| Nicolaj Kopernikus | ... | Niels-Henning | |
| Charlotte Sachs Bostrup | ... | Lise | |
| Dejan Cukic | ... | Boris | |
| Bjarne Henriksen | ... | Carl | |
| Jesper Asholt | ... | Jørgen | |
| Helle Dolleris | ... | Carl's kone (Line) | |
| Louise Mieritz | ... | Lise's søster | |
| Klaus Bondam | ... | Receptionist | |
| Therese Glahn | ... | Kvinde på Hotelværelse | |
| Thomas Bo Larsen | ... | Mand på Hotelværelse | |
| Lasse Lunderskov | ... | Selvmorder | |
| Stellan Skarsgård | ... | Lise's Mand | |
| Alexander Skarsgård | ... | Lise's papsøn | |
| rest of cast listed alphabetically: | |||
| Tommy Kenter | ... | Ulykkelig mand (uncredited) | |
Directed by | |||
| Søren Kragh-Jacobsen | |||
| Kristian Levring | |||
| Thomas Vinterberg | |||
| Lars von Trier | |||
Produced by | |||
| Martin Abildgaard | .... | promotion producer | |
| Bo Ehrhardt | .... | producer | |
Original Music by | |||
| Flemming Nordkrog | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
| Jesper Jargil | |||
| Eric Kress | |||
| Henrik Lundø | |||
| Jens Schlosser | |||
Film Editing by | |||
| Valdís Óskarsdóttir | |||
Production Design by | |||
| Sven Wichmann | |||
Costume Design by | |||
| Margrethe Rasmussen | |||
Makeup Department | |||
| Dorte Jacobsen | .... | makeup artist | |
Production Management | |||
| Karen Bentzon | .... | production manager | |
| Lea J. Christensen | .... | production manager | |
| William Knuttel | .... | production manager | |
| Ingrid Kofoed | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Christian Grønvall | .... | assistant director | |
| Joakim Höglund | .... | first assistant director | |
| Morten Kaufmann | .... | assistant director | |
Art Department | |||
| Lars Fog-Møller | .... | props | |
| Nicolai Fog-Møller | .... | props | |
| Helle Markussen | .... | props | |
| Anders Poll | .... | props | |
| M. Wan Sputnick | .... | assistant property master | |
Sound Department | |||
| Kasper Val Bjerregård Larsen | .... | sound (as Søren Bjerregaard) | |
| Kim Dalum | .... | sound | |
| Jan Juhler | .... | sound | |
| Christian Lund | .... | sound | |
| Hans Møller | .... | sound mixer | |
| John Nielsen | .... | sound | |
| Lars Rasmussen | .... | sound | |
| Eddie Simonsen | .... | sound | |
| Per Streit | .... | sound | |
Special Effects by | |||
| Lars Andersen | .... | special effects | |
| Kristoffer Bentzon | .... | special effects | |
| Henrik Hjørnholm | .... | special effects | |
| Peter Hjorth | .... | technical consultant | |
| Jesper Millung | .... | special effects | |
Editorial Department | |||
| Tove Jystrup | .... | post-production coordinator | |
| Nicolaj Monberg | .... | off-line editor | |
| Elísabet Ronaldsdóttir | .... | assistant editor | |
| Vagn Rose | .... | assistant editor | |
| Anne Weyde | .... | colorist | |
Other crew | |||
| Mie Andreasen | .... | production assistant | |
| Lea J. Christensen | .... | runner | |
| Camilla Valentin Dahl | .... | production assistant (as Camilla Dahl) | |
| Meta Louise Foldager | .... | production assistant | |
| Peter Hjorth | .... | technical consultant | |
| Signe Jensen | .... | production coordinator | |
| Kristina Kornum | .... | production assistant | |
| Lise Krogsgaard | .... | accountant | |
| Sidsel Kron | .... | production assistant (as Sidsel Kron Breck) | |
| Ulla Lund Hansen | .... | accountant | |
| Lene Nielsen | .... | production coordinator | |
| Anders Bach Petersen | .... | production coordinator | |
| Tine Grew Pfeiffer | .... | production assistant (as Tine Pfeiffer) | |
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| D-dag - Den færdige film | D-dag - Boris | D-dag - Niels-Henning | D-dag - Carl | The Galloping Ghost |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb Denmark section | Add this title to MyMovies |
D-Day was a very interesting initiative. You could follow different persons from different TV channels and see what each of the persons were doing on new years eve to the year 2000.
In my opinion the idea was really cool and interesting, but i think that you missed out on the whole story, by only being able to watch one person at a time.
It then raises the question if we're getting the whole truth, when we see the world from our point of view.
A cool statement and a good idea for a movie. But in reality, it was quite boring.