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To an American, especially a post-9/11 American, the idea of a "terrorist musical" would seem outrageous and naive. It would be grossly unfair to make fun of this film in that way, though; MK defies classification in Hollywood genres. The diapason of themes in this movie is impressive and, to quote Roger Ebert, one actually cares what happens to these people, even the unholy maker-of-fatwas Hilal. A young man's flirtation with extremism is teated, as well as the little-understood Hindu-Moslem, and little-known Russian-Pathan dynamics. I loved the scenery and cinematography, and was very interested to hear about the symbolism from the other IMDb commenter's.
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