| Photos (see all 11 | slideshow) | Videos (see all 4 NEW) |
| Anjelica Huston | ... | Vivianne | |
| Julianna Margulies | ... | Morgaine | |
| Joan Allen | ... | Morgause | |
| Samantha Mathis | ... | Gwenwyfar | |
| Caroline Goodall | ... | Igraine | |
| Edward Atterton | ... | Arthur | |
| Michael Vartan | ... | Lancelot | |
| Michael Byrne | ... | Merlin | |
| Hans Matheson | ... | Mordred | |
| Mark Lewis Jones | ... | Uther | |
| Clive Russell | ... | Gorlois | |
| Tamsin Egerton | ... | Young Morgaine | |
| Christopher Fulford | ... | Lot | |
| David Calder | ... | Uriens | |
| Hugh Ross | ... | Bishop Patricius | |
| Edward Jewesbury | ... | Ambrosius | |
| Freddie Highmore | ... | Young Arthur | |
| Ian Duncan | ... | Accolon | |
| Noah Huntley | ... | Gawain | |
| Honza Klima | ... | Kay | |
| John Comer | ... | Talbot | |
| Karel Dobry | ... | Rhiannon | |
| Klára Issová | ... | Raven (as Klara Issova) | |
| Biddy Hodson | ... | Elaine | |
| Tony Curran | ... | Uther's Captain | |
| Philip Lenkowsky | ... | Cuthbert | |
| Lucy Fillery | ... | Serving Woman (as Lucy Fillary) | |
| Elias Zerael Bauer | ... | Young Mordred | |
| Justin Muller | ... | Gareth | |
| Gabriela Zajickova | ... | Child |
Directed by | |||
| Uli Edel | |||
Writing credits(WGA) | ||
| Marion Zimmer Bradley | (novel) | |
| Gavin Scott | (teleplay) | |
Original Music by | |||
| Lee Holdridge | |||
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Michael H. Friedlander | (as Michael Friedlander) | ||
| Benjamin A. Weissman | |||
Casting by | |||
| Iris Grossman | |||
| Jeremy Zimmerman | |||
Production Design by | |||
| James Acheson | |||
| Rodger Maus | |||
Art Direction by | |||
| Jaromír Svarc | |||
| Vlasta Svoboda | |||
Set Decoration by | |||
| Barbora Bucharova | |||
Costume Design by | |||
| James Acheson | |||
| Carlo Poggioli | (as Carlo R. Poggioli) | ||
Makeup Department | |||
| Linda Dvorakova | .... | assistant makeup artist (as Linda Eisenhamerova) | |
| Polly Earnshaw | .... | hair designer | |
| Polly Earnshaw | .... | makeup designer | |
| Tina Earnshaw | .... | makeup artist: Ms. Huston | |
| Carol Hemming | .... | hair designer | |
| Carol Hemming | .... | makeup designer | |
| Zoe Tahir | .... | assistant hair stylist | |
Production Management | |||
| Martina Burgetová | .... | production manager: second unit | |
| Jasmin Torbati | .... | production manager | |
Art Department | |||
| Andrej Kostic | .... | illustrator | |
| Milena Koubkova | .... | set designer | |
| Lukas Lehoucka | .... | stand-by props | |
| Radek Lehoucka | .... | propman | |
| Jiri Macke | .... | property master | |
| Igor Toshevski | .... | storyboard artist | |
| Timothy J. Gorman | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Christopher S. Aud | .... | supervising sound editor (as Christopher Aud) | |
| Gloria D'Alessandro | .... | dialog & adr editor | |
| Jessica A. Dickson | .... | dialogue editor (as Jessica Dickson) | |
| Terry Garcia | .... | assistant sound editor | |
| Rick Hart | .... | sound re-recording mixer | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Rick Hromadka | .... | sound effects editor | |
| David Jobe | .... | foley mixer | |
| Adam Johnston | .... | supervising sound editor | |
| Rene Mikan | .... | boom operator | |
| Christian P. Minkler | .... | sound re-recording mixer (as Christian Minkler) | |
| Reinhard Stergar | .... | production sound mixer | |
| David Werntz | .... | sound editor | |
| Thomas Whiting | .... | supervising adr editor | |
| Linda Lew | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Petr Nusek | .... | armour weapons supervisor | |
| Gloria Geary | .... | special effects (uncredited) | |
Visual Effects by | |||
| Amy Adams | .... | visual effects coordinator | |
| Kevin Adams | .... | visual effects editor | |
| Eric Chauvin | .... | lead matte painter | |
| David Crawford | .... | compositor | |
| Dale Fay | .... | visual effects supervisor | |
| Kirk Garfield | .... | 3D lead | |
| Bruno George | .... | digital supervisor | |
| Rocco Gioffre | .... | digital matte painting | |
| Rimas Juchnevicius | .... | digital compositor | |
| Michael Kennedy | .... | senior compositor | |
| J.B. Levine | .... | visual effects producer | |
| Samantha McGovern | .... | compositor: Pinnacle Studios | |
| Gloria Geary | .... | digital compositor (uncredited) | |
Stunts | |||
| Radek Bruna | .... | stunts | |
| Pavel Cajzl | .... | stunts | |
| Jiri Horky | .... | stunts | |
| Jindrich Klaus | .... | stunts | |
| Miroslav Lhotka | .... | stunts | |
| Mario Luraschi | .... | stunt coordinator | |
| Petr Nusek | .... | assistant swordmaster | |
| Petr Nusek | .... | fencing fight coordinator | |
| Petr Nusek | .... | stunt double: swordfight | |
| Petr Nusek | .... | stunts | |
| Petr Nusek | .... | sword fighter | |
| Leo Stransky | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alexander Bscheidl | .... | film loader | |
| Jan Carda | .... | focus puller: main camera | |
| Michal Chadima | .... | video assist operator: second unit | |
| Petr Dvorak | .... | electrician | |
| Nimi Getter | .... | gaffer | |
| Martin Grosup | .... | director of photography: second unit | |
| Avraham Leibman | .... | gaffer (as Avi Leibman) | |
| Jiri Navrátil | .... | gaffer | |
| Jan 'Rocky' Rocnak | .... | key grip | |
| Jiri 'Rocky' Rocnak | .... | dolly grip | |
| Jaromir Sedina | .... | Steadicam operator | |
| Jaromir Sedina | .... | camera operator: "b" camera | |
| Alexander Surkala | .... | camera operator | |
| Alexandre Szabo-Fresnais | .... | second assistant camera | |
Casting Department | |||
| Nancy Bishop | .... | casting: Czech Republic | |
| Andrea Clark | .... | casting: UK | |
Costume and Wardrobe Department | |||
| Giovanni Casalnuovo | .... | assistant costume designer | |
| Serena Fiumi | .... | costume assistant | |
| Silvia Guidoni | .... | specialty costumer | |
| Enzo Serafino Pellegrino | .... | head ager and dyer (as Serafino Pellegrino) | |
| Lindsay Pugh | .... | wardrobe supervisor | |
| Dita Valentinova | .... | costume assistant | |
| Sarka Zvolenska | .... | set costumer | |
Editorial Department | |||
| Michael H. Friedlander | .... | assistant editor | |
| Yoshie Ishiguro | .... | assistant editor | |
| Tony Solomons | .... | assistant editor | |
| David Yoneshige | .... | post-production executive | |
Music Department | |||
| Aeone | .... | singer: underscore vocal solos | |
| Peter Fuchs | .... | music recording engineer | |
| Allan K. Rosen | .... | music editor | |
Other crew | |||
| Branka Cetina | .... | assistant production coordinator | |
| Laura Connors | .... | first assistant accountant: Prague | |
| Kathi Danielson | .... | production accountant | |
| Michal Engrth | .... | file clerk | |
| William Hobbs | .... | fight arranger | |
| Petr Kavalek | .... | assistant production coordinator | |
| Todd M. Lachniet | .... | production coordinator | |
| Michael Lewis | .... | production financial executive | |
| Iva Lukesová | .... | assistant accountant | |
| Franka Mavrides | .... | set assistant | |
| Pavel Mrkous | .... | location manager | |
| Yuell Newsome | .... | stock librarian | |
| Lenka Pavlakova | .... | production assistant: second unit | |
| Rebecca Scott | .... | set production assistant | |
| Petr Skvor | .... | location manager | |
| Roman Spacil | .... | battle coordinator | |
| Gwenn Stroman | .... | assistant: Anjelica Huston | |
| Marta Urbanová | .... | production coordinator | |
| Lori Wyant | .... | script supervisor | |
| James Wilberger | .... | production executive (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Czech Republic section | Add this title to MyMovies |
I first read the book about two years ago, and loved the re-telling of the Legend of King Arthur from the female point-of-view. However, due to it's length, and detail, I doubted that it could be done on film. Boy, was I ever wrong!
First, I must comment on the casting. I have always enjoyed Juliane Margulies in ER, and Angelica Huston in everything she has done, but they both eclipse their former work with the quality delivered here. There is a scene near the end of part one where they get into an argument, and the emotion is so RAW that I nearly called 911! Terrific!
Next, major cudo's to the set and design people. The costumes are well done and true to period (almost - it depends on whether you hold with Camelot being dated to the mid 400's AD or the 1400's AD). Next, the scene with Arthur & Morgaine at the Beltaine feast, where they are in costume and unaware of each other's identity, was very cleverly done. I liked the details on the wall of the chamber, and the markings on Juliana's face, arms, and legs. Nicely done.
All together, this is a fairly faithful reproduction of the book, and a story worth taking the time to watch.