Center Stage (2000)

Director:

Nicholas Hytner

Writer (WGA):

Carol Heikkinen (written by)

Release Date:

12 May 2000 (USA)

Genre:

Drama | Music

Tagline:

Life doesn't hold tryouts.

Plot:

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

Plot Keywords:

Ballet | Dancer | Dancing | Love | Dance

Awards:

1 win

Cast

Amanda Schull	...	Jody Sawyer
Zoe Saldana	...	Eva Rodriguez (as Zoë Saldana)
Susan May Pratt	...	Maureen Cummings
Peter Gallagher	...	Jonathan Reeves
Donna Murphy	...	Juliette Simone
Debra Monk	...	Nancy Cummings
Ethan Stiefel	...	Cooper Nielson
Sascha Radetsky	...	Charlie Sims
Julie Kent	...	Kathleen Donahue
Ilia Kulik	...	Sergei
Eion Bailey	...	Jim Gordon
Shakiem Evans	...	Erik Jones
Elizabeth Hubbard	...	Joan Miller
Victor Anthony	...	Thomas
Christine Dunham	...	Audition Teacher

Also Known As:

Centre Stage (Australia)
City Ballet (USA) (working title)
The Dance Movie (USA) (working title)

MPAA:

Rated PG-13 for language and some sensuality.

Runtime:

115 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:L | Brazil:12 | Malaysia:U | Finland:S | South Korea:15 | Argentina:13 | Australia:M | Chile:14 | Denmark:A | France:U | Germany:12 (original rating) | Germany:o.Al. (video rating) | New Zealand:M | Norway:A | Singapore:PG | Spain:T | Sweden:Btl | UK:12 | USA:PG-13 (certificate #37228) | Philippines:G

Filming Locations:

Fordham University, Lincoln Center for the Performing Arts - Columbus Avenue & 61st Street, Manhattan, New York City, New York, USA

Company:

Columbia Pictures Corporation

Trivia:

Susan May Pratt, who plays the best dancer in the school, Maureen Cummings, had no ballet training before being cast.

Goofs:

Factual errors: Maureen's mother comments that Juliette's father managed a Walmart in New Jersey ("Perth Amboy"). However, the first Walmart in New Jersey didn't open until 1991.

Quotes:

Jonathan Reeves: [waves to sit down]
Jody Sawyer: Wait. All my life I've wanted to be one of ABC's perfect ballerinas. I wanted to be you, Juliette. But I'm not you, and I'm not perfect,I'm just me, bad feet and all, and I'm starting to think that I like that just as much.
Jonathan Reeves: [begins to speak]
Jody Sawyer: No, because if you're not going to offer me a place in the company I don't want to hear it. And if you are, I might not have the strength to say no, and then I would be spending my best dancing years in the back of a corps waving a rose back and forth, and I'm better than that. So thank you, Jonathan, for turning me into the best dancer I can be, I appreciate it more than I can say, really. Because the best dancer I can be is a principal in Cooper Neilson's new company.
[...]

Movie Connections:

References 42nd Street (1933)

Soundtrack:

Dance of the Reed Flutes

Shut Up and Dance

Every now and then there's a new movie about dancers, or dancing, or one with a lot of dancing in it. From Astaire to Kelly to Hines, it's the poetry of motion. If you have any appreciation for the art form whatsoever, the one to see right now is Center Stage. It's about a school year in the life of three teenage girls who are roommates at a ballet academy in New York. They pass the auditions to get into the school, but then have to work as hard as possible to move on from there. At the end of the year is a workshop performance where they can be seen by most of the people in the industry who could hire them, including the resident company. They work toward and hope for a career in the most demanding pursuit imaginable, facing gifted competition, and placed on a limited schedule. "A dancer has ten years, maybe fifteen if they're not injured" in order to peak in their career and be the best they can ever be. A singer can sing most of their life. An actor can act all his life. A dancer's clock is ticking. It's only a matter of time before they can only teach and choreograph, so there's a unique sense of urgency to start young, study hard, and survive. All that might make a good movie. Might not.

Along with the good, you have to take the less than good. The characters are nothing new. There's the naive female ingŽnue (Amanda Schull), the bad girl (Zoe Saldana), the favorite girl (Susan May Pratt), the cocky lead boy (Ethan Stiefel, "hailed as the most advanced male dancer in the world"), the nice guy dancer (Sascha Radetsky), the nice guy non-dancer (Eion Bailey), the gay friend (Shakiem Evans), the pushy mother (Debra Monk), the demanding teacher (Donna Murphy), and the dictatorial company director (Peter Gallagher). How'd he get in there? There's even a Russian figure skater (Ilia Kulik) in the cast as a dancer. By the way, everybody is amazingly good-looking. Kind of like, Friends as done by George Ballanchine. Only in the movies, right? The story is nothing new either. Will everything work out? Will their dreams come true? Will they survive the heartbreaks of love, and the bodyaches of dance? Well, it's the movies, isn't it? Since the cast features some of the youngest and best dancers in the world, the acting comes second. Often a distant second. Or third. Don't expect any awards to be handed out in that area. Some parts are surprisingly weak, but then they move on and get back to letting their feet do the talking.

Did I mention that the only reason to see this is for the dancing? The way it's filmed here is excellent, without actually having to go to a ballet. The beauty of movement, the grace of the girls, and the strength and skill of the boys is captured as well as any other movie in the subject you're likely to see. The big dance numbers at the end are worth seeing by themselves, including more modern styles. Beforehand, there are a couple of dance scenes without ballet. The kids go to a club one night and salsa, and later we see a bunch of Broadway hoofers in a jazz class lead by Priscilla Lopez (original cast of A Chorus Line) that reminded me of scenes in All That Jazz. Those were the most fun. Other scenes will remind you of The Turning Point, White Nights, and even Dirty Dancing. The comparison to Fame is inevitable. That was then, this is a new century. The natural talent, dedication, motivation, support, and ass-busting hard work needed to succeed at this kind of life is touched on here, but also touched on is the sheer love of the game. For dance itself. That's the main thing. E-mail and comments are welcome.