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| Jeffrey Combs | ... | Dr. Herbert West | |
| Tommy Dean Musset | ... | Young Howard 'Howie' Phillips | |
| Jason Barry | ... | Dr. Howard Phillips | |
| Bárbara Elorrieta | ... | Emily Phillips | |
| Elsa Pataky | ... | Laura Olney | |
| Ángel Plana | ... | Kitchen Zombie | |
| Javier Sandoval | ... | Cop 1 | |
| Santiago Segura | ... | Speedball | |
| Lolo Herrero | ... | Sergeant Moncho | |
| Enrique Arce | ... | Cabrera | |
| Nico Baixas | ... | Moses | |
| Simón Andreu | ... | Warden Brando | |
| Joaquín Ortega | ... | Officer Falcon | |
| Raquel Gribler | ... | Nurse Vanessa | |
| Daniel Ortiz | ... | Winni | |
| César Nebreda | ... | Big Dude | |
| Ignasi Vidal | ... | S.W.A.T. Officer 1 | |
| Miquel Àngel Ripeu | ... | S.W.A.T. Officer 2 | |
| Adán Rodríguez | ... | S.W.A.T. Officer 3 | |
| rest of cast listed alphabetically: | |||
| Alex Revan | ... | S.W.A.T. Elite (uncredited) | |
| Louis Williams | ... | James Scott (Prison Guard) (uncredited) | |
Directed by | |||
| Brian Yuzna | |||
Writing credits(in alphabetical order) | ||
| Xavier Berraondo | script collaborator | |
| José Manuel Gómez | screenplay | |
| H.P. Lovecraft | characters | |
| Miguel Tejada-Flores | story | |
| Brian Yuzna | uncredited | |
Produced by | |||
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| Brian Yuzna | .... | creative producer | |
| Brian Yuzna | .... | producer | |
Original Music by | |||
| Xavier Capellas | |||
Cinematography by | |||
| Andreu Rebés | |||
Film Editing by | |||
| Bernat Vilaplana | |||
Casting by | |||
| Mercè Espelleta | |||
| Louis Hammond | |||
Production Design by | |||
| Llorenç Miquel | |||
Set Decoration by | |||
| Deborah Chambers | |||
Costume Design by | |||
| Catou Verdier | |||
Makeup Department | |||
| Lu Amaya | .... | head hair stylist | |
| Vicen Beti | .... | assistant hairdresser: Valencia | |
| Verónica Caballero | .... | hair stylist | |
| Saul Gallegos | .... | lab technician | |
| Vicent Gaya | .... | assistant hairdresser: Valencia | |
| Patrick Magee | .... | lab crew | |
| Karol Tornaria | .... | makeup artist | |
| Karol Tornaria | .... | makeup designer | |
| Maite Tuset | .... | key makeup assistant | |
Production Management | |||
| Teresa Gefaell | .... | production manager | |
| Jesús L. Pérez Villar | .... | post-production manager | |
| Eva Taboada | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Isabel Caralt | .... | third assistant director | |
| Pedro Loro | .... | second assistant director | |
| Bea Morillas | .... | additional assistant director | |
| Iñaki Sanchez | .... | additional assistant director: Valencia (as Iñaki Sánchez) | |
| Fernando Sánchez-Izquierdo | .... | first assistant director | |
Art Department | |||
| D.H. Covey | .... | creative consultant | |
| D.H. Covey | .... | storyboard artist | |
| Paco Escofet | .... | assistant set decorator | |
| Juan Pablo García | .... | set dresser (as Juan Pablo Garcia) | |
| Rafa Garrés | .... | illustrator | |
| Héctor Gil | .... | construction coordinator | |
| Mani Martínez | .... | special props | |
| Rafa Pinter | .... | on-set decorator | |
| Genaro Rodriguez | .... | construction manager | |
| Eduard Rusiñol | .... | technical drawings | |
| Cris F. Vila | .... | art department buyer (as Cris Vila) | |
| Peio Vizcaya | .... | assistant on-set decorator | |
Sound Department | |||
| Isaac Bonfill | .... | boom operator | |
| Pepe Cáceres | .... | sound recordist | |
| Manuel Carrión | .... | foley artist | |
| Steven Erickson | .... | adr recordist | |
| Marc Orts | .... | sound | |
| Oriol Tarragó | .... | sound | |
Special Effects by | |||
| Óscar Aparicio | .... | special effects technician | |
| Pedro Raul De Diego | .... | special makeup and mechanical effects (as Pedro de Diego) | |
| Screaming Mad George | .... | special makeup and mechanical effects | |
| Daniel Izar de la Fuente | .... | special effects assistant | |
| Daniel Izar de la Fuente | .... | special effects technician | |
| Javier Jal | .... | special effects technician | |
| Michael McGee | .... | lab supervisor: SMG Effects | |
Visual Effects by | |||
| Gloria Bernabeu | .... | digital compositor | |
| Ivan Busquets | .... | digital compositor | |
| Martin Contel | .... | CG artist | |
| Jesús Luque | .... | digital compositor | |
| Laura Maynadé | .... | digital effects coordinator | |
| Quico Noizeux | .... | scanner/recorder | |
| Jaume Vilaseca | .... | visual effects supervisor | |
Stunts | |||
| David Andrade | .... | stunt performer | |
| Roberto Dueñas | .... | stunt performer | |
| Carlos Espinar | .... | stunt performer | |
| Diego García | .... | stunt performer | |
| Miguel García | .... | stunt performer (as Miguel Angel Garcia) | |
| Ángel Plana | .... | stunt performer | |
| Roberto Sáez | .... | stunt performer | |
| José Zamora | .... | stunt performer | |
Casting Department | |||
| Juan Carlos Guzmán | .... | extras casting | |
| Louis Hammond | .... | casting: UK | |
| Ina Liza | .... | extras casting | |
Costume and Wardrobe Department | |||
| Laura Adrián | .... | additional wardrobe assistant: Valencia | |
| Núria Anglada | .... | wardrobe assistant (as Nuria Anglada) | |
| Isabel Ginés | .... | additional wardrobe assistant: Valencia | |
| Mar Villegas | .... | additional wardrobe assistant | |
Editorial Department | |||
| Elena Ruiz | .... | first assistant editor | |
Music Department | |||
| Richard Band | .... | composer: theme music | |
| Arnau Bataller | .... | orchestrator | |
| Juan Pablo Compaired | .... | music producer | |
| Jordi Cubino | .... | composer: song "Move Your Dead Bones" | |
Transportation Department | |||
| Jon Ayastui | .... | driver: van | |
| Luis Botella | .... | production driver | |
| Tomás López | .... | driver: van | |
| Aitziber Quintana | .... | driver: van | |
Other crew | |||
| Alberto Álvarez | .... | production assistant | |
| Marc Álvarez | .... | location | |
| Marta Mas Bagá | .... | second production assistant | |
| Mary Brites | .... | production accountant | |
| Rubén Broto | .... | runner | |
| David de Winter | .... | title designer | |
| Ingrid Fernández de Castro | .... | production secretary | |
| Iván If García | .... | making-of | |
| Miguel González | .... | security: Barcelona | |
| Jordi Homedes | .... | financial director | |
| Inés Lugo | .... | directorial intern | |
| Alberto Marini | .... | story editor | |
| Mary Kay McCoy | .... | dialogue coach | |
| Vicente Mico | .... | security: Valencia | |
| Manuel Monzón Fueyo | .... | development executive (as Manuel Monzón) | |
| César Nebreda | .... | rat wrangler | |
| Anna Oms | .... | documentalist (as Ana Oms) | |
| Mario Pascual | .... | financial counsel | |
| Alejandro Pérez | .... | production intern (as Alejandro Pérez de Albéniz) | |
| Miguel Ángel Pérez | .... | additional production assistant | |
| Arturo Pisa | .... | security: Barcelona | |
| Marcos Pisa | .... | security: Barcelona | |
| Jordi Punsola | .... | production intern | |
| Richard Raaphorst | .... | title designer | |
| Pere Roca | .... | head of development | |
| María José Rocher | .... | production assistant: Valencia | |
| Toni Sanz | .... | additional production assistant: Valencia | |
| Alex Serra | .... | legal counsel | |
| Elena Serra | .... | development executive | |
| Pilar Serrano | .... | script supervisor | |
| J. Gonzalo Tamajón | .... | additional production assistant (as Gonzalo Tamajón) | |
| David Tardà | .... | web site developer | |
| Carles Torrens | .... | assistant to screenwriter (as Carlos Torrens) | |
| Ursi Van der Herten | .... | assistant: Mr. Yuzna | |
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| Re-Animator | Bride of Re-Animator | Giallo a Venezia | Kataude mashin gâru | La coda dello scorpione |
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Any movie that includes a character named after the Great Lovecraft himself is bound to attract the attention of quite a few enthusiasts, even though in this case said character is dull and mostly thinly constructed, yet this is a sequel to the epic of Doctor West and his uncanny obsession, as such it was bound to create a certain momentum.
Which it does, up to a certain time. The opening scene is quite unexpected if not remarkably brilliant and although the movie seems to lag off during its middle sections, encompassing a completely unnecessary and mostly painful romance, it gains strength as it marches towards a complete onslaught of mangled bodies re-animated, a sinister warden now possessed with the spirit of a nasty rodent, an exploding junkie and a forest of not quite-dead bodies merrily twitching away.
Obviously, there is no plot worth mentioning, and only West's zeal to proceed through the insanity and protect his work manages to cause some impact in terms of psychologically rendering a character above a simple stereotype.
As it has already been mentioned, in this movie insanity reigns supreme, until it seems clear the director was more interesting to enjoying the pandemonium than anything else.
***Spoiler***
A perfect example of this is the rat-fighting-penis scene, perhaps one of the most hilarious and strangely concocted images to have surfaced the big screen ***Spoiler****
Also, a few scenes are reminiscent of some horror cult icons, which further stress that Beyond Re-Animator, like the whole series, is a product to and for the genre that fostered it, without trying to reward any viewer not in sync with the dictates of horror from the gory kind.
***Spoiler***
I found it most satisfying that West makes it through it all simply to walk away at the end of the movie, clearly all other characters were somewhat perfunctory and it would seem too much anti-climax to dispatch the good doctor or not grant him his liberty ***Spoiler***
Overall, a very amusing piece of horror that is not the work of a genius but is far from being completely without worth.