| Photos (see all 15 | slideshow) |
Directed by | |||
| Giuseppe Tornatore | |||
Writing credits(in alphabetical order) | ||
| Giuseppe Tornatore | writer | |
| Luciano Vincenzoni | story | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Massimo Quaglia | |||
Casting by | |||
| Adolfo Onorati | |||
Production Design by | |||
| Francesco Frigeri | |||
Set Decoration by | |||
| Bruno Cesari | |||
Costume Design by | |||
| Maurizio Millenotti | |||
Makeup Department | |||
| Alessandro Bertolazzi | .... | key makeup artist | |
| Giusy Bovino | .... | key hair stylist (as Giusi Bovino) | |
| Vincenzo Cardella | .... | hair stylist (as Enzo Cardella) | |
| Placida Crapanzano | .... | hair stylist | |
| Hayat Ouled Dahhou | .... | hair stylist | |
| Eleonora Di Maulo | .... | assistant makeup artist | |
| Elisabetta Emidi | .... | makeup artist | |
| Gabriella Laurenzi | .... | assistant hair stylist | |
Art Department | |||
| Alberto Ciolfi | .... | assistant painter | |
| Mario De Paolis | .... | stagehand | |
| Pietro Fabbri | .... | lead foreman (as Piero Fabbri) | |
| Ivano Ferrario | .... | head plasterer | |
| Alfonso Fortunati | .... | head painter | |
| Nello Giorgetti | .... | interior designer | |
| Claudio Magrini | .... | head constructor | |
| Stefano Morbidelli | .... | props | |
| Antonino Nastasi | .... | head constructor | |
| Biagio Nastasi | .... | head constructor | |
| Riccardo Passanisi | .... | props | |
| Flavio Popolizio | .... | prop assistant | |
| Thierry Poullain | .... | prop assistant | |
| Salvatore Saito | .... | assistant interior designer | |
| Monica Sallustio | .... | designer | |
| Monica Sallustio | .... | set designer | |
| Fabio Sclauzero | .... | stagehand | |
| Domenico Sica | .... | assistant set designer | |
| Donato Tieppo | .... | assistant interior designer | |
| Doriano Torriero | .... | stage foreman | |
Sound Department | |||
| Paolo Amici | .... | sound effects editor | |
| Cinzia Andrei | .... | dubbing assistant | |
| Benni Atria | .... | sound editor | |
| Dean Beville | .... | sound editor: US domestic version | |
| Italo Cameracanna | .... | sound effects supervisor | |
| Gaetano Carito | .... | production sound mixer | |
| Gaetano Carito | .... | sound recordist | |
| Francesca Genevois | .... | assistant to sound editor | |
| Bruno Giacchetti | .... | synchronization | |
| Antonello Giorgiucci | .... | sound dubbing | |
| Valentina Guerra | .... | synchronization | |
| Claudio Marani | .... | assistant sound editor | |
| Pierpaolo Merafino | .... | boom operator | |
| Roberto Moroni | .... | sound mixer | |
| Massimo Puccio | .... | stereo sound consultant: Dolby | |
| David Quadroli | .... | sound effects editor | |
Special Effects by | |||
| Daniel Acon | .... | special effects coordinator | |
| Antonio Corridori | .... | special effects supervisor | |
| Maurizio Corridori | .... | special effects supervisor | |
Visual Effects by | |||
| Damiano Alberti | .... | digital matte painter | |
| Stefano Ballirano | .... | senior digital artist | |
| Avi Basuki | .... | Inferno compositor | |
| Federico Bozzano | .... | digital matte painter | |
| Stefano 'Brusco' Bruscolini | .... | digital compositor | |
| Marcello Buffa | .... | digital post-production supervisor | |
| David Bush | .... | visual effects supervisor | |
| Manfred Büttner | .... | visual effects producer | |
| Amedeo Califano | .... | Domino artist | |
| Maurizio Castellano | .... | Domino artist | |
| Sergio Cremasco | .... | assistant colourist | |
| Monica Di Sabatino | .... | scanning and recording | |
| Matteo Eleni | .... | Inferno compositor | |
| Nicola Fontana | .... | computer graphics artist | |
| Pietro Iodice | .... | Domino artist | |
| Armando Lombardo | .... | compositor | |
| George Maihöfer | .... | digital artist (as George Maihoefer) | |
| Guido Pappadá | .... | computer graphics supervisor | |
| Ivan Parillo | .... | Domino artist | |
| Christian Pezza | .... | CG artist | |
| Riccardo Russo | .... | Domino artist | |
| Franco Sgueglia | .... | computer graphics supervisor | |
| Fabrizio Volpi | .... | visual effects supervisor | |
Stunts | |||
| Alberto Martello | .... | stunts | |
Casting Department | |||
| Federico Cori | .... | extras casting | |
| Vito Di Lorenzo | .... | extras casting | |
| Massimo Malerba | .... | extras casting | |
Costume and Wardrobe Department | |||
| Giuseppe Avallone | .... | assistant costume designer | |
| Fabio Gorgoglione | .... | assistant costume designer: second unit | |
| Alfonsina Lettieri | .... | costume collaborator | |
| Valentina Monticelli | .... | assistant costume designer | |
| Sabina Rostri | .... | head cutter | |
Editorial Department | |||
| Pasquale Cuzzupoli | .... | color supervisor | |
| Ugo De Rossi | .... | associate editor | |
| Claudio Misantoni | .... | assistant editor: avid | |
| Alessandro Quaglia | .... | second assistant editor: avid | |
| Pamela Quaglia | .... | assistant splicing editor | |
| Stefano Quaglia | .... | assistant splicing editor | |
| Roberta Schiavoni | .... | negative cutter | |
| Silvano Soldati | .... | negative cutter | |
Music Department | |||
| Enrico DeMelis | .... | music coordinator (as Enrico De Melis) | |
| Enrico DeMelis | .... | music mixer (as Enrico De Melis) | |
| Ennio Morricone | .... | conductor | |
| Ennio Morricone | .... | orchestrator | |
| William Ross | .... | music arranger: "You're Still You" | |
| Fabio Venturi | .... | music scoring engineer | |
Thanks | |||
| Anthony Minghella | .... | special thanks | |
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| The Notebook | Iskanderija... lih? | Earth | The Heart of Me | Buena vida, La |
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Malena is a beautiful and deeply touching film. It is a masterful combination of sites, sounds and colors. The two leading actors (Monica Bellucci and Giuseppe Sulfaro) are simply excellent at what they are supposed to convey in this movie. Apart from her truly majestic elegance, Monica Bellucci invests her character (Malena) with an aura of tragedy, of some profound and unrelenting emotional trauma and pain which remains unspoken throughout the film and reaches its climax at the very end. Malena's stunningly beautiful eyes remain constantly downcast, and her face -- tense and pierced through by psychic pain (she rarely raises her face, let alone speaks words). Renato (the teenage boy) wins his audience by his incredibly pure and valiant love for Malena (this affection he carries in his heart for several years). She becomes his muse, his courage, his sense of honor, his whole rationale for confronting difficult and disruptive life of the war-torn Italy. I agree completely with another commentator who said that the ending of the movie is perhaps one of the most genuinely melancholic moments in modern cinematography. Simply brilliant. Superb music! This movie should be watched several times to be fully appreciated.