| Dermot Mulroney | ... | Edgar | |
| Julie Delpy | ... | Chloe | |
| Robin Tunney | ... | Zoe | |
| Neve Campbell | ... | Alice | |
| Jeremy Davies | ... | Oscar | |
| Alan Cumming | ... | Sevy | |
| Til Schweiger | ... | Monty | |
| John Light | ... | Peter | |
| Nick Nolte | ... | Faldo | |
| Terrence Howard | ... | Lorenz | |
| Tuesday Weld | ... | Sasha | |
| Emily Bruni | ... | Janet | |
| Jacqueline Anderson | ... | Linda | |
| Marc Hosemann | ... | Joey | |
| Joseph May | ... | Roger | |
| Harvey Friedman | ... | Carpenter #1 (as Harvey Friedmann) | |
| Jeff Caster | ... | Carpenter #2 | |
| Sparka Lee Hall | ... | Zoe's landlady |
Directed by | |||
| Alan Rudolph | |||
Writing credits(WGA) | ||
| José Pierre | (book "Recherches Sur la sexualite archives du surealisme") | |
| Alan Rudolph | (screenplay) & | |
| Michael Henry Wilson | (screenplay) | |
Produced by | |||
| Helmut Breuer | .... | co-producer | |
| Sabine de Mardt | .... | line producer (as Sabine Müller) | |
| Jana Edelbaum | .... | producer | |
| Jan Fantl | .... | co-executive producer | |
| Frank Hübner | .... | producer | |
| Jodi Lahaye | .... | associate producer | |
| Nick Nolte | .... | producer | |
| Peter Paulich | .... | executive producer | |
| Klaus Rettig | .... | line producer | |
| Alan Rudolph | .... | producer | |
| Gerhard Schmidt | .... | executive producer | |
| Greg Shapiro | .... | producer | |
| Andrew Siciliano | .... | executive producer | |
Original Music by | |||
| Ulf Skogsbergh | |||
Cinematography by | |||
| Florian Ballhaus | |||
Film Editing by | |||
| John Helde | |||
Casting by | |||
| Pam Dixon | |||
Production Design by | |||
| Norbert Scherer | |||
Art Direction by | |||
| Adriane Stamer-Klassen | |||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Barbara Jäger | |||
Makeup Department | |||
| Kathleen Asmuss | .... | hair stylist (as Kathleen Asmus) | |
| Kathleen Asmuss | .... | makeup artist (as Kathleen Asmus) | |
| Jens Bartram | .... | key makeup artist | |
| Chloe Brown | .... | hair stylist | |
| Chloe Brown | .... | makeup artist | |
| Sabine Schumann | .... | hair stylist | |
| Sabine Schumann | .... | makeup artist | |
| Gabriele Trutz | .... | hair stylist | |
| Gabriele Trutz | .... | makeup artist | |
| Lesli Winklmair | .... | hair stylist | |
| Lesli Winklmair | .... | makeup artist | |
Production Management | |||
| Michael Frenschkowski | .... | production manager | |
| Beau J. Genot | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jan Sebastian Ballhaus | .... | first assistant director | |
| Tonja Schürmann | .... | second assistant director | |
| Mark Stehli | .... | second second assistant director | |
Art Department | |||
| Mehdi Benhadj-Djilali | .... | art department trainee | |
| Helmut Biber | .... | set painter | |
| Peggy Dix | .... | draper | |
| Christian Ehlert | .... | lead set dresser | |
| Frank Godt | .... | construction coordinator | |
| Ulrike Gojowczyk | .... | set props | |
| Marcus Haendgen | .... | property master | |
| Christian Jess | .... | construction crew | |
| Jan Rieger | .... | assistant property master | |
| Agata Schubert | .... | principal artist | |
| Soheil Specowius | .... | company set dressers | |
| Andreas Stähle | .... | construction crew | |
| Falk Stolte | .... | construction crew | |
| Mark Stolte | .... | construction crew | |
| Helmut Willmann | .... | set painter | |
Sound Department | |||
| Joe Barnett | .... | sound re-recording mixer | |
| Paul Cridlin | .... | boom operator | |
| Jed M. Dodge | .... | dialogue editor | |
| Marc Fishman | .... | sound re-recording mixer | |
| Alan Freedman | .... | adr mixer | |
| Frank Gaeta | .... | sound designer | |
| David Grant | .... | dialogue editor | |
| Michael Hertlein | .... | dialogue editor | |
| Chato Hill | .... | assistant sound editor | |
| Thomas Jones | .... | adr supervisor | |
| Craig Jurkiewicz | .... | foley editor | |
| Michael Kamper | .... | sound effects editor | |
| Diane Marshall | .... | foley artist (as S. Diane Marshall) | |
| Garth Marshall | .... | sound mixer | |
| Michael Mullane | .... | sound effects editor | |
| Arkadius Rilka | .... | boom operator | |
| Alec St. John | .... | foley mixer | |
| Lucy Sustar | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
| Lasse Viehöfer | .... | boom operator | |
| Trevor Ward | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| Adolf Wojtinek | .... | special effects | |
Stunts | |||
| Volkhard Buff | .... | stunts (as Volkhart Buff) | |
Camera and Electrical Department | |||
| Isabelle Arnold | .... | assistant camera | |
| Voxi Bärenklau | .... | gaffer | |
| Simon Blasi | .... | camera trainee | |
| Jannot Borowski | .... | electrician | |
| Armin Dirolf | .... | video operator | |
| Jost Engelmayer | .... | electrician | |
| Alexander Jung | .... | additional electrician | |
| Glenn König | .... | company grip | |
| Jens Makeldey | .... | electrician | |
| Birgit Möller | .... | clapper loader | |
| Heather Norton | .... | first assistant camera: "a" camera | |
| Roland Patzelt | .... | best boy | |
| Joyce Rudolph | .... | still photographer | |
| Karsten Schüle | .... | clapper loader | |
| Bjoern Susen | .... | best boy (as Björn Susen) | |
| Felix Raitz von Frentz | .... | grip trainee | |
| Trevor Watkins | .... | dolly grip | |
| Trevor Watkins | .... | first company grip | |
| Klaus Witt | .... | second company grip | |
| Tom Witt | .... | company grip | |
Casting Department | |||
| Iris Müller | .... | extras casting | |
| Rebecca Rian | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Suzanne Goretzki | .... | wardrobe supervisor | |
| Sparka Lee Hall | .... | wardrobe supervisor | |
| Barbara Koeppl | .... | costumer trainee | |
| Beate Scheel | .... | extras costumer | |
Editorial Department | |||
| Joe Finley | .... | digital color timer | |
| Melody Gehrman | .... | apprentice editor | |
| Alana Greenfield | .... | negative cutter | |
| Terry Haggar | .... | color timer | |
| Kiersten Harter | .... | first assistant editor | |
| Phyllis Hart | .... | negative cutter | |
| Vivian Hengsteler | .... | negative cutter | |
| Charlie Lézin | .... | assistant editor: Germany | |
| Dan Muscarella | .... | color timer | |
| Achim Strack | .... | post-production coordinator: Germany | |
Music Department | |||
| Sheri Ozeki | .... | music editor | |
| Ulf Skogsbergh | .... | music arranger | |
Transportation Department | |||
| Daniel Mattig | .... | additional driver: cast | |
Other crew | |||
| Toska Baltruschat | .... | key production assistant | |
| Christa Bentlage | .... | assistant: Mr. Schmidt | |
| Luzie Besser | .... | assistant: Mr. Schmidt | |
| Kathi Bildhauer | .... | script trainee | |
| Steffen Blechschmidt | .... | office production assistant | |
| Heather Edison | .... | assistant: Mr. Shapiro | |
| Michael Foertsch | .... | caterer | |
| Rick Hester | .... | assistant: Mr. Edelbaum | |
| Kristin Hirt | .... | executive assistant to director | |
| Margret Höher | .... | cast coordinator | |
| Pauline Jardel | .... | production coordinator | |
| Susen Jarmuske | .... | set production assistant | |
| Anne Johnson | .... | production accountant: USA | |
| Stefan Lux | .... | production accountant | |
| Pattee Mack | .... | assistant: Mr. Nolte | |
| Samia Mainz | .... | assistant: Mr. Hübner | |
| Tanja Pelster | .... | production accountant trainee | |
| Tanja Ploetz | .... | stand-in | |
| Bettina Raub | .... | production accountant | |
| Marco Schenke | .... | crowd marshall | |
| Sandra Scheucher | .... | script supervisor | |
| Manuel Schröder | .... | assistant: Mrs. Campbell | |
| Sabine Smit | .... | production design assistance | |
| Altay Ünsal | .... | set production assistant | |
| Marlene Woznicki | .... | office production assistant | |
| Ulrike Zürn | .... | assistant: Mr. Nolte | |
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| Valentino | The Rules of Attraction | Short Cuts | Possession | Sunshine |
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| News articles | IMDb Comedy section | IMDb Germany section |
| Add this title to MyMovies |
I generally like Rudolph's work, even when it borders on the pretentious, but this one plain reeks of it, to the point where I was shaking my head at the screen, not believing what I was hearing and seeing during most of the film's running time. The premise is interesting and somewhat perverse ~ the men hire two stenogs to transcribe every stupid word they utter; one of them is played by the always-good Robin Tunney, who's sexually evolved a bit, having at least 3 conquests under her belt, and the other is the squirmy, virginal Neve Campbell, who's never been worse. A ridiculous part, no question, but someone with some panache - I kept picturing Geraldine Chaplin when she was younger - might have at least brought some fun and believability to the proceedings.
Good cast, and good performances, otherwise (considering the material). Nick Nolte's a hoot, raving about his sexual encounters with a particularly attractive donkey, whom he'd enjoyed on Tuesdays and Thursdays, he tells us, in his drunken stupor, and on Wednesdays there was a goat he'd set his sights on but said goat was too fast and he never could catch him. Him. That's right. His character professes to be an equal-opportunity bestiality master, who is married to Tuesday Weld, who talks with a ridiculous sort of German accent part of the time and sounds like she's from the Bronx for the rest.
Alan Cumming, who is always fun to watch, is fun here as well, relieving himself of his shirt every chance he gets and posing like a Greek god around the room these clowns are supposedly 'investigating' sex in.
By the end, it means absolutely nothing, of course, except that you wasted a little time hoping for some clever titillation at the very least and some possible insight on the subject. There's more insight to be had in any Will Ferrell movie, folks, and that's a harsh indictment.