| Photos (see all 8 | slideshow) |
| Thora Birch | ... | Liz Dunn | |
| Desmond Harrington | ... | Mike Steel | |
| Daniel Brocklebank | ... | Martyn Taylor | |
| Laurence Fox | ... | Geoff Bingham | |
| Keira Knightley | ... | Frances 'Frankie' Almond Smith | |
| Embeth Davidtz | ... | Dr. Philippa Horwood | |
| Steven Waddington | ... | DCS Tom Howard | |
| Emma Griffiths Malin | ... | Daisy | |
| Jemma Powell | ... | Minnie (as Gemma Powell) | |
| Gemma Craven | ... | Mrs. Dunn | |
| Anastasia Hille | ... | Gillian | |
| Kelly Hunter | ... | DI Chapman | |
| Maria Pastel | ... | Policewoman | |
| Celia Montague | ... | Solicitor | |
| Kevin Trainor | ... | Boy in school | |
| Lolita Chakrabarti | ... | Doctor | |
| Claire Fox | ... | Reporter | |
| Jennifer Hockman | ... | Reporter | |
| Jack Tanner | ... | Reporter |
Directed by | |||
| Nick Hamm | |||
Writing credits | ||
| Guy Burt | (novel "After the Hole") | |
| Ben Court | (screenplay) & | |
| Caroline Ip | (screenplay) | |
Produced by | |||
| Jeremy Bolt | .... | producer | |
| Lisa Bryer | .... | producer | |
| Andrea Calderwood | .... | executive producer | |
| Pippa Cross | .... | producer | |
| Rebecca Hodgson | .... | associate producer | |
| François Ivernel | .... | executive producer | |
| Bill Shephard | .... | line producer | |
| Suzanne Warren | .... | co-producer | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Denis Crossan | |||
Film Editing by | |||
| Niven Howie | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Andrew Grant | |||
| Tom Read | |||
Costume Design by | |||
| Verity Hawkes | |||
Makeup Department | |||
| Sarah Monzani | .... | hair designer | |
| Sarah Monzani | .... | makeup designer | |
| Sandra Shepherd | .... | assistant hair stylist | |
| Sandra Shepherd | .... | assistant makeup artist | |
| Simon Thompson | .... | hair designer | |
| Sarah Monzani | .... | key makeup artist (uncredited) | |
Production Management | |||
| Shonagh Reid | .... | post-production supervisor | |
Art Department | |||
| Rachel Bailson | .... | art department assistant (as Rachael Bailson) | |
| Eddie Baker | .... | stand-by props | |
| Tony Cook | .... | stand-by rigger | |
| Wayne Day | .... | carpenter | |
| Russell Delany | .... | stagehand | |
| Andrew Forrest | .... | prop dresser (as Andy Forrest) | |
| Gary Fox | .... | stand-by props | |
| Karen George | .... | scenic painter | |
| Andy Good | .... | carpenter | |
| Les Hall | .... | chargehand carpenter (as Leslie Hall) | |
| David Hill | .... | carpenter | |
| Martin Lane | .... | stand-by painter | |
| Jo Littlejohn | .... | graphic designer | |
| Lisa Lloyd | .... | prop dresser | |
| Leon McCarthy | .... | stand-by carpenter | |
| Richard Mills | .... | property master | |
| Brian Neighbour | .... | carpenter | |
| Justin Overhill | .... | stand-by art director | |
| Nick Pelham | .... | storyboard artist | |
| Dave Perschky | .... | construction manager (as David Perschky) | |
| Polly Philcox | .... | production buyer | |
| Russell Sargent | .... | carpenter | |
| David Stapleton | .... | chargehand painter | |
Sound Department | |||
| Tim Alban | .... | sound re-recording mixer | |
| James Andrews | .... | adr mixer | |
| Felicity Cottrell | .... | foley artist | |
| Paul Davies | .... | sound designer | |
| Matthew Desorgher | .... | sound maintenance engineer | |
| Paul Hickey | .... | trainee: FT2 | |
| Miriam Ludbrook | .... | assistant sound effects editor | |
| Nneka Meka | .... | trainee: FT2 | |
| Michael Miller | .... | adr mixer (as Michael S. Miller) | |
| James L. Nolan | .... | adr recordist (as James L. Noland) | |
| John Rodda | .... | sound recordist | |
| Jack Stew | .... | foley artist | |
| Andrew Stirk | .... | assistant sound re-recording mixer | |
| Graeme Stoten | .... | foley editor | |
| Hilary Wyatt | .... | supervising dialogue editor | |
Special Effects by | |||
| Graham Longhurst | .... | special effects coordinator | |
| Richard Van Den Bergh | .... | special effects (uncredited) | |
Stunts | |||
| Nrinder Dhudwar | .... | stunt coordinator | |
| Joss Gower | .... | stunt double | |
| William Willoughby | .... | stunt double (as Will Willoughby) | |
Camera and Electrical Department | |||
| Mark Barrs | .... | trainee: FT2 camera (as Mark Barr) | |
| Peter Batten | .... | focus puller | |
| Ray Brown | .... | electrician | |
| Brian Miller | .... | generator operator | |
| Mark Packman | .... | electrician | |
| Micky Page | .... | gaffer | |
| David J. Palmer | .... | clapper loader (as David Palmer) | |
| Mike Parker | .... | aerial camera operator | |
| Toby Plaskitt | .... | grip | |
| Xandy Sahla | .... | Steadicam operator (as Alexander Sahla) | |
| Xandy Sahla | .... | camera operator (as Alexander Sahla) | |
| Martin Shepherd | .... | focus puller: second unit | |
| Bobby Tanswell | .... | best boy | |
| Nick West | .... | still photographer | |
| Helen Williams | .... | clapper loader: second unit | |
Costume and Wardrobe Department | |||
| Sharon Gilham | .... | assistant costume designer | |
| Nicki Varney | .... | wardrobe assistant | |
Editorial Department | |||
| Peter Ferrari | .... | color grader | |
| Michael Nollet | .... | editorial trainee: FT2 | |
| Helen Paszyn | .... | assistant editor | |
| Steve Farman | .... | negative cutter (uncredited) | |
Music Department | |||
| David Arch | .... | musician: piano (as Dave Arch) | |
| Simon Bags | .... | musician: violin | |
| Jon Bailey | .... | scoring engineer: London | |
| Chris Barrett | .... | scoring engineer: London (as Chris Barratt) | |
| Nick Barr | .... | musician: viola | |
| Leon Bosch | .... | musician: bass | |
| John Bradbury | .... | musician: violin | |
| Ed Coxon | .... | musician: violin | |
| Vic Fraser | .... | music copyist | |
| Joe Fromlich | .... | musician: violin | |
| Liz Gallacher | .... | music supervisor | |
| Roger Garland | .... | musician: violin | |
| David Gill | .... | music copyist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Leo Herrera | .... | scoring engineer: New Orleans | |
| Nick Ingman | .... | conductor | |
| Nick Ingman | .... | orchestrator | |
| Skaila Kanga | .... | musician: harp | |
| Alison Kelly | .... | musician: violin | |
| Clive Lander | .... | musician: violin | |
| Gaby Lester | .... | musician: violin | |
| Danny Lonner | .... | musician: guitars | |
| Clint Mansell | .... | score producer | |
| Paul Martin | .... | musician: viola | |
| Cliff Masterson | .... | music programmer | |
| David Ogden | .... | musician: violin | |
| Melissa Phelps | .... | musician: cello | |
| Steve Tees | .... | musician: viola | |
| Jonathan Tunnell | .... | musician: cello | |
| Debbie Widdup | .... | musician: violin | |
| Nigel Wiesehan | .... | scoring engineer: New Orleans | |
| Paul Willey | .... | musician: violin | |
| Jonathan Williams | .... | musician: cello | |
| Rolf Wilson | .... | musician: violin | |
| Nick Wollage | .... | scoring engineer: London | |
Transportation Department | |||
| Neil Birdsall | .... | driver | |
| Lia Bourne | .... | driver | |
| Steve Bridgen | .... | driver | |
| Jeremy Jacobs | .... | driver | |
| Jim King | .... | driver | |
| Simon Kinnersley | .... | driver | |
| Ian Lisi | .... | driver | |
| Mac MacLean | .... | driver (as Mac McLean) | |
| Stanley Milton | .... | driver | |
| Graham Pamment | .... | driver | |
| John Tiny Topping | .... | driver (as Tiny Topping) | |
| Mark Tyack | .... | driver | |
| Tony Wadsworth | .... | driver | |
Other crew | |||
| Jenny Beckett | .... | stand-in | |
| Sean Begley | .... | stand-in | |
| Dan Channing-Williams | .... | production office runner | |
| Fizz Chaudhry | .... | trainee: FT2 | |
| Mel Churcher | .... | dialogue coach | |
| Sara Curran | .... | legal services | |
| Alice Dawson | .... | location scout | |
| Vicky Edgson | .... | nutritionist | |
| Simon Fawcett | .... | financial director: Pathé Pictures | |
| Jacky Fitt | .... | assistant to producer | |
| Matthew T. Gannon | .... | head of development: Pathé Pictures | |
| Jeremy Gawade | .... | legal services | |
| Anwen Griffiths | .... | assistant to producer | |
| Sue Humphries | .... | catering chef manager | |
| Harriet Lawrence | .... | location manager | |
| Lissa Lebel | .... | coordinator: Los Angeles | |
| Neil Lee | .... | location manager | |
| Richard Lever | .... | legal services | |
| Max Longton-Lockton | .... | floor runner | |
| Natasha Marsh | .... | assistant to producer | |
| Jack Myles | .... | legal and business executive: Pathé Pictures | |
| Abigail Netcott | .... | publicist | |
| Susie Parkins | .... | chef | |
| Jamie Pridmore | .... | chef | |
| Mark Pybus | .... | legal services | |
| Marinella Setti | .... | script supervisor | |
| Guy Staight | .... | medic (as Dr. Guy Staight) | |
| David Sutcliffe | .... | health and safety officer | |
| Paul Swann | .... | contact: Technicolor | |
| Nathalie Tanner | .... | production coordinator | |
| Bill Twiston-Davies | .... | assistant location manager | |
| Sue Wall | .... | production accountant | |
| Richard Warlow | .... | development executive: Pathé Pictures | |
| Jacqui Wetherill | .... | assistant production accountant | |
| Clare Whitaker | .... | unit nurse | |
| Verity Wislocki | .... | production secretary | |
| Susanna Wyatt | .... | head of physical production: Pathé Pictures | |
| Adam Samuelson | .... | louma crane technician (uncredited) | |
Thanks | |||
| Jennifer Ehle | .... | special thanks | |
| Natasha Ross | .... | thanks | |
| Kathryn Smith | .... | thanks | |
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| Lo strano vizio della Signora Wardh | Porky's | Lost and Delirious | Like Minds | The Dancer Upstairs |
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Liz stumbles towards her boarding school, bloodied and shaken up after being missing for several days. She tells the police psychologist of a party in a hidden bunker planned for her and three friends by her friend Martin. However when Martin doesn't return things turn nasty in the bunker. However when Martin is found by the police he tells a very different story. Slowly the true events are retold in flashback.
I saw the trailers for this and assumed it was another teen slasher I didn't even know it was set in Britain until someone told me. I think the trailer is an example of a studio unsure of how to sell a product and just plumping for the lowest common denominator. However this film rises above that. Instead of being a slasher or a horror it is a thriller with a horror twist. This makes it better it may not be as scary as you expect but it is a better story and is creepy rather than schlocky!
The cast are good despite being young. The weaknesses come in with the adult cast especially the cops who have clearly watched too much Sweeney! However the teens are good and are more than the sort of fodder that is put in teen movies.
Overall this is not what you expect. But it is better than you'd think. The thriller story is gripping because you're not sure what happened in the bunker until the end and I had questions answered as I went. Not great but certainly better than another teen slasher movie.