IMDb > Que faisaient les femmes pendant que l'homme marchait sur la lune? (2000)

Que faisaient les femmes pendant que l'homme marchait sur la lune? (2000) More at IMDbPro »


Overview

User Rating:
7.1/10   84 votes
MOVIEmeter: ?
Down 12% in popularity this week. See why on IMDbPro.
Writer:
Chris Vander Stappen (writer)
Contact:
View company contact information for Family Pack on IMDbPro.
Release Date:
4 July 2001 (France) more
Genre:
Drama
Plot:
July 1969 . After two years spent in Canada, Sacha is back in her small Belgian town. She has two disturbing... more | add synopsis
Awards:
1 win & 1 nomination more
User Comments:
Dreams, Expectations, Fantasies: A Family Tale more (2 total)

Cast

  (Credited cast)
Marie Bunel ... Sacha Kessler
Hélène Vincent ... Esther Kessler
Tsilla Chelton ... Lea
Mimie Mathy ... Elisa Kessler
Macha Grenon ... Odile
Christian Crahay ... Oscar Kessler
rest of cast listed alphabetically:
Emmanuel Bilodeau ... Antoine
Michel Israel ... Jules, l'épicier
Jacques Lavallée ... Louis
Marie-Lise Pilote ... Debbie
Mario Saint-Amand ... Bob

Jean-Luc Van Damme ... Un passant
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Additional Details

Also Known As:
Family Pack (International: English title)
Une petite fête
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Runtime:
102 min (Namur Film Festival) | France:98 min
Language:
French
Color:
Color (Fujicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby SR
Certification:
France:U | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud)
Filming Locations:
Montréal, Québec, Canada more
Company:
Banana Films more

Fun Stuff

Trivia:
Visa d'exploitation en France # 92674 more
Soundtrack:
Mon amant de Saint-Jean more

FAQ

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1 out of 1 people found the following comment useful.
Dreams, Expectations, Fantasies: A Family Tale, 10 October 2006
9/10
Author: gradyharp from United States

'Que faisaient les femmes pendant que l'homme marchait sur la lune?' (strangely 'translated' for the English speaking audiences as FAMILY PACK!) is a fascinating, involving, probing, witty, tender little film from Belgium that uses a loaded homecoming to unfold a strange family's secrets and modes of adapting to the real world. It is a story, written by Chris Vander Stappen ('Ma Vie En Rose') who also directs, to savor, to watch again, and to open some windows for thought after the credits go dark.

Sacha Kessler (Marie Bunel) has been living in Montreal where her family thinks she is in Medical School and courting young doctors: she is actually in a happy lesbian relationship with Odile (Macha Grenon) and enjoys her group of a bit off-center but very supportive friends. The year is 1969, significant in that Sacha has been requested to come out to her family living in Belgium before a man walks on the moon. Failing to admit her lifestyle on the telephone she returns after two years absence to her home in Belgium where she is to reveal her true status to her family. And what a family!: her mother Esther (Hélène Vincent in a sparkling role) is a seamstress whose home business is failing but who assigns all of her fantasies for a better life on her 'doctor daughter'; her father Oscar (Christian Crahay) lives in a never land of dance and old jokes; her grandmother Lea (Tsilla Chelton) still dresses up each morning to go to the train station where she thwartedly awaits the return of her ideal boyfriend of decades ago; her dwarf sister Elisa (Mimie Mathy) who, feeling unwanted and ignored by her parents, concentrates her attentions on a goldfish who accompanies her everywhere. The story ties these wonderful but reality-disjointed people together with subplots that explain how each member of the family arrived at their state of denial and how Sacha's eventual revelation of the truth about her life actually draws the family together. Oh, it is much more complicated than that, but getting through the developments of the story is the joy of the film. Astute viewers will remember that 1969 was the year of man's first walk on the moon - and hence the analogy of the idea of the story.

With a superb, solid cast of wondrously loony characters who find their way into our hearts despite their surface idiosyncrasies this creation by Chris Vander Stappen is pure magic. It has a solid if aberrant storyline, a simplicity in presentation that reveals a number of very important philosophical and psychological issues, and it entertains. In short, it is a joy and highly recommended for those viewers who take pleasure in watching potentially disastrous family reunions become meaningful positive journeys. Grady Harp

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