| Photos (see all 53 | slideshow) | Videos (see all 12 NEW) |
Directed by | |||
| Paul Hunter | |||
Writing credits(WGA) | ||
| Ethan Reiff | (written by) & | |
| Cyrus Voris | (written by) | |
Produced by | |||
| Terence Chang | .... | producer | |
| Gotham Chopra | .... | executive producer | |
| Alan Glazer | .... | co-producer (as Alan G. Glazer) | |
| Robert K. Lambert | .... | associate producer | |
| Caroline Macaulay | .... | executive producer | |
| Brent O'Connor | .... | co-producer | |
| Mark Paniccia | .... | co-producer | |
| Charles Roven | .... | producer | |
| Douglas Segal | .... | producer | |
| Kelley Smith-Wait | .... | executive producer (as Kelly Smith-Waite) | |
| John Woo | .... | producer | |
| Michael Yanover | .... | executive producer | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Stefan Czapsky | (director of photography) | ||
Film Editing by | |||
| Robert K. Lambert | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Deborah Evans | |||
Art Direction by | |||
| Arvinder Grewal | (as T. Arv Grewal) | ||
| Eric Norlin | |||
Set Decoration by | |||
| Penny A. Chalmers | |||
| Clive Thomasson | |||
Costume Design by | |||
| Delphine White | |||
Makeup Department | |||
| Alessondra Bastianoni | .... | assistant makeup artist | |
| David R. Beecroft | .... | key hair stylist | |
| Barney Burman | .... | prosthetic makeup artist | |
| Greg Cannom | .... | prosthetic makeup artist | |
| Greg Cannom | .... | special makeup effects artist | |
| John Kim | .... | makeup effects technician: Captive Audience Productions | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Emmy Leung | .... | makeup artist: Mr. Chow Yun-Fat | |
| Jo-Ann MacNeil | .... | assistant makeup artist | |
| Shuk Yee Mok | .... | hair stylist: Mr. Chow Yun-Fat | |
| Mark Nieman | .... | silicone prosthetic department supervisor: Captive Audience Productions | |
| Alexei O'Brien | .... | makeup effects operations manager | |
| Lydia Pensa | .... | assistant hair stylist | |
| Michael Peterson | .... | lab makeup effects | |
| Leslie Ann Sebert | .... | key makeup artist (as Leslie A. Sebert) | |
| Brian Sipe | .... | special makeup supervisor | |
| Keith VanderLaan | .... | makeup effects creator: Captive Audience Productions | |
| Wesley Wofford | .... | key prosthetic makeup artist | |
Production Management | |||
| D.J. Carson | .... | production manager | |
| Marty Dejczak | .... | production manager: second unit | |
| Brent O'Connor | .... | unit production manager | |
Special Effects by | |||
| Dan Cervin | .... | first assistant camera: special effects department, re-shoot | |
| Colin Chilvers | .... | special effects consultant | |
| Frank Dunlop | .... | special effects: electronics | |
| Bob Hall | .... | special effects technician | |
| Tony Kenny | .... | special effects coordinator | |
| Gary Kleinsteuber | .... | special effects technician | |
| Kaz Kobielski | .... | special effects supervisor | |
| Arthur Langevin | .... | special effects technician | |
| Tim Lidstone | .... | rigging key | |
| Ian Locke | .... | special effects: Millwright | |
| Drew Longland | .... | special effects technician | |
| Allan Meuse | .... | special effects shop key | |
| Marcus Rait | .... | special effects technician | |
| Mark Rice | .... | second unit key special effects | |
| Troy Rundle | .... | main unit key | |
| Dean Stewart | .... | special effects office administrator | |
| Brian Van Dorn | .... | special effects technician | |
| Sophie Vertigan | .... | special effects props builder | |
| Robert Yeager | .... | special effects assistant: reshoot | |
Visual Effects by | |||
| Joseph Bailey | .... | digital compositor | |
| Miguel Bautista | .... | digital compositor | |
| R. Christopher Biggs | .... | digital artist | |
| Richard Bluff | .... | visual effects supervisor | |
| Melissa Carter | .... | visual effects editor | |
| Irfan Celik | .... | digital artist | |
| Debbie Cooke | .... | visual effects producer | |
| James Coulter | .... | digital artist: Digital Dimension | |
| Fish Essenfeld | .... | senior compositor | |
| Steven Fagerquist | .... | visual effects | |
| Tarn Fox | .... | digital compositor | |
| Benoit Girard | .... | visual effects supervisor: Digital Dimension | |
| Paul Graff | .... | digital compositor | |
| Willi Hammes | .... | CG artist | |
| William Hazen | .... | facilities manager: Boy Wonder Visual Effects | |
| Kyle J. Healey | .... | CG monk sequence supervisor | |
| Dennis Hoffman | .... | visual effects producer | |
| Holly Gregory Horter | .... | visual effects | |
| Norris Houk | .... | digital artist | |
| Norris Houk | .... | visual effects production assistant | |
| John Huikku | .... | digital compositor: Boy Wonder Visual Effects | |
| Richard Kidd | .... | digital effects supervisor | |
| Raymond C. King | .... | digital effects artist | |
| John G. Kirby | .... | digital artist | |
| Dan Knight | .... | visual effects artist | |
| Peter Koczera | .... | senior digital artist | |
| Tim Landry | .... | visual effects supervisor | |
| Derek Ledbetter | .... | visual effects | |
| Steven Lloyd | .... | digital artist | |
| Jonah Loop | .... | digital compositor | |
| Brian Lutge | .... | effects animation: Boy Wonder Visual Effects | |
| Ray McMillan | .... | motion control supervisor | |
| Jerome Morin | .... | visual effects producer: Digital Dimension | |
| David B. Moulder | .... | visual effects coordinator | |
| Dan Naulin | .... | digital effects artist | |
| Marlo Pabon | .... | digital supervisor: Boy Wonder VFX | |
| Navin Pinto | .... | character technical supervisor: Boy Wonder VFX | |
| Robert Rossello | .... | digital compositor | |
| Kennedy Shah | .... | motion control programmer | |
| Al Shier | .... | visual effects producer | |
| Payam Shohadai | .... | visual effects supervisor: BWVFX | |
| Pedram Shohadai | .... | visual effects | |
| Brian Smallwood | .... | digital effects artist | |
| Sharmishtha Sohoni | .... | digital compositor | |
| Richie Solomon | .... | roto artist: Boy Wonder Visual Effects | |
| Marion Spates | .... | digital effects artist: Digital Dimension | |
| John E. Sullivan | .... | visual effects supervisor | |
| Tammy Sutton | .... | digital compositor | |
| Tammy Sutton | .... | rotoscope artist | |
| Dennis Temprile | .... | playback screen: Keyframe Digital Productions Inc. | |
| Robin Trickett | .... | visual effects coordinator | |
| Bruno Vilela | .... | senior digital lighter: Boy Wonder VFX | |
| Leandro Visconti | .... | compositor: Digital Dimension | |
| Dan Walker | .... | visual effects roto artist | |
| Burt Ward | .... | visual effects producer: Boy Wonder VFX | |
| Wendy Whaley | .... | compositor | |
| Toby Wilkins | .... | Inferno artist: main title sequence, New Wave Entertainment | |
| Johnny Wilson | .... | visual effects | |
| Deborah Wiltman | .... | digital compositor | |
| Paul Wood | .... | effects animator | |
| Daryl Klein | .... | digital artist (uncredited) | |
| Tony Willis | .... | visual effects post producer (uncredited) | |
Animation Department | |||
| Karen Eppstadt | .... | breakdown artist | |
| Wendy Whaley | .... | animator | |
Casting Department | |||
| Amanda Harding | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
| Diane Kerbel | .... | casting: Canada | |
| Crystal Kramer | .... | casting assistant (as Crystal Olsen) | |
Costume and Wardrobe Department | |||
| Sylvie Bonniere | .... | extras costume coordinator | |
| Tarah Burke | .... | extras wardrobe: second unit | |
| Christina Cattle | .... | set costume supervisor: second unit | |
| Gayle Franklin | .... | costume buyer | |
| Tatjana Hutinec | .... | costume breakdown artist | |
| Richard Krough | .... | personal dresser: Mr. Chow Yun-Fat (as Richard Krogh) | |
| Susan MacLeod | .... | seamstress | |
| Silvana Sacco | .... | costume effects artist | |
| Zsolt Sandor | .... | wardrobe assistant | |
| Sara Schilt | .... | assistant costume designer | |
| Luis Sequeira | .... | assistant costume designer (as Luis M. Sequeira) | |
| Carol Wong | .... | set costumer | |
Editorial Department | |||
| Mark Bourgeois | .... | additional editor | |
| Robert Doyle | .... | assistant editor | |
| Darwin Green | .... | post-production assistant | |
| Pamela March | .... | additional editor | |
| Mike Milliken | .... | color timer | |
| D. Gillian Truster | .... | first assistant editor | |
Music Department | |||
| Michael Atwell | .... | score recordist | |
| Brent Brooks | .... | music editor | |
| Anita Camarata | .... | music supervisor | |
| Hal Oppenheim | .... | composer: stock music | |
| Dan Savant | .... | orchestra contractor | |
| Scott McRae | .... | music preparation (uncredited) | |
Transportation Department | |||
| Ron Coles | .... | transportation captain | |
| Bill Hong | .... | driver: camera car/insert car | |
| Robert Smith | .... | transportation coordinator | |
Other crew | |||
| Kevin Alakas | .... | third assistant accountant | |
| Drazen Baric | .... | assistant location manager: second unit | |
| John 'Frenchie' Berger | .... | armorer | |
| Stephanie Lee Berger | .... | weapons handler | |
| Mel Braxton | .... | assistant: Paul Hunder | |
| Kathryn Buck | .... | script supervisor | |
| Brandon Buyaki | .... | assistant: Douglas Segal | |
| Eric Chen | .... | fight trainer | |
| Christopher Comrie | .... | payroll accountant | |
| Sean Coyne | .... | on-set craft | |
| Mike Doiron | .... | key production assistant | |
| Kishaya Dudley | .... | choreographer | |
| Kelly Gilbert | .... | third assistant accountant | |
| Jonathan Goldman | .... | assistant: Kelley Smith-Wait | |
| Pamela Hackwell | .... | contact lens technician | |
| Glen Hanz | .... | key sculptor: Captive Audience Productions | |
| Sara Holmes | .... | first assistant accountant | |
| Ryan Hupponen | .... | production assistant | |
| Sharre Jacoby | .... | producer: main titles, New Wave Entertainment | |
| Siri Khalsa-Colly | .... | assistant: Mr. Hunter | |
| Aaron Kogan | .... | assistant: Charles Roven | |
| Siegfried Kopp | .... | production assistant | |
| Miriam Laurence | .... | dialect coach: pre-production | |
| Troy Liddell | .... | choreographer (as Troy P. Liddell) | |
| Troy T. Liddell | .... | choreographer | |
| Jonathan Matthews | .... | location manager: second unit | |
| Catherine McGovern | .... | production secretary | |
| Tom Metz III | .... | assistant: Caroline Macaulay | |
| Lesley Myers | .... | production coordinator | |
| Terri Ann Myers | .... | production assistant | |
| Brent O'Connor | .... | assistant: Brent O'Connor (as Brent C.S. O'Connor) | |
| Shannon O'Connor | .... | assistant to producer | |
| Brittany Philion | .... | assistant: John Woo | |
| Karen Pidgurski | .... | unit publicist | |
| Diane Pitblado | .... | dialect coach: pre-production | |
| Elysia Bliss Pyne | .... | production assistant | |
| Michael Rosser | .... | production coordinator: re-shoots | |
| Howard Samuelsohn | .... | dialect coach | |
| Ian Shen | .... | adr voice | |
| Hunter Shepherd | .... | assistant: Mr. Roven | |
| Alan Shoub | .... | second unit co-captain | |
| Misha Skoric | .... | assistant: Chow Yun-Fat | |
| Evan Spiegel | .... | assistant: Charles Roven | |
| Rachel Suhanic | .... | assistant: Seann William Scott | |
| Alan Sutton | .... | fire safety | |
| Dave Tommasini | .... | pilot: Wescam helicopter | |
| Hanna Tower | .... | production coordinator: second unit | |
| Wei Tung | .... | martial arts choreographer | |
| Gene Turner | .... | coach | |
| Derek Ursacki | .... | third assistant accountant | |
| Nick Veziris | .... | gun wrangler | |
| Todd Weinger | .... | assistant: Terence Chang | |
| Mike Wielinski | .... | intern: Mosaic Media Group | |
| Andrew Wolinsky | .... | production assistant | |
| Jack Wong Wai Leung | .... | martial arts choreographer | |
| Corey Yuen | .... | additional fight choreographer | |
| Corey Yuen | .... | additional fight director | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Christopher Xavier Lozano | .... | stills photography (uncredited) | |
| George Ploszczansky | .... | personal security: Chow Yun-Fat (uncredited) | |
| Daniel Veluzat | .... | location liaison (uncredited) | |
|
|
|
|
|
| Batman Begins | Transformers | The Forbidden Kingdom | Commando | Kung Fu Panda |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
Being a comics collector, I had to see this movie, since it is based on a comic book. When I left the cinema I was both disappointed and gratified, but looking back on it I found my disappointment waning and my gratification growing. This was - or rather, could have been, if it had been successful enough to spawn a franchise - a new Highlander (which is just about my favorite movie). It had all the elements. Unfortunately, it also had some bad things. That Nazis were the villains is really something I could have done without. It made the movie unintentionally comical (by which I mean laughable, not comic book-like) before it had even gotten well underway. And the Funktastic character has GOT to rate as one of the WORST things in ANY movie EVER (EVER, I say!!). But I think there was enough good stuff in the rest of the movie to make up for these howlers.
The cast indeed was very charismatic and did not feel like just another set of interchangeable Hollywood cronies. I expected not to like Seann William Scott, but I ended up feeling he did a great job (and no, I didn't see the ridiculous American Pie movies, what're you, nuts!?). Despite what others may say, I thought his kung fu was convincing, and his character actually endearing. I've never been that big a fan of Chow Yun Fat, because he's more a gangster movie actor than a kung fu movie actor, and I have no fondness for Hong Kong (or, for that matter, Hollywood) gangster movies. But as in Crouching Tiger, Hidden Dragon (which I loved and have seen many, many times), he filled his role very nicely here. Note that his superhuman kung fu was explained by his possessing the power of the scrolls; it wasn't just gratuitous. As for Jamie King, she just wowed me totally. She radiated both toughness and beauty (and ultimately, tenderness), and seemed like a believable character. Her being the daughter of a Russian mafia boss made her fighting skills credible.
One of the things I appreciated most about this movie was its ending. I'm usually always disappointed with really badly written Hollywood endings, but I absolutely LOVED this one. For both of the young leads to share the power was a great idea (also serving to bond them in their relationship), and it could make for a superb superhero-like sequel, since their fighting skills were radically increased by the power of the scroll. Unfortunately, we'll probably never see it. *Sigh.*