it, has nearly been forgotten in the 1990s and 2000s, but John Cameron Mitchell creates a visual tour de force as much as he does one of writing and acting. I love the scene where Hedwig the adult reminisces about how his mother forced him to put his head in the oven if he wanted to sing when he was a child. And Hedwig and the Angry Inch's (that's the band's name as well as the film's) appearance outside the Menses Festival next to the port-o-potties. A goth chick, who presumably didn't have tickets for the actual Menses Festival, watches the band in deep curiosity and confusion; Hedwig invites the girl to sit up on stage with her while she relates her past. I also love the sequence where the American G.I. discovers him laying naked in rubble. Hedwig's original name was Hansel, which leads to one of the funniest jokes I can ever recall seeing. Or how about the scene where Hedwig, when babysitting, discovers Tommy, the future rock star who steals all her songs, masturbating in the bath tub? That scene is handled so well that I almost died laughing. To tell you the truth, I don't think there is anything ostensibly wrong with the film, period. I just wanted to talk about the amazing direction because the one review of it I have on hand says "the direction can't help from being flat." FLAT? How can you say that it is flat? PS: The animated number and the song that goes along with it is adapted from Aristophanes' speech in Plato's Symposium, about which I wrote my senior thesis in college. The rock star's stage name, Gnosis, is Ancient Greek for "knowledge," which Hedwig actually says in the film. One of the filmmakers must have learned Ancient Greek at some point in his life. Bravo, good sirs.