| Videos |
| Anthony 'Treach' Criss | ... | Malik Bishop (as Treach) | |
| Kent King | ... | Cynda Griffie (as Kent Masters-King) | |
| Charles Guardino | ... | Damien Wiles | |
| Shireen Crutchfield | ... | Hylene | |
| Sam Scarber | ... | Buddy | |
| Walter Jones | ... | Cisco | |
| James Black | ... | Vaughn | |
| Parris Washington | ... | Sala (as Paris Washington) | |
| Mark Hicks | ... | Omar | |
| Marlon Young | ... | Wade | |
| Hakeem Dunn | ... | Young Bishop | |
| Freez Luv | ... | Frenchy | |
| Derek Mears | ... | The Milkman | |
| Mushond Lee | ... | Pretty Nate | |
| Tren'l | ... | Shah | |
| Bud Sabatino | ... | Sal | |
| Greg Lewis | ... | Herman | |
| Nicholas Hill | ... | Dutch | |
| Ben Bray | ... | Elite Guard #1 | |
| Roger Wells | ... | Elite Guard #2 | |
| Michael C. Wells | ... | Johnny Atwell / Man strangled (as Michael Craven-Wells) | |
| Mike Smith | ... | Melvin McBride | |
| Sandra 'Pepa' Denton | ... | Female with Cuestick | |
| Saladin Florence | ... | Frenchy's Main Thug | |
| Greg Gaynes | ... | Frenchy's Crew | |
| Carleton Purnell | ... | Frenchy's Crew | |
| Andre McCoy | ... | Frenchy's Crew (as Chyna) | |
| Anthony C. Jackson | ... | Pretty Nate's Crew | |
| Michael Overton | ... | Pretty Nate's Crew | |
| Curstafa McCullom | ... | Pretty Nate's Crew | |
| Doomy Moore | ... | Pretty Nate's Woman (as Doome Moore) | |
| Wright Moore | ... | Pretty Nate's Woman (as Doome Wright) | |
| Jenny Lake | ... | Bimbo | |
| Grae King | ... | Bishop's Dream Daughter | |
| Matthew Perniciaro | ... | Dead Man #1 (as Matt Perniciaro) | |
| Thomas Augsberger | ... | Man Stabbed | |
| Eric A. Phillips | ... | Tailor | |
| Max Wurth | ... | Desk Clerk | |
| Bill Duke | ... | Mysterious Voice on Phone | |
| rest of cast listed alphabetically: | |||
| Lynette Jenkins | ... | Screaming Woman (uncredited) | |
Directed by | |||
| Kantz | |||
| Ben Ramsey | |||
Writing credits(WGA) | ||
| Ben Ramsey | (written by) & | |
| Kantz | (written by) | |
Produced by | |||
| Thomas Augsberger | .... | executive producer | |
| Matthias Emcke | .... | executive producer | |
| Kantz | .... | executive producer | |
| Lisa Moiselle | .... | co-executive producer | |
| Nancy Norman | .... | producer | |
| Nichelle M. Protho | .... | co-producer (as Nichelle Protho) | |
| Ben Ramsey | .... | executive producer | |
| Frank Smith | .... | co-executive producer | |
| Warren Zide | .... | co-executive producer | |
Original Music by | |||
| Tyler Bates | |||
| Wolfgang Matthes | |||
Cinematography by | |||
| Keith L. Smith | (as Keith Smith) | ||
Film Editing by | |||
| Christopher Koefoed | |||
Casting by | |||
| Tony Lee | |||
Production Design by | |||
| Aaron Osborne | |||
Art Direction by | |||
| Angela O'Neill | (as Angela O'Neil) | ||
Set Decoration by | |||
| John L. Chaldu | (as John Chaldu) | ||
Makeup Department | |||
| Kemi Cooks | .... | additional hair stylist (as Kem Cooks) | |
| Jacqueline Sinclair | .... | key hair stylist | |
| Tom Steves | .... | key makeup artist | |
| Cale Thomas | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| Adisa Jones | .... | second assistant director | |
| Tom Milo | .... | first assistant director | |
| Leigh Paonessa | .... | additional second second assistant director | |
| Denise Anderson Poore | .... | second second assistant director (as Denise Anderson) | |
| Ron Recio | .... | additional second second assistant director | |
Art Department | |||
| Rebecca Amaya | .... | art department intern | |
| Jeremy Cash | .... | art department intern | |
| Ryan Cochran | .... | lead man | |
| Pat Conrad | .... | additional lead man | |
| Coleman Costello | .... | swing | |
| Tara Erin | .... | additional lead man | |
| Keith Foti | .... | assistant property master | |
| Greg Guinasso | .... | additional set decorator | |
| Caron Kruger | .... | swing | |
| Nicole Lopez | .... | on-set dresser | |
| Joshua Wright | .... | property master | |
| Danny Re | .... | swing gang (uncredited) | |
Sound Department | |||
| Arturo Bañuelos | .... | sound apprentice (as Art Banuelos) | |
| John Dunn | .... | dialogue supervisor | |
| John Dunn | .... | sound supervisor | |
| Willie Franco | .... | sound mixer (as William Franco) | |
| Lawrence Freed | .... | additional sound | |
| Donald Hauger | .... | sound apprentice | |
| Paul Holzborn | .... | foley artist | |
| Carey Milbradt | .... | dialogue editor | |
| James Morioka | .... | sound re-recording mixer | |
| Zeke Richardson | .... | adr recordist | |
| Zeke Richardson | .... | foley recordist | |
| Zeke Richardson | .... | sound re-recording mixer | |
| Woody Stubblefield | .... | boom operator (as Jesse Stubblefield) | |
| Kelly Vandever | .... | sound re-recording mixer | |
Special Effects by | |||
| John E. Gray | .... | special effects coordinator (as John Gray) | |
| John Pizer | .... | special effects | |
Visual Effects by | |||
| Peter Koczera | .... | senior digital artist | |
| Derek Ledbetter | .... | visual effects | |
| Christopher Dusendschon | .... | in-show optical compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element color timer: THDX (uncredited) | |
Stunts | |||
| Ben Bray | .... | stunts | |
| Precious Garrett | .... | stunts | |
| Jes Hellwege | .... | stunts | |
| Mark Hicks | .... | stunt coordinator | |
| Mark Hicks | .... | stunts | |
| Will Leong | .... | stunts | |
| Andre McCoy | .... | stunts (as Chyna) | |
| Joseph Micaletti | .... | stunts | |
| Marcus Peete | .... | stunts | |
| Ray Siegle | .... | stunt double | |
| Roger Wells | .... | stunts | |
| Larnell Stovall | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Anthony Adams | .... | electrician | |
| Preston Adams | .... | additional electrician | |
| Phillip 'Felix' Arlewedux | .... | dolly grip (as Phillip Arceneaux) | |
| Brandi Borden | .... | additional camera loader | |
| Sidney Brisco | .... | gaffer | |
| Brett Elliott | .... | grip | |
| Greg Gayne | .... | second assistant camera | |
| Greg Gaynes | .... | second assistant camera | |
| Robin Gibson | .... | still photographer | |
| Danny Hernandez | .... | additional electrician (as Daniel S. Hernandez) | |
| Rodney James | .... | additional electrician | |
| Scott Johnston | .... | first assistant camera | |
| Matt Landry | .... | grip | |
| John Lewis | .... | electrician | |
| Matthew Minke | .... | best boy grip | |
| Barry Oiffer | .... | camera operator: second camera | |
| Jesse Pence | .... | best boy electric | |
| Chephren Rasika | .... | key grip | |
| Erik Rodgers | .... | best boy electric | |
| Noah Shane | .... | additional grip | |
| Charles Simons | .... | additional dolly grip | |
| Jason Talbert | .... | additional dolly grip | |
| Randy Whitlock | .... | camera loader | |
Costume and Wardrobe Department | |||
| Johnie Adams | .... | assistant wardrobe | |
| Sydne Bolden | .... | costume supervisor | |
| Crystal Jenkins | .... | assistant wardrobe | |
| Demetria Owens | .... | additional assistant wardrobe | |
| Tiffany Scott | .... | key wardrobe | |
Editorial Department | |||
| Ed Decker | .... | additional first assistant editor | |
| Frances DeLoach | .... | first assistant editor | |
| Paul Millspaugh | .... | first assistant editor | |
| Chris Mistorni | .... | assistant editor | |
| Bill Mushond | .... | color timer | |
| Chris Weber | .... | negative cutter | |
| David Feldman | .... | assistant editor (uncredited) | |
Music Department | |||
| Jay Bolton | .... | music consultant | |
| Rashad Liston | .... | music supervisor | |
| Pilar McCurry | .... | executive in charge of music | |
| Rick Norman | .... | scoring mixer | |
| Brian Richards | .... | music editor | |
Other crew | |||
| Errol Collier | .... | production accountant | |
| Pam Collier | .... | assistant production accountant | |
| Saladin Florence | .... | set production assistant | |
| Casey Jason Jr. | .... | set production assistant | |
| Mushond Lee | .... | location manager | |
| Elaine McGee | .... | production coordinator | |
| Lucy Norman | .... | craft service | |
| Adán Pérez | .... | key set production assistant (as Adam Perez) | |
| Matthew Perniciaro | .... | assistant to directors | |
| Kim Pham | .... | additional set production assistant | |
| Nickolas Pribuss | .... | additional set production assistant (as Nicholas Pribuss) | |
| Ken Rance | .... | assistant production coordinator | |
| Jon Ross | .... | assistant location manager | |
| Roy Ruiz | .... | security coordinator | |
| Gianpaolo Santarelli | .... | key set production assistant | |
| Andrew B. Scofield | .... | office production assistant | |
| Suzanne C. Swindle | .... | additional script supervisor | |
| Robert E. Ventura | .... | on-set medic | |
| Teresa Weissman | .... | script supervisor | |
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| Blast of Silence | Borrowed Hero | Traffic | Escape by Night | Forbidden Trail |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Picture this: a light-hearted action movie about a cold-blooded killer that does not hold back on the violence. Well that pretty much describes Love and a bullet. Ironically, whyat makes the the movie light-hearted is the honest and probably realistic reactions to many of the little speeches as well as certain actions that the main character has. A key example being when a fellow hitman gives him a speeck about "the life" and the main character simply says that after thinking about it for awhile he has no clue as to what his associate was talking about. Also, there are many points where this movie will fall into the typical hollywood syndrome of making the character overyl pathetic with the rush of emotion but it doesnt, instead, it makes him even more of a badass. Another unique aspect is that the majority of the movie is the main character reflecting on how he became a a hitman, eventually going into into his confusion over his presetn situation and comparing it to another similar event in which he fall s on love with a fellow hitman (or hitwoman to be more accurate). As for the action scenes, three movies came to mind: The Way of the Gun, Eqilibrium, and Legend of Drunken Master. The final martial arts bout at the end clearly shows its Legend of drunkne master unfluence with the villian fighting mainly on one foot and at oppne time balancing himself on one foot in a kick stance. Also, you kinda see a rugh draft of Equilibrium's gun-kata although Love and a Bulllet's obviously has break-dancing as a basis for it. As for way of the gun, i only though of that becuase there is an instance where a baddy is hiding behind a corner and his foot is visible by the hero resulting in the baddy's foot being shot.