| Photos (see all 12 | slideshow) | Videos (see all 2 NEW) |
Directed by | |||
| Chris Ver Wiel | |||
Writing credits(WGA) | ||
| Chris Ver Wiel | (written by) (as Chris Verwiel) | |
Produced by | |||
| Daniel Diamond | .... | executive producer | |
| Marc Dorfman | .... | associate producer | |
| Jay Firestone | .... | executive producer | |
| Michael Greenfield | .... | associate producer | |
| Matthew Grimaldi | .... | producer | |
| Daniel Grodnik | .... | producer | |
| Adam Haight | .... | executive producer | |
| Dennis Murphy | .... | co-producer | |
| Dennis Stuart Murphy | .... | co-producer | |
| Michael Philip | .... | co-producer | |
| Eric Sandys | .... | co-producer | |
| Mary Jo Slater | .... | co-producer | |
| Robert Snukal | .... | producer | |
| Kandice Stroh | .... | associate producer | |
| Tony Thatcher | .... | co-producer | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Jerzy Zielinski | |||
Film Editing by | |||
| Roger Bondelli | |||
Casting by | |||
| Steve Brooksbank | |||
| Jon Comerford | |||
| Mary Jo Slater | |||
Production Design by | |||
| Charles Rosen | |||
Art Direction by | |||
| Peter Emmink | |||
Set Decoration by | |||
| Christina Kuhnigk | |||
| Michael McShane | |||
Costume Design by | |||
| Betsy Cox | |||
| Kei Yano | |||
Makeup Department | |||
| Julia Carter | .... | assistant makeup artist | |
| Hallie D'Amore | .... | makeup artist: Tim Allen | |
| Ina Green | .... | assistant hair stylist | |
| Mary Sue Heron | .... | key makeup artist (as Marysue Heron) | |
| Kevin Hutchinson | .... | special makeup effects artist | |
| Moira Wijk | .... | key hair stylist | |
Production Management | |||
| W. Michael Beard | .... | post-production supervisor | |
| Dennis Chapman | .... | unit production manager | |
| Lisa Kalushner | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Christopher Binney | .... | second assistant director | |
| Cassandra Cronenberg | .... | third assistant director | |
| Andrew Shea | .... | first assistant director | |
Art Department | |||
| John Archbell | .... | property master | |
| Simon Corton | .... | on-set dresser | |
| Rojuano Espiritu | .... | assistant set dresser | |
| Ron Hobbs | .... | storyboard artist | |
| David Joseph | .... | lead dresser | |
| Billy Koon | .... | key scenic painter | |
| Christina Kuhnigk | .... | set buyer | |
| Valerie Kurck | .... | second assistant art director | |
| Mark Kurtyka | .... | head carpenter | |
| Brent McGillivray | .... | first assistant art director | |
| Dan Mucka | .... | construction coordinator | |
| Donald Peddie | .... | assistant set dresser | |
| William Poulter | .... | assistant set dresser | |
| Jeff Silver | .... | set dresser | |
| Peeter Tammemagi | .... | assistant property master | |
| Matthew G. Wright | .... | set dresser | |
Sound Department | |||
| Matt Ahrens | .... | assistant sound effects editor | |
| David Appleby | .... | sound re-recording mixer (as Dave Appleby) | |
| Brian Avery | .... | production sound mixer | |
| Brian Avery | .... | sound recordist | |
| Steve Baine | .... | foley artist | |
| Kevin Banks | .... | foley editor | |
| Kevin Banks | .... | sound editor | |
| Elma Bello | .... | dialogue editor | |
| Elma Bello | .... | re-conform editor | |
| Fred Brennan | .... | dialogue editor | |
| Richard Cadger | .... | dialogue editor (as Rick Cadger) | |
| Christian Carruthers | .... | sound re-recording mixer | |
| Gavin Coford | .... | boom operator | |
| Roderick Deogrades | .... | sound effects editor | |
| John Elliot | .... | foley assistant | |
| Gina Gyles | .... | foley assistant | |
| Steve Hammond | .... | foley artist | |
| Richard Harkness | .... | sound effects editor (as Rich Harkness) | |
| Ronayne Higginson | .... | dialogue editor | |
| Robbie John | .... | sound trainee | |
| Martin Gwynn Jones | .... | assistant dialogue editor | |
| Sean Kelly | .... | dialogue editor | |
| Garrett Kerr | .... | supervising dialogue editor | |
| Ana Malcon | .... | foley assistant | |
| Ron Malligers | .... | foley engineer (as Ron Mellegers) | |
| David McCallum | .... | sound effects editor | |
| Peter Persaud | .... | foley recordist | |
| Brent Pickett | .... | first assistant sound editor | |
| Greg Shim | .... | adr engineer | |
| Mark Shnuriwsky | .... | sound editor | |
| Brad Thornton | .... | sound re-recording mixer | |
| Robert Warchol | .... | sound effects editor | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Mohammad Ghorbankarimi | .... | special effects supervisor | |
| Patrick Hirlehey | .... | special effects: Jaleo Master | |
| Brock Jolliffe | .... | special effects coordinator | |
| George Levai | .... | special effects: Jaleo Master | |
| Robert C. Shannon | .... | underwater special effects diver | |
Visual Effects by | |||
| Lisa Carr-Harris | .... | 2D artist: C.O.R.E. Digital Pictures | |
| Sara Fillmore | .... | production manager: C.O.R.E. Digital Pictures | |
| Dipankar Goswamy | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Shane Kinnear | .... | executive producer: C.O.R.E. Digital Pictures | |
| Stan Klychko | .... | technical support: C.O.R.E. Digital Pictures | |
| Michael Kowalski | .... | production manager: C.O.R.E. Digital Pictures | |
| Tanya Kuzmanovic-Howard | .... | production coordinator: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | visual effects supervisor | |
| Ken Ouellette | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Nordin Rahhali | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Nordin Rahhali | .... | animation supervisor: C.O.R.E. Digital Picture | |
| John A. Shaw | .... | technical support: C.O.R.E. Digital Pictures | |
| Tracey Vaz | .... | 2D artist: C.O.R.E. Digital Pictures | |
| Michael Wile | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Alphonso Young | .... | 2D artist: C.O.R.E. Digital Pictures | |
Stunts | |||
| Nick Alachiotis | .... | stunts | |
| Ron Bell | .... | stunts | |
| James Binkley | .... | stunts | |
| Matt Birman | .... | stunts | |
| Shelley Cook | .... | stunts (as Shelly Cook) | |
| Rick Forsayeth | .... | stunt coordinator | |
| Danny Lima | .... | stunts | |
| Dwayne McLean | .... | stunts | |
| Regan Moore | .... | stunt rigger | |
| Layton Morrison | .... | stunts | |
| Valentin Nedialkov | .... | stunts | |
| Billy Oliver | .... | stunts (as Bill Oliver) | |
| Sue Parker | .... | stunts | |
| Edward A. Queffelec | .... | stunts (as Ed Queffelec) | |
| Robert Racki | .... | stunts | |
| Bryan Renfro | .... | stunts | |
| Paul Rutledge | .... | stunts | |
| Robert C. Shannon | .... | water safety | |
| Peter Szkoda | .... | stunts | |
| Tye Tyukodi | .... | stunts (as Anton Tyukodi) | |
| Ron Van Hart | .... | stunts | |
Camera and Electrical Department | |||
| Andy Barnet | .... | grip | |
| Mark Berlet | .... | gaffer | |
| Andy Chmura | .... | camera operator | |
| Ross Church | .... | grip | |
| Mark Cyre | .... | first assistant camera | |
| Alex Zeek Cywink | .... | electric trainee | |
| John Foss | .... | assistant rigging grip | |
| Ava Gerlitz | .... | still photographer | |
| Kenny Green | .... | electrician | |
| Gene Grey | .... | grip | |
| Mitch Holmes | .... | key grip | |
| Rick Leger | .... | generator operator | |
| Robin Lopes | .... | dolly grip | |
| David McNeil | .... | rigging gaffer | |
| Patricia Meyer | .... | camera trainee | |
| Rahul Parekh | .... | rigging grip | |
| Loreen Ruddock | .... | best boy electric | |
| Christopher J. Toudy | .... | best boy grip (as Chris Toudy) | |
| Neil Trafford | .... | second assistant camera | |
| Chris Zak | .... | electrician | |
Casting Department | |||
| Larissa Giroux | .... | casting associate: Canada | |
| Zameret Kleiman | .... | extras casting | |
| Jeff Olan | .... | extras casting | |
Costume and Wardrobe Department | |||
| Elayne Alexander | .... | on-set wardrobe | |
| Arlene Kamalatisit | .... | wardrobe trainee | |
| Julie O'Brien | .... | costume designer: USA | |
| Melissa Antablin | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Marcus Manton | .... | additional editor | |
| Arthur Montreuil | .... | color timer | |
| Colin Moore | .... | colorist | |
| Corinne Villa | .... | assistant editor | |
Music Department | |||
| Elton Ahi | .... | scoring engineer | |
| David Bondelevitch | .... | music editor | |
| Mike Phillips | .... | assistant music editor | |
| Jeff Wolpert | .... | music editor | |
Transportation Department | |||
| Brad Bell | .... | transportation captain | |
| Eddie Bowman | .... | transportation coordinator | |
| William Kuehn | .... | transportation coordinator | |
| Recent Posts (updated daily) | User |
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| Awesom film | workdesk_1 |
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| the bald guy | liekster |
| Good film:better than expected | scotpaul4 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Minor but most enjoyable matinee fodder which is notable for giving tailor made opportunities to an eclectic cast of "names" who have all been unfortunatley ill used by recent vehicals. Tim Allen seems to relish toning down the roguish chortle (the trailer of "S. C. II" points to a huge potential comeback....and an even huger potential for further typecasting). This was his freshest performance in years....and Christian Slater's charming work prooves just how much warmth and wit do lie untapped underneath the lethargic mannerisms....and make appearances in unworthy megaduds like "Windtalkers" even more sad. Richard Dreyfuss has a much smaller role....(thank heavens) but even he seems a bit more vital and less hammy than he has been of late (except in the unjustly overlooked gem "Tripendorff's Tribe" in which he was hysterical...at least on Cinemax. The love it or hate it factor here is bound to be the playful and very deliberate swipes at Tarantino which seem to be this scripts main reason for existence. Even though I loved "Fiction" (and hated "Gump") I can still appreciate the cheekiness of stealing the diffuse plot structure, toning down the bloodletting and bad words, and injecting two very refreshing elements....a nice sense of humanity and an obviously genuine affection for the art of cinema...anyone who is open to either of those qualities should find much to enjoy in this nice little film.