| Yuuki Mizuhara | ... | Nami Tsuchiya | |
| Keizo Kanie | ... | Tetsuro Muraki | |
| rest of cast listed alphabetically: | |||
| Jun Aki | ... | Keiko Kawashima | |
| Kenji Kawanishi | ... | Oka | |
| Ryoichi Kusanagi | ... | Mah-boh | |
| Minako Mizushima | ... | Yuko Kawana | |
| Toshihiko Oda | ... | Detective | |
Directed by | |||
| Chusei Sone | (as Chuusei Sone) | ||
Writing credits(in alphabetical order) | ||
| Takashi Ishii | manga series Tenshi no harawata | |
| Takashi Ishii | screenplay | |
| Chusei Sone | screenplay (as Chuusei Sone) | |
Produced by | |||
| Yoshiyuki Kaino | .... | producer | |
| Naoya Narita | .... | planner | |
Original Music by | |||
| Tsutomu Izumi | |||
Cinematography by | |||
| Nobumasa Mizunoo | |||
Film Editing by | |||
| Jun Nabeshima | |||
Production Design by | |||
| Kazuo Yagyu | (as Kazuo Yagyuu) | ||
Art Direction by | |||
| Kazuo Yagyu | |||
Second Unit Director or Assistant Director | |||
| Masao Asada | .... | assistant director | |
Sound Department | |||
| Fumio Hashimoto | .... | sound | |
Camera and Electrical Department | |||
| Hideo Kumagai | .... | lighting technician | |
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| Jokôsei: tenshi no harawata | Tenshi no harawata: Nami | Tenshi no harawata: Akai inga | Tenshi no harawata: Akai memai | Tenshi no harawata: Akai senkô |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Japan section | Add this title to MyMovies |
Second in the series and the second by Mr Sone and what an achievement it is. The rawness of the first is gone but this is not to say there is any less passion or vigour. Beginning with a shock sequence, this ends with an even more shocking one and for a centrepiece has a prolonged scene set in a love hotel in which the central female character, Nami, seems to turn into one of Edvard Munch's vampire women before our very eyes. This tour de force, encompassing love, marriage, passion and sentimentality concentrates more upon sexual violence and the aggression and greed of the participants. Whatever the type of relationship depicted, we are shown the same tendency towards abuse and to increase our anxiety all this is intercut with scary/sexy scenes of the making of porno movies and photo sex magazines. A challenging film that does not stop asking us questions whilst showering us with titillation, violence, abuse and fierce erotica.