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Directed by | |||
| Todd Field | |||
Writing credits | ||
| Andre Dubus | (story "Killings") | |
| Robert Festinger | (screenplay) (as Rob Festinger) and | |
| Todd Field | (screenplay) | |
Produced by | |||
| Stephen Dembitzer | .... | co-executive producer | |
| Todd Field | .... | producer | |
| Ted Hope | .... | executive producer | |
| Ross Katz | .... | producer | |
| Graham Leader | .... | producer | |
| John Penotti | .... | executive producer | |
| Penn Sicre | .... | co-executive producer (as PennSicre) | |
| Tim Williams | .... | co-producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Antonio Calvache | |||
Film Editing by | |||
| Frank Reynolds | |||
Casting by | |||
| Randi Hiller | |||
| Belinda Monte | |||
Art Direction by | |||
| Shannon Hart | (uncredited) | ||
Set Decoration by | |||
| Josh Outerbridge | (as Joshua Outerbridge) | ||
Costume Design by | |||
| Melissa Economy | |||
Makeup Department | |||
| Bob Harper | .... | additional makeup artist | |
| Sally J. Harper | .... | hair stylist (as Sally Harper) | |
| Terri Harper | .... | makeup artist | |
Production Management | |||
| Mary Feuer | .... | production supervisor | |
| Per Melita | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Victoria Lang | .... | assistant director | |
| Aida Rodgers | .... | assistant director | |
| Amanda Slater | .... | assistant director | |
| Daniel M. Stillman | .... | first assistant director (as Dan Stillman) | |
| Eric Yellin | .... | second assistant director | |
Art Department | |||
| Laurie Anne Gardner | .... | property assistant | |
| Kirsten Gilg | .... | set dresser | |
| Terry Goodhue | .... | construction | |
| Shannon Hart | .... | sets | |
| Cameron Matheson | .... | set dresser | |
| Martin Merritt | .... | scenic | |
| Matthew Nagle | .... | set dresser | |
| Meghan Nichols | .... | art department assistant | |
| Wilder Oaks | .... | scenic | |
| Tim Payson | .... | property master | |
| Tyris Smith | .... | lead man | |
| Kenneth Weinberg | .... | set dresser | |
| Harmony Gosbee | .... | set dresser (uncredited) | |
Sound Department | |||
| Bruce Greenspan | .... | additional dialogue editor | |
| Chris Jenkins | .... | sound re-recording mixer | |
| Frank A. Montaño | .... | sound re-recording mixer (as Frank Montano) | |
| Mark Narramore | .... | sound recordist | |
| Will Riley | .... | supervising sound editor | |
| John Roesch | .... | foley artist: Warner Hollywood | |
| Caleb Snyder | .... | boom operator | |
| Edward Tise | .... | sound recordist | |
| Lisa Varetakis | .... | sound editor | |
Special Effects by | |||
| Brian Ricci | .... | special effects | |
Visual Effects by | |||
| Ben Apley | .... | digital effects coordinator | |
| Rod Basham | .... | digital effects composite artist | |
| Clyde Beamer | .... | digital effects supervisor | |
| Jonathan Bradstreet | .... | rendering artist | |
| Keith Bryant | .... | digital effects producer | |
| Kyle Cooper | .... | supporting digital effects artist | |
| Peter Frankfurt | .... | supporting digital effects artist | |
| Ray Harvie | .... | rendering artist (as Raymond Harvie) | |
| Chip Houghton | .... | supporting digital effects artist | |
| Jonathan Morse | .... | rendering artist | |
Casting Department | |||
| Rachel Carey | .... | casting assistant | |
| Dee Cooke | .... | extras casting | |
Costume and Wardrobe Department | |||
| Shana Schoepke | .... | wardrobe mistress | |
Editorial Department | |||
| Mia Goldman | .... | editorial consultant | |
| Chris Regan | .... | color timer (as Christopher Regan) | |
| Betsy James Wyeth | .... | editor: "The Wyeths" | |
| Heidi Zellner | .... | negative cutter: West Coast Editorial | |
Music Department | |||
| Bill Bernstein | .... | music editor | |
| Julian Bratolyubov | .... | music preparation | |
| Jordan Corngold | .... | assistant music editor (as Jordon Corngold) | |
| Joe Gaswirt | .... | music mastering | |
| Marcy Gesnic | .... | music contractor (as Marcy Gensic) | |
| Joel Iwataki | .... | music scoring mixer | |
| Ohkee Kim | .... | assistant music scoring mixer (as Okhee Kim) | |
| Leslie Morris | .... | music contractor | |
| Thomas Pasatieri | .... | orchestrator: strings | |
| Sharon Smith | .... | music editor: temp music (uncredited) | |
Transportation Department | |||
| Bob Carnes | .... | transportation captain | |
| Allan Macdonald | .... | driver | |
| George Smith | .... | driver | |
Thanks | |||
| Ann Marie Almeida | .... | acknowledgment: Camden Amphitheatre | |
| Louis Bacon | .... | grateful acknowledgment: GreeneStreet Films | |
| Hannah Baldwin | .... | grateful acknowledgments: Graham Leader | |
| Joel Baldwin | .... | grateful acknowledgments: Graham Leader | |
| Jonathan Brand | .... | acknowledgment: Ship Street House | |
| Monica Brand | .... | acknowledgment: Ship Street House | |
| Julie Bryer | .... | acknowledgment: Trevette Country Store | |
| George Carrol | .... | grateful acknowledgments: Graham Leader | |
| Clifford Christensen | .... | acknowledgment: Mace's | |
| Marcella Christensen | .... | acknowledgment: Mace's | |
| Lester Dembitzer | .... | grateful acknowledgments: Graham Leader | |
| Greg Dorr | .... | acknowledgment: City of Rockland city attorney | |
| Andre Dubus | .... | dedicatee | |
| Michael Garfinkle | .... | grateful acknowledgment: GreeneStreet Films | |
| Robert Gasper | .... | grateful acknowledgments: Graham Leader | |
| Gordon Goldstein | .... | grateful acknowledgments: Graham Leader | |
| Tom Hall | .... | acknowledgment: City of Rockland town manager | |
| James Harmon | .... | acknowledgment: Old Orchard Beach | |
| Richard Harrison | .... | grateful acknowledgments: Graham Leader | |
| Chip Highfield | .... | acknowledgment: Crockett's Beach | |
| Frances Holdgate | .... | acknowledgment: Market on Main | |
| Patricia Hubbard | .... | acknowledgment: Lincoln Street Center for the Arts | |
| Jimmy Kalloch | .... | acknowledgment: The Woods | |
| David Ladik | .... | grateful acknowledgments: Graham Leader | |
| Jeff Lewis | .... | acknowledgment: Trevette Country Store | |
| Carolyn May | .... | acknowledgment: The GrassHopper Shop | |
| Kimberly McLain | .... | acknowledgment: Trevette Country Store | |
| Roger Moody | .... | acknowledgment: City of Camden town manager | |
| Ellen Myers | .... | grateful acknowledgments: Graham Leader | |
| Frank O'Hara | .... | acknowledgment: Boat House | |
| Joanne Parsons | .... | acknowledgment: Stinson Seafood/Cannery | |
| Friederike Penberg | .... | grateful acknowledgments: Graham Leader | |
| Mitchell Penberg | .... | grateful acknowledgments: Graham Leader | |
| Simon Pentecost | .... | grateful acknowledgments: Graham Leader | |
| Christopher Pia | .... | grateful acknowledgment: GreeneStreet Films (as Chris Pia) | |
| Mary Spitzer | .... | grateful acknowledgments: Graham Leader | |
| Philip Spitzer | .... | grateful acknowledgments: Graham Leader | |
| Johanna Strassberg | .... | acknowledgment: The GrassHopper Shop | |
| Janette Sulides | .... | acknowledgment: Ginn's Point | |
| John Sutin | .... | grateful acknowledgments: Graham Leader | |
| Kevin Taylor | .... | acknowledgment: The Landings | |
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Everything about this film is wonderfully done, from the restrained direction and acting, to the inexorable progression to tragic conclusion following preceding events. All the actors and acting are excellent, with a particularly subtle and brilliant portrayal by Tom Wilkinson as Dr. Fowler. Always great, he is, in my estimation, one of the unsung and underrated actors in film today. Sissy Spacek is also wonderful, and the inevitable emotional fall-out in their relationship after their shared experience is beautifully done. Very human - and very real.
Though difficult to watch, it is a great film, great story, with great performances all around by gifted actors. Not to be unsung are the excellent performances by Marisa Tomei, and all the other supporting actors. A film that would benefit one to watch more than once, there is that much substance there. Worth paying particular notice to is the opening metaphor in the scene on the lobster boat where Tom Wilkinson (Dr. Fowler) explains the nature of how a lobster-trap works - and the name the lobster-men (and tradition) have given to the inner part of the trap. This is the metaphor for the human story that will, tragically, unfold.
A great film, with great work all around. Todd Field is a director to remember.