| Molly Parker | ... | Leila Murray | |
| Callum Keith Rennie | ... | Gary Jensen | |
| Katie Keating | ... | Young Girl (as Mary Kate Welsh) | |
| Joel Bissonnette | ... | Rick Schmidt | |
| Deanna Milligan | ... | Millie | |
| Sarah-Jane Redmond | ... | Bonnie (as Sarah Jane Redmond) | |
| Norman Armour | ... | Jack | |
| Byron Lucas | ... | Uncle Andy | |
| Michael Shanks | ... | Ball Cap Man | |
| Paul Jarrett | ... | Rob | |
| Don S. Davis | ... | Golf Shirt Man | |
| Jay Brazeau | ... | Suitcase Man | |
| Bruno Verdoni | ... | Ralph | |
| Ingrid Tesch | ... | Gary's Wife | |
| John R. Taylor | ... | Old Man | |
| Gillian Barber | ... | Mrs. Schmidt | |
| Bill Dow | ... | Mr. Schmidt | |
| Jenn Griffin | ... | Pony | |
| Dean Wray | ... | Open your eyes Man | |
| Sean Campbell | ... | Open your mouth Man |
Directed by | |||
| Lynne Stopkewich | |||
Writing credits | ||
| Laura Kasischke | (novel) | |
| Lynne Stopkewich | (written by) | |
Produced by | |||
| Raymond Massey | .... | co-producer | |
| Hamish McAlpine | .... | executive producer | |
| Michael Okulitch | .... | producer | |
| Erik Stensrud | .... | executive producer | |
Original Music by | |||
| Don MacDonald | (original score) | ||
Cinematography by | |||
| Gregory Middleton | (director of photography) | ||
Film Editing by | |||
| Allan Lee | |||
Casting by | |||
| Corinne Clark | |||
| Johanna Ray | |||
Production Design by | |||
| Don Macaulay | (as Don MacAulay) | ||
Art Direction by | |||
| Ray Lai | |||
Set Decoration by | |||
| Johanna Mazur | |||
Costume Design by | |||
| Sheila White | |||
Makeup Department | |||
| Hayley Miller | .... | makeup artist | |
| Hayley Miller | .... | makeup: additional photography | |
| Lee Novak | .... | hair stylist | |
| Jake Surette | .... | assistant hair stylist | |
| Jake Surette | .... | assistant makeup artist | |
| Jake Surette | .... | hair: additional photography | |
Production Management | |||
| Jeanie Lamb | .... | production manager: additional photography | |
| Daniel Mikolay | .... | post-production supervisor (as Daniel A. Mikolay) | |
| Louise Valgardson | .... | production manager | |
Art Department | |||
| Sheri Armstrong | .... | set dresser | |
| Mitchell Baker | .... | construction coordinator (as Mitch Baker) | |
| Dean Barker | .... | property master | |
| Richard D. Beers | .... | carpenter | |
| Riley Benard | .... | set dresser/assistant props | |
| John T. Boe | .... | set dresser (as John Boe) | |
| Annie Bort | .... | set dresser | |
| Jennifer Browning | .... | set dresser | |
| Raul Casillas | .... | props: additional photography | |
| Raul Casillas | .... | set decorator: additional photography | |
| Douglas Cook | .... | greensman | |
| J.P. Florentin | .... | set dresser (as Jean-Pierre Florentine) | |
| Leah Gejdos | .... | lead dresser | |
| Stephanie Knuppel | .... | set dresser | |
| Sasha Kos | .... | carpenter | |
| Gordon Bud Lancaster | .... | head painter (as Gordon Lancaster) | |
| Lin-Li-Anne Lee | .... | set dresser (as Lin-Li Anne Lee) | |
| Meesoo Lee | .... | set dresser | |
| Janet McIlwain | .... | set dresser | |
| Jennifer Rafalski | .... | set dresser | |
| Lael Sleep | .... | assistant property master | |
| Lael Sleep | .... | on-set dresser | |
| James Summers | .... | greensman | |
| Ken Watson | .... | carpenter | |
| Andrea Zink | .... | assistant set decorator | |
Sound Department | |||
| Thor Andersen | .... | boom operator (as Thor Anderson) | |
| Rick Bal | .... | production sound mixer | |
| Brian Campbell | .... | dialogue/adr editor | |
| Jonas Crawley | .... | foley recordist | |
| Dario DiSanto | .... | foley editor (as Dario Desanto) | |
| Lisa Doyle | .... | backgrounds editor | |
| Lisa Doyle | .... | sound effects editor | |
| James Genn | .... | sound designer | |
| Jeff Hamon | .... | adr mixer | |
| Brad Hillman | .... | sound re-recording mixer | |
| Johnny Ludgate | .... | backgrounds editor | |
| Johnny Ludgate | .... | sound effects editor | |
| Bill Mellow | .... | sound re-recording mixer | |
| Brian Ruryk | .... | assistant sound editor | |
| Paul A. Sharpe | .... | sound re-recording mixer (as Paul Sharpe) | |
| Shane Shemko | .... | foley artist | |
| Janice Thompson | .... | assistant sound editor | |
| Kerry Uchida | .... | backgrounds editor | |
| Kerry Uchida | .... | sound effects editor | |
| Cam Wagner | .... | foley artist | |
| James Wallace | .... | backgrounds editor | |
| James Wallace | .... | sound effects editor | |
| Kirby Jinnah | .... | adr & dialogue editor (uncredited) | |
| David Yonson | .... | adr recordist (uncredited) | |
Visual Effects by | |||
| Bruce Woloshyn | .... | digital compositing artist | |
Stunts | |||
| Trish Schill | .... | stunt double: Millie | |
| Melissa R. Stubbs | .... | stunt coordinator (as Melissa Stubbs) | |
| Melissa R. Stubbs | .... | stunt double: Leila (as Melissa Stubbs) | |
Casting Department | |||
| Andrea Brown | .... | extras casting | |
| Mary Jane Fendler | .... | casting assistant: US | |
| Jennifer Page | .... | casting associate: Canada | |
Costume and Wardrobe Department | |||
| Tisha Fontaine | .... | wardrobe assistant | |
| Michelle Hunter | .... | costume: additional photography | |
| Robert Jezsik | .... | assistant costume designer (as Rob Jezsik) | |
| Tania Kranz | .... | costume set supervisor | |
| Christine Kunicki | .... | costume set supervisor | |
Editorial Department | |||
| David Armstrong | .... | color timer (as Dave Armstrong) | |
| Ross Ferguson | .... | first assistant editor | |
| Thor Roos | .... | color timer: negative to digital transfer | |
| Tom Svab | .... | additional assistant editor | |
Music Department | |||
| James Genn | .... | supervising music editor | |
| James Kaufmann | .... | musician: drums | |
| Hayley Kervel | .... | vocalist | |
| Kim Kuzma | .... | vocalist | |
| Peggy Lee | .... | musician: cello | |
| Don MacDonald | .... | musician: keyboards | |
| Brian Newcomb | .... | musician: bass (as Brian Newcombe) | |
| Lee Preston | .... | recording engineer | |
| Robbie Steininger | .... | musician: guitars | |
| Rich Walters | .... | music editor | |
Transportation Department | |||
| Ron Buyck | .... | driver (as Ronnie Buyck) | |
| Dave Byerley | .... | driver: cast | |
| Dean Fitzpatrick | .... | driver | |
| Dean Fitzpatrick | .... | transportation co-captain | |
| David Hadley | .... | transport: additional photography (as Dave Hadley) | |
| Gregory Lavier | .... | driver: cast (as Gregory E. Lavier) | |
| Oscar Lucchetta | .... | driver | |
| Court Macmillan | .... | transportation captain | |
| Arthur Mondini | .... | picture car wrangler | |
| Laurie Morris | .... | transportation coordinator | |
| Lindsay Morris | .... | driver | |
| Bert Prevost | .... | driver | |
| Peter Road | .... | driver: cast | |
Other crew | |||
| Renee Bella | .... | location production assistant | |
| Ari Ben Ron | .... | craft service | |
| Ari Ben Ron | .... | first aid | |
| Carmen Bohemier | .... | assistant production coordinator | |
| Terry Brooks | .... | location scout | |
| Misha Bukowski | .... | set production assistant | |
| Matthew Cervi | .... | office production assistant | |
| Debbie Coe | .... | head animal wrangler | |
| Michael Collins | .... | key location production assistant | |
| Mary Downe | .... | tutor | |
| Jessica Fraser | .... | epk crew | |
| John Frizzell | .... | story editor | |
| Michael Gazetas | .... | location manager | |
| Michael Gazetas | .... | locations: additional photography | |
| Stuart Giles | .... | chef | |
| Ron Gray | .... | craft service: additional photography (as Ron Grey) | |
| Ron Gray | .... | first aid: additional photography (as Ron Grey) | |
| Ingrid Haring | .... | office production assistant | |
| Gary Hawes | .... | location production assistant | |
| Paul Jasper | .... | wrangler | |
| Darren Kaliciak | .... | assistant to producers | |
| Una Knox | .... | epk crew | |
| Jedrzej Kowalski | .... | assistant location manager (as Jendrek Kowalski) | |
| Christopher McDonell | .... | location scout (as Chris Mcdonell) | |
| Kenneth Meisenbacher | .... | location scout (as Ken Meisenbachar) | |
| Bernadette Meyers | .... | production coordinator | |
| Patrick Mokrane | .... | production accountant | |
| Keli Moore | .... | trainee assistant location manager | |
| Mario Paolinelli | .... | dialogue: Italian | |
| Pepe Pico | .... | stand-in: Mr. Rennie (as Pepe Picco) | |
| Dave Rempel | .... | wrangler | |
| Tony Rosmini | .... | assistant chef | |
| Elie Roth | .... | wrangler | |
| Nicole Rudell | .... | stand-in: Ms. Parker | |
| Sabrina Sdrakas | .... | script supervisor | |
| Sabrina Sdrakas | .... | script supervisor: additional photography | |
| Michele Lee Shellenberg | .... | assistant production accountant (as Michele Lee) | |
| Kirk N. Smallman | .... | office production assistant (as Kirk Smallman) | |
| Scott Smith | .... | epk crew | |
| Gregory Wild | .... | assistant to director (as Greg Wild) | |
Thanks | |||
| Ric Arboit | .... | acknowledgment: for Nettwerk Records | |
| Rob Brady | .... | many thanks | |
| Jennifer Brooks | .... | many thanks | |
| Bill Caswell | .... | many thanks | |
| Jennifer Clement | .... | many thanks | |
| Mary Daigle | .... | many thanks | |
| James Dixon | .... | many thanks | |
| Robert Dyck | .... | many thanks (as Rob Dyck) | |
| Cassian Elwes | .... | many thanks: The William Morris Agency | |
| Dean English | .... | many thanks | |
| Vincent Gale | .... | many thanks | |
| Thomas Grimme | .... | many thanks | |
| Elizabeth Hodgson | .... | many thanks | |
| Chris Jaksa | .... | many thanks | |
| Ella Juralowicz | .... | many thanks (as Elizabeth Juralowicz) | |
| Kara Ko | .... | many thanks | |
| Cary Lalonde | .... | many thanks | |
| Joseph Lankford | .... | many thanks | |
| Ken Macdonald | .... | many thanks | |
| Jessica Mckee | .... | many thanks | |
| Andrew Mondia | .... | many thanks | |
| Enuka Okuma | .... | many thanks (as Enuka Okena) | |
| Mike Olsen | .... | many thanks | |
| Jon Ornoy | .... | many thanks (as John Ornoy) | |
| Alexandra Pacheco | .... | many thanks | |
| Morris Panych | .... | many thanks | |
| Ivan Petrosovic | .... | many thanks | |
| Rick Podd | .... | many thanks | |
| Debbie Podowski | .... | many thanks (as Deb Pedowski) | |
| Michael Potkins | .... | many thanks | |
| Lee Purcell | .... | many thanks | |
| Kryshan Randel | .... | many thanks | |
| Peter Roeck | .... | many thanks | |
| Rena Ronson | .... | many thanks: The William Morris Agency | |
| Gabrielle Rose | .... | many thanks | |
| John Santics | .... | many thanks | |
| Stephanie Scott | .... | many thanks | |
| Bruce Spangler | .... | many thanks | |
| Alexandria Stuart | .... | acknowledgment: for Nettwerk Records | |
| Michelle Throughton | .... | many thanks | |
| Ian Tracey | .... | many thanks | |
| Tom Vogt | .... | many thanks | |
| Yukio Yamada | .... | many thanks | |
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| IMDb Drama section | IMDb Canada section | Add this title to MyMovies |
I read quite a few reviews here before I opted to buy Suspicious River. I had heard quite a bit about it while it was filming, but then was a bit put off on actually buying it. I finally did and am glad I did.
I've become a fan of Canadian film the last few years and find that many of them could be considered 'disturbing' by some. I didn't find Suspicious River all that disturbing, but an interesting view of a young woman fighting her demons. Certainly this film was no more disturbing than, say, Crash or The Sweet Hereafter.
I thought the film was extremely well done. Both Parker and Rennie did justice to their roles. I never considered Parker's lack of emotion to be a flaw, but an integral part of her character.
Probably a bit too edgy for mainstream audiences, with its long silences and scenery shots, but for me, it all enhanced the mood of the film.
I've found I really enjoy the smaller scale, more character driven films by Canadian filmmakers. It's also fun, since the pool of Canadian actors is much smaller than in the US and therefore, you get to see actors playing a multitude, very different parts.
I enjoyed the film very much.