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Artificial Intelligence: AI (2001)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
29 June 2001 (USA)
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Tagline:
David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not. more
Plot:
A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother. full summary | full synopsis
Plot Keywords:
Awards:
Nominated for 2 Oscars.
Another 12 wins
&
40 nominations
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NewsDesk:
(57 articles)
The Movie Club Podcast #15: A.I. and Prince of Darkness
(From FilmJunk. 20 November 2009, 11:12 AM, PST)
Decade in Review: 2001 Top Ten
(From FilmExperience. 17 November 2009, 8:41 PM, PST)
(From FilmJunk. 20 November 2009, 11:12 AM, PST)
Decade in Review: 2001 Top Ten
(From FilmExperience. 17 November 2009, 8:41 PM, PST)
User Comments:
A.I. Is a good union of two great film makers.
more (2080 total)
Cast
(Cast overview, first billed only)| Haley Joel Osment | ... | David | |
| Frances O'Connor | ... | Monica Swinton | |
| Sam Robards | ... | Henry Swinton | |
| Jake Thomas | ... | Martin Swinton | |
| Jude Law | ... | Gigolo Joe | |
| William Hurt | ... | Prof. Hobby | |
| Ken Leung | ... | Syatyoo-Sama | |
| Clark Gregg | ... | Supernerd | |
| Kevin Sussman | ... | Supernerd | |
| Tom Gallop | ... | Supernerd | |
| Eugene Osment | ... | Supernerd | |
| April Grace | ... | Female Colleague | |
| Matt Winston | ... | Executive | |
| Sabrina Grdevich | ... | Secretary | |
| Theo Greenly | ... | Todd |
Additional Details
Also Known As:
A.I. (USA) (working title (promotional title))
A.I. Artificial Intelligence (USA) (poster title)
A.I.: Artificial Intelligence (USA) (alternative spelling)
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A.I. Artificial Intelligence (USA) (poster title)
A.I.: Artificial Intelligence (USA) (alternative spelling)
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MPAA:
Rated PG-13 for some sexual content and violent images.
Parents Guide:
Runtime:
146 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Malaysia:U |
Argentina:13 |
Australia:M |
Brazil:Livre |
Canada:14A |
Finland:K-15 |
France:U |
Germany:12 (bw) |
Hong Kong:IIA |
Iceland:12 |
Ireland:12 |
Netherlands:12 |
Norway:15 |
Philippines:PG-13 |
Portugal:M/12 |
Singapore:PG |
South Korea:12 |
Spain:7 |
Sweden:11 (re-rated) |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
UK:12 |
USA:PG-13
Filming Locations:
Company:
Fun Stuff
Trivia:
Goofs:
Continuity: When the robots open the frozen door to the Amphib Craft, David's trousers are already wet on the left leg from the knee down. But when he gets out, they are dry and twice he slips on the ice and both times he lands on his left knee.
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Quotes:
Professor Hobby:
The greatest single human gift - the ability to chase down our dreams.
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Movie Connections:
Referenced in Take Off: Making 'The Terminal' (2004) (V)
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Soundtrack:
Cheek To Cheek
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FAQ
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I saw A.I. on the first night it ran here and I must say I was disappointed in the size of the audience. How strange to see so few people show up for a Spielberg film. This film did not enjoy the normal hype that most of Spielberg's films enjoy, I think I know why. Lack of product placement. They're may have been some somewhere but I didn't see them. A.I.'s story line and flawless visual effects reflect what I can only describe as the meeting of two great film makers. Kubrick (who started work on the project after he read the Aldiss book in '83),and Steven Spielberg who's long list of intelligent blockbusters made him the perfect person to bring this story to the screen. I could, I believe see the story boards and concepts Kubrick developed and I could also see the sensitivity that Spielberg added to scenes and characters. These two things are not entirely separate in good Science Fiction. All good science fiction has some human sensitivity in it otherwise it would just be a horror film. The script reflects some of the darkness and coldness that sometimes underlies each character human and machine, there is no fear of this in the story. This darkness draws us on in the story.
The visual effects are stunning and come darn close to genius. The story line takes us in and the visuals make it almost real.
I wish I had Mr. Mannings grip of syntax, but all in all at the end of the day it's good science fiction and a good story too. I beleve that Stanley Kubrick's choice of asking Steven Spielberg to make this film was the kind of genius that Kubrick showed in all his work. It is a tribute to both men that they saw a vision of something and worked toward it's creation. I think they came to a great place in film making.