L'anglaise et le duc (2001)

Director:

Eric Rohmer

Writers:

Grace Elliott (memoir "Ma vie sous la révolution")
Eric Rohmer (adaptation)

Release Date:

7 September 2001 (Belgium)

Genre:

Drama | History | War

Plot:

During the French Revolution, a Scottish aristocrat and her former lover, the Duke of Orleans, find themselves on opposite sides of the conflict.

Plot Keywords:

Duke | Revolution | Lover | French Revolution | Duke Of Orleans

Awards:

3 nominations

Cast

Jean-Claude Dreyfus	...	Le duc d'Orléans
Lucy Russell	...	Grace Elliott
Alain Libolt	...	Duc de Biron
Charlotte Véry	...	Pulcherie the Cook
Rosette	...	Fanchette
Léonard Cobiant	...	Champcenetz
François Marthouret	...	Dumouriez
Caroline Morin	...	Nanon
Héléna Dubiel	...	Madame Meyler
Laurent Le Doyen	...	Section Miromesnil: Officer
Georges Benoît	...	Section Miromesnil: President
Serge Wolfsperger	...	Section Miromesnil: Aide
Daniel Tarrare	...	Justin the Doorman
Marie Rivière	...	Madame Laurent
Michel Demierre	...	Chabot

Also Known As:

The Lady and the Duke (Australia) (USA)
L'anglaise & le duc (France) (poster title)

MPAA:

Rated PG-13 for some violent images.

Runtime:

129 min | USA:125 min (New York Film Festival)

Country:

France

Language:

French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Italy:T | Argentina:13 | Australia:PG | Brazil:14 | France:U | Germany:6 | Peru:14 | Spain:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:PG | USA:PG-13 | Canada:PG

Filming Locations:

Saint-Ouen, Seine-Saint-Denis, France

Company:

Pathé Image Production

Trivia:

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2001 (#02)

Movie Connections:

References The Far Country (1954)

Soundtrack:

La Carmagnole

Not sure what to think of this... mostly negative

Acclaimed director Eric Rohmer tries to pull off some revolutionary ideas, but I'm not entirely convinced of a success. Perhaps the most striking deviation from classic film is his use of hyper-saturated digital colours. As other reviewers have pointed out, this is Rohmer's way of creating a living 18th century oil painting. But as the other reviewers also have pointed out, it's not always convincing. Indeed there are a handful of magnificent scenes where he succeeds. For a split second you're not sure if the camera is focused on a fancy Rococo painting...until suddenly the characters begin to move and talk. But the problem arises once the gimmick wears off, and those same vivid images begin to look like cheap CGI trickery, common in low budget made-for-TV films.

The next biggest flaw--an bizarre oversight which I can't fathom--is the lack of music except at the very beginning and the very end. If this movie is indeed an aristocrat's view of late 18th century France, complete with impeccable costumes and fancy furniture, shouldn't there be, at the very least, an occasional Mozart, Rousseau or Bréval sonata in the soundtrack to help us settle into the period? Instead the scenes are awkwardly silent. I never realized how distracting it can be to NOT have music in a film!

Last topic: character development. We get a nice performance from Lucy Russell as the "Englishwoman" (she did an excellent job of creating a Parisian accent tainted with Scottish roots, and when she "dumbs it down" in the scenes where she's pretending to be a tourist, it's very impressively done). But unfortunately I feel like hers was the only character that had any soul. Jean-Claude Dreyfus (the Duke), who was riveting in DELICATESSEN as the heartless villain, and equally memorable in CITY OF LOST CHILDREN as the big ole softy, never seemed to have a clear character in this film. This, I believe, is the fault of the director. He should have given Dreyfus a few closeups to allow us to see that very expressive face of his. Instead, I recall seeing only full body shots and profiles where we're not sure how genuine he is. The result is that you never trust the Duke at his words; you never know if he's a "good guy" or a "bad guy". It also doesn't help that the Lady is constantly flip-flopping her affections/hatred toward him. The resulting character confusion leads to us, the audience, becoming apathetic and distanced from the Duke.

The story itself is very interesting, but I won't get into that because I don't want to ruin anything if you decide to see the film. Overall... I really don't know what to think of this. It held my interest for two hours but was never quite satisfying. Watch it on a rainy day and judge for yourself.