The Mists of Avalon (2001) (TV)

User Rating:

6.7/10   

Director:

Uli Edel

Writers (WGA):

Marion Zimmer Bradley (novel)
Gavin Scott (teleplay)

Release Date:

15 July 2001 (USA)

Genre:

Drama | Fantasy

Tagline:

Passion. Mysticism. Adventure. Journey beyond the legend of Camelot.

Plot:

Based on the bestseller by Marion Zimmer Bradley It tells the story of the women behind King Arthur; including his mother...

Plot Keywords:

King Arthur | Arthurian Legend | Sister | Brother Sister Relationship | Incest

Awards:

Nominated for Golden Globe. Another 2 wins & 14 nominations

Cast

Anjelica Huston	...	Vivianne
Julianna Margulies	...	Morgaine
Joan Allen	...	Morgause
Samantha Mathis	...	Gwenwyfar
Caroline Goodall	...	Igraine
Edward Atterton	...	Arthur
Michael Vartan	...	Lancelot
Michael Byrne	...	Merlin
Hans Matheson	...	Mordred
Mark Lewis Jones	...	Uther
Clive Russell	...	Gorlois
Tamsin Egerton	...	Young Morgaine
Christopher Fulford	...	Lot
David Calder	...	Uriens
Hugh Ross	...	Bishop Patricius

Also Known As:

Die Nebel von Avalon (Germany)

Runtime:

183 min | 60 min (3 episodes)

Country:

Czech Republic | Germany | USA

Language:

English

Color:

Color

Aspect Ratio:

1.78 : 1

Certification:

Brazil:14 | Finland:K-15 | Germany:12 | Spain:13 | USA:Unrated | Malaysia:(Banned) | Singapore:PG

Filming Locations:

Prague, Czech Republic

Company:

Constantin Film Produktion

Trivia:

Last film role for Edward Jewesbury.

Goofs:

Miscellaneous: When Vivian and Morgaine (child) are moving through the field on their way to Avalon, Vivian is telling Morgaine about the Lady. Watch the two peasants - they kneel twice.

Quotes:

Mordred: Who was yonder old Roman, who said call no man happy until he is dead?

Movie Connections:

Featured in The 54th Annual Primetime Emmy Awards (2002) (TV)

Soundtrack:

The Mystic's Dream

Extremely Poor 'Adaptation' Totally Misses The Mark

This TV mini-series is an extremely poorly written exercise, one that utterly subverts the point of the novel on which it is based. And please do not think that I am some fanatical devotee of the book -- I found that it had plenty of flaws, but at least it had a point. This hack job misinterprets or leaves out just about every important aspect of the book.

The story has been rewritten and greatly condensed, and I understand the need to trim things out in order to fit it into four hours. What is unforgivable is that screenwriter Gavin Scott has turned Bradley's novel on its ear. He's deftly disposed of almost all of the Pagan/Christian conflict, often making it seem as if the main threat to Avalon is the Saxon invasion. If you are not willing to portray the Christians as the ostensible bad guys in the piece, why even attempt to film this tale? And in order to simplify things for the audience, Joan Allen's Morgause is turned into a full-scale witch and evil doer. Apparently they felt the need to have someone to root against, but instead of making it the traitorous Arthur, his religion-addled Gwenhwyver and the turncoat Merlin Kevin Harper -- as it is in the book -- Morgause takes the blame for everything bad that happens here. It's a particularly gutless and feeble switch.

Having Morgaine find aid and help at the convent near the end of the film is a special slap in the face to anyone who understood the book. That Morgaine would take refuge under the auspices of the very forces of intolerance that she's been harried by throughout the story shows that no one involved in the production seems to have grasped the Church's critical -- and negative -- role in the book.

Leaving the destruction of the plot alone, the production values were nice enough -- some great capes! The casting was especially bad, though. Joan Allen as a teenager?!?! And Michael Vartan as Lancelot is quite poor -- this guy's supposed to be an irresistible man of action, but Vartan plays him as a dour and stony-faced simp. And who was it that gave that horrid dishwater-blonde wig to Samantha Mathis???

All in all, this is an amazingly distorted, poorly rendered version of the story as presented by Bradley. If the producers just wanted to make their own silly version of the Arthurian legend, why did they feel the need to buy the rights to Bradley's novel? They sure didn't film it.