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Overview
User Rating:
Director:
Writers:
Dan Mazur (writer)
David Tausik (writer)
Release Date:
14 April 2000 (USA) more
Awards:
1 nomination more
User Comments:
Matrix Underfunded more (16 total)
Cast
(Cast overview, first billed only)| Michael Muhney | ... | Dale Hunter | |
| Tasma Walton | ... | Wendy | |
| Todd MacDonald | |||
| Jennifer Congram | ... | Natalie | |
| John Noble | ... | Dad | |
| Mitchell Butel | ... | Miller | |
| Paul Gleeson | ... | Sanford | |
| Bob Hornery | ... | Stan | |
| Jerome Ehlers | |||
| Peter Curtin | |||
| Amanda Wenban | |||
| Zoe Naylor | |||
| William Ten Eyck | (as Bill Ten Eyck) | ||
| Todd Levi | |||
| Jonathan Atherton |
Additional Details
Parents Guide:
Runtime:
86 min
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Certification:
Iceland:16 | Argentina:13 | Australia:M | Germany:16 | UK:12
Company:
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Related Links
| Full cast and crew | Company credits | IMDb Sci-Fi section |
| IMDb Australia section | Add this title to MyMovies |

The idyllic existence of Fairview advertising executive Michael Muhney is upset by bad dreams and disturbing visions. He's unknowingly experiencing a reality-check in a bracing post-apocalyptic Matrix riff from Australia (which explains the unfamiliar cast). A faceless corporation called Arora has wallpapered-over the real world with pacifying signals sent direct to the brain: this is a world where you can buy a new car every day at 1950s prices and your unflaggingly cheerful parents talk in reassuring platitudes, a place where Kurt Cobain sings children's songs and Marilyn Monroe makes movies with Leonardo DiCaprio. Mixing paint-box colours with grimy black-and-white, director Michael Pattinson conjures up a delusional universe that repels and attracts in equal measure. This curious picture lifts good ideas from impeccable sources: the too-perfect nostalgic small-town setting of Pleasantville, the sealed perimeters of The Thirteenth Floor, the out-of-wack office of The Truman Show, the on-screen catalogue tags of Fight Club, the paintings of Rene Magritte. Even though it's consistently engaging, like so many Outer Limits-style tales, the more it's explained, the less interesting it becomes. This could be because the dialogue sounds as though it's been lifted wholesale from comic-book speech-bubbles. Even so, the conflicting ideas gnaw: Socrates' assertion that the unexamined life is not worth living is all very well, but would we want to know the truth if the truth is unbearable?