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Directed by | |||
| Christophe Gans | |||
Writing credits | ||
| Stéphane Cabel | (adaptation) & | |
| Christophe Gans | (adaptation) | |
| Stéphane Cabel | writer | |
Produced by | |||
| Emmanuel Gateau | .... | consulting producer | |
| Richard Grandpierre | .... | producer | |
| Samuel Hadida | .... | producer | |
Original Music by | |||
| Joseph LoDuca | |||
Cinematography by | |||
| Dan Laustsen | |||
Film Editing by | |||
| Xavier Loutreuil | |||
| Sébastien Prangère | |||
| David Wu | |||
Casting by | |||
| Nathalie Cheron | |||
| Brigitte Moidon | |||
| Bernard Savin Pascaud | |||
Production Design by | |||
| Guy-Claude François | |||
Art Direction by | |||
| François Decaux | |||
| Thierry François | |||
Set Decoration by | |||
| Jacques Aucomte | |||
| Denis Bourgier | |||
| Catherine Jarrier-Prieur | |||
Costume Design by | |||
| Dominique Borg | |||
Production Management | |||
| Alain Agostini | .... | unit production manager | |
| Claude Albouze | .... | production manager | |
| Jean-Louis Bergamini | .... | assistant unit manager | |
| Thierry Chuinard | .... | unit manager | |
| Anne Ferignac | .... | unit manager | |
| Virginia Lombardo | .... | unit manager | |
| Franklin Pedrosa | .... | unit manager | |
| Julien Pruvot | .... | unit manager | |
| Jérôme Servant | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Fanny Aubrespin | .... | assistant director: second unit | |
| David Campi-Lemaire | .... | second assistant director | |
| Cheyenne Corre | .... | assistant director | |
| Yann Cuinet | .... | assistant director: second unit | |
| William Gereghty | .... | second unit director | |
| Jordane LaFourcade | .... | assistant director | |
| Thierry Le Roch | .... | assistant director | |
| Shaun O'Dell | .... | second unit director | |
| Marie Rolindes | .... | trainee assistant director: second unit | |
| Lionel Steketee | .... | first assistant director | |
| Marc-Antoine Trani | .... | third assistant director | |
| Marcus Trani | .... | trainee assistant director | |
| Thomas Tréfouel | .... | assistant director: second unit | |
Art Department | |||
| Chloé Cambournac | .... | assistant production designer | |
| Jacky Hardouin | .... | carpenter | |
| Yvan Hart | .... | plasterer | |
| Mathieu Lauffray | .... | conceptual designer | |
| Thierry Segur | .... | storyboard artist | |
| Olivier Colat-Parros | .... | model makeup animal (uncredited) | |
| Olivier Colat-Parros | .... | taxidermist (uncredited) | |
Sound Department | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Nicolas Becker | .... | foley artist | |
| Nicolas Becker | .... | sound designer | |
| Yannick Boulot | .... | sound recordist | |
| Fabrice Conesa | .... | sound effects editor (as Fabrice Conesa Alcolea) | |
| Colette Constantini | .... | sound editor | |
| Jean De Sagey | .... | adr recordist | |
| Francesca Dodd | .... | assistant sound editor | |
| Patrick Dodd | .... | sound mixer | |
| François Fayard | .... | sound editor | |
| Vincent Guillon | .... | sound editor | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Florent Lavallée | .... | sound mixer | |
| Jean-Paul Mugel | .... | sound | |
| Yves-Marie Omnes | .... | boom operator | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Pierre Picq | .... | boom operator | |
| Alexis Place | .... | sound editor | |
| Leslie Shatz | .... | sound mixer | |
| Stéphane Soye | .... | boom operator | |
| Pierre Tucat | .... | boom operator | |
| Thanos Kazakos | .... | additional adr recordist (uncredited) | |
| Ann Scibelli | .... | sound designer (uncredited) | |
Special Effects by | |||
| Seb Caudron | .... | special effects supervisor | |
| Igor Chevalier | .... | beast designer | |
| Jamie Courtier | .... | animatronic effects | |
| Alain Couty | .... | special effects | |
| Richard Darwin | .... | animatronic model designer | |
| Georges Demétrau | .... | special effects | |
| Sylvian Fabre | .... | special effects | |
| Mark Hunter | .... | senior animatronics technician | |
| Adrian Parish | .... | animatronic designer | |
| Simon Williams | .... | animatronic engineer | |
Visual Effects by | |||
| Christopher Anthony | .... | visual effects | |
| Jérôme Arthuis | .... | grading coodinator: Duboicolor | |
| Philippe Aubry | .... | Inferno artist | |
| Christophe Belena | .... | scan and conforming technician: Duboicolor | |
| Clare Burgess | .... | assistant visual effects editor | |
| Seb Caudron | .... | visual effects supervisor | |
| Alex de Heus | .... | motion control operator | |
| Gavin Digby | .... | digital compositor | |
| Nick Drew | .... | visual effects coordinator: Jim Henson's Creature Shop | |
| François Dupuy | .... | I/O supervisor | |
| Sylvian Fabre | .... | digital artist | |
| Xavier Fourmond | .... | digital compositor | |
| Laetitia Gabrielli | .... | CG artist | |
| Pierre Genin | .... | visual effects: CG artist | |
| Karen Halliwell | .... | creature supervisor | |
| Rip Hampton O'Neil | .... | technical director: DuboiColor | |
| Philippe Huberdeau | .... | Inferno artist assistant | |
| Abdel Ali Kassou | .... | processing: DuboiColor | |
| Stéphane Keller | .... | digital matte painter | |
| Emmanuel Le Courbe | .... | digital compositor | |
| Tina Lin | .... | scan and conforming technician: Duboicolor | |
| Jamie Lochhead | .... | digital compositor | |
| Arnaud Mayet | .... | lead texture artist | |
| Arnaud Mayet | .... | matte painter | |
| Jolene McCaffrey | .... | digital compositor: Jim Henson's Creature Shop | |
| Adam McInnes | .... | supervising compositor | |
| Sarah Micallef | .... | runner: visual effects | |
| Antoine Moulineau | .... | CG artist | |
| Jean-René Nébot | .... | digital color grader | |
| Jeff Newton | .... | digital effects artist | |
| Collette Nunes | .... | vfx coordinator: Jim Henson's Creature Shop | |
| Schafer-Davies Oliver | .... | digital compositor | |
| Christophe Richard | .... | digital artist | |
| Karim Sahai | .... | digital compositor: Jim Henson's Creature Shop | |
| Val Wardlaw | .... | visual effects supervisor: Henson's Creature Shop | |
| Richenda Wheeler | .... | lead animator | |
| Arthur Windus | .... | visual effects producer: Henson's Creature Shop | |
| Alex Wuttke | .... | visual effects | |
| Roma O'Connor | .... | head of production (uncredited) | |
Costume and Wardrobe Department | |||
| Chantal Glasman | .... | costumer | |
| Jean-Daniel Vuillermoz | .... | costumer assistant | |
Editorial Department | |||
| Lionel Cassan | .... | assistant editor | |
| Yvan Lucas | .... | color timer | |
| Jean-René Nébot | .... | digital color timer | |
| Christophe Pinel | .... | assistant editor | |
| Carlos Pinto | .... | apprentice editor | |
Music Department | |||
| Scott Davidson | .... | assistant music editor | |
| Jedd Harr | .... | conductor | |
| Joseph LoDuca | .... | conductor | |
| Randall Monday | .... | music editor | |
| Randall Monday | .... | music engineer | |
Transportation Department | |||
| Vincent Servant | .... | driver: cast | |
| Olivier Suffert | .... | driver: Christophe Gans | |
Other crew | |||
| Sandra Benhamou | .... | production secretary | |
| Cheyenne Corre | .... | personal assistant | |
| Caroline Gautier | .... | production secretary | |
| Piers Hampton | .... | project producer: Jim Henson's Creature Shop | |
| Penny Hayler | .... | runner: Jim Henson's Creature Shop: animatronic shoot | |
| Philip Kwok | .... | fight choreographer | |
| Thierry Le Portier | .... | wolves trainer | |
| Virginia Lombardo | .... | assistant location manager | |
| Colette Martin | .... | production accountant | |
| Pierre Selinger | .... | legal services | |
| Claudine Strasser | .... | script supervisor | |
| Valentine Traclet | .... | script supervisor | |
| Thierry Valletoux | .... | reportage | |
Thanks | |||
| Nicolas Boukhrief | .... | special thanks | |
| Thierry Cazals | .... | special thanks | |
| François Cognard | .... | special thanks | |
| Michael Cooper | .... | special thanks | |
| Jean-Pierre Jackson | .... | special thanks | |
| Albert Lamorisse | .... | special thanks | |
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Le Pacte des Loups is a fairly impressive movie. What other movie can spend two and a half hours on a ravaging monster fought by a scientist and his loyal Iroqois "brother" in 18th century France, and keep its audience enraptured? Its plot is a bit obscure in places, admittedly, leaving the audience not so much in suspense as confusion, but this is the unconventionality that comes with such a unique work. The acting was a bit above average, the actors and actresses combining well with the enchanting atmosphere and succeeding in making memorable characters. The score also contributes to the film's mysterious mood, and great cinematography (although occasionally overdone) helps it out too. While all this goes a long way to making a great film, it is the dazzling action sequences that make it a classic. The choreography is great, the sound effects make you feel as if you're standing a foot away, and the mystery of the movie is such that nearly every battle's outcome is uncertain. If the romance is trite, a few lines seem out of place, and the plot falters a bit, overall, this is still quite a movie to watch if you're looking for a lot of adventure and action. [8/10]