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Directed by | |||
| Mira Nair | |||
Writing credits | ||
| Matthew Faulk | (screenplay) & | |
| Mark Skeet | (screenplay) and | |
| Julian Fellowes | (screenplay) | |
| William Makepeace Thackeray | (novel) | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Declan Quinn | |||
Film Editing by | |||
| Allyson C. Johnson | |||
Casting by | |||
| Mary Selway | |||
| Loveleen Tandan | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Nick Palmer | |||
| Sam Stokes | |||
| Lucinda Thomson | |||
Set Decoration by | |||
| Kalpa Dave | |||
| Tatiana Lund | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Bee Archer | .... | additional hair stylist | |
| Bee Archer | .... | additional makeup artist | |
| Zoe Brown | .... | additional hair stylist | |
| Zoe Brown | .... | additional makeup artist | |
| Anita Burger | .... | makeup artist | |
| Blanka Dudas | .... | makeup artist | |
| John Henry Gordon | .... | additional hair stylist | |
| John Henry Gordon | .... | additional makeup artist | |
| Annabel Hill | .... | makeup artist | |
| Virginia Holmes | .... | assistant makeup: India | |
| Joe Hopker | .... | additional hair stylist | |
| Joe Hopker | .... | additional makeup artist | |
| Sue Ignatius | .... | additional hair stylist | |
| Sue Ignatius | .... | additional makeup artist | |
| Rebecca Lafford | .... | makeup artist: Ms. Witherspoon | |
| Mai Layton | .... | additional hair stylist | |
| Mai Layton | .... | additional makeup artist | |
| Sadie Lunn | .... | hair trainee | |
| Sadie Lunn | .... | makeup trainee | |
| Fran Needham | .... | hair stylist: crowd | |
| Fran Needham | .... | makeup artist: crowd | |
| Loulia Sheppard | .... | hairdresser: Ms. Witherspoon | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
| Chang Su Chan Shiu | .... | assistant hair stylist: India | |
| Barbara Taylor | .... | crowd hair stylist | |
Production Management | |||
| Rupert Ryle-Hodges | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director (as Matt Baker) | |
| Adam Coop | .... | additional third assistant director | |
| Reema Kagti | .... | second assistant director: India | |
| Max Keene | .... | first assistant director | |
| Candy Marlowe | .... | second assistant director: crowd | |
| Danny McGrath | .... | third assistant director | |
| Jay Jay Odedra | .... | second unit director (as Jay J. Odedra) | |
| Stuart Renfrew | .... | first assistant director: India | |
| Akshay Roy | .... | third assistant director: India | |
Art Department | |||
| Chris Cull | .... | property master | |
| Belinda Cusmano | .... | assistant set decorator | |
| Amy Dewar | .... | art department runner | |
| Gill Farr | .... | production buyer | |
| Emily Lutyens | .... | graphic artist | |
| Suzanne Caplan Merwanji | .... | supervising designer: India | |
| Simon Riley | .... | stand-by props | |
| Adrian Start | .... | paint supervisor | |
| Hattie Storey | .... | art department assistant | |
| Sarah Stuart | .... | stand-by art director | |
| Chris Ulusele | .... | stand-by props | |
| Tom Whitehead | .... | draughtsman | |
| Billy Wilson | .... | lead dressing props | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Dan Edelstein | .... | foley editor | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Peter Gleaves | .... | adr mixer | |
| Dan Korintus | .... | dialogue editor | |
| Drew Kunin | .... | production sound mixer | |
| Marissa Littlefield | .... | adr editor | |
| Tony Martinez | .... | supervising sound editor | |
| Eric McAllister | .... | assistant sound editor | |
| Kate Morath | .... | boom operator | |
| Kate Morath | .... | sound maintenance | |
| Luke Neuman | .... | assistant sound | |
| Mary Ellen Porto | .... | sound effects editor | |
| Steve Schwartz | .... | assistant sound editor (as Stephen Schwartz) | |
| Warren Shaw | .... | supervising sound editor | |
| Jeffrey Stern | .... | dialogue editor | |
| Eric Strausser | .... | assistant sound editor | |
| Bill Sweeney | .... | foley editor (as William Sweeney) | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Alexander Beddow | .... | adr recordist (uncredited) | |
Special Effects by | |||
| James Davis III | .... | special effects senior technician | |
| Hugh Goodbody | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| R.J. Harbour | .... | digital compositor | |
| Mark Sawicki | .... | optical camera | |
Stunts | |||
| Andy Bradford | .... | stunt coordinator | |
| Nrinder Dhudwar | .... | stunt coordinator | |
| Levan Doran | .... | stunt double | |
Casting Department | |||
| Lucy Bevan | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Arjun Bhasin | .... | costume designer: India | |
| Jenny Hawkins | .... | costume set supervisor | |
| Amanda Keable | .... | costume supervisor | |
| Urmilla Lal Motwani | .... | wardrobe supervisor: India | |
| Sophie Norinder | .... | dresser: Ms. Witherspoon | |
| Julia Patkos | .... | costume design assistant | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Yana Collins Lehman | .... | post-production assistant | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| James Nichols Jr. | .... | assistant editor | |
| David O. Rogers | .... | assistant editor | |
| David A. Smith | .... | assistant editor | |
| Shelly Westerman | .... | assistant film editor | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Mychael Danna | .... | orchestrator | |
| Terry Davies | .... | dance music by | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Jennifer L. Dunnington | .... | music editor (as Jennifer Dunnington) | |
| Vic Fraser | .... | music copyist | |
| Brad Haehnel | .... | music mixer | |
| Paul Talkington | .... | musician contractor | |
Transportation Department | |||
| Peter Devlin | .... | transport coordinator | |
| Chris Hammond | .... | driver: minibus | |
Thanks | |||
| Barry Alexander Brown | .... | special thanks | |
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| Becky Sharp | Sense and Sensibility | Gone with the Wind | Big Fish | Lundi matin |
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Vanity Fair is a beautiful mess. It combines the beauty of elegant costumes, sets and people with the disaster that is Mira Nair's adaptation of William Makepeace Thackery's novel. Not only is the adaptation bad but also so is what Nair has done with it. If you read the book, the movie will break your heart. It has completely ripped to shreds the pages of the classic story.
If you haven't read the book and intend to waste your money on the film, I would recommend that first you read a couple of plot summaries of the novel. Otherwise, you may be very lost through no fault of your own but because there is no defining plot in the film. There are no central conflicts presented and it's not until about two thirds of the way through that you have at least an idea of what is trying to be done here. Even then, it is unclear. Reese Witherspoon plays Becky Sharp, a social climber. Vanity Fair is supposed to be her story but instead, it is crowded by a confusing and unnecessary cast of supporting characters. I suppose Vanity Fair is a story about love but also about how the social class system can create a barrier between people. If this was the intended idea the supporting cast would be needed but Vanity Fair is supposed to be about Becky Sharp and the movie is far too much of an ensemble piece for that to be the case.
Mira Nair's direction is too present. She throws in too much of herself with the scenes about India and actually in India. Where the hell is the point? There just seem to be times when Nair thought it was okay to throw in another shot of an elephant's ass or belly dancers or India food.
Speaking of unwanted, Reese's second child was not credited in the closing credits but is in every scene Reese is. Witherspoon and the crew seemed to think they could hide the fact that she was pregnant by putting her in big clothes but that didn't work. She still looks pregnant and it ruins the effect the clothes should have had. It also puts the movie out of sequence. In one scene Reese is very large and in the next you can only see her belly if you look for it.
Vanity Fair could have been brilliant. The material is there, Reese bring to the table the range that we have come to expect from her and a performance that could have taken her places if it had been used better. But the fact remains that there are too many moments where ends just don't meet and the audience is confused to the point where the film can't rely on its pretty scenery to distract from its larger flaws. *1/2 out of *****