Tenshi no harawata: Nami (1979)

Director:

Noboru Tanaka

Writers:

Takashi Ishii (manga series Tenshi no harawata)
Takashi Ishii (screenplay)

Release Date:

7 July 1979 (Japan)

Plot:

Plot Keywords:

Female Nudity | Lesbianism | Lesbian Sex | Based On Comic | Rape Scene

Cast

Eri Kanuma	...	Nami Tsuchiya
Takeo Chii	...	Tetsuro Muraki
Mimi Sawaki	...	Namiko (as Miiko Sawaki)
Miyako Yamaguchi	...	Ran
rest of cast listed alphabetically:
Kyôko Aoyama	...	Miya
Masato Furuoya	...	Man who attacked Ryoko
Ryoichi Kusanagi	...	Mah-boh
Yuichi Minato	...	Man who attacked Minako
Minako Mizushima	...	Ryoko
Hiroshi Unayama	...	Nakazawa

Directed by
Noboru Tanaka

Writing credits (in alphabetical order)
Takashi Ishii		manga series Tenshi no harawata
Takashi Ishii		screenplay

Produced by
Naoya Narita	....	planner
Yoshihiro Yuhki	....	producer (as Yoshihiro Yuuki)

Original Music by
Abirisu

Cinematography by
Masaru Mori

Film Editing by
Jun Nabeshima

Production Design by
Yoshie Kikukawa

Art Direction by
Yoshie Kikukawa

Second Unit Director or Assistant Director
Toshiharu Ikeda	....	assistant director

Camera and Electrical Department
Shin Shinkawa	....	lighting technician

Production Companies

• Nikkatsu

Distributors

• Artsmagic (US) Ltd. (2005) (USA) (DVD) (box set)
• Asian Cult Cinema (video)
• Nikkatsu (1979) (Japan) (theatrical)

Also Known As:

Angel Guts: Nami (USA) (DVD title)
Tenshi no harawata 3 (Japan) (series title)

Runtime:

Japan:98 min

Country:

Japan

Language:

Japanese

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Filming Locations:

Japan

Company:

Nikkatsu

Movie Connections:

Follows Tenshi no harawata: Akai kyôshitsu (1979)

Bold, courageous film making taken way beyond the edge....

Just when you feel you may have, at last, some measure of Japanese cinema you find out that you do not even have the measure of this ultra extraordinary series - this being number three. Absolutely non stop and for almost a half of the time this means non stop rape sequences. Nami is investigating the consequences of rape by searching out the victims and interviewing them for her magazine. We see the enactment as she reads up on it and we see it again when the individual relates it and sometimes we see it again as Nami's fascination deepens and she begins to fantasise. For good measure we get a re-run of them all at the end as well. As well as all this the tone of the film, fairly routine at the very beginning, begins to take on a sultry sexiness, then a more stylised slant before tipping deliriously over the edge with wide scale scenes of madness, mayhem and more rape with bloody violence added in. As if it were not enough the Nami is gradually getting more sexually excited by these stories she is retelling but we discover that her new found boyfriend is estranged from his wife because she went off with her rapist! There are so many mixed messages in here I shall be interested to listen to the commentary track and also to see this incredible tour de force once more. But not for the moment, this is a very difficult and emotional ride and if I was not shaking afterwards I was certainly profoundly affected. Bold, courageous film making taken way beyond the edge and down through many murky, but not unexciting, levels of depravity.