| Photos (see all 7 | slideshow) |
| Frances O'Connor | ... | Emma Bovary | |
| Hugh Bonneville | ... | Charles Bovary | |
| rest of cast listed alphabetically: | |||
| Eileen Atkins | ... | Marie Louise | |
| Desmond Barrit | ... | Guillaumin (episode 3) | |
| Keith Barron | ... | L'heureux (episodes 2, 3) | |
| Adam Cooper | ... | Vicomte (episode 1) | |
| Hugh Dancy | ... | Leon | |
| Marian Diamond | ... | Sister Marie Paul (episode 1) | |
| Claire Hackett | ... | Madame Homais (episodes 2, 3) | |
| Jenny Howe | ... | Sister Evangeline (episode 1) | |
| Barbara Jefford | ... | Marquise (episode 1) | |
| Stanley Lebor | ... | Binet | |
| Mary MacLeod | ... | Madame Lefrancois (as Mary Macleod) | |
| Roy Macready | ... | Vincart (episode 3) | |
| Phillip Manikum | ... | Lestiboudois | |
| Joe McGann | ... | Paul | |
| Jessica Oyelowo | ... | Felicite | |
| Trevor Peacock | ... | Rouault | |
| Joe Roberts | ... | Justin (episodes 2, 3) | |
| Willie Ross | ... | Hurdy Gurdy Man (episodes 1, 3) | |
| David Troughton | ... | Homais | |
| Thomas Wheatley | ... | Dr. Canivet (episode 2) | |
| Greg Wise | ... | Rodolphe (episodes 2, 3) | |
Directed by | |||
| Tim Fywell | |||
Writing credits | ||
| Gustave Flaubert | (novel) | |
| Heidi Thomas | (screenplay) | |
Original Music by | |||
| John Lunn | |||
Cinematography by | |||
| Chris Seager | |||
Film Editing by | |||
| Roy Sharman | |||
Casting by | |||
| Sarah Bird | |||
Production Design by | |||
| John Paul Kelly | (as John-Paul Kelly) | ||
Art Direction by | |||
| Niall Moroney | |||
| Anne Seibel | |||
Set Decoration by | |||
| Sara Wan | (uncredited) | ||
Costume Design by | |||
| Anushia Nieradzik | |||
Makeup Department | |||
| Ashley Johnson | .... | makeup artist | |
| Vivien Riley | .... | makeup designer | |
| Felicity Wright | .... | makeup artist | |
Production Management | |||
| Alistair Hopkins | .... | post-production supervisor | |
| Christine Raspillère | .... | production manager: French | |
Art Department | |||
| Barry Arnold | .... | stand-by props | |
| Chris Arnold | .... | stand-by props | |
| Roy Chapman | .... | dressing props | |
| Barry Gibbs | .... | property master | |
| Gregoire Lemoine | .... | production buyer: France | |
| Tom Lowen | .... | stand-by rigger (as Tommy Lowen) | |
| Emma MacDevitt | .... | stand-by art director | |
| Darryl Paterson | .... | dressing props | |
| Anne Seibel | .... | art director: France (as Anne Seibel) | |
| Bryan Smith | .... | stand-by carpenter | |
| Glenn Start | .... | stand-by painter | |
| Roger Tyrell | .... | construction manager | |
| Sara Wan | .... | production buyer | |
| Frank Howe | .... | drapes master (uncredited) | |
Sound Department | |||
| Philip Bothamley | .... | dubbing editor (as Phil Bothamley) | |
| Fiona Curran | .... | dubbing editor | |
| James Harris | .... | third man sound | |
| Billy Mahoney | .... | dubbing mixer | |
| Shaun Mills | .... | boom operator | |
| Leon Minas | .... | foley recordist | |
| Roger Slater | .... | sound recordist | |
| Nigel Squibbs | .... | foley editor | |
Special Effects by | |||
| Mark Holt | .... | special effects | |
| John Markwell | .... | special effects | |
Stunts | |||
| Richard Hammatt | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steve Anthony | .... | electrician | |
| Jon Beacham | .... | clapper loader | |
| Barry Davis | .... | electrician | |
| Ele Denman | .... | camera trainee | |
| Darren Harvey | .... | best boy | |
| Jeremy Hiles | .... | camera operator | |
| Bob Hunt | .... | electrician | |
| Stuart King | .... | gaffer | |
| Micky Patten | .... | grip | |
| Kim Seber | .... | focus puller | |
Costume and Wardrobe Department | |||
| Russell Barnett | .... | costume assistant (as Russell Barnet) | |
| Caroline Hume | .... | costume design assistant | |
| Dulcie Scott | .... | wardrobe supervisor | |
| Berenice Wright | .... | costume assistant | |
Editorial Department | |||
| Chris Beeton | .... | telecine operator | |
| Bridgette Williams | .... | assistant editor | |
Other crew | |||
| Mathieu Baillargeon | .... | production team member: France | |
| Jean Phillippe Baudart | .... | production team member: France | |
| Amanda Black | .... | production coordinator | |
| Joanie Blaikie | .... | production executive | |
| Maggie Boyd | .... | script supervisor | |
| Sarah J. Brown | .... | assistant script editor (as Sarah Brown) | |
| Sarah Brown | .... | assistant script editor | |
| Nina Cunningham | .... | production runner | |
| Sammi Davis | .... | production secretary | |
| Claire Deloire | .... | production secretary: France | |
| Monique Eydan | .... | production accountant: France | |
| Vincent Fauvelle | .... | assistant location manager: France (as Vincent Fauvel) | |
| Nick Fulton | .... | location manager: UK | |
| Pierre Hugues Galien | .... | production team member: France | |
| Jane Gibson | .... | choreographer | |
| Jamie Lengyel | .... | location manager | |
| Emma Pill | .... | location manager: UK | |
| Rachel Plose | .... | production accountant | |
| Pier Wilkie | .... | script editor | |
| Michael Wood | .... | production executive | |
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| Madame Bovary | Madame Bovary | Magic | Peyton Place | The Age of Innocence |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
I've got to admit that Madame Bovary isn't my one of my favorite literary works, but I've watched several adaptations nonetheless. This was a fairly intelligent attempt at adaptation, with a pretty good script, but it was ruined for me by some casting misjudgments and a misguided decision to use nudity and explicit sex.
It takes some doing to make a woman as misguided and blinkered as Emma Bovary truly sympathetic (one of my major problems with the book), and though Frances O'Connor is a good actress, she often comes across seeming merely like a spoiled brat. She seems even more so because the decision was made to have her speak out loud so many things that Emma only thinks in the book. But I think the negative impression I got of this Emma is less due to her, perhaps, then to the other cast. I think it was a major mistake to cast somebody so obviously manly and sympathetic in the role of her husband as Hugh Bonneville (in the book Charles was really a dork) and such lightweights as Greg Wise (who looks stupefied most of the time) and -- well, I've forgotten what is name was -- as Leon. You definitely have to question her preference from them over Charles.
The various explicit nude sex scenes really add nothing, and often lead us in the wrong direction. Is it merely a difference in sexual technique that makes Emma unsatisified by her husband, but satisfied by Rodolphe? You can look at these scenes for hours and never find out. By the way, what is this about Emma apparently liking rough sex (her first time with Rodolphe, when he makes her bleed). Where was THAT in the book??! But most of all it was a mistake, I think, because Emma focuses as much on romance as on sex, and these scenes completely miss that.
I was mainly disappointed in this try at the book. Beautifully photographed, though.