| Sylvie Testud | ... | Christine Papin | |
| Julie-Marie Parmentier | ... | Léa Papin | |
| Isabelle Renauld | ... | Clémence | |
| Dominique Labourier | ... | Mme Lancelin | |
| François Levantal | ... | Le Gazé | |
| Jean-Gabriel Nordmann | ... | Mr. Lancelin | |
| Tessa Szczeciniarz | ... | Christine Papin (11 ans) | |
| Charlotte Guille | ... | Emilia Papin (13 ans) | |
| Marie Donnio | ... | Geneviève Lancelin | |
| Camille Leproust | ... | Léa Papin (9 ans) | |
| Nadia Barentin | ... | La mère supérieure | |
| Lily Boulogne | ... | Alberta | |
| Jean Terensier | ... | L'oncle | |
| Alain Rimoux | ... | Le maire | |
| Michaël Abiteboul | ... | Etienne | |
| Brigitte Antonicelli | ... | La surveillante | |
| Didier Bardoux | ... | Le rabatteur | |
| Séverine Batier | ... | Soeur Marguerite | |
| Noëlle Cazenave | ... | Hélène | |
| Blanche Raynal | ... | Madame 4 | |
| Valérie Deronzier | ... | La cousine | |
| Pascal Dujour | ... | Monsieur 3 | |
| Monique Hervouet | ... | Madame 1 | |
| Celine Ollivier | ... | Madame 3 | |
| Maryse Pauleau | ... | Invitée Lancelin | |
| Charlotte Pétin | ... | Pensionnaire | |
| Cécile Schletzer | ... | Invitée Lancelin | |
| Michel Vivier | ... | Monsieur 1 | |
| Marie Augereau | ... | La codétenue | |
| Joël Cordier | ... | Monsieur 4 | |
| Flavie Jousse | ... | Léa (5 ans) | |
| Jean-Paul Dubois | ... | Passant secours | |
| Marie-Laure Ducos | ... | Tante Isabelle |
Directed by | |||
| Jean-Pierre Denis | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Denis | writer | |
| Paulette Houdyer | novel "L'affaire Papin" | |
| Michèle Pétin | writer | |
Produced by | |||
| Laurent Pétin | .... | producer | |
| Michèle Pétin | .... | producer | |
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Marie-Hélène Dozo | |||
Casting by | |||
| Jeanne Biras | |||
Production Design by | |||
| Bernard Vézat | |||
Costume Design by | |||
| Isabelle Boiton | |||
| Sylvie de Segonzac | |||
Makeup Department | |||
| Françoise Chapuis-Asselin | .... | key makeup artist (as Françoise Chapuis) | |
| Agathe Dupuis | .... | key hair stylist | |
| Alexis Kinebanyan | .... | special makeup effects artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Claire Monatte | .... | makeup artist | |
| Gilles Rossire | .... | special makeup effects artist | |
| Frédéric Zaid | .... | hair stylist | |
Production Management | |||
| Daniel Baschieri | .... | production manager | |
| Laurent Lesieur | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Marianne Capian | .... | second assistant director | |
| Juliette Denis | .... | trainee assistant director | |
| Laurent Herbiet | .... | first assistant director: preproduction | |
| David Maria Putorti | .... | first assistant director | |
Art Department | |||
| Stéphane Cressend | .... | property master | |
| Laurent Jarriau | .... | property master | |
| Virginie Le Metayer | .... | set dresser | |
| Olivier Meidinger | .... | assistant art director | |
| Olivier Schmidt | .... | trainee painter | |
| Raymond Schmidt | .... | key painter | |
Sound Department | |||
| Julie Brenta | .... | sound editor (as Julie Cuvelier-Brenta) | |
| Benoît De Clerck | .... | sound editor | |
| Fred Demolder | .... | sound assist | |
| Philippe Demolder | .... | assistant sound editor | |
| Jean-Pierre Duret | .... | sound | |
| Michel Filippi | .... | adr supervisor | |
| Thomas Gauder | .... | sound mixer | |
| Dimitri Haulet | .... | assistant sound | |
| Philippe Richard | .... | sound | |
| Philippe van Leer | .... | foley artist | |
Camera and Electrical Department | |||
| Guy-Auguste Boléat | .... | key grip | |
| Claude Bourdais | .... | grip | |
| Sophie Cadet | .... | crane operator: Louma crane | |
| Laurent Duquesnoy | .... | grip | |
| Steve Gruen | .... | Steadicam operator | |
| Laurent Hincelin | .... | assistant camera | |
| Nicolas Le Gal | .... | assistant camera | |
| Eric Le Roux | .... | Steadicam operator (as Eric Leroux) | |
| Jérôme Prébois | .... | still photographer | |
| Marion Rey | .... | assistant camera | |
| Paulo Rodriguez | .... | crane technician: Louma crane | |
| Christian Weyers | .... | electrician | |
| Christian Weyers | .... | gaffer | |
Casting Department | |||
| Annie Hamelin | .... | extras casting | |
| Luce Nordmann | .... | casting assistant | |
| Karine Walker | .... | casting: bit parts | |
Editorial Department | |||
| Isabelle Julien | .... | color timer | |
| Rachel Lamisse | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
Other crew | |||
| Claire de la Rochefoucauld | .... | location scout | |
| Danielle Dumanoir | .... | production coordinator | |
| Pascal Graziani | .... | assistant crane operator: Louma crane | |
| Audrey Jannin | .... | location scout | |
| Catherine Zoummeroff | .... | production assistant | |
| Zoe Zurstrassen | .... | script supervisor | |
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| Basic Instinct | Sister My Sister | Paroxismus | Ai no corrida | La noche del terror ciego |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb France section | Add this title to MyMovies |
I am admittedly fascinated w/ the story of the Papin sisters and its
effect on literature and film over the last 70 years, so I looked
forward to seeing this film - knowing the content (murder, incest) is
as disturbing as it is.
Although the cast gives fine performances, and Sylvie Testud is
truly dynamic as Christine, I cannot recommend this film over
Nancy Meckler's 1994 "Sister My Sister." Where this one seems
academic in its focus on the details, SMS puts the kettle on the
slow burner and lets it heat up to the boiling point. And you will not
find more intense performances than those of Joely Richardson
as Christine and Jodhi May as Lea.
SMS is riveting and ghastly and heart-breaking all at once, where
MM left me oddly unmoved but for the graphic depiction of the
murders themselves which Meckler, thankfully, used a more
Hitchcockian hand to depict in her earlier version. Meckler also
employed a more discreet touch to the scenes of incestuous
love-making, adding eroticism to the taboo that actually enhanced
the impact of disturbance rather than making it a gross out of
fleshy incestuous sex.
So, skip this one and look back on the video shelf for the superior
Sister My Sister, and you'll be happy you did.