| Videos (see all 8 NEW) |
| Matthew Rhys | ... | Carl | |
| Sienna Guillory | ... | Sunny | |
| Ben Moor | ... | Thames Barrier Officer | |
| Claire Harman | ... | Thames Barrier Girl | |
| Mark Crowdy | ... | Gallery Manager | |
| Joseph Kpobie | ... | Record Shop Rapper | |
| Neil Maskell | ... | Record Shop Geezer | |
| Stephen Marcus | ... | Rob | |
| Jason Donovan | ... | Martin | |
| Michael Price | ... | Samson | |
| Bob Mercer | ... | Bartender | |
| Simon Meacock | ... | Silver Shirt | |
| Fay Masterson | ... | Tiffany | |
| Kelly Brook | ... | Sarah | |
| Tim Curry | ... | Damian Kemp | |
| Charlotte Bicknell | ... | Nicole | |
| Idris Elba | ... | Jam | |
| Lucy Ainsworth-Taylor | ... | Justin's PA | |
| Karl Mitchel | ... | Traffic Warden | |
| Gina Murray | ... | Jo | |
| Sebastian Knapp | ... | Jake | |
| Brian Bovell | ... | Custom's Officer | |
| Martin Wimbush | ... | Custom's Business Man | |
| Jo Greary | ... | Club Punter 1 | |
| Matthew Baker | ... | Club Punter 2 (as Matt Baker) | |
| Tim Vincent | ... | Justin | |
| Ben Waters | ... | Speedfreak | |
| Gerry Scanlon | ... | Suit | |
| Clem Tibber | ... | School Boy | |
| Mary Tamm | ... | School Mother | |
| Alexander Jovy | ... | Club DJ | |
| Colin McFarlane | ... | Doctor (as Colin MacFarlan) | |
| Elton Farla | ... | Doctor | |
| Jo Manderson | ... | Nurse | |
| Maureen Sweeney | ... | Nurse | |
| Annabel Ropner | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Maurizio Casula | ... | Dancer as Extra (uncredited) | |
| Daniel Kobby Erskine | ... | Dj (uncredited) | |
| Sabrina Van Tassel | ... | Charlotte (uncredited) | |
Directed by | |||
| Alexander Jovy | |||
Writing credits | ||
| Alexander Jovy | (story) (as Alex Jovy) | |
| Nick Villiers | (screenplay) | |
| Christian Spurrier | (based on a screenplay by) & | |
| Malcolm Campbell | (based on a screenplay by) | |
Produced by | |||
| Fabrizio Chiesa | .... | producer | |
| Steve Clark-Hall | .... | executive producer | |
| Mark Crowdy | .... | producer | |
| Alexander Jovy | .... | executive producer (as Alex Jovy) | |
| Peter La Terriere | .... | line producer | |
| Torsten Leschly | .... | post-production producer | |
Original Music by | |||
| Guy Farley | |||
Cinematography by | |||
| Mike Southon | |||
Film Editing by | |||
| Justin Krish | |||
Casting by | |||
| Gary Davy | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Tom Read | |||
Costume Design by | |||
| Ffion Elinor | |||
Makeup Department | |||
| Jo Allen | .... | makeup assistant | |
| Christine Blundell | .... | hair designer | |
| Christine Blundell | .... | makeup designer | |
| Dianne Jamieson | .... | makeup assistant | |
Production Management | |||
| Lucy Ainsworth-Taylor | .... | production manager | |
| Dorte Gude | .... | post-production supervisor: WAVEpictures DK (as Dorthe Gude) | |
| Mark Harris | .... | post-production supervisor (as Harris Mark Peanut) | |
| Tine Henckel-Møller | .... | post-production supervisor: WAVEpictures DK (as Tine Henckel Moller) | |
| Katja Mordaunt | .... | post-production manager (as Katja Leschly) | |
| Jackie Vance | .... | post-production supervisor | |
Art Department | |||
| Tony Charalambous | .... | stand-by props | |
| Raymond Flindall | .... | additional rigger (as Ray Flindall) | |
| Andrew Forrest | .... | assistant art director (as Andy Forrest) | |
| Karen George | .... | stand-by painter | |
| Andrew Grant | .... | set dresser | |
| David Hill | .... | carpenter | |
| Jo Littlejohn | .... | assistant art director | |
| Lisa Lloyd | .... | set dresser | |
| Leon McCarthy | .... | stand-by carpenter | |
| Adam McCreight | .... | dressing props | |
| Richard Mills | .... | property master | |
| Tony Musk | .... | carpenter | |
| Dave Perschky | .... | construction manager | |
| Steven Pollecutt | .... | additional rigger (as Steve Pollecut) | |
| Don Santos | .... | art department assistant | |
| Michael Standish | .... | production buyer | |
| Ricky Stone | .... | stand-by rigger | |
| Marko Waschke | .... | stand-by props (as Marcko Waschke) | |
| Justin Overhill | .... | stand-by painter (uncredited) | |
Sound Department | |||
| Ross Adams | .... | adr editor | |
| Chris Atkinson | .... | sound assistant | |
| Kasper Val Bjerregård Larsen | .... | sound re-recording mixer (as Søren Bjerregaard-Ryan) | |
| Lars Dela | .... | technical support | |
| Simon Firsht | .... | boom operator | |
| Howard Halsall | .... | dialogue editor | |
| Morten Holm | .... | foley mixer | |
| Svenn Jakobsen | .... | foley recordist | |
| Bjorn Ole Schroeder | .... | supervising sound editor (as Bjorn Schroeder) | |
| Andy Thompson | .... | adr mixer | |
| Ian Voigt | .... | sound recordist | |
| Jack Whittaker | .... | assistant dialogue editor | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Mark Kenna | .... | consultant: dolby film sound (uncredited) | |
| Jan Lindvik | .... | foley artist (uncredited) | |
Visual Effects by | |||
| Matt Butcher | .... | digital effects artist: eLAB | |
| Lise Mierca | .... | E-lab supervisor | |
| Eric Person | .... | e-Lab film supervisor | |
| Paul Round | .... | visual effects supervisor: eLAB | |
| Lise Mierca | .... | colour correction (uncredited) | |
Stunts | |||
| Ray De-Haan | .... | stunt coordinator | |
| Joss Gower | .... | stunt double | |
| Paul Heasman | .... | stunt double: Tim Curry | |
| Morgan Johnson | .... | stunt double: Idris Elba | |
| Mark Lisbon | .... | stunt double: Matthew Rhys | |
| Tom Lucy | .... | additional stunt coordinator | |
| Mark Southworth | .... | stunt double: Tim Vincent (as Mark Southwark) | |
| Julian Spence | .... | stunt double | |
Camera and Electrical Department | |||
| Kaiser Azim | .... | additional clapper loader (as Qaiser Azim) | |
| Stuart Barell | .... | clapper loader (as Stuart Barrell) | |
| Jeff Brown | .... | electrician | |
| Micky Brown | .... | gaffer | |
| Ray Brown | .... | electrician | |
| Giles Christopher | .... | focus puller | |
| Nicholas Cox | .... | camera trainee | |
| David Draper | .... | additional grip | |
| Paul Edwards | .... | additional Steadicam operator | |
| Kevin Fraser | .... | additional grip | |
| Ricky Hall | .... | additional grip | |
| Steven Hall | .... | additional focus puller (as Stephen Hall) | |
| Ian Jackson | .... | Steadicam operator | |
| Ian Jackson | .... | camera operator | |
| Justin Lewis | .... | electrician | |
| Sam McCourt | .... | assistant camera | |
| Vince McGahon | .... | additional Steadicam operator | |
| Steve Mcleod | .... | best boy (as Steve McLeod) | |
| Wayne Rowe | .... | grip | |
| Laurie Sparham | .... | still photographer | |
| Roger Tooley | .... | additional Steadicam operator | |
| Nick Wall | .... | still photographer | |
| Michael Chambers | .... | additional electrician (uncredited) | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Julie Dunne | .... | additional casting (uncredited) | |
Costume and Wardrobe Department | |||
| Shan James | .... | wardrobe supervisor | |
| Brian Malam | .... | wardrobe assistant (as Brian Mallam) | |
| Sophie Norinder | .... | assistant to costume designer | |
Editorial Department | |||
| Ergin Ahmet | .... | telecine colorist | |
| Liz Green | .... | associate editor | |
| Katura Jensen | .... | post-production coordinator | |
| Laurie McDowell | .... | first assistant film editor | |
| Bridgette Williams | .... | assistant editor | |
Music Department | |||
| Jane Berry | .... | trainee music editor: FT2 | |
| Heather Bownass | .... | assistant to music supervisor | |
| Marcus Brown | .... | music co-producer | |
| Marcus Brown | .... | music programmer | |
| Kenny Clark | .... | music editor | |
| Darrel Cok | .... | musicians contractor: Cool Music | |
| Bob Last | .... | executive music producer | |
| Andrew Richard Pearce | .... | conductor | |
| Andrew Richard Pearce | .... | orchestrator | |
| Steve Price | .... | music mixer | |
| Steve Price | .... | music recordist | |
| Hilary Skewes | .... | musicians contractor: Cool Music | |
| Gary Spolding | .... | music copyist | |
| Guy Wiffens | .... | music recordist assistant | |
| Guy Farley | .... | music producer (uncredited) | |
Transportation Department | |||
| Jim Atkins | .... | unit driver | |
| Tony Elwell | .... | driver: props | |
| Brian Estabrook | .... | unit driver (as Brian Esterbrook) | |
| Ron Narduzzo | .... | unit driver | |
| Richard Ong | .... | driver: camera car | |
| Darren Thackeray | .... | unit driver (as Darren Thackery) | |
Other crew | |||
| Lee Alliston | .... | location security | |
| Rachel Bailson | .... | location assistant (as Rachael Bailson) | |
| Anders Bundgaard | .... | main title designer: Creative Partnership | |
| Thomas Caspersen | .... | engineer: WAVEpictures | |
| Victoria Chambers-Pike | .... | script supervisor (as Victoria Pike) | |
| Johnnie Clements | .... | stand-in | |
| Simon Cullen | .... | location security | |
| Peter Dally | .... | legal services | |
| Tony Denham | .... | location security | |
| David Duld | .... | location security | |
| Fiona Eisen | .... | stand-in | |
| Elton Farla | .... | medic | |
| Mike Fidduch | .... | chef (as Mike Fiddock) | |
| Mark Fowle | .... | catering supervisor | |
| Shani Hinton | .... | legal services | |
| Julia Jones | .... | unit publicist | |
| Kate MacNiece | .... | floor runner (as Kate MacNeice) | |
| Jo Manderson | .... | production assistant | |
| Martin McGlone | .... | laboratory liaison | |
| Justin Miller | .... | assistant accountant | |
| Elwyn Morris | .... | location security | |
| Annabel Ropner | .... | assistant to producer | |
| Matt Steinmann | .... | location manager | |
| Eugene Strange | .... | production runner | |
| Sarah Stuart | .... | post-production accountant | |
| Ian Thomson | .... | unit publicist | |
| Will Tyler | .... | production accountant | |
| Chris White | .... | assistant location manager | |
| Aislinn Whyte | .... | production coordinator | |
| David Wilder | .... | completion guarantor | |
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If Human Traffic was daft teenagers on E, this is grown-ups taking the enjoyment of the whole club scene quite seriously. The chemicals almost seep out from the sprocket holes and entrance your brain as the pumping house music raises the adrenalin. Contrasting the warm and caring side of clubbing with the dark underside of mafioso controllers makes for a good thriller. Somehow the tension in the latter half doesn't quite match anticipation, and the clubbers are rather caricaturesque Londoners, but the whole thing is worth it for the mesmerizing re-creation of trance and techno (a word to people not into this music - you don't *have* to take E to enjoy it or enjoy clubbing to it.)