| Photos (see all 174 | slideshow) | Videos (see all 2) |
| Leonardo DiCaprio | ... | Amsterdam Vallon | |
| Daniel Day-Lewis | ... | Bill 'The Butcher' Cutting | |
| Cameron Diaz | ... | Jenny Everdeane | |
| Jim Broadbent | ... | William 'Boss' Tweed | |
| John C. Reilly | ... | Happy Jack Mulraney | |
| Henry Thomas | ... | Johnny Sirocco | |
| Liam Neeson | ... | 'Priest' Vallon | |
| Brendan Gleeson | ... | Walter 'Monk' McGinn | |
| Gary Lewis | ... | McGloin | |
| Stephen Graham | ... | Shang | |
| Eddie Marsan | ... | Killoran | |
| Alec McCowen | ... | Reverend Raleigh (as Alec Mccowen) | |
| David Hemmings | ... | Mr. Schermerhorn | |
| Larry Gilliard Jr. | ... | Jimmy Spoils | |
| Cara Seymour | ... | Hell-Cat Maggie | |
| Roger Ashton-Griffiths | ... | P.T. Barnum | |
| Peter-Hugo Daly | ... | One-Armed Priest (as Peter Hugo Daly) | |
| Cian McCormack | ... | Young Amsterdam (as Cian Mccormack) | |
| Andrew Gallagher | ... | Young Johnny | |
| Philip Kirk | ... | O'Connell Guard Leader | |
| Rab Affleck | ... | Plug Uglies Leader | |
| Bill Barclay | ... | Shirt Tails Leader | |
| Nick Bartlett | ... | Chichesters Leader | |
| Robert Goodman | ... | Forty Thieves Leader | |
| Tim Pigott-Smith | ... | Calvinist Minister | |
| Liam Carney | ... | Bill The Butcher's Gang #1 | |
| Gary McCormack | ... | Bill The Butcher's Gang #2 (as Gary Mccormack) | |
| David McBlain | ... | Bill The Butcher's Gang #3 (as David Mcblain) | |
| Dick Holland | ... | True Blue American Speaker | |
| Katherine Wallach | ... | Jenny's Girl | |
| Carmen Hanlon | ... | Jenny's Girl | |
| Ilaria D'Elia | ... | Jenny's Girl (as Ilaria Delia) | |
| Laurie Ventry | ... | Resident Woman | |
| Ford Kiernan | ... | Black Joke Chief | |
| Nevan Finegan | ... | Dead Rabbit Gang Member | |
| Dominiquie Vandenberg | ... | Dead Rabbit Gang Member | |
| Sai-Kit Yung | ... | Chinese at Sparrow's Pagoda (as Stuart Ong) | |
| Basil Chung | ... | Elderly Chinese at Pagoda | |
| Finbar Furey | ... | Satan's Circus Singer | |
| Sean Gilder | ... | Rat Pit Game Master | |
| Richard Graham | ... | Harvey - Card Player | |
| Richard Strange | ... | Undertaker | |
| Douglas Plasse | ... | Medical Student | |
| R. Bruce Steinheimer | ... | Army Recruiter (as Bruce Steinheimer) | |
| David Bamber | ... | Passenger on Omnibus | |
| Barbara Bouchet | ... | Mrs. Schermerhorn | |
| Michael Byrne | ... | Horace Greeley | |
| Lucy Davenport | ... | Miss Schermerhorn | |
| Maura O'Connell | ... | Street Singer | |
| Alex Howden | ... | Assistant Hangman | |
| James Ramsay | ... | Arthur - Condemned Man | |
| Iain McColl | ... | Seamus - Condemned Man (as Iain Mccoll) | |
| Louie Brownsell | ... | Legless Soldier | |
| Gennaro Condemi | ... | She-He | |
| Kieran Hurley | ... | Recruiter | |
| John Sessions | ... | Harry Watkins - Lincoln | |
| Michael H. Billingsley | ... | Uncle Tom | |
| Steven C. Matthews | ... | Mr. Shelby | |
| Giovanni Lombardo Radice | ... | Mr. Legree | |
| Alexia Justine Murray | ... | Topsy (as Alexia J. Murray) | |
| Flaminia Fegarotti | ... | Miss Eliza | |
| Bronco McLoughlin | ... | Assassin (as Bronco Mcloughlin) | |
| Channing C. Holmes | ... | Tap Dancer (as Channing Cook Holmes) | |
| Eliane Chappuis | ... | Chinese Whore | |
| Roberta Quaresima | ... | Whore #1 | |
| Marta Pilato | ... | Whore #2 | |
| Jian Su | ... | Chinese Acrobat | |
| Man Cao | ... | Chinese General | |
| Kathy Shao-Lin Lee | ... | Chinese Dancer | |
| Alexander Deng | ... | Chinese Boy Singer | |
| Peter Berling | ... | Knife Act Caller | |
| Patrick Gordon | ... | Surgeon | |
| Brendan White | ... | Archbishop | |
| Brendan Dempsey | ... | Provost Marshal Registrar | |
| Taddeo Harbutt | ... | Unruly Man | |
| Nazzareno Natale | ... | Don Whiskerandos | |
| Colin Hill | ... | Nativist Candidate | |
| Robert Linge | ... | One-Armed Veteran | |
| Richard Syms | ... | Drunken Repeater | |
| Christian Burgess | ... | The Mayor | |
| Gerry Robert Byrne | ... | Draft Official | |
| David Nicholls | ... | O'Connell Guard Leader (as Dave Nicholls) | |
| Tim Faraday | ... | Plug Uglies Leader | |
| Sean McGinley | ... | Forty Thieves Leader (as Sean Mcginley) | |
| John Anthony Murphy | ... | Kerryonians Leader | |
| Terry O'Neill | ... | Chichesters Leader | |
| Vincent Pickering | ... | American Guard Leader | |
| Nick Miles | ... | Atlantic Guard Leader | |
| Ian Pirie | ... | Slaughter Housers Leader | |
| John McGlynn | ... | Bowery Boys Leader (as John Mcglynn) | |
| Larry Kaplan | ... | Bloodied Bureaucrat | |
| Leo Burmester | ... | Telegraph Operator #1 (voice) (as Leo Burmeister) | |
| Justin Brennan | ... | Telegraph Operator #2 (voice) | |
| Brian Mallon | ... | Telegraph Operator #3 (voice) | |
| Joseph P. Reidy | ... | Police Chief (as Joseph Reidy) | |
| Joel Strachan | ... | Telegraph Operator | |
| Bill Murdoch | ... | Robber on Dock | |
| Angela Pleasence | ... | Woman Accomplice (as Angela Pleasance) | |
| Iain Agnew | ... | General Wool (as Ian Agnew) | |
| Michael Hausman | ... | Gunboat Captain | |
| Bob Colletti | ... | Soldier in Mist | |
| rest of cast listed alphabetically: | |||
| Salvatore Billa | ... | Native (uncredited) | |
| Brennan Caitlin | ... | Hot Corn Girl (uncredited) | |
| Trevor Cooper | ... | Man in Tweed's Office (uncredited) | |
| Blaise Corrigan | ... | Riot Thug "There's a $300 Man..." (uncredited) | |
| Ottaviano Dell'Acqua | ... | Bill The Butcher' s Gang #4 (uncredited) | |
| Raffaella Ponzo | ... | Johnny's Girlfriend (uncredited) | |
| Martin Scorsese | ... | Wealthy Homeowner (uncredited) | |
| Donald Stewart | ... | Anatomist (uncredited) | |
| Vincenzo Tanassi | ... | Fireman (uncredited) | |
| Massimo Vanni | ... | Soldier (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits(WGA) | ||
| Jay Cocks | (story) | |
| Jay Cocks | (screenplay) and | |
| Steven Zaillian | (screenplay) and | |
| Kenneth Lonergan | (screenplay) | |
Produced by | |||
| Gerry Robert Byrne | .... | associate producer | |
| Laura Fattori | .... | co-producer | |
| Randi Feinberg | .... | line producer: insert photography | |
| Alberto Grimaldi | .... | producer | |
| Maurizio Grimaldi | .... | executive producer | |
| Michael Hausman | .... | executive producer | |
| Michael Jackman | .... | line producer: additional photography (as Michael A. Jackman) | |
| Graham King | .... | co-executive producer | |
| Barbara Phillips Marco | .... | executive producer: insert photography | |
| Michael Ovitz | .... | executive producer | |
| Joseph P. Reidy | .... | co-producer (as Joe Reidy) | |
| Rick Schwartz | .... | co-executive producer | |
| Colin Vaines | .... | co-executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | producer | |
| Rick Yorn | .... | executive producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Michael Ballhaus | (director of photography) | ||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Alessandro Alberti | |||
| Maria-Teresa Barbasso | (as Maria Teresa Barbasso) | ||
| Dimitri Capuani | |||
| Stefano Maria Ortolani | (supervising art director) (as Stefano Ortolani) | ||
| Nazzareno Piana | |||
| Luca Tranchino | (uncredited) | ||
Set Decoration by | |||
| Francesca Lo Schiavo | |||
Costume Design by | |||
| Sandy Powell | |||
Makeup Department | |||
| Elisabetta De Leonardis | .... | key hairdresser: second unit | |
| Giorgio Gregorini | .... | hair stylist | |
| Sian Grigg | .... | makeup artist: Mr. DiCaprio | |
| Federico Laurenti | .... | makeup artist | |
| Rosa Luciani | .... | key hairdresser: second unit | |
| Linda Melazzo | .... | makeup artist | |
| Ferdinando Merolla | .... | hair stylist | |
| Mario Michisanti | .... | key makeup artist: second unit | |
| Anne Morgan | .... | hair designer: Ms. Diaz | |
| Luigi Rocchetti | .... | makeup artist | |
| Manlio Rocchetti | .... | key makeup artist | |
| Manlio Rocchetti | .... | special makeup effects artist | |
| Aldo Signoretti | .... | hair designer | |
| Maurizio Silvi | .... | makeup artist | |
| Noriko Watanabe | .... | makeup artist: Ms. Diaz | |
| Jana Carboni | .... | assistant makeup artist (uncredited) | |
| Letizia Carnevale | .... | assistant makeup artist (uncredited) | |
| Federico Carretti | .... | additional makeup artist (uncredited) | |
| Stefano Ceccarelli | .... | hair stylist (uncredited) | |
| Renato Francola | .... | makeup artist (uncredited) | |
| Simone Gregoris | .... | assistant makeup artist (uncredited) | |
| Lori Hicks | .... | unit makeup artist (uncredited) | |
| Erwin H. Kupitz | .... | wig designer: Leonardo DiCaprio (uncredited) | |
| Ryan McDowell | .... | prosthetic sculptor (uncredited) | |
| Ryan McDowell | .... | prosthetic technician (uncredited) | |
| Gabriella Trani | .... | makeup artist (uncredited) | |
Production Management | |||
| Gerardo Albero | .... | assistant unit manager | |
| Federico Foti | .... | unit manager: Italy | |
| Michael Hausman | .... | unit production manager | |
| Massimo Iacobis | .... | production manager: second unit | |
| Michael Jackman | .... | post-production supervisor (as Michael A. Jackman) | |
| Riccardo Neri | .... | production manager: Italy | |
| Daniele Abeille | .... | assistant production manager: second unit (uncredited) | |
| Gerry Robert Byrne | .... | post-production supervisor (uncredited) | |
| Margo Myers | .... | unit production manager: additional photography, New York City (uncredited) | |
Art Department | |||
| Carlo Avvisato | .... | props: second unit (as Carlo Awisato) | |
| Daniel Bacciu | .... | props: second unit | |
| Lauren Buckley | .... | art department research coordinator (as Judith Lauren Buckley) | |
| Giuseppe Cancellara | .... | head blacksmith | |
| Tommaso Dubla | .... | head painter | |
| Antonio Fraulo | .... | property master | |
| Gianni Gianese | .... | sculptor (as Giovanni Gianese) | |
| Raffaella Giovannetti | .... | assistant set decorator | |
| Robert Guerra | .... | technical art director | |
| Giuseppe La Rocca | .... | head plasterer | |
| Sabina Lepri | .... | art department coordinator | |
| Roberto Magagnini | .... | swing gang foreman | |
| Bernard Maisner | .... | hand lettered props | |
| Stefano Morbidelli | .... | on-set dresser | |
| Sebastiano Murer | .... | propman | |
| Dennis J. Parrish | .... | property supervisor (as Dennis Parrish) | |
| Alessandra Querzola | .... | property coordinator | |
| Luigi Sergianni | .... | construction coordinator | |
| Nadejda Tatarinova | .... | set dresser | |
| Ivano Todeschi | .... | head painter | |
| Arthur Wicks | .... | property master | |
| William Wiggins | .... | prop master: insert photography | |
| Yuji Yoshimoto | .... | model maker: insert photography | |
| Daniel Boxer | .... | property master: New York (uncredited) | |
| Alec Burnham | .... | assistant: Dante Ferretti (uncredited) | |
| Cristina Cecili | .... | painter (uncredited) | |
| Cristiano Donzelli | .... | storyboard artist (uncredited) | |
| Sandro Erdolini | .... | painter (uncredited) | |
| Glauco Isidori | .... | painter (uncredited) | |
| Ross La Terra | .... | set dresser (uncredited) | |
| Domenico Mancino | .... | blacksmith (uncredited) | |
| Tamara Marini | .... | assistant art director (uncredited) | |
| Massimiliano Paonessa | .... | props (uncredited) | |
| Domenico Reordino | .... | painter (uncredited) | |
| Monica Sallustio | .... | set designer (uncredited) | |
| Massimo Sergianni | .... | construction coordinator (uncredited) | |
| Claudio Stefani | .... | set dressing swing (uncredited) | |
| Joshua Viers | .... | art assistant (uncredited) | |
| Alyssa Winter | .... | assistant set decorator (uncredited) | |
| Joan Winters | .... | graphic designer (uncredited) | |
Sound Department | |||
| Don Banks | .... | boom operator (as Donald Banks) | |
| Kam Chan | .... | foley editor | |
| Laura Civiello | .... | dialogue editor | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| David Fanshawe | .... | sound recordist: "Pakwach Acholi Bwala Dance" | |
| Chris Fielder | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Geoff Foster | .... | additional recordist: "Brooklyn Heights" | |
| Eugene Gearty | .... | sound effects designer | |
| Eugene Gearty | .... | sound effects editor | |
| Eugene Gearty | .... | sound re-recording mixer | |
| Carl Glanville | .... | mix engineer: "The Hands That Built America {Theme from Gangs of New York}" | |
| Chris Heaney | .... | mix assistant engineer: "The Hands That Built America {Theme from Gangs of New York}" | |
| Ruth Hernandez | .... | assistant sound editor | |
| Harry Higgins | .... | sound re-recordist | |
| Kenton Jakub | .... | adr editor | |
| Frank Kern | .... | supervising foley editor | |
| George A. Lara | .... | foley mixer (as George Lara) | |
| Terrance Laudermilch | .... | sound re-recordist (as Terry Laudermilch) | |
| Tom Lazarus | .... | additional mixer: "Brooklyn Heights" | |
| Hal Levinsohn | .... | adr editor | |
| Debora Lilavois | .... | assistant sound editor | |
| Eric Liljestrand | .... | recorder and mixer: "Brooklyn Heights" | |
| Marissa Littlefield | .... | supervising adr editor | |
| Alan Lomax | .... | sound recordist: "New Careless Love", "Gospel Train", "The Murderer's Home" and "Guide Me O Thou Great Jehovah" | |
| John A. Lomax | .... | sound recordist: "Poontang Little, Poontang Small" | |
| Ivan Menchinelli | .... | boom operator: second unit | |
| Jay Peck | .... | foley artist | |
| Bruce Pross | .... | foley editor | |
| Candido Raini | .... | unit sound mixer: second unit | |
| Jacob Ribicoff | .... | foley editor | |
| Fred Rosenberg | .... | dialogue editor | |
| Ivan Sharrock | .... | production sound mixer | |
| Harold Spivacke | .... | sound recordist: "Poontang Little, Poontang Small" | |
| Philip Stockton | .... | supervising sound editor | |
| Steven Visscher | .... | foley editor (as Steve Visscher) | |
| Larry Wineland | .... | assistant sound editor | |
| John Work | .... | sound recordist: "Breakaway" | |
| James Bellamy | .... | auricle operator (uncredited) | |
| Chad Birmingham | .... | apprentice sound editor (uncredited) | |
| Paul Carr | .... | adr recording: UK (uncredited) | |
| Kay Denmark | .... | adr boom operator (uncredited) | |
| Adriano Di Lorenzo | .... | assistant sound (uncredited) | |
| Adriano Di Lorenzo | .... | second boom operator (uncredited) | |
| Robert Farr | .... | adr mixer (uncredited) | |
| Arnold Finkelstein | .... | sound recordist (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Fionn Higgins | .... | assistant sound editor (uncredited) | |
| Erik Jordan | .... | ProTools editor (uncredited) | |
| Kimberly R. McCord | .... | dialogue editor (uncredited) | |
| Katherine Gordon Miller | .... | apprentice sound editor (uncredited) | |
| Conner Moore | .... | additional adr recordist (uncredited) | |
| Alex Raspa | .... | adr recordist: New York (uncredited) | |
| Nani Schumann | .... | apprentice sound editor (uncredited) | |
| Hamilton Sterling | .... | adr editor (uncredited) | |
Special Effects by | |||
| Daniel Acon | .... | special effects coordinator | |
| Renato Agostini | .... | head special effects technician: Italy | |
| Connie Brink | .... | pyrotechnics: insert photography | |
| Connie Brink | .... | special effects: insert photography | |
| Mario Cassar | .... | special effects technician: second unit | |
| Giovanni Corridori | .... | special effects supervisor: Italy | |
| Manlio Rocchetti | .... | special effects | |
| R. Bruce Steinheimer | .... | special effects supervisor (as Bruce Steinheimer) | |
| Danilo Bollettini | .... | special effects technician (uncredited) | |
| Stefano Corridori | .... | special effects technician (uncredited) | |
| Massimo Cristofanelli | .... | special effects technician (uncredited) | |
| Franco Ragusa | .... | special effects foreman (uncredited) | |
Visual Effects by | |||
| Jon Alexander | .... | computer graphics supervisor: ILM | |
| Amy Allen | .... | production assistant: ILM (as Amy E. Allen) | |
| Randall K. Bean | .... | scanning: ILM (as Randall Bean) | |
| Vladimir Bogak | .... | technical support: ILM | |
| Ronn Brown | .... | digital matte artist: ILM | |
| Michael Brunsfeld | .... | art director: ILM | |
| Mario Capellari | .... | digital effects artist: ILM | |
| Joshua Chapel | .... | digital effects artist: ILM | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Nika Dunne | .... | digital paint and roto artist: ILM | |
| Ivy Fong | .... | technical support: ILM | |
| Randy Gaul | .... | digital matte artist: ILM | |
| Camille Geier | .... | visual effects producer: ILM | |
| Jack Haye | .... | digital modeler: ILM | |
| Edward Hirsh | .... | visual effects co-supervisor: ILM | |
| Paul Huston | .... | lead digital matte artist: ILM | |
| Kurt Kaufman | .... | digital matte artist: ILM | |
| Bill Kimberlin | .... | editor: ILM | |
| Siobhan Lo | .... | digital effects artist: ILM | |
| Marco Maldonado | .... | motion control: insert photography | |
| Sébastien Moreau | .... | digital effects artist: ILM (as Sebastien Moreau) | |
| Brett Northcutt | .... | digital matte artist: ILM | |
| Michael Owens | .... | visual effects supervisor: ILM | |
| Evan Pontoriero | .... | digital modeler: ILM | |
| Mathieu Raynault | .... | digital matte artist: ILM | |
| Peter Mitchell Rubin | .... | art director: ILM (as Peter Rubin) | |
| Jeff Saltzman | .... | matchmover: ILM | |
| Robin Saxen | .... | production coordinator: ILM | |
| Amy Shepard | .... | digital paint and roto artist: ILM | |
| Susan Shin George | .... | producer: visual effects, Custom Film Effects | |
| Kenneth Smith | .... | color timing supervisor: ILM | |
| Claudia Southmartin | .... | technical support: ILM | |
| Jeff Sutherland | .... | digital effects artist: ILM | |
| David Taylor | .... | technical support: ILM | |
| Wayne Billheimer | .... | visual effects coordinator (uncredited) | |
| Steve Caldwell | .... | digital compositor (uncredited) | |
| Grady Cofer | .... | Sabre artist (uncredited) | |
| Pierre D'Aloisio | .... | digital effects artist (uncredited) | |
| Steve Gawley | .... | model supervisor (uncredited) | |
| Kenneth Gimpelson | .... | technical artist (uncredited) | |
| Kimberly Headstrom | .... | digital resource assistant supervisor (uncredited) | |
| Edward Helmers | .... | digital artist (uncredited) | |
| Shaina Holmes | .... | digital compositor (uncredited) | |
| Darren Jones | .... | digital imaging engineer (uncredited) | |
| Daryl Munton | .... | digital effects artist: ILM (uncredited) | |
| Ben Nichols | .... | model maker (uncredited) | |
| David Norris | .... | camera operator: Wescam, ILM (uncredited) | |
| Marc Ostroff | .... | visual effects accountant: ILM (uncredited) | |
| Laurie Powers | .... | digital art director (uncredited) | |
| Mark Sawicki | .... | optical camera (uncredited) | |
| Stephanie Taubert | .... | digital paint restoration (uncredited) | |
| Ronnie E. Williams Jr. | .... | digital compositor (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Mark Mottram | .... | stunt double: Mr. DiCaprio | |
| Claudio Pacifico | .... | stunt coordinator: Italy | |
| Dominiquie Vandenberg | .... | fight coordinator | |
| Nina Armstrong | .... | stunts (uncredited) | |
| Vic Armstrong | .... | stunt coordinator (uncredited) | |
| Mauro Aversano | .... | stunts (uncredited) | |
| Alessandro Borgese | .... | stunt performer (uncredited) | |
| Massimiliano Catasta | .... | stunts (uncredited) | |
| Blaise Corrigan | .... | stunts (uncredited) | |
| Ivan Crasci | .... | stunt performer (uncredited) | |
| Douglas Crosby | .... | stunt arranger (uncredited) | |
| Jiri Horky | .... | stunts (uncredited) | |
| Peter Hric | .... | stunts (uncredited) | |
| Dusan Hyska | .... | stunts (uncredited) | |
| Roman Jankovic | .... | stunts (uncredited) | |
| Valdimar Jóhannsson | .... | stunts (uncredited) | |
| Sean Kaplan | .... | stunts (uncredited) | |
| Jindrich Klaus | .... | stunts (uncredited) | |
| Gustáv Kyselica | .... | utility stunts (uncredited) | |
| Miroslav Lhotka | .... | stunts (uncredited) | |
| Bill Little | .... | stunts (uncredited) | |
| Alberto Martello | .... | fight director (uncredited) | |
| Branislav Martinak | .... | utility stunts (uncredited) | |
| Lubomir Misak | .... | utility stunts (uncredited) | |
| Emiliano Novelli | .... | stunts (uncredited) | |
| Jaroslav Peterka | .... | stunts (uncredited) | |
| Gianluca Petrazzi | .... | stunts (uncredited) | |
| Jan Petrina | .... | stunts (uncredited) | |
| Stephen A. Pope | .... | stunts (uncredited) | |
| Massimo Racca | .... | stunts (uncredited) | |
| Angelo Ragusa | .... | stunts (uncredited) | |
| Gabriele Ragusa | .... | stunts (uncredited) | |
| David Shumbris | .... | stunt double (uncredited) | |
| Massimiliano Ubaldi | .... | stunts (uncredited) | |
| Massimo Vanni | .... | stunts (uncredited) | |
Casting Department | |||
| Kathleen Chopin | .... | casting associate | |
| Kate Dowd | .... | co-casting: UK | |
| Louis Elman | .... | adr voice casting | |
| Nadia Kazan | .... | assistant casting: Italy | |
| Antonio Spoletini | .... | extras casting | |
| Silvano Spoletini | .... | extras casting | |
| Lilia Trapani | .... | casting: Italy | |
| Vicky Wildman | .... | assistant casting: UK | |
| Nadya Cazan | .... | casting assistant (uncredited) | |
| Jennifer Euston | .... | casting assistant (uncredited) | |
| Amanda Koblin | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| John Cowell | .... | costume painter | |
| Stefano De Nardis | .... | wardrobe master | |
| Bruno de Santa | .... | costumer: Mr. DiCaprio (as Bruno De Santa) | |
| Annie Hadley | .... | chief costume cutter | |
| Anna Lombardi | .... | costume buyer | |
| Sharon Long | .... | second assistant costume designer | |
| Claudio Manzi | .... | costume coordinator | |
| Sonoo Mishra | .... | costumer: Ms. Diaz | |
| Uliva Pizzetti | .... | wardrobe mistress: actors | |
| Bettina Pontiggia | .... | costumer: Mr. Day-Lewis | |
| Paolo Scalabrino | .... | costume supervisor (as Paolo Stefano Scalabrino) | |
| Debbie Scott | .... | assistant costume designer (as Deborah Scott) | |
| Barbara Spoletini | .... | wardrobe assistant: second unit | |
| Angela Beale | .... | set costumer (uncredited) | |
| Piermatteo Giacalone | .... | assistant costumer (uncredited) | |
| Luca Giampaoli | .... | key metal worker (uncredited) | |
| Claudette Lilly | .... | costume assistant (uncredited) | |
| Giovanni Lipari | .... | costumer (uncredited) | |
| Maurizio Torti | .... | set costume assistant (uncredited) | |
| Dominic Young | .... | costume cutter (uncredited) | |
Editorial Department | |||
| Scott Brock | .... | first assistant editor | |
| Pasquale Buba | .... | additional editor | |
| Daniel de Rossi | .... | editorial intern: Italy (as Daniel De Rossi) | |
| Tom Foligno | .... | first assistant editor | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Gordon Grinberg | .... | second assistant editor | |
| Bob Kaiser | .... | color timer | |
| Charlotte Kirchgaesser | .... | post-production coordinator | |
| James Y. Kwei | .... | additional editor (as James Kwei) | |
| Stuart Macphee | .... | post-production coordinator | |
| Irma Misantoni | .... | assistant editor: Italy | |
| James D. Putt | .... | post-production services: Initial Entertainment Group | |
| Michal Shemesh | .... | apprentice editor | |
| Mary Beth Smith | .... | negative cutter: Buena Vista Negative Cutting | |
| Randy Trager | .... | second assistant editor | |
| Jeffrey M. Werner | .... | first assistant editor | |
| Pasquale Cuzzupoli | .... | color consultant (uncredited) | |
| Sam Freeman | .... | editor intern (uncredited) | |
| Jennifer Lilly | .... | apprentice editor (uncredited) | |
| James Nichols Jr. | .... | assistant editor (uncredited) | |
Music Department | |||
| Piergiorgio Ambrosi | .... | production music coordinator | |
| Jim Bruening | .... | music crew | |
| Patricia Carlin | .... | music editor | |
| Marcello De Dominicis | .... | production music advisor | |
| Mariano De Simone | .... | production music advisor | |
| Jennifer L. Dunnington | .... | music editor (as Jennifer Dunnington) | |
| Kathy Durning | .... | music editor | |
| Tass Filipos | .... | music editor (as Anastasios Filipos) | |
| Angelo Giovagnoli | .... | production music coordinator | |
| Jeff Grace | .... | music technical coordinator | |
| Greg Laporta | .... | electronic score programmer | |
| Felicia Michael | .... | music production coordinator | |
| Melanie Pappenheim | .... | score vocalist | |
| Lowell Pickett | .... | music crew | |
| Joe Rangel | .... | source music coordinator | |
| Robbie Robertson | .... | executive music producer | |
| Randy Spendlove | .... | executive in charge of music | |
| Tim Stritmater | .... | music crew | |
| Giancarlo Vulcano | .... | orchestra score supervisor | |
| Hal Willner | .... | original score producer | |
| Jeff Atmajian | .... | orchestrator (uncredited) | |
| Andy Brown | .... | music contractor (uncredited) | |
| Jon Olive | .... | additional music editor (uncredited) | |
| Jason Poss | .... | music assistant (uncredited) | |
Transportation Department | |||
| Fabio Mancini | .... | transportation manager | |
Thanks | |||
| Tyler Anbinder | .... | special thanks | |
| Linda A. Borgeson | .... | special thanks (as Linda Borgeson) | |
| Tamar Chammou | .... | special thanks | |
| Adam Chuck | .... | special thanks | |
| Colin Cotter | .... | special thanks | |
| Pamela Cruz | .... | special thanks | |
| Barbara De Fina | .... | special thanks (as Barbara Defina) | |
| Franco di Tivoli | .... | special thanks (as Franco Di Tivoli) | |
| Phil Downey | .... | special thanks | |
| Alan Duke | .... | special thanks | |
| Michael Eisner | .... | special thanks | |
| Hiromitsu Furukawa | .... | special thanks (as Hiro Furukawa) | |
| James Gianopulos | .... | special thanks (as Jim Gianopulos) | |
| Julie Goldstein | .... | special thanks | |
| Jonathan Gordon | .... | special thanks | |
| Nigel Green | .... | special thanks | |
| Nancy Groce | .... | special thanks | |
| John Hadity | .... | special thanks | |
| Sara Helman | .... | special thanks | |
| Kevin Hyman | .... | special thanks | |
| Ken Kamins | .... | special thanks | |
| Michael Kaplan | .... | special thanks | |
| Pauline King | .... | special thanks | |
| Karina Kliss | .... | special thanks | |
| Charles Layton | .... | special thanks | |
| Michael Luisi | .... | special thanks | |
| John Miller | .... | special thanks | |
| Bob Osher | .... | special thanks | |
| Meryl Poster | .... | special thanks | |
| Peter Quinn | .... | special thanks | |
| Joe Roth | .... | special thanks | |
| Jay Sakamoto | .... | special thanks | |
| Rick Sands | .... | special thanks | |
| Peter Schlessel | .... | special thanks | |
| Whitney Wilson | .... | special thanks | |
| Rebecca Yamin | .... | special thanks | |
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For all its' Uber-violence, 'Gangs of New York' is a majestic piece of filmmaking. Director Martin Scorcese reunites once again with Editor Thelma Schoonmaker and Production Designer Dante Ferretti thusly recreating a potion of a country's history spectacled with infestation, disease and rampant violence. These are but some of the characteristics employed in an unconventional manner in hopes of telling a memorable story. Scorcese displays to the filmmaking world how imaginative he can be with his long overdue, epic and costly motion picture based upon a time in New York City's history where violence was not sporadic, but a necessity for survival. Set directly in New York's Five Points District, on a micro scale the film tells the vengeful story of Amsterdam Vallon (Leonardo Di Caprio), a young man who returns 16 years after being banished from Five Points after witnessing his father's defeat at the hands of a vicious rival known as Bill The Butcher; infamous for his fixation with the meats and his innate sense of slaughterous murder. Upon Amsterdam's return, he has but one aim - avenge his father's death at the hands of the vicious 'community leader' William Cutting,, a.k.a. Bill The Butcher. Cutting prides himself as being a sadistic and remorseless thug who surrounds himself with the filth of the community in order to profit himself and his political allies. Daniel Day Lewis comes out of seclusion for a craft he apparently dislikes and simply nails this performance as a sophisticated and well-spoken murderer who has no parameters nor morals to bound him. He fights for the Yankee Way and opposes anyone who threatens the American lifestyle.
On a macro scale, the story is a piece of American history as it recreates the arduous battles commenced in 1846 between the Irish settlers and the Anglo- Saxon 'natives' who sought to protect their country against foreigners. In all of this, the draft riots are explicitly revealed as those who chose not to fight were sought out and forced to. At one point, the film effortlessly demonstrates how immigrants were drafted right off the boats as they had a suitcase from a foreign country one moment, and an American Uniform the next practically unable to speak the English language, yet ready to wage war against an unknown enemy. The draft riot scene is a pivotal sequence in the film as it prepares the anti-climactic finale in which more violence and an astonishing amount of blood are spilled over the original streets of New York. This film makes every effort in highlighting what the term 'gang' means as it has undergone various permutations in definition. The original story by Jay Cocks (The Age of Innocence) has been filtered by Kenneth Lonergan (Analyze This) and Steven Zaillan (Hannibal) and contains the conventional pratfalls of Hollywood Cinema such as double crosses and plot twists, yet they are thankfully kept to a minimal. The story retains its core not so much on the development of the characters, but on the development of the times and interestingly enough, the interplay between Bill The Butcher and his rival Priest Vallon was stressed. Despite their differences and years after Priest's death, The Butcher still honored and celebrated his life. Sharing the same values and only divided by faith, honor was still a trait some had amidst all the ruins. Throughout all this lies an ingenious film in which Scorcese allows his characters to develop and evolve, as the film is a delicate piece of cinema balanced against a sensitive subject matter and directed with the utmost class and originality. Production Designer Dante Ferretti recreates the filth-infested streets and deplorable living conditions as poverty, decay, infestation and paucity are not spared in order to retell one of the vilest stories in recent memory. Those who are familiar with Scorcese's work will know he is the machine behind such films as 'Casino', 'Goodfellas' and the perennial classics 'Taxi Driver' and 'Raging Bull'. Those films are always under constant attack for the apparently amoral manner in which they exude violence, and now Scorcese can add the cornerstone of all violent films with 'Gangs of New York'. This is a perversely tempestuous violence-riddled film filled with gore, viciousness and intensity all in good use in order to demonstrate the living conditions when everyone had to sleep with one eye open. The film commences with no opening credits, just the company credits roll as we see Liam Neeson play the character of Priest Vallon, a highly admirable Community leader also fighting for what he believes in, the safety and prosperity of the Irish people based in New York. As the film opens, we see him bestow values upon a young Amsterdam Vallon as an opening battle sequence of epic proportions is mounting. The weapons are being bladed, prayers are being said and families are told goodbye as these warriors will clash on the streets of New York for the right to claim property and ownership of honor amongst thieves. Eerily close to the Brian De Palma School of suspenseful filmmaking, Scorcese seems to take a page from the aforementioned Director as the opening sequence is mounted in a very resourceful manner. Quick editing cuts thanks to Thelma Schoonmaker's hand demonstrate the weapons being sharpened as one tracking camera shot pans through the Dead Rabbits Gang led by Priest Vallon as the increasing volume in music indicates war is near. The camera tracks all the characters as we have been inside from the beginning of the film, and we have been introduced to the poverty and wretchedness of the times in a dark and cold shelter. Then the camera points towards a door and as it opens, all we see is a blanket of white symbolically representing the purity of the war and its' valor, but foreshadowing the red coat of paint about the cover the cobble stoned streets of New York. Phenomenal. That is filmmaking, and as the pace quickens, the war commences as challenges are made, met and the massacre ensues as our film slowly introduces the viewer to the violence as Scorcese aims to condition the viewer - B.F. Skinner style. This is somewhat different than his other outings whereas in both 'Goodfellas' and 'Casino' Scorcese boldly introduces ultra-violence without the slightest amount of warning. In this film, Bill the Butcher (Daniel Day-Lewis) commences the war immediately as he slices and dices his way through the street enmeshed in a series of direct stab wounds yet no blood, but as he progresses and continues his assault, the knives are introduced as blood soaked, then the puncture wounds are accentuated as he pierces his way through flesh and finally we see his face saturated in the blood of others against the intentionally misplaced musical score of Howard Shore (The Lord of the Rings Trilogy).
This sets the tone for a film not aiming to please anyone or to alleviate the discourse of cinematic violence. It recreates a time when violence was rampant and for the purposes of storytelling, the violence quotient was necessary to give justice to the lewdness of the situation. Even women are not spared as Cameron Diaz portrays a charismatic pocket thief named Jennie Everdeane.
Despite her romantic engagement with Amsterdam, through her savage beating Scorcese displays no one was spared during the riots from the hands of predatory thieves who were vying to survive. Many have voiced criticism over the lengthy running time, and while many have stated there were segments which could have been trimmed, I disagree. At a running time of approximately two hours and forty minutes, the film recreates a piece of history sought with fragility and values conveyed to the viewer. People would give their lives for this war waged for the rights to claim ownership of NYC and it was of the utmost importance to develop that religious fanaticism closely. The characters in the film resemble heavily wrapped boxes, in which Scorcese allows to be unwrapped a little at a time; all the while he displays his prowess as a Director who astonishes with this film. For it is true the pacing was uneven at times, and the unraveling of the characters could have been sped up. But all of this is intentional in order to evoke a climax which represents their war between the Foreigners and the Anglo-Saxons in a city that had enough of its' riotous ways. While the violence will surely turn off Academy Members, Daniel Day Lewis' performance will not and this film will stand the true test of time as a story so unequivocally told it will remain indelibly etched in viewers minds long after the final sequence. Transition shots display the evolution of New York City from a point of view of a tombstone nestled right under the Brooklyn Bridge. Cross dissolves start in 1863 and documents the changes from that exact point up until the time the Two Towers of NYC were standing. Perhaps reminding the world despite the progression of mankind, we are still not civilized.
Giancarlo's Rating: ***