|
| John Fountain | .... | storyboard director / storyboard / ... (16 episodes, 2001-2003) |
| Maureen Mascarina | .... | storyboard revisionist / storyboard cleanup (16 episodes, 2001-2003) |
| Eric Bryan | .... | prop designer / model designer: design (16 episodes, 2002-2004) |
| Hye-Jung Kim | .... | artist / storyboard revisionist (14 episodes, 2001-2003) |
| John Seymore | .... | prop designer (14 episodes, 2002-2004) |
| Butch Hartman | .... | storyboard / storyboard artist / ... (10 episodes, 2001-2003) |
| Edemer Santos | .... | storyboard revisionist / storyboard revisions (9 episodes, 2003-2004) |
| George Goodchild | .... | design supervisor / character designer (8 episodes, 2002-2003) |
| Christofer Graham | .... | storyboard revisionist (8 episodes, 2003-2004) |
| Frank Rocco | .... | additional designs / additional designer / ... (8 episodes, 2003-2004) |
| Tim Powers | .... | additional designs / additional designer / ... (6 episodes, 2002-2004) |
| Joseph Daniello | .... | storyboard cleanup / storyboard (5 episodes, 2001) |
| Jill Friemark | .... | prop designer (4 episodes, 2001) |
| Jennifer Powell | .... | color key stylist (4 episodes, 2001) |
| Heather Martinez | .... | storyboard / storyboard artist / ... (4 episodes, 2002-2004) |
| Dave Thomas | .... | storyboard / storyboard director (4 episodes, 2002-2004) |
| Paul McEvoy | .... | storyboard artist / storyboard (3 episodes, 2001-2002) |
| Shawn Murray | .... | storyboard / storyboard artist (3 episodes, 2002-2004) |
| Wincat Alcala | .... | storyboard revisions / storyboard (3 episodes, 2002-2003) |
| Ian Graham | .... | storyboard / storyboard artist / ... (3 episodes, 2002-2003) |
| Zac Moncrief | .... | storyboard revisions / storyboard revisionist (3 episodes, 2002-2003) |
| Dave Cunningham | .... | storyboard artist (3 episodes, 2005-2006) |
| Ernie Gilbert | .... | design supervisor / prop designer (2 episodes, 2001-2004) |
| Chris Robertson | .... | storyboard / storyboard artist (2 episodes, 2002-2003) |
| Bruce Largent | .... | prop designer (2 episodes, 2002) |
| Jim Schumann | .... | storyboard (2 episodes, 2002) |
|
| Matt Whitlock | .... | prop designer (unknown episodes, 2007) |
| Bernie Petterson | .... | storyboard artist (unknown episodes) |
| Gabe Swarr | .... | storyboard artist (unknown episodes) |
| |
|
| Michael Beiriger | .... | sound re-recording mixer (25 episodes, 2001-2004) |
| Matt Corey | .... | dialogue editor (25 episodes, 2001-2004) |
| Ray Leonard | .... | re-recording mixer / sound re-recording mixer (25 episodes, 2001-2004) |
| Justin Brinsfield | .... | sound recording engineer / second sound engineer / ... (24 episodes, 2001-2004) |
| J. Lampinen | .... | digital audio transferer (20 episodes, 2002-2004) |
| Phyllis Ginter | .... | foley artist (19 episodes, 2001-2004) |
| Mishelle Fordham | .... | assistant sound recording engineer (17 episodes, 2002-2004) |
| Marilyn Graf | .... | foley mixer (14 episodes, 2002-2004) |
| Michael Warner | .... | sound effects editor (12 episodes, 2001-2003) |
| Robert Poole II | .... | sound effects editor (12 episodes, 2003-2004) |
| Mary Erstad | .... | foley mixer (9 episodes, 2002-2003) |
| Krandal Crews | .... | supervising sound engineer / supervising recording engineer (8 episodes, 2001-2002) |
| Tony Ostyn | .... | production dialogue supervisor / digital sound supervisor (7 episodes, 2001-2002) |
| Diane Parrino | .... | foley artist (6 episodes, 2002-2003) |
| Kris Daly | .... | foley recordist (5 episodes, 2001) |
| Robbi Smith | .... | dialogue editor (5 episodes, 2001) |
| Michael Petak | .... | dialogue editor (3 episodes, 2002) |
| Robert Daniel Pratt | .... | digital audio transferer (2 episodes, 2008) |
|
| Bill Devine | .... | voice recordist (unknown episodes) |
| |
|
| David Winn | .... | animation director (49 episodes, 2001-2005) |
| Donna Zeller | .... | clean-up artist / additional character cleanup / ... (22 episodes, 2001-2004) |
| Matt Holtz | .... | clean-up artist / layout clean-up artist / ... (20 episodes, 2002-2004) |
| Ray Leong | .... | lead clean-up artist / clean-up artist / ... (20 episodes, 2002-2004) |
| Andres Nieves | .... | clean-up artist / layout clean-up artist / ... (20 episodes, 2002-2004) |
| Larry Murphy | .... | layout designer (19 episodes, 2001-2004) |
| Ernie Gilbert | .... | character designer / design supervisor (19 episodes, 2002-2004) |
| Dan Chessher | .... | background painter (17 episodes, 2001-2004) |
| Holly Almaguer | .... | color key stylist (16 episodes, 2002-2004) |
| Bill Dunn | .... | color key stylist (16 episodes, 2002-2004) |
| Kathryn Gilmore | .... | final checker (15 episodes, 2002-2004) |
| Michelle Bryan | .... | sheet timer (13 episodes, 2002-2004) |
| Bill Exter | .... | final checker (13 episodes, 2003-2004) |
| George Goodchild | .... | design supervisor / character designer (12 episodes, 2002-2003) |
| Isaac Marzioli | .... | clean-up artist / model and layout clean-up artist (12 episodes, 2003-2004) |
| Edgar Duncan | .... | layout designer (11 episodes, 2002-2004) |
| Vonnie Batson | .... | sheet timer (10 episodes, 2001-2003) |
| Gordon Hammond | .... | character designer (10 episodes, 2003-2004) |
| Eric Bryan | .... | character designer / character mouth charts (9 episodes, 2001-2005) |
| Honore Gauthier | .... | background painter (9 episodes, 2003-2004) |
| George Taylor | .... | background painter (8 episodes, 2002-2004) |
| Jim Worthy | .... | layout designer (8 episodes, 2002-2004) |
| Teri Shikasho | .... | background painter (6 episodes, 2001-2003) |
| Stephen Lewis | .... | layout designer (6 episodes, 2001-2002) |
| Andy Suriano | .... | character designer / lead character designer (6 episodes, 2001) |
| Ken Bruce | .... | sheet timer / final checker (6 episodes, 2003-2004) |
| Steve Christian | .... | background scanning (5 episodes, 2001-2002) |
| Dana Granger | .... | additional character cleanup (5 episodes, 2001) |
| Maureen Mascarina | .... | additional character cleanup (5 episodes, 2001) |
| Shoshana Solomon | .... | lead character clean-up artist (5 episodes, 2001) |
| Bill Schwab | .... | character designer (5 episodes, 2002-2003) |
| Cynthia McIntosh | .... | color key stylist (5 episodes, 2003) |
| Charlie Cooper | .... | sheet timer (4 episodes, 2003) |
| Gary Hall | .... | final checker (3 episodes, 2001) |
| Butch Hartman | .... | sheet timer (3 episodes, 2001) |
| Nadia Vurbenova | .... | background painter (3 episodes, 2002) |
| Kelly Chan | .... | background painter (3 episodes, 2003) |
| Michael Allen | .... | character designer (3 episodes, 2005) |
| Gary Conrad | .... | sheet timer (2 episodes, 2002-2003) |
| Don Judge | .... | sheet timer (2 episodes, 2002-2003) |
| Sarah Frost | .... | final checker / sheet timer (2 episodes, 2002) |
| Karen Shaffer | .... | final checker (2 episodes, 2002) |
| Mike Kurinski | .... | background painter (2 episodes, 2003) |
| Lindsey Pollard | .... | sheet timer (2 episodes, 2004) |
| |
|
| Jason Stiff | .... | director of post-production (36 episodes, 2003-2008) |
| Dan Judy | .... | telecine colorist (25 episodes, 2001-2004) |
| Otto Ferrene | .... | picture editor (20 episodes, 2002-2004) |
| Justin Smith | .... | additional post-production services (20 episodes, 2002-2004) |
| Jeff Adams | .... | assistant editor / additional post-production services (14 episodes, 2001-2003) |
| Mishelle Fordham | .... | additional post-production services (8 episodes, 2001-2002) |
| Dan Aguilar | .... | on-line editor (5 episodes, 2001) |
| Michael Petak | .... | additional post-production services (5 episodes, 2001) |
| André Boutilier | .... | additional post-production services (5 episodes, 2003-2004) |
| J.F. Kinyon | .... | additional post-production services (3 episodes, 2006-2008) |
| Mark Merthe | .... | picture editor (2 episodes, 2001) |
| Faust Pierfederici | .... | on-line editor (2 episodes, 2001) |
| Molly Minus | .... | post-production coordinator (2 episodes, 2004) |
| |
|
| Lewis Foulke | .... | production coordinator / production assistant (23 episodes, 2001-2004) |
| Jenny Nissenson | .... | script coordinator (22 episodes, 2001-2003) |
| Diana La Grandeur | .... | production assistant (20 episodes, 2002-2004) |
| Steve Marmel | .... | story editor (20 episodes, 2002-2004) |
| Rico Hill | .... | production executive (19 episodes, 2002-2004) |
| Molly Minus | .... | executive assistant (18 episodes, 2002-2003) |
| Anna States | .... | production coordinator / production assistant (18 episodes, 2002-2003) |
| David Brueggeman | .... | production assistant / production coordinator (17 episodes, 2002-2004) |
| Tiffany Carpenter | .... | financial analyst (17 episodes, 2005) |
| Ken Mu | .... | production assistant / production coordinator (16 episodes, 2002-2004) |
| Cynthia True | .... | script coordinator (12 episodes, 2003-2004) |
| Randy Saba | .... | production coordinator (9 episodes, 2001-2002) |
| Michelle Bryan | .... | production coordinator (5 episodes, 2001) |
| Emily Hache | .... | production executive (5 episodes, 2001) |
| John Powell | .... | senior director of technical services (5 episodes, 2001) |
| Jim Leber | .... | technical engineering supervisor (4 episodes, 2001) |
| Austin Block | .... | executive assistant (2 episodes, 2004) |
| |
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company.
I must say, I'm shocked at how much bashing this show tends to get on this site. Personally, I love it! (Sure, a few of the new episodes are kinda...eh) Aside from Spongebob, this show is the pure definition of comedy and one the only one that keeps me, and a lot of other people, tuned in to the Nick channel in the first place.
The basic plot is that Timmy Turner is a lonely, misunderstood ten-year-old boy who must deal with more than any boy his age should handle.... Ever. So out of sympathy, he is given Cosmo and Wanda, two bumbling fairies for personal servitude and company from Fairy World. But even with the two fairies at his side to help him 24/7, he quickly learns life is full of complications that even magic can't fix.
One of the reasons this show does so well is the large cast of characters. Everyone on the show gets a good laugh from me and that's what's important. Timmy's father, for example, is a clumsy, dense man and always undertaking some stupid task to get back at the... Dinklebergs.... Look up the word "evil" in the dictionary and you'll see a mug shot of Vicky, Timmy's babysitter, who cares only about money, the pain of a child, and... well, money.
Another reason of this show's success are the plots themselves. To get through life's challenges, Timmy uses his fairies' magic to the advantage. But, of course, nothing ever works out right. One reason is because of the rules added to the power of magic. After all, without restrictions on what Timmy could do, this show would be over in a snap. Also, each episode constantly throws in joke after joke after joke and, coupled with the quick animation and scene switching, it rarely slows down on its humor.
Now onto the heart of this wonderful show: the fairies. A regular comic pair. Wanda is sensible and smart, totally opposite of the purile idiot known as Cosmo. Their interactions with each other are often rib-cracking, especially since Cosmo is constantly getting on her nerves to no end. Adding to the fact that they are wed can ensure worse punishment for Cosmo in the end. They're always trying to work together as a team (a horribly dysfunctional one) and help Timmy, but you can always be sure Cosmo will add some "fun" along the way.
For real people, I can see nothing wrong with this show. Some of the reasons stated on here for its atrocity are total non-sense, such as the animation is bad or the characters all act dumb. Hello, it's a comedy. The characters act like that for a reason. As for the animation, there is worse, such as some of the things on Cartoon Network. (Dexter's Lab, PPG) It, and other shows like it, is actually a revival and tribute of an old style in the 30s and 40s that relied on an abstract look for uniqueness, so it had few details and the characters looked flat. And besides, so what if there's little detail and such? Is that really important in an animated comedy?
Alright, enough personal ranting for one day. Back to business. This show is absolutely wonderful. Good, quick humor, a huge and colorful cast of characters coupled with the premise of a boy with (nearly) infinite magical powers make this a must-see show for all. If you've barred this show from your schedule of "Must-Watches," at least give it a good chance. You may be extremely happy with the result.