The Long Run (2000)

Director:

Jean Stewart

Writer:

Johann Potgieter (writer)

Genre:

Drama | Sport

Plot:

A failed track coach finally finds someone who he believes has what it takes to win.

Plot Keywords:

Coach | Track And Field | Ethnic Conflict | Father Daughter Relationship | Female Athlete

Cast

Armin Mueller-Stahl	...	Bertold 'Barry' Bohmer
Nthati Moshesh	...	Christine Moyo
Paterson Joseph	...	Gasa
Septula Sebogodi	...	Terror (as Seputla Sebogodi)
Desmond Dube	...	Miso
Anna-Mart van der Merwe	...	Anna
Christopher Kubheka	...	Johannes
Gift Leotlela	...	Popo
Jeremia Ramasita	...	Kupa
Nakedi Ribane	...	Blanche
Chris Van Niekerk	...	Pool
Wilson Dunster	...	Suiker
Clementine Mosimane	...	Marie
Terence Reis	...	Dr. Paul
Elize Cawood	...	Mrs. Suiker

MPAA:

Rated R for some language and nudity.

Runtime:

Argentina:112 min

Country:

South Africa

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Certification:

Finland:K-7 | Iceland:L | Argentina:13 | USA:R

Filming Locations:

South Africa

Company:

Baer Production Company

Soundtrack:

THE BRAAI BAR-B-QUE

A pleasant fairy tale. Comments on four sub-themes * * NO SPOILERS * *

I rate this a "seven" because the film brings together several treatments which combine nicely.

The best treatment is the study of Barry, played by ARMIN MUELLER-STAHL, an Old-Man-and-the Sea type, a monomaniac, misfit sports coach with a questioned past, slipping into oblivion. He clings to just one race as his reason for being: a tough 90 kilo run, hence The Long Run. This character study alone ranks the film as a watcher.

The second treatment is the quiet and serene, still-waters-run-deep dignity of the African runner. This treatment is not enough to support the whole film. She is from Pretoria, and is an ideal-type, too-good-to-be-true. Character development is missing except in the one important sense that is key to the film. In the face of hardships both historical and current, and harboring some doubts as to what she is capable of, she grows in strength and breadth from the hardships of race preparation.

The third treatment is fairly formulaic: the David-beats-Goliath sports film. From Hong Kong martial arts film to G-rated knock-offs, the combination of stalwart heart plus beloved underdog is successful again. In this film, other issues obscure the routine set-up, thus providing a slight sense of 'maturity'.

The fourth and final treatment is Africa itself. Once or twice each decade,we are treated to a major Hollywood film bringing us the sights and sounds and smells of this most enchanting and provocative continent. THE LONG RUN was shot in South Africa. What we see in the background could just was well be viewed in several of the surrounding countries as well. Alas, the film's creators give us only meager examples of this land and life : a brick factory, some runners, and a taste of scenery. Much more could have been included.

Propaganda angles surrounding any such film could damage it. It has not the robustness of, for example, HOTEL RWANDA. I was caught up in the beauty and the story. That was enough for me ,,, and I hope, for you.