| Photos (see all 152 | slideshow) | Videos (see all 12) |
Directed by | |||
| Andy Wachowski | (as The Wachowski Brothers) | ||
| Larry Wachowski | (as The Wachowski Brothers) | ||
Writing credits(WGA) | ||
| Andy Wachowski | (characters) (as The Wachowski Brothers) & | |
| Larry Wachowski | (characters) (as The Wachowski Brothers) | |
| Andy Wachowski | (written by) (as The Wachowski Brothers) & | |
| Larry Wachowski | (written by) (as The Wachowski Brothers) | |
Original Music by | |||
| Don Davis | |||
Cinematography by | |||
| Bill Pope | (director of photography) | ||
Film Editing by | |||
| Zach Staenberg | |||
Casting by | |||
| Mali Finn | |||
| Shauna Wolifson | |||
Production Design by | |||
| Owen Paterson | |||
Art Direction by | |||
| Hugh Bateup | (supervising art director) | ||
| Jules Cook | |||
| Catherine Mansill | |||
| Charlie Revai | |||
Set Decoration by | |||
| Brian Dusting | |||
Costume Design by | |||
| Kym Barrett | |||
Makeup Department | |||
| Steven E. Anderson | .... | makeup artist: USA | |
| Judith A. Cory | .... | hair department head | |
| Gretchen Davis | .... | makeup artist | |
| Maggie Fung | .... | key makeup artist | |
| Cindy Gardner | .... | additional makeup artist | |
| Sean Genders | .... | special makeup effects artist | |
| Tina Gordon | .... | makeup artist | |
| Warren Hanneman | .... | hair stylist | |
| Joel Harlow | .... | special makeup effects artist | |
| Miia Kovero | .... | key hair stylist | |
| Michael Krehl | .... | additional makeup artist: Sydney | |
| Araxi Lindsey | .... | hair stylist designer | |
| Gilbert A. Mosko | .... | makeup artist | |
| Margarita Pidgeon | .... | additional hair stylist | |
| Kris Ravetto | .... | makeup artist: USA | |
| Peter Robb-King | .... | makeup department head | |
| Victoria Wood | .... | wig maker | |
| Laurelle Ziento | .... | additional makeup artist: Sydney | |
| Nadine Wilkie | .... | additional hair stylist (uncredited) | |
| Nadine Wilkie | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Jessica Alan | .... | post-production supervisor | |
| Amanda Crittenden | .... | production supervisor | |
| Mitchell E. Dauterive | .... | production supervisor | |
| Bill Draper | .... | executive in charge of production | |
| Grant Hill | .... | unit production manager | |
| L. Dean Jones Jr. | .... | unit production manager: U.S. | |
| Pat Lacey | .... | assistant unit manager | |
| Dermot Leybourne | .... | assistant unit manager: second unit | |
| Simon Lucas | .... | unit manager | |
| Wil Milne | .... | unit manager: second unit | |
| Paul Ranford | .... | production supervisor: second unit | |
| Gerald Scaife | .... | production supervisor (as Jim Scaife) | |
Second Unit Director or Assistant Director | |||
| Debbie Antoniou | .... | second second assistant director (as Deborah Antoniou) | |
| Drew Bailey | .... | third assistant director: second unit | |
| Naomi Enfield | .... | second assistant director: second unit | |
| Sean Hobin | .... | additional first assistant director | |
| Bruce Hunt | .... | third unit director | |
| James McTeigue | .... | first assistant director | |
| Robert J. Mooney | .... | first assistant director: U.S. model unit | |
| Johnny Pacialeo | .... | second assistant director: third unit | |
| Toby Pease | .... | first assistant director: second unit | |
| Kimble Rendall | .... | second unit director | |
| Claire Richardson | .... | second assistant director | |
| Charles Rotherham | .... | first assistant director: third unit | |
| Hamish Roxburgh | .... | additional assistant director | |
| Samantha Smith | .... | third assistant director | |
| Paul Sullivan | .... | second second assistant director | |
Art Department | |||
| John Allan | .... | property master | |
| Kristen Anderson | .... | CAD draftsperson | |
| Simon Bethune | .... | senior model maker | |
| Ian Bickerton | .... | construction foreman | |
| Colette Birrell | .... | modelmaking coordinator | |
| Carl Braga | .... | screen graphics designer | |
| Nicola Buck | .... | property assistant | |
| Gary Cameron | .... | leading hand propmaker | |
| Andrew Chan | .... | set designer | |
| Jules Cook | .... | art director: third unit | |
| Martin Crouch | .... | screen graphics designer | |
| Geofrey Darrow | .... | conceptual designer | |
| Kristen Davis | .... | set designer | |
| Norm DeCarlo | .... | propmaker | |
| Norm DeCarlo | .... | sculptor | |
| Ricardo F. Delgado | .... | storyboard artist | |
| Yerant Douvalian | .... | concept artist | |
| Damien Drew | .... | assistant art director | |
| Benjamin Edelberg | .... | lead model maker | |
| Vanessa Edwards | .... | assistant accountant: art department | |
| Simon Elsley | .... | draughtsperson | |
| Craig Fison | .... | sfx props | |
| Trish Foreman | .... | art department coordinator | |
| Marc Gabbana | .... | concept artist | |
| Darek Gogol | .... | illustrator | |
| Adam Grace | .... | APU foreman | |
| Dale Haugo | .... | scenic artist: USA | |
| Aaron Haye | .... | CAD foreman | |
| Mark Hitchler | .... | model maker | |
| Sean House | .... | sculptor: USA | |
| George Hull | .... | conceptual artist | |
| Christian Kastner | .... | set dresser | |
| Philip Keller | .... | storyboard artist | |
| Geoff Kemmis | .... | senior model maker | |
| Cindi Knapton | .... | assistant art director | |
| Hannah Knowlton | .... | set dresser | |
| Jacinta Leong | .... | CAD set designer | |
| John Lister | .... | set dresser | |
| William S. Maxwell III | .... | leadman | |
| Simon McGuire | .... | set designer | |
| Doni McMillan | .... | gangboss: USA | |
| Karen Murphy | .... | assistant art director | |
| Marian Murray | .... | assistant set decorator | |
| Simon Murton | .... | concept illustrator | |
| Nanci Noblett | .... | assistant art director: USA | |
| John Oster | .... | foreman | |
| Jim Poynter | .... | set dresser: USA | |
| Keith Rae | .... | lead mold maker | |
| Ronald R. Reiss | .... | set decorator: USA | |
| Tom Richardson | .... | stand-by painter: USA | |
| Aimee Rousey | .... | art department coordinator: USA | |
| Hal Schlax | .... | propmaker foreman | |
| Steve Skroce | .... | storyboard artist | |
| Rpin Suwannath | .... | previsualization consultant | |
| Christopher Tangney | .... | art department assistant | |
| Nick Tory | .... | design assistant | |
| Michael Turner | .... | assistant art director | |
| Tom Vukmanic | .... | sculptor | |
| Butch West | .... | construction coordinator | |
| Lauren Wilbow | .... | art department assistant | |
| Philip Worth | .... | construction coordinator | |
| Peter Wyborn | .... | prop manufacturing supervisor | |
| Mary-Liz Andrews | .... | construction coordinator (uncredited) | |
| Fon Davis | .... | draftsperson: Eon (uncredited) | |
Special Effects by | |||
| Christian T. Andrews | .... | motion control engineer: EON | |
| Billy Aziz | .... | special effects logistics | |
| Steven Boyle | .... | makeup effects technician | |
| Robbie Clot | .... | special effects foreman | |
| Steve Courtley | .... | special effects supervisor | |
| Dave Fogler | .... | chief model maker | |
| Dennis Forry | .... | special effects technician | |
| Tom Gibbons | .... | supervising animator | |
| Paul Gorrie | .... | pyro supervisor: Australia | |
| Cat Hart | .... | special effects pyrotechnician | |
| Catherine Hart | .... | special effects | |
| Rob Heggie | .... | on set supervisor | |
| Leo Henry | .... | pyrotechnician | |
| Steak House | .... | coordinator: model unit | |
| Jamie Hyneman | .... | special effects technician | |
| Amanda Instone | .... | special effects | |
| Paul Katte | .... | special effects makeup | |
| Jim Leng | .... | breakaways supervisor | |
| Andres Martinez | .... | lead virtual backgrounds | |
| Pierre Maurer | .... | special effects | |
| Tim McGaw | .... | special effects breakaway technician | |
| Nick Nicolaou | .... | special effects makeup | |
| Dan Oliver | .... | special effects set supervisor: second unit | |
| David Pride | .... | design engineer | |
| Tim Riach | .... | special effects technician | |
| Catherine Roehl | .... | production accountant: miniature model & pyro unit | |
| Arthur Spink Jr. | .... | special effects foreman | |
| Taj Trengove | .... | special effects technician | |
| David Trethewey | .... | special effects senior technician | |
| Kevin Turner | .... | special effects foreman | |
| Steve Yardley | .... | special effects technician | |
| Eric Cotton | .... | special effects technician (uncredited) | |
| Russell Sharp | .... | prosthetics (uncredited) | |
| Bryan Sides | .... | studio coordinator (uncredited) | |
Visual Effects by | |||
| Nathan Abbot | .... | film I/O supervisor: Tippett Studio | |
| Tony Abejuro | .... | matchmover | |
| Gary Abrahamian | .... | CG artist: CIS Hollywood | |
| Matthew Adams | .... | digital artist | |
| Amit Agrawal | .... | software supervisor: SPI | |
| Laide Agunbiade | .... | compositor | |
| Tim Ahern | .... | computer effects | |
| Robin Akin | .... | motion capture animator: ESC | |
| Tony Alexander | .... | roto/paint artist | |
| Chris Allen | .... | R&D supervisor: CIS Hollywoo | |
| Simon Allen | .... | animation supervisor | |
| Alexandra Altrocchi | .... | visual effects producer | |
| Dovi Anderson | .... | lead animator: Tippett Studio | |
| Greg Anderson | .... | 3D supervisor | |
| Florent Andorra | .... | CG artist: BUF | |
| Christian T. Andrews | .... | motion control engineer | |
| Shinsaku Arima | .... | digital effects artist | |
| Allan Arinduque | .... | lead animation set-up: ESC | |
| Daniel Arkin | .... | visual effects editorial | |
| Oliver Arnold | .... | digital modeler | |
| Deb Asch | .... | compositor | |
| Deb Asch | .... | technical director | |
| Matt Ashton | .... | systems: CIS Hollywood | |
| Courtney Atinsky | .... | motion capture assistant | |
| Steve Avoujageli | .... | technical director | |
| Cheryl Bainum | .... | executive producer: HATCH | |
| Tom Baker | .... | digital effects coordinator | |
| Lyndon Barrois | .... | animation supervisor: ESC Entertainment | |
| Travis Baumann | .... | Inferno artist: CIS Hollywood | |
| Yakov Baytler | .... | character setup | |
| Jeremy Beadell | .... | operations manager: ESC Entertainment | |
| Xavier Bec | .... | research and development: BUF | |
| Bill Beemer | .... | motion capture systems technician | |
| Kevin Bell | .... | compositor: GKR | |
| Jeffrey Benoit | .... | pre-visualization artist | |
| John R.A. Benson | .... | compositor: ESC | |
| Patrick Bergeron | .... | digital compositor | |
| Roy Berkowitz | .... | visual effects editor | |
| Lloyd Bernberg | .... | supervisor of digital lighting | |
| Jim Berney | .... | visual effects supervisor: SPI | |
| Vlad Bina | .... | digital set designer: virtual backgrounds | |
| Alicia Bissinger | .... | roto/paint artist: ESC Entertainment | |
| Nicolas Bonnell | .... | visual effects producer: BUF | |
| Francois Bordez | .... | senior modeler: SPI, CFX | |
| Jayni Borgaro | .... | roto/paint artist: CIS Hollywood | |
| George Borshukov | .... | technology supervisor: ESC Entertainment | |
| Alan Boucek | .... | lead compositor | |
| John Bozzalla | .... | visual effects coordinator | |
| Michael Brazelton | .... | paint and roto artist | |
| Brian Brecht | .... | production manager: ESC Entertainment | |
| Ryan Bright | .... | production services technician: SPI | |
| Phil Brotherton | .... | key model maker | |
| Simon Brown | .... | color and lighting | |
| Simon Brown | .... | visual effects technical director | |
| Matt Brumit | .... | digital compositor | |
| Wendell Bruno | .... | assistant DMR editor (IMAX version) | |
| Duncan Burbidge | .... | pre-visualization coordinator | |
| Markus Burki | .... | software developer | |
| Caroline L. Cameron | .... | motion capture animator | |
| Dan Camp | .... | motion capture data tracker | |
| Marc Canas | .... | scanning/recording | |
| Brian Cantwell | .... | 3D matchmove lead | |
| Jen Cantwell | .... | roto/paint artist | |
| Ozzie Carmona | .... | digital artist | |
| Rusty Case | .... | chief technology officer | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Jerry Castro | .... | visual effects production manager | |
| Trevor Cawood | .... | technical director: ESC | |
| Dan Cayer | .... | lead compositor: Tippett Studio | |
| Dominick Cecere | .... | CG character animator | |
| Camille Cellucci | .... | visual effects | |
| Stephane Ceretti | .... | visual effects supervisor: BUF | |
| Peter Chesloff | .... | compositor | |
| Nicolas Chevallier | .... | CG artist: BUF | |
| Jon Childress Farmer | .... | CG environment & creature modeller: Tippett Studio | |
| Kate Choi | .... | art technical director | |
| Eduardo Cisneros | .... | film technician | |
| Michael Jared Clausen | .... | character animator: ESC | |
| John Clinton | .... | visual effects producer: SPI | |
| Terry Clotiaux | .... | visual effects producer | |
| Webster Colcord | .... | animator: siege sequence | |
| Tim Coleman | .... | character technical director | |
| Michael Comly | .... | technical director: ESC Entertainment | |
| Spencer Cook | .... | animation supervisor: SPI | |
| Dennis Cooper | .... | production manager: ESC | |
| Cyril Cosenza | .... | research and development: BUF | |
| Danielle Costa | .... | digital coordinator | |
| Filippo Costanzo | .... | digital matte painting | |
| Ron Crabb | .... | matte painter | |
| Kevin Culhane | .... | animation rigger: ESC | |
| Tiffany Cullum | .... | visual effects coordinator: ESC | |
| Dominic Daigle | .... | digital artist: HATCH | |
| Mike Dalzell | .... | lighting technical director | |
| John 'JD' Daniel | .... | modeler | |
| James H. Dargie | .... | effects modeler/designer: ESC Entertainment | |
| Sumit Das | .... | character setup | |
| Paul A. Davies | .... | rigger: ESC Entertainment | |
| Thomas A. Davila | .... | president: ESC Entertainment | |
| Fon Davis | .... | model maker foreman: Eon | |
| David 'Grue' Debry | .... | color and lighting | |
| Mark Andrew De La Garza | .... | lighting technical director: Tippett Studio | |
| Valerie Delahaye | .... | production supervisor: BUF | |
| Doug Delaney | .... | imaging supervisor | |
| Chris Del Conte | .... | visual effects producer: CFX | |
| Owen Demers | .... | 3D paint lead: ESC Entertainment | |
| Steve Demers | .... | look director | |
| John 'D.J.' Des Jardin | .... | visual effects supervisor | |
| Matt Dessero | .... | composite supervisor: ESC Entertainment | |
| Andrew Dickson | .... | render supervisor | |
| Dan Dixon | .... | lead modeler | |
| Sandy Dong | .... | digital artist: ESC Entertainment | |
| Tim Donlevy | .... | motion control operator: APU MoBase | |
| Andrea Donnelly | .... | visual effects motion capture consultant | |
| Robert Dorris | .... | rotoscope artist: Tippett Studio | |
| Brennan Doyle | .... | compositor | |
| Christina Drahos | .... | digital compositor | |
| David S. Dranitzke | .... | visual effects producer: miniatures | |
| Haarm-Pieter Duiker | .... | research and development | |
| Laurens Ehrmann | .... | CG artist: BUF | |
| Thomas Elder-Groebe | .... | visual effects coordinator: ESC entertainment | |
| William Elder-Groebe | .... | animator: ESC Entertainment | |
| Janeen Elliott | .... | sequence lead: ESC Entertainment | |
| Fabian Elmers | .... | digital effects artist | |
| Steve Emerson | .... | digital compositor | |
| Christopher J. Eng | .... | technical modeler: ESC | |
| Eyal Erez | .... | effects animator | |
| Katharine Evans | .... | roto/paint artist | |
| Bridgette Fahey-Goldsmith | .... | assistant visual effects editor: Australia | |
| Ken Faiman | .... | virtual cinematography | |
| Matt Farell | .... | animation supervisor: pre-visualization | |
| Daniel Favini | .... | modeling/texture painting: CFX | |
| Todd Fellows | .... | model maker: EON Enterprises | |
| Deak Ferrand | .... | matte painter: HATCH | |
| Aaron Florez | .... | paint lead | |
| Donald Fly | .... | general manager: CIS Hollywood | |
| Dave Fogler | .... | chief model maker | |
| Nathan Fok | .... | cloth technical director | |
| Cameron Folds | .... | animator | |
| Justin Folk | .... | visual effects assistant | |
| Brad Fox | .... | technical director: Tippett Studio | |
| Page Frakes | .... | digital compositor: Tippett Studio | |
| Scott Frankel | .... | digital effects supervisor | |
| Brian Freisinger | .... | lead modeler: ESC | |
| Haskell Friedman | .... | technical director: Tippett Studio | |
| Haskell Friedman | .... | texture paint artist: Tippett Studio | |
| Scott Fritts | .... | animator | |
| Scott Fritts | .... | modeler | |
| Michael G. Fudge | .... | modeler | |
| Jenny Fulle | .... | visual effects executive producer | |
| John Gaeta | .... | visual effects supervisor | |
| Michael Gaiser | .... | visual effects | |
| Nicolas Galan | .... | research and development: BUF | |
| Jason Galeon | .... | technical director: Giant Killer Robots | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Sergio Garcia Abad | .... | senior modeler: SPI | |
| Michael Garza | .... | systems administrator | |
| Sophie Gateau | .... | CG artist: BUF | |
| Amy Gatzert | .... | visual effects coordinator | |
| Michael Gay | .... | animation supervisor: ESC | |
| Larry Gaynor | .... | senior paint artist: CIS Hollywood | |
| Adam Gerardin | .... | digital color corrector: Tippett Studio | |
| Allan Gersten | .... | visual effects technical director: ESC | |
| John Gibson | .... | CG supervisor: Tippett Studio | |
| Jeff Gilliam | .... | motion control gaffer | |
| Bill Gilman | .... | compositor: CIS Hollywood | |
| Kenneth Gimpelson | .... | technical director | |
| Diana Giorgiutti | .... | digital effects producer | |
| Dan Glass | .... | visual effects supervisor | |
| Rick Glenn | .... | lead animator | |
| Juan S. Gomez | .... | virtual cinematography | |
| Jennifer Gonzalez | .... | digital compositor | |
| Jennifer Gonzalez | .... | roto/paint artist | |
| Demian Gordon | .... | motion capture supervisor | |
| David Gottlieb | .... | digital compositor | |
| Dylan Gottlieb | .... | character modeler: Tippett Studio | |
| Randy Goux | .... | CG supervisor | |
| Clark Graff | .... | motion capture producer | |
| Justin Graham | .... | digital paint and roto lead | |
| Luis Grané | .... | character animator | |
| Anthony Greene | .... | assistant technical director | |
| Rosemarie Greer | .... | DMR supervisor: IMAX version | |
| Christopher Gwynne | .... | visual effects artist: Tippett Studio | |
| Ray Haleblian | .... | lighting technical director: ESC Entertainment | |
| Jamie Hallett | .... | technical imaging artist: IMAX | |
| Neal Halter | .... | model maker | |
| Jason M. Halverson | .... | digital compositor | |
| Joseph Hamdorf | .... | modeler: Tippett Studio | |
| Mark Hamilton | .... | technical director | |
| Tyler Ham | .... | matchmove artist: Tippett Studio | |
| Andy Harbeck | .... | lead painter | |
| Andrew Hardingham | .... | model maker | |
| Joe Harkins | .... | character setup: Tippett Studio | |
| Andrew R. Harris | .... | sequence lead: ESC (as Andrew Harris) | |
| Anthony Harris | .... | digital color timer | |
| Craig Hayes | .... | visual effects supervisor: Tippett Studio | |
| Lyndal Heathwood | .... | roto/paint artist | |
| Niles Heckman | .... | compositor (as Jon Heckman) | |
| Niles Heckman | .... | technical director (as Jon Heckman) | |
| Allen Hemberger | .... | color & lighting | |
| Joe Henke | .... | digital effects supervisor: CIS Hollywood | |
| John Hewitt | .... | previs designer | |
| Brent Heyning | .... | model maker | |
| Jep Hill | .... | technical director | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Maura Hogan | .... | operations: ESC Entertainment | |
| George Ho | .... | visual effects | |
| Aaron Holly | .... | character technical director | |
| Amy Hollywood Wixson | .... | visual effects producer | |
| Cindy Hong | .... | digital artist: ESC Entertainment | |
| Ryan Hopkins | .... | visual effects | |
| Mark Hopper | .... | roto/paint artist | |
| Traci Horie | .... | character animator: Tippett studio | |
| Lubo Hristov | .... | digital matte painter | |
| Victor Huang | .... | animator: Esc | |
| Michael Huber | .... | animator: giant killer robots | |
| George Hull | .... | visual effects art director | |
| Richard Hurrey | .... | CG modeler | |
| Tom L. Hutchinson | .... | computer graphics supervisor | |
| Kenneth Ibrahim | .... | visual effects technical director: Tippett Studio | |
| Doug Ikeler | .... | visual effects | |
| Tristan Ikuta | .... | character effects supervisor | |
| Steven Ilous | .... | visual effects | |
| Grant Imahara | .... | model maker foreman: Eon | |
| Eric Ingerson | .... | animator | |
| Amanda Instone | .... | digital artist | |
| Aruna Inversin | .... | digital compositor: Tippett Studio | |
| Rodney Iwashina | .... | visual effects supervisor: CFX | |
| John L. Jack | .... | visual effects producer | |
| Matt Jacobs | .... | lead compositor | |
| Josh R. Jaggars | .... | digital effects producer | |
| Aaron James McComas | .... | effects technical director: SPI | |
| Oliver James | .... | research and development | |
| John K. Jenkins | .... | technical director | |
| Jeff A. Johnson | .... | digital compositor | |
| Joshua H. Johnson | .... | digital paint and roto lead | |
| Michael Johnson | .... | digital effects artist | |
| Tobin Jones | .... | technical director: Giant Killer Robots | |
| Jaimie Lee Jota | .... | digital coordinator: Tippett Studio | |
| Greg Juby | .... | digital effects supervisor | |
| Kory Juul | .... | sequence lead: ESC Entertainment | |
| Kaishin Kam | .... | technical director | |
| Carl Kaphan | .... | technical director | |
| Jeff Kasunic | .... | assistant technical director: ESC Entertainment | |
| Dan Kaufman | .... | digital effects supervisor: CIS Hollywood | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| Mike Kelly | .... | motion control operator: second unit | |
| Michael Kennedy | .... | technical director: ESC | |
| Sevendalino Khay | .... | senior digital artist | |
| Andrew Young Kim | .... | effects animator | |
| Ken Satchel King | .... | senior animator | |
| David Kintner | .... | color and lighting: ESC | |
| John Klepper | .... | visual effects | |
| Marta Knudsen | .... | matte painter: CIS Hollywood | |
| Robert Komatsu | .... | visual effects editor | |
| Zsolt Krajcsik | .... | senior technical director: SPI | |
| Derek Krauss | .... | digital paint & rotoscope artist | |
| Scott Kravitz | .... | character animator | |
| Christian Kubsch | .... | visual effects consultant | |
| Daniel Kuehn | .... | digital producer: SPI | |
| Takashi Kuribayashi | .... | effects technical director: ESC | |
| René Kuys | .... | systems administrator | |
| Bill LaBarge | .... | visual effects technical director: SPI | |
| Luis Labrador | .... | senior modeler | |
| Cam Langs | .... | effects technical director: ESC | |
| Kirk Larkins | .... | end sequence layout/match move artist: Tippett Studio | |
| Nicki La Rosa | .... | motion capture production assistant | |
| Oystein Larsen | .... | visual effects technical director: ESC | |
| Laurent Lavigne | .... | pre-visualization lead | |
| Maryjane Layani | .... | production accountant: CIS Hollywood | |
| Demetrius Leal | .... | lead effects animator: Tippett Studio | |
| Mike Leben | .... | motion control operator | |
| John J.S. Lee | .... | lead production services technician: SPI | |
| Stephanie C. Lee | .... | visual effects coordinator | |
| Mark Lefitz | .... | senior technical director | |
| Mohen Leo | .... | visual effects sequence lead | |
| Tram Le | .... | system administrator: ESC Entertainment | |
| John M. Levin | .... | 3D CG camera matchmover: ESC Entertainment | |
| John M. Levin | .... | technical effects animation | |
| Letia Lewis | .... | roto/paint artist | |
| Kim Libreri | .... | visual effects supervisor | |
| Scott Liedtka | .... | visual effects sequence lead | |
| Gregory D. Liegey | .... | digital effects supervisor: CIS Hollywood | |
| David A. Link | .... | digital film I/O technician: Tippett Studio | |
| Randy Link | .... | animation | |
| Rosa Lin | .... | visual effects technical director | |
| David Lipton | .... | visual effects technical director: ESC | |
| Kimberley Liptrap | .... | technical director: color & lighting | |
| Jonathan Litt | .... | digital artist: ESC Entertainment | |
| Andy Lomas | .... | CGI supervisor: Matrix unit | |
| Timothy Loughran | .... | visual effects production assistant | |
| Zachary Lo | .... | roto/paint artist: ESC Entertainment | |
| Stephen Lunn | .... | technical director | |
| Brian Lutge | .... | effects animator: SPI | |
| Michael Lynch | .... | model project supervisor: Eon | |
| Skye Lyons | .... | digital production manager | |
| Bob Lyss | .... | compositor: CIS Hollywood | |
| Alastair Macleod | .... | motion capture | |
| Heather MacPhee | .... | paint and rotoscope artist: Esc Entertainment | |
| John Magdziarz | .... | production software engineer: ESC | |
| Richard Mahon | .... | concept artist: CFX, GKR | |
| Richard Mahon | .... | digital matte painter: GKR | |
| Mark Manfrey | .... | visual effects | |
| Dev Mannemela | .... | research and development: ESC Entertainment | |
| Rick Markle | .... | roto/paint supervisor: Tippett Studio | |
| Anthony Mark Viverito | .... | 3D matchmove artist: ESC | |
| Dennis A. Martin | .... | visual effects | |
| Adam Martinez | .... | lead digital effects artist | |
| Kent Matheson | .... | matte painter | |
| Olivier Maury | .... | research and development: ESC | |
| Gerald McAleece III | .... | layout artist | |
| Richard McBride | .... | compositor | |
| Richard McBride | .... | technical director | |
| Kate McCarthy | .... | visual effects coordinator | |
| Matt McDonald | .... | sequence lead | |
| Rodney J. McFall | .... | senior technical director: SPI | |
| Kevin McGowan | .... | digital artist | |
| Erika A. McKee | .... | digital producer | |
| John J. Meehan | .... | motion capture data tracker | |
| Gustav Melich | .... | visual effects TD: CFX | |
| Ed Mendez | .... | digital compositor: ESC Entertainment | |
| Clear Menser | .... | digital effects artist | |
| August Meredith | .... | particle technical director | |
| Meredith Meyer-Nichols | .... | visual effects coordinator: Giant Killer Robots | |
| Diana Miao | .... | CG artist: CIS Hollywood | |
| Neil Michka | .... | animator | |
| Tadao Mihashi | .... | color & lighting technical director: ESC | |
| Seth F. Miller | .... | roto/paint artist: ESC Entertainment | |
| Kristen Millette | .... | digital compositor | |
| Noah Mizrahi | .... | character animator | |
| Evangeline Monroy | .... | animation production manager | |
| Rodney Montague | .... | visual effects producer | |
| Sarah Moore | .... | lighting & compositing: SPI | |
| Mike Morasky | .... | sentinel/swarm lead | |
| Amanda Morrison | .... | senior compositor | |
| Jake Morrison | .... | CG supervisor | |
| Michael Mortimer | .... | software developer: Tippett Studio | |
| Natalya Lissa Mortimer | .... | 3D texture painter | |
| Natalya Lissa Mortimer | .... | texture painter | |
| Bo Mosley | .... | modeling and texturing supervisor: CFX | |
| Tricia Mulgrew | .... | digital effects producer | |
| Michael Mulholland | .... | visual effects | |
| Craig Mullins | .... | digital matte artist | |
| Andrew Mumford | .... | compositor: CIS Hollywood | |
| Enrique Munoz | .... | technical director | |
| Matthew Muntean | .... | puppet lead: Tippett Studio | |
| George Murphy | .... | visual effects supervisor: ESC | |
| Guido Muzzarelli | .... | character animator | |
| Kenneth Nakada | .... | digital matte painter: ESC Entertainment | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Maks Naporowski | .... | senior character technical director | |
| Serena Naramore | .... | digital compositor | |
| Cameron Neilson | .... | operations | |
| John Nelson | .... | visual effects supervisor: CFX | |
| Mark Nettleton | .... | compositor | |
| Mark Nettleton | .... | virtual background stills | |
| Ben Nichols | .... | model maker foreman | |
| Bruce Nicholson | .... | digital compositor | |
| Grant Niesner | .... | 3D creature designer | |
| Grant Niesner | .... | visual effects art director: Tippett Studio | |
| Rob Nitsch | .... | visual effects technical director: ESC | |
| Alberto Noti | .... | digital artist | |
| Rob Nunn | .... | previs artist | |
| Carina Ohlund | .... | virtual cinematography | |
| Nancy Ong | .... | motion capture production manager | |
| William Opdyke | .... | visual effects | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Toshiyasu Otsuka | .... | particle technical director: Giant Killer Robots | |
| Chris Paizis | .... | layout supervisor | |
| Brice Parker | .... | visual effects coordinator | |
| Stephen J. Parker | .... | technical director | |
| Chris Paxson | .... | motion control technician | |
| Andrew Pearce | .... | senior software manager | |
| Zoe Peck-Eyler | .... | digital compositor: Tippett Studio | |
| Carlos Pedroza | .... | technical director: virtual backgrounds | |
| Kira-Anne Pelican | .... | visual effects | |
| Maricela Perdomo | .... | modeler | |
| Cristin Pescosolido | .... | sequence lead | |
| David Petry | .... | match move artist | |
| Christopher Petty | .... | production software: ESC | |
| Devorah Petty | .... | look development lead | |
| Gerard Benjamin Pierre | .... | digital compositor: Tippett Studio | |
| Jamie Pilgrim | .... | visual effects | |
| Dan Piponi | .... | chief science officer | |
| Danielle Plantec | .... | digital effects artist | |
| Matt Plec | .... | visual effects | |
| Ann Podlozny | .... | visual effects producer: ESC | |
| Annie Pomeranz | .... | visual effects coordinator | |
| Felix Pomeranz | .... | data wrangler | |
| Bryan Poon | .... | virtual cinematography | |
| Jason Porter | .... | compositor | |
| Athena Portillo | .... | visual effects production manager | |
| Daniel Pratt | .... | operations | |
| Travis Price | .... | digital artist | |
| Ben Procter | .... | previs artist | |
| Thomas Proctor | .... | digital compositor | |
| Tom Proost | .... | model maker | |
| Qarl | .... | effects technical director: ESC | |
| The-Hung Quach | .... | digital artist | |
| Steven Quinones-Colon | .... | technical director | |
| Edward Quintero | .... | texture/matte painter | |
| Søren Ragsdale | .... | technical director: ESC | |
| Naomi Ruth Raine | .... | visual effects coordinator | |
| Rebecca Ramsey | .... | visual effects producer: Hatch | |
| Ollie Rankin | .... | visual effects consultant | |
| Mathieu Raynault | .... | senior matte artist | |
| Nate Reid | .... | render wrangler | |
| Anthony Reyna | .... | visual effects production assistant | |
| Steve Rheinfrank | .... | modeler | |
| Anthony Riazzi | .... | technical director: ESC | |
| Peter Richardson | .... | assistant technical director: ESC Entertainment | |
| George Richman | .... | senior production services technician: SPI (as George T. Richman) | |
| Shane Roberts | .... | lead matte painter | |
| Tracey Roberts | .... | character set up | |
| Kyle Robinson | .... | pre-vis consultant | |
| Barnaby Robson | .... | digital compositor | |
| Jody Rogers | .... | visual effects editor | |
| Craig Edward Rogers Jr. | .... | digital scanning: The IMAX Experience | |
| Craig Edward Rogers Jr. | .... | film recording: The IMAX Experience | |
| Kevin Romond | .... | visual effects technical director: ESC | |
| Jacqueline Rosado | .... | visual effects coordinator | |
| Charles Rose | .... | lead lighting technical director | |
| Daniel P. Rosen | .... | lead compositor: ESC Entertainment | |
| Eric Roth | .... | compositor | |
| Marc Roth | .... | technical effects director | |
| Marlin Rowley | .... | color and lighting technical director: ESC Entertainment | |
| Ari Rubenstein | .... | digital compositor: Tippett Studio | |
| Alonzo Ruvalcaba | .... | head of production: Tippett Studio | |
| Amy Ryan | .... | production manager: ESC Entertainment | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Chris Ryan | .... | digital compositor | |
| Kody Sabourin | .... | visual effects | |
| Ian Sachs | .... | technical director | |
| J.R. Salazar | .... | data tracker (as JR Salazar) | |
| Lucas Salton | .... | CG artist: BUF | |
| Nicole Samarron | .... | roto/paint artist | |
| Jose Samson | .... | digital modeler: ESC Entertainment | |
| Steve J. Sanchez | .... | digital compositor: Esc Entertainment | |
| Richard Sandoval | .... | compositor: ESC Entertainment | |
| Joey Santana | .... | assistant visual effects editor: ESC Entertainment | |
| Michael Sarkis | .... | motion control operator | |
| Amy Sauro | .... | production coordinator: ESC Entertainment | |
| Adam Savage | .... | model maker | |
| Adam Schardein | .... | production assistant | |
| Thomas Schelesny | .... | computer graphics character animation lead | |
| Eduardo 'Lalo' Schmidek | .... | CG artist: BUF | |
| Mike Schmitt | .... | visual effects supervisor: Giant Killer Robots | |
| Andrew Schneider | .... | animator: motion capture animation | |
| Janelle Schneider | .... | 3D texture painter: The Matrix unit | |
| Janelle Schneider | .... | texture artist (as Janelle Pierce) | |
| Ryan Schnizlein | .... | system administrator | |
| Durant Schoon | .... | digital artist | |
| Julien Schreyer | .... | technical director lighter | |
| Rick Schulze | .... | associate visual effects supervisor | |
| Eric Schweikert | .... | compositor | |
| Candice Scott | .... | Flame artist: ESC | |
| David Seager | .... | computer graphics supervisor: SPI, CFX | |
| Misty Segura | .... | digital paint & rotoscope artist: Tippett Studio (as Misty Segura Barbour) | |
| Kent Seki | .... | previsualization artist | |
| Atsushi Seo | .... | assistant technical director | |
| Nelson Sepulveda | .... | digital effects supervisor: CFX | |
| Pepe Serventi | .... | motion capture camera operator | |
| Nick Seuser | .... | visual effects editor | |
| Naz Shams | .... | digital artist: effects animator (as Nazgol Shams) | |
| Jeff Shank | .... | digital effects: SPI | |
| Greg Shimp | .... | paint and rotoscope artist | |
| Scot Shinderman | .... | visual effects | |
| Jason Shulman | .... | digital artist: Tippett Studios | |
| John Siczewicz | .... | digital compositor: Esc Entertainment | |
| Mark Siew | .... | layout artist | |
| Aaron Singer | .... | digital compositor | |
| Kawaldeep Singh | .... | effects technical director: ESC Entertainment | |
| Matt Sloan | .... | motion control technician | |
| Tom Slovick | .... | production manager: CIS Hollywood | |
| Brian W. Smith | .... | production software: ESC | |
| David Earl Smith | .... | animator | |
| Keith W. Smith | .... | lead animator | |
| Kevin Andrew Smith | .... | senior technical director | |
| R. Matt Smith | .... | digital compositor | |
| Sharmishtha Sohoni | .... | compositor: ESC | |
| Oksana Sokol | .... | script supervisor: third visual effects unit | |
| Drew Solodzuk | .... | DMR editor (IMAX version) | |
| Young Song | .... | texture painter | |
| Alan Sonneman | .... | digital matte artist | |
| Scott Souter | .... | visual effects supervisor: Tippett Studio | |
| Bret St. Clair | .... | CG supervisor: SPI | |
| Jeremy Sternberg | .... | digital artist: ESC Entertainment | |
| Joe Woodward Stevenson | .... | matchmove artist | |
| John Stillman | .... | sequence supervisor: ESC Entertainment | |
| Tamara Stone | .... | digital compositor | |
| Joshua Storck | .... | production software engineer: ESC Entertainment | |
| Joe Strasser | .... | lighting lead: SPI | |
| Sonja Struben | .... | asset lead | |
| Rosanna Sun | .... | motion capture producer/director | |
| Masuo Suzuki | .... | color & lighting technical director | |
| Steve Switaj | .... | motion control operator | |
| Emi Tahira | .... | visual effects | |
| Joe Takai | .... | visual effects supervisor: ESC | |
| Suan Ching Tan | .... | digital artist | |
| Mika Taylor | .... | visual effects | |
| Patrick Taylor | .... | character rigger | |
| Patrick Taylor | .... | digital artist | |
| Christina Tempelaar-Lietz | .... | research and development | |
| Joanne Thiel | .... | effects technical director: ESC | |
| Deborah Thomas | .... | data wrangler: Tippett Studio | |
| Mathew Thomas | .... | visual effects | |
| Clint Thorne | .... | digital paint and rotoscope artist: ESC Entertainment | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Ryan Michael Todd | .... | color and lighting | |
| Matthew Tomlinson | .... | digital imaging supervisor: Tippett Studio | |
| Marc Toscano | .... | digital artist | |
| Vincent Toscano | .... | lead technical director | |
| Linda Tremblay | .... | digital compositor | |
| Dan Trezise | .... | digital compositor: ESC Entertainment | |
| Bart Trickel | .... | visual effects | |
| Chris Trimble | .... | sequence lead | |
| Vincent Truitner | .... | computer animator | |
| Melissa Tseng | .... | effects animator: Tippett Studio | |
| David Valdez | .... | shader development: SPI, CFX | |
| Nowell Valeri | .... | matchmove artist: ESC | |
| Bil Van Ness | .... | character animator | |
| Jean-Marc van Rijswick | .... | CG artist: BUF (as Jean Marc Van Risjwick) | |
| Alexander Vegh | .... | previsualization consultant | |
| John Vegher | .... | compositor | |
| Attila Veress | .... | digital film recordist | |
| Dominique Vidal | .... | CG supervisor: BUF | |
| Bruno Vilela | .... | compositor: SPI | |
| Bruno Vilela | .... | senior digital lighter: SPI | |
| Andres Vitale | .... | visual effects | |
| John Volny | .... | technical director | |
| Kenneth Voss | .... | digital paint & roto artist: Tippett Studio | |
| Paul Waggonner | .... | character animator | |
| Matt Wallin | .... | digital artist: Tippett Studio | |
| Christopher Walsh | .... | character animator | |
| Kelly Walsh | .... | technical director: Tippett | |
| Shawn Walsh | .... | color and lighting technical director: ESC Entertainment | |
| Jason Wardle | .... | lead CGI artist: CIS Hollywood | |
| Matthew A. Ward | .... | previsual animation | |
| Martin Weaver | .... | systems manager: Manex Visual Effects | |
| David Weinstein | .... | animator: Esc | |
| Barry Weiss | .... | senior staff: SPI | |
| Matthew P. Welker | .... | lead technical director | |
| Davy Wentworth | .... | lighting technical director: Tippett Studio | |
| Jodie Weston | .... | database coordinator | |
| Jodie Weston | .... | digital effects coordinator | |
| Bryan Whitaker | .... | visual effects artist: Tippett Studio | |
| Len White | .... | visual effects | |
| Neha Wickramasekaran | .... | matchmove artist | |
| Shannon Wiggins | .... | digital artist: ESC Entertainment | |
| Rod Williams | .... | assistant camera: model unit | |
| Jeremie Winslow | .... | digital coordinator: SPI | |
| Eric Withee | .... | digital coordinator: SPI | |
| Jenny Wolfe-Binder | .... | visual effects production assistant | |
| Amber Wong | .... | visual effects producer | |
| Raymond Wong | .... | CG & previsualization artist | |
| Vicki Wong | .... | digital film I/O manager: Tippett Studio | |
| Janet Yale | .... | visual effects producer: ESC | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood | |
| Jason Yanofsky | .... | digital special effects: lighting and effects | |
| Doug Yoshida | .... | technical director | |
| Robin D. Young | .... | visual effects coordinator | |
| Scott Younkin | .... | digital compositor: ESC Entertainment | |
| Peipei Yuan | .... | previsualization animator: Pixel Liberation Front | |
| David Zbriger | .... | digital asset manager: Giant Killer Robots | |
| Bjorn Zipprich | .... | visual effects animator | |
| Denise Ballantyne | .... | visual effects consultant (uncredited) | |
| Alex Brownell | .... | visual effects producer: Tweak Films (uncredited) | |
| Salvatore Catanzaro | .... | assistant effects editor: Tippett Studio (uncredited) | |
| Ben De Luca | .... | systems administrator (uncredited) | |
| Andrew Dickinson | .... | assistant technical director: Giant Killer Robots (uncredited) | |
| Jesse Fernley | .... | digital matte painter: CIS Hollywood (uncredited) | |
| Frank Gallego | .... | visual effects (uncredited) | |
| Brian Gardner | .... | shader development team lead (uncredited) | |
| Steve Griffith | .... | visual effects intern: CFX (uncredited) | |
| Erica Hornung | .... | senior matchmover: SPI (uncredited) | |
| Flip Livingston | .... | assistant visual effects magenta color artist (uncredited) | |
| Katie McCaffrey | .... | facilities manager: Esc Entertainment (uncredited) | |
| Fabien Micallef | .... | software engineer: research & development (uncredited) | |
| Mark Prusten | .... | visual effects consultant (uncredited) | |
| Matthew M. Robinson | .... | technical director (uncredited) | |
| Michael Root | .... | visual effects technical director: Tweak Films (uncredited) | |
| Marian Rudnyk | .... | digital artist: Digital Domain (uncredited) | |
| Steven Seed | .... | senior systems engineer: Centropolis FX (uncredited) | |
| Eric Soulvie | .... | research and development (uncredited) | |
| Christa Starr | .... | visual effects technical director: Tweak Films (uncredited) | |
| Mitch Zeitlin | .... | video editorial coordinator: SPI (uncredited) | |
Animation Department | |||
| David Bawel | .... | facial capture supervisor | |
| Michael Brunet | .... | animator | |
| Chuck Duke | .... | animator | |
| Cameron Folds | .... | animator | |
| Aaron Gilman | .... | character animator | |
| Chris Lentz | .... | character animator: Centropolis FX | |
| Randy Link | .... | animator | |
| Ethan Marak | .... | animator | |
| Noah Mizrahi | .... | animator | |
| Kurt Nellis | .... | animator | |
| Bill Tessier | .... | animator | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Lindsey Hayes Kroeger | .... | casting associate (as Lindsey Hayes) | |
| Evan Knowles | .... | casting assistant | |
| David Rapaport | .... | casting assistant | |
| Neal Dodson | .... | casting reader (uncredited) | |
| Jennifer Jarvis | .... | casting assistant (uncredited) | |
| Sharat Raju | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Gloria Bava | .... | tailor: men | |
| Dan Bronson | .... | costume supervisor | |
| Christine Dye | .... | costumer: USA | |
| Jamella Hassan | .... | costumer | |
| Andrea Hood | .... | key costumer | |
| Clare Howie | .... | stand-by costume | |
| Elly Kamal | .... | assistant costume supervisor | |
| Tasha Le Mel | .... | costumer | |
| Penny Mackie | .... | on-set costumer | |
| Chandra Moore | .... | costumer | |
| Daniela Moore | .... | costumer: USA | |
| Rebeka L. Roberts | .... | costume ager/dyer | |
| Jo Thorpe | .... | costume fitter | |
| Derek Sullivan | .... | set costumer (uncredited) | |
Editorial Department | |||
| Craig Alpert | .... | first assistant editor: avid, USA | |
| Todd Baillere | .... | post-production consultant | |
| Thaddeus Baker | .... | apprentice editor | |
| David Birrell | .... | first assistant editor: avid, Australia | |
| Sean Callan | .... | editor: video | |
| Catherine Chase | .... | first assistant editor: film | |
| Charlie Fuguet | .... | post-production consultant | |
| Ed Fuller | .... | assistant editor | |
| Allison Gibbons | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Jenny Hicks | .... | assistant editor | |
| Catherine Liu | .... | post-production assistant | |
| Cynthia Morris | .... | assistant editor | |
| David Orr | .... | color timer | |
| Ian Slater | .... | assistant editor: avid | |
| Michael Struk | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Jason Bentley | .... | music supervisor | |
| Don Davis | .... | conductor | |
| Don Davis | .... | orchestrator | |
| Steven R. Galloway | .... | assistant music editor | |
| Zigmund Gron | .... | music editor (as Zig Gron) | |
| Penka Kouneva | .... | score preparation | |
| Erik Lundborg | .... | orchestrator | |
| Barbara McDermott | .... | assistant music editor | |
| Julie Pearce | .... | assistant music editor | |
| Conrad Pope | .... | orchestrator | |
| Joe E. Rand | .... | music editor | |
| John Rodd | .... | orchestral scoring recordist | |
| David Sherr | .... | orchestra contractor | |
| David Sherr | .... | orchestrator | |
| Armin Steiner | .... | music scoring mixer | |
| Ben Watkins | .... | composer: additional music | |
Transportation Department | |||
| Karen Brakenridge | .... | production driver | |
| John Bromstead | .... | driver | |
| Lonnie Craig | .... | transportation | |
| Cian O'Clery | .... | driver: cast set PA | |
| Frank Rocha | .... | captain | |
| James D. Weston II | .... | precision driver | |
Other crew | |||
| Jason Baird | .... | head prosthetics artist: The Super Brawl | |
| Sim Bajaj | .... | assistant: Mr. Silver | |
| Billy Barnhart | .... | digital assets manager | |
| Peggy Baslow | .... | location assistant: USA | |
| Jennifer Bauman | .... | assistant film commissioner: Oakland | |
| Tim Bicio | .... | chief technology officer | |
| Matt Bilski | .... | assistant: Mr. Hill | |
| John Bonnin | .... | head technician: Libra | |
| Valary Bremier | .... | accounting clerk | |
| Jeffrey Brown | .... | set production assistant: USA | |
| Suzie Bruce | .... | assistant accountant | |
| Mandy Butler | .... | production accountant | |
| Vanessa Carmichael | .... | assistant: Wachowski Brothers | |
| Caryn Cheever | .... | second assistant accountant | |
| Mary Clutts | .... | set production assistant: USA | |
| Kristel Crews | .... | assistant: Mr. Fishburne | |
| Emlyn Crockett | .... | production assistant | |
| Steve Cronan | .... | digital assets manager | |
| Belinda Dean | .... | location assistant | |
| Stanley A. Dellimore | .... | senior technical imaging artist (IMAX DMR version) | |
| Jacques Dell | .... | senior technical imaging artist (IMAX DMR version) | |
| William M. DeLuca | .... | mechanic | |
| James Dornoff | .... | production assistant | |
| Jamison Empey | .... | accountant | |
| Heidi Erl | .... | production coordinator | |
| Lisa Jean Felski | .... | first assistant accountant | |
| Julio Ferrario | .... | senior title designer: main end titles | |
| Kerry Fetzer | .... | caterer | |
| Andrew Flakelar | .... | production assistant: Wachowski Brothers | |
| Darrell Foster | .... | trainer: Jada Pinkett Smith | |
| Ran Francke | .... | security: Jada Pinkett Smith | |
| Siri Dharma Galliano | .... | trainer: Ms. Moss | |
| Robert 'Rock' Galotti | .... | weapons coordinator | |
| Jan Garner | .... | key production accountant | |
| Corey Garnett | .... | systems administrator | |
| Jillian Giacomini | .... | accounting clerk | |
| Andrew Glass | .... | advisor: Sanskrit | |
| Michelle Gold | .... | call sheets | |
| Lou Grant | .... | script supervisor: second unit, Australia | |
| David 'Cajun' Guilbeau | .... | craft service | |
| Mark Hager | .... | assistant production coordinator: USA | |
| Kelly Helstrom | .... | staff production coordinator: Warner Bros. | |
| David Hird | .... | specialist rigger | |
| Craig Hosking | .... | aerial coordinator/pilot | |
| Steak House | .... | coordinator: model unit | |
| Sara Howell | .... | assistant post-production accountant | |
| Karen Jine | .... | location assistant | |
| Zachary Kahn | .... | facility coordinator | |
| Melina Kevorkian | .... | assistant: Mr. Silver | |
| Patrick Kwok | .... | senior DMR artist (IMAX version) | |
| Dion Lam | .... | additional fight choreographer | |
| Dion Lam | .... | martial art and wire coordinator | |
| Spencer Lamm | .... | web site designer | |
| Fiona Landreth | .... | production accountant: Australia | |
| Seth Larney | .... | digital assets coordinator | |
| Peter Lawless | .... | location manager | |
| Ted Leonard | .... | set production assistant | |
| Marcus Levy | .... | location scout | |
| Catherine Leyba | .... | production assistant | |
| Cathy Marshall | .... | payroll accountant | |
| Peter Martorano | .... | assistant location manager: USA | |
| Rob McCabe | .... | stand-in: Keanu Reeves, USA | |
| Mimi N. McGreal | .... | travel coordinator | |
| Reza Mokhtar | .... | caterer | |
| Dave Moorer | .... | set medic | |
| Jerimiah Morey | .... | digital input/output | |
| Niamh Murphy | .... | textile artist | |
| Jenny Napier | .... | production assistant | |
| Peter J. Novak | .... | location manager: USA | |
| John O'Rourke | .... | assistant armorer | |
| Tonia Pearson | .... | assistant: Mr. Mason | |
| Bob Perkins | .... | production assistant: Wachowski Brothers | |
| Reinaldo Puentes-Tucki | .... | assistant: Ms. Moss | |
| Ronald Rametta | .... | senior model maker | |
| Daniel Rapo | .... | digital film scanning and recording | |
| Jacquie Robertson | .... | unit nurse | |
| Michelle Rowe | .... | security: Mr. Fishburne | |
| Michelle Rowe | .... | trainer: Mr. Fishburne | |
| Bruce Schluter | .... | title designer | |
| Thomas Scott | .... | body double: Keanu Reaves: Australia | |
| Thomas Scott | .... | stand-in: Keanu Reaves. Australia | |
| Jay Sedrish | .... | production consultant | |
| Denise Snyder | .... | physical trainer: Mr. Reeves | |
| Alexander C. Sohn | .... | production accountant | |
| TreJulie Stamos | .... | location assistant: USA | |
| Monika Stankowski | .... | payroll accountant | |
| Victoria Sullivan | .... | script supervisor | |
| Adrienne Swan | .... | assistant accountant | |
| Chris Symonds | .... | production assistant | |
| Dan Talbott | .... | production assistant: VSFX | |
| Eric Towner | .... | location assistant | |
| Michelle Tuella | .... | assistant: Mr. Silver | |
| Amanda Uber | .... | staff coordinator | |
| Janette Vecchiarelli | .... | assistant: Mr. Reeves | |
| Evan Wilson | .... | set production assistant: USA | |
| Cheung-Yan Yuen | .... | kung fu trainer | |
| Cheung-Yan Yuen | .... | wire team: Hong Kong | |
| Woo-ping Yuen | .... | action choreographer | |
| Woo-ping Yuen | .... | fight choreographer | |
| Ami Zins | .... | film commissioner | |
| Lindsay Cole | .... | security officer (uncredited) | |
| Christian Daugherty | .... | production assistant (uncredited) | |
| Donte Gentile | .... | weapons specialist (uncredited) | |
| Jason Mack | .... | security officer (uncredited) | |
| Les Roberts | .... | security officer (uncredited) | |
| Dan Shimer | .... | production assistant (uncredited) | |
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| The Matrix Reloaded | The Matrix | The Lord of the Rings: The Return of the King | Star Wars: Episode III - Revenge of the Sith | Terminator Salvation |
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...that this film is not getting the credit it deserves. It is in my opinion one of the most underrated films of all time along with The Matrix Reloaded. Revolutions is undoubtedly different from the previous films both in general and in terms of tone but why is that necessarily a bad thing? I won't be so arrogant as to say that the people who don't like this film are unintelligent. Whether or not people like a film or not is a subjective matter but I can't help feeling that the people who dislike (or even hate) this film are missing something because Revolutions is an intelligent, entertaining, beautiful, sad and moving picture.
The acting of all three films have been a mixed bag and although I usually join in the bashing of Keanu Reeves I find him strangely fitting for the part of Neo. His voice is not the perfect voice due to its monotonous tone but his body language is very good and sometimes even great and that is the case in Revolutions as well. Carrie-Anne Moss plays her character like she did in film two and that is neither particularly good or bad but a decent performance. Laurence Fishbourne's character has been reduced somewhat for the final part of the series but I found that the lines he did have were delivered with conviction and experience. As most people know Gloria Foster died before finishing her scenes for Revolutions and thus a different actress was cast to take over. The choice fell on Mary Alice and while she is no where near as good as Foster she is decent enough. Ian Bliss gets a chance to show his worth in the third film and personally I found his scenes to be among the most interesting of the film and his uncanny imitation of Weaving was spot on. Most of the secondary cast from Reloaded returns in their parts in Revolutions and they all do decent jobs with their characters. Harry J. Lennix (Lock) improved his character tremendously in spite of limited screen time. Hugo Weaving still provides the best acting in the film and steals every one of his regrettably limited number of scenes. He is probably my all time favorite screen bad guy. He manages to show the change in his character remarkably well considering how limited his screen time is. Agent Smith exhibits an increasing amount of human traits including anger, hatred, jealousy and even a sly sense of humor. This change happens to mirror Neo's growing understanding of the machines. Neo and Smith are linked in that way as well.
The effects are of course extraordinary which was to be expected after the stellar effects in the second film. Although there weren't as many scenes inside The Matrix this time around I still found the effects of the "real" world to be awe inspiring at the least and the battle for Zion was an incredible display of special effects. Of course the directors never lost sight of the people involved in the battle making it more tense had it only been effects. The climactic battle between Neo and Smith is quite simply stunning. It takes roughly 15 minutes and I for one hardly breathed in those 15 minutes. All three Matrix films have been inspired by Japanese animé comics and that is very visible in the final battle as one can't help but think of Dragonball for instance. The action in that particular scene is frighteningly well done and I got the chills when I watched it in the cinema. Very well done.
The story is darker in this film than in either of the previous films but that is to be expected as the first film was about birth and the second about life. Obviously that means that the third is about the inevitable end that must come to us all: Death. This does that the tone of the film becomes much darker and I felt that was good. This did that the film distanced itself from the previous films in the series and rather than become another rerun the film becomes its own entirely and that is both its weakness and its strength. I think it is its strength as it increases the originality of the film but apparently a lot of people didn't like the interpretation that the third film represents as is clear from the bashing the film has gotten from audiences and critics alike. The film does still have great symbolic value and you can interpret the film in a great number of ways like the previous films. For me this improves the film(s) greatly as you can watch it again and again and still find new things that will renew your interest.
Sadly I cannot make you love this film as much as I do because that would defeat the purpose of the film which is to make people think for themselves. My conclusion about Revolutions is that you will either love or you will hate it but in my opinion Revolutions is almost as good as the first one and one of the best films I have ever seen.
9/10 - On my top 10 of best films.