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| Sun. July 26 | 4:00 AM | TOON | |||
| Sun. Aug. 2 | 4:00 AM | TOON |
| Steve Blum | ... | Spike Spiegel (26 episodes, 1998-1999) | |
| Beau Billingslea | ... | Jet Black (26 episodes, 1998-1999) | |
| Kôichi Yamadera | ... | Spike Spiegel (26 episodes, 1998-1999) | |
| Unshô Ishizuka | ... | Jet Black (26 episodes, 1998-1999) | |
| Wendee Lee | ... | Faye Valentine (24 episodes, 1998-1999) | |
| Megumi Hayashibara | ... | Faye Valentine (24 episodes, 1998-1999) | |
| Melissa Fahn | ... | Edward Wong Hau Pepelu Tivruski IV (16 episodes, 1998-1999) | |
| Aoi Tada | ... | Edward Wong Hau Pepelu Tivruski IV / ... (16 episodes, 1998-1999) |
Series Directed by | |||
| Shinichirô Watanabe | (26 episodes, 1998-1999) | ||
| Yoshiyuki Takei | (2 episodes, 1998-1999) | ||
Series Writing credits | ||
| Keiko Nobumoto | (1 episode, 1998) | |
| Sadayuki Murai | (1 episode, 1999) | |
| Marc Handler | (unknown episodes) | |
| Akihiko Inari | (unknown episodes) | |
| Dai Sato | (unknown episodes) | |
| Shinichirô Watanabe | (unknown episodes) | |
| Ryota Yamaguchi | (unknown episodes) | |
| Hajime Yatate | (unknown episodes) | |
| Michiko Yokote | (unknown episodes) | |
Series Produced by | |||
| Tsunetoshi Koike | .... | associate producer (1 episode, 1998) | |
| Ryo Miyaki | .... | assistant producer (1 episode, 1998) | |
| Jerry Chu | .... | co-producer (unknown episodes) | |
| Kazuhiko Ikeguchi | .... | producer (unknown episodes) | |
| Haruyo Kanesaku | .... | producer (unknown episodes) | |
| Richard Kekahuna | .... | assistant producer (unknown episodes) | |
| Osamu Maseba | .... | co-producer (unknown episodes) | |
| Yutaka Maseba | .... | producer (unknown episodes) | |
| Charles McCarter | .... | co-producer (unknown episodes) | |
| Masahiko Minami | .... | producer (unknown episodes) | |
| Miyuki Ogino | .... | assistant producer (unknown episodes) | |
Series Original Music by | |||
| Yôko Kanno | (unknown episodes) | ||
Series Cinematography by | |||
| Yoichi Ogami | (unknown episodes) | ||
Series Film Editing by | |||
| Tomoaki Tsurubuchi | (1 episode, 1998) | ||
| Makoto Imazuka | (unknown episodes) | ||
| Shinichi Sugawara | (unknown episodes) | ||
Series Art Direction by | |||
| Jun'ichi Higashi | (unknown episodes) | ||
Series Set Decoration by | |||
| Isamu Imakake | (unknown episodes) | ||
Series Second Unit Director or Assistant Director | |||
| Yoshiyuki Takei | .... | unit director (1 episode, 1998) | |
| Shinichirô Watanabe | .... | unit director (1 episode, 1998) | |
| Hirokazu Yamada | .... | assistant unit director (1 episode, 1998) | |
Series Art Department | |||
| Shinichirô Watanabe | .... | storyboard artist (2 episodes, 1998) | |
| Isamu Imakake | .... | set designer (unknown episodes) | |
Series Sound Department | |||
| Katsuyoshi Kobayashi | .... | sound director (unknown episodes) | |
Series Special Effects by | |||
| Toshio Hasegawa | .... | special effects (unknown episodes) | |
Series Camera and Electrical Department | |||
| Mami Kumasawa | .... | photographer: Asahi Production (1 episode, 1998) | |
| Youhei Sakurai | .... | photographer: Asahi Production (1 episode, 1998) | |
| Keiko Sato | .... | photographer: Asahi Production (1 episode, 1998) | |
| Yoshio Sugisawa | .... | photographer: Asahi Production (1 episode, 1998) | |
| Nobutaka Taguchi | .... | assistant camera (unknown episodes) | |
Series Animation Department | |||
| Masami Goto | .... | animation director / key animator: opening / ... (2 episodes, 1998-1999) | |
| Kôichi Horikawa | .... | animator / key animator (2 episodes, 1998-1999) | |
| Yoshiyuki Itô | .... | animator / key animator (2 episodes, 1998-1999) | |
| Koichi Iwanaga | .... | animation checker (2 episodes, 1998-1999) | |
| Takahiro Komori | .... | animation director / key animator / ... (2 episodes, 1998-1999) | |
| Tadaaki Miyata | .... | animator / key animator (2 episodes, 1998-1999) | |
| Yutaka Nakamura | .... | animator / key animator (2 episodes, 1998-1999) | |
| Hiroshi Ôsaka | .... | animator (2 episodes, 1998-1999) | |
| Tsunenori Saitô | .... | animator / key animator (2 episodes, 1998-1999) | |
| Hideyuki Motohashi | .... | animation director (2 episodes, 1998) | |
| Tomoko Tanifuji | .... | animator: Studio Live (2 episodes, 1998) | |
| Kaori Fujii | .... | background artist (unknown episodes) | |
| Seiichi Hashimoto | .... | key animator (unknown episodes) | |
| Animeya Honpo | .... | key animator (unknown episodes) | |
| Nobuaki Ishihara | .... | background artist (unknown episodes) | |
| Kunihiko Ito | .... | key animator (unknown episodes) | |
| Akira Itoman | .... | background artist (unknown episodes) | |
| Nobuo Kajiwara | .... | background artist (unknown episodes) | |
| Hironori Kanno | .... | key animator (unknown episodes) | |
| Akira Matsunaga | .... | key animator (unknown episodes) | |
| Sadako Minamisawa | .... | background artist (unknown episodes) | |
| Yuji Mishayita | .... | key animator (unknown episodes) | |
| Hiroyuki Mori | .... | key animator (unknown episodes) | |
| Eiji Nakata | .... | key animator (unknown episodes) | |
| Shizuko Nakata | .... | background artist (unknown episodes) | |
| Takahiro Omori | .... | key animator: opening animation (unknown episodes) | |
| Yasuhiro Seo | .... | animator (unknown episodes) | |
| Aya Shimizu | .... | background artist (unknown episodes) | |
| Kenya Shimizu | .... | background artist (unknown episodes) | |
| Tomoko Takahashi | .... | background artist (unknown episodes) | |
| Toshiyuki Tokuda | .... | background artist (unknown episodes) | |
| Kimitoshi Yamane | .... | mechanical designer (unknown episodes) | |
| Kohei Yoneyama | .... | key animator (unknown episodes) | |
Series Editorial Department | |||
| Ryoko Yoshimori | .... | color key (1 episode, 1998) | |
| C.P. Booth | .... | on-line editor (unknown episodes) | |
| Bill Mochon | .... | color timer (unknown episodes) | |
| Shihoko Nakayama | .... | color coordinator (unknown episodes) | |
| Greg A. Simone | .... | on-line editor (unknown episodes) | |
Series Other crew | |||
| Mary Elizabeth McGlynn | .... | voice director: English version (25 episodes, 1998-1999) | |
| Tadaaki Goto | .... | assistant painter (unknown episodes) | |
| Takako Ito | .... | assistant painter (unknown episodes) | |
| Yoshiko Kishi | .... | assistant painter (unknown episodes) | |
| Takako Matsumoto | .... | assistant painter (unknown episodes) | |
| Mei Mizusawa | .... | assistant painter (unknown episodes) | |
| Takaaki Ushiyama | .... | operator (unknown episodes) | |
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| Kaubôi bibappu: Tengoku no tobira | Kôkaku kidôtai | "Gantz" | "Hagane no renkinjutsushi" | Metoroporisu |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Animation section | IMDb Japan section | Add this title to MyMovies |
Cowboy Bebop will break any prejudgement you've ever had on anime. Simply put, the show is amazing. From the art, to the music, and most importantly, the story line - Cowboy Bebop delivers. Although most reviewers have summed up the storyline fairly well, I'll give a brief overview.
In the not so distant future, many planets have been colonized and huge technological advancements have been made, but enough with the obvious. Two men, Spike and Jet meet up with future comrades Faye and Ed and team up (or fly it solo) to form the most effective bounty hunting team in the universe. Technology benefits both bounty hunter (known as Cowboys) and criminal as the crew of the Bebop Ship try to make an honest Wulong (the futuristic form of currency) while each member encounters shades of their illuminous past.
A huge bondship amongst the characters is felt almost from the start, despite on-going tensions on the Bebop. Furthermore, each character is given at least two whole episodes, which elaborate on their past, which intertwines oddly with the present (an on-going theme in Cowboy Bebop).
Their pasts are as diverse as their personalities and at some points you'll have a hard time even figuring out who the main character is. One is a former worker of a crime syndicate, one a former police officer, one a thief, and the last a computer hacker. Some similarities do exist though, namely stylish outfits and attitudes, but even then, these similarities are VERY few.
The coolest thing about Cowboy Bebop is it's ability to give you something drastically different each session (don't call it an episode, it's a session). Some sessions wrap you up in action, some make you cry, still some sessions will make you roll on the ground in laughter. One thing for sure is you will get a very satisfying feeling once the credits hit.
The soundtrack for the entire series is another high point. Virtually each session is entangled in some form of sophisticated music, usually Jazz, which is a welcome breeze from the stagnation of today's modern music.
Compared to other anime, Bebop reigns supreme (along with a couple of others), and puts kids shows like Dragon Ball Z (which are virtually plotless in the light of Cowboy Bebop) to shame. This is definitely worth viewing if you're looking for something new to watch, but worried you might just fall victim to another piece of trash reality show or sitcom. Your previous conceptions of anime are about to be shattered.