L'anglaise et le duc (2001)

User Rating:

6.8/10   

Director:

Eric Rohmer

Writers:

Grace Elliott (memoir "Ma vie sous la révolution")
Eric Rohmer (adaptation)

Release Date:

7 September 2001 (Belgium)

Genre:

Drama | History

Plot:

During the French Revolution, a Scottish aristocrat and her former lover, the Duke of Orleans, find themselves on opposite sides of the conflict.

Plot Keywords:

Duke | French Revolution | Aristocrat | Old Flame | Period Drama

Awards:

3 nominations

Cast

Jean-Claude Dreyfus	...	Le duc d'Orléans
Lucy Russell	...	Grace Elliott
Alain Libolt	...	Duc de Biron
Charlotte Véry	...	Pulcherie the Cook
Rosette	...	Fanchette
Léonard Cobiant	...	Champcenetz
François Marthouret	...	Dumouriez
Caroline Morin	...	Nanon
Héléna Dubiel	...	Madame Meyler
Laurent Le Doyen	...	Section Miromesnil: Officer
Georges Benoît	...	Section Miromesnil: President
Serge Wolfsperger	...	Section Miromesnil: Aide
Daniel Tarrare	...	Justin the Doorman
Marie Rivière	...	Madame Laurent
Michel Demierre	...	Chabot

Also Known As:

The Lady and the Duke (Australia) (USA)
L'anglaise & le duc (France) (poster title)

MPAA:

Rated PG-13 for some violent images.

Runtime:

129 min | USA:125 min (New York Film Festival)

Country:

France

Language:

French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Italy:T | Argentina:13 | Australia:PG | Brazil:14 | France:U | Germany:6 | Peru:14 | Spain:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:PG | USA:PG-13 | Canada:PG

Filming Locations:

Saint-Ouen, Seine-Saint-Denis, France

Company:

Pathé Image Production

Trivia:

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2001 (#02)

Movie Connections:

References The Far Country (1954)

Soundtrack:

La Carmagnole

Yes, but. . .

Eric Rohmer seems to have wanted to produce a docudrama, and has made a very interesting go of it. As film fiction, it's not very good, and not even the camera work is engaging. However, many of the film's qualities are worth considering. That gritty, antique, and "real" Paris we crave is by now a cliché. However, Rohmer's computer-enhanced tableaux of revolutionary Paris, by contrast, effectively evoke period art. Indeed they are filmed engravings. Do they "work"? Perhaps not as any sort of realism; however, they remind us that this film is history and philosophy, not just drama. I felt that their deliberate alienation was interesting. The growing terror of the revolution is Rohmer's chief concern. In this film, it is palpable and fearsome, and evokes some of the totalitarianisms of the 20th century. There is certainly a story arc and as much dramatic tension as anyone could ask for. The trial scene is both exciting and intimate. The actor Dreyfus gives a luminous performance -- passionate, thoughtful, riveting. Although this film takes a long time to get itself unwound, one might even be captivated -- de-captivated! -- by the end.