| Derren Nesbitt | ... | Tony | |
| Keith Faulkner | ... | Frank | |
| Carol White | ... | Jean | |
| Harry Locke | ... | Joe Carter |
Directed by | |||
| Vernon Sewell | |||
Writing credits(in alphabetical order) | ||
| Malcolm Hulke | writer | |
| Eric Paice | writer | |
| Edgar Wallace | novel (uncredited) | |
Produced by | |||
| Leslie Parkyn | .... | producer | |
| Julian Wintle | .... | producer | |
Original Music by | |||
| Stanley Black | |||
Cinematography by | |||
| Reginald H. Wyer | (as Reg Wyer) | ||
Film Editing by | |||
| John Trumper | |||
Art Direction by | |||
| Harry Pottle | |||
Makeup Department | |||
| Trevor Crole-Rees | .... | makeup artist | |
| Maude Onslow | .... | hair stylist (as Maud Onslow) | |
Production Management | |||
| Arthur Alcott | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jan Saunders | .... | assistant director | |
Sound Department | |||
| Ken Cameron | .... | sound re-recordist | |
| John W. Mitchell | .... | sound recordist | |
Camera and Electrical Department | |||
| Noel Rowland | .... | camera operator | |
Costume and Wardrobe Department | |||
| Vi Murray | .... | wardrobe | |
Music Department | |||
| Michael Carr | .... | composer: theme "Man of Mystery" (uncredited) | |
Other crew | |||
| Joy Mercer | .... | continuity | |
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| Das Verrätertor | The Trygon Factor | Das Geheimnis der gelben Narzissen | Kate Plus Ten | The Squeaker |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
First rate little thriller by veteran director Sewell, who could be very good when he tried. Two crooks rob a bookie at a dog track and are stuck putting his body in the back seat. Every time they try to get rid of him, fate intervenes and they're back in the car with him. Derren Nesbitt is especially good as the more callous of the two. Good script, crisp black and white photography, taut direction. Good work all around. This is a fine addition to British film noir and should be included with others in that genre. And perhaps a re-appreciation of Sewell is in order. It's too bad this isn't out on DVD yet. Those who think Hitchcock was the only one who could use confined spaces well should check this out.