IMDb > De grot (2001)

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User Rating:
7.1/10   495 votes
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Down 6% in popularity this week. See why on IMDbPro.
Director:
Writer:
Tim Krabbé (novel)
Contact:
View company contact information for De grot on IMDbPro.
Release Date:
27 September 2001 (Netherlands) more
Plot:
Psychological thriller. Geography teacher smuggles a case of heroin for a friend. full summary | add synopsis
Plot Keywords:
Awards:
1 win more
User Reviews:
above average quality more (10 total)

Cast

  (Cast overview, first billed only)

Fedja van Huêt ... Egon Wagter
Marcel Hensema ... Axel van de Graf

Kim Huffman ... Marcie Nussbaum
Erik van der Horst ... Young Egon
Benja Bruijning ... Young Axel
Kelly Touwslager ... Marjoke
Jeroen Willems ... Michiel Polak
Saskia Temmink ... Adrienne
Porgy Franssen ... Bremer
Gijs Scholten van Aschat ... Mijnsherenland
Stijn Westenend ... Kees

Brendan Fletcher ... Arthur Nussbaum
Frank Lammers ... René
Anke Engels ... Margriet

Hrothgar Mathews ... David Nussbaum
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Additional Details

Also Known As:
The Cave (Europe: English title) (literal title)
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Runtime:
90 min
Country:
Color:

Fun Stuff

Movie Connections:
References AmnesiA (2001/I) more

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5 out of 7 people found the following review useful.
above average quality, 23 September 2001
6/10
Author: ReindeR Rustema (reinder@rustema.nl) from Amsterdam, the Netherlands

The quality of De Grot is above average: you won't get bored, the development of the characters is consistent, the acting is good.

Even the children act good. It looks good, the sound is good, the editing is good.

Nevertheless, I have the feeling that there is one recurring flaw in Koolhoven's work, also in AmnesiA, the film he made just before this one. Too often scenes, dialogues, settings are too explanatory. If there is something we should not miss as an audience it is pushed in our face or said explicitly. A quote from De Grot: "At the time, you chose me as a friend merely to have someone look up to you". As if we couldn't see that ourselves! Or if we didn't notice, leave it unsaid, we will get it in some way or another anyway. Or a woman that says to her man out of the blue "what do you think about our relationship?" is way too explicit to demonstrate that something is wrong between them. I prefer to have a wealth of little subtle suggestions I may or may not pick up, it might work unconsciously. Never do I have the feeling that there is much of that in his work. Even Hollywood action movies assume more movie literacy.

With nudity he is too explicit also. I have had long discussions with Martin on this in the newsgroup nl.kunst.film but he is convinced that he can show whatever he feels like. I disagree strongly, only show if it is needed, and often the nudity in his films is not.

Pointless nudity in films also happens to be a persistent and decades old cliché about Dutch films, Martin apparently has no intention to restrain himself either.

Lastly, I have one objection to the oeuvre of Koolhoven so far.

Although he visually certainly has a unique signature in his work, thematically it remains quite superficial. In spite of his love for authors cinema and the freedom he has had so far to make author films, he does not seem ready (yet?) to reveal thematic concerns in his work. Perhaps I expect too much, but perhaps he dares not to make himself vulnerable yet, although he should. My compliments for style and craftsmanship, but without some more soul in his work it will never become the work of a genius. But he should be given all the means to make a larger oeuvre and might get to that one day.

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