| Photos (see all 18 | slideshow) | Videos (see all 3 NEW) |
| Glenn Close | ... | Dr. Elaine Keener (segments "This is Dr. Keener" and "Fantasies about Rebecca") | |
| Cameron Diaz | ... | Carol Faber (segment "Love Waits For Kathy") | |
| Calista Flockhart | ... | Christine Taylor (segments "Goodnight Lilly, Goodnight Christine" and "This is Dr. Keener") | |
| Kathy Baker | ... | Rose (segments "Someone For Rose" and "Fantasies about Rebecca") | |
| Amy Brenneman | ... | Detective Kathy Faber (segment "Love Waits For Kathy") | |
| Valeria Golino | ... | Lilly (segment "Goodnight Lilly, Goodnight Christine") | |
| Holly Hunter | ... | Rebecca Waynon (segment "Fantasies About Rebecca") | |
| Matt Craven | ... | Walter (segments "Fantasies About Rebecca" and "Love Waits For Kathy") | |
| Gregory Hines | ... | Robert (segment "Fantasies About Rebecca") | |
| Miguel Sandoval | ... | Sam (segment "Fantasies About Rebecca") | |
| Noah Fleiss | ... | Jay (segment "Someone For Rose") | |
| Danny Woodburn | ... | Albert (segments "Someone For Rose" and "Love Waits For Kathy") | |
| Penelope Allen | ... | Nancy (segment "Fantasies About Rebecca") (as Penny Allen) | |
| Roma Maffia | ... | Debbie (segment "Love Waits For Kathy") | |
| Mika Boorem | ... | June (segments "Love Waits For Kathy" / "Goodnight Lilly" / "Goodnight Christine") | |
| Irma St. Paule | ... | Elaine's Mother (segment "This is Dr. Keener") | |
| Juanita Jennings | ... | Nurse (segment "Fantasies About Rebecca") | |
| Laura Leigh Hughes | ... | Receptionist (segment "Fantasies About Rebecca") | |
| Erik King | ... | Police Officer (segment "Love Waits For Kathy") | |
| Elpidia Carrillo | ... | Carmen Alba | |
| rest of cast listed alphabetically: | |||
| Jacob Avnet | ... | Jay's School Friend (segment "Someone For Rose") (uncredited) | |
| Carmel Wynne Smith | ... | Bank Teller (uncredited) | |
Directed by | |||
| Rodrigo García | |||
Writing credits(in alphabetical order) | ||
| Rodrigo García | writer | |
Produced by | |||
| Jon Avnet | .... | producer | |
| Effie Brown | .... | line producer | |
| Lisa Lindstrom | .... | producer | |
| Marsha Oglesby | .... | producer | |
| Elie Samaha | .... | executive producer | |
| Andrew Stevens | .... | executive producer | |
Original Music by | |||
| Ed Shearmur | (as Edward Shearmur) | ||
Cinematography by | |||
| Emmanuel Lubezki | |||
Film Editing by | |||
| Amy E. Duddleston | |||
Casting by | |||
| Marnie Waxman | |||
Production Design by | |||
| Jerry Fleming | |||
Set Decoration by | |||
| Betty Berberian | |||
Costume Design by | |||
| George L. Little | |||
Makeup Department | |||
| David Abbott | .... | makeup artist | |
| Carrie Angland | .... | makeup department head | |
| Martial Corneville | .... | hair stylist: Ms. Close | |
| Medusah | .... | hair department head | |
| Jaren Millard | .... | makeup artist | |
| Anne Morgan | .... | hair stylist: Ms. Diaz (as Ann Morgan) | |
| Tamie Smith | .... | makeup artist | |
| Gucci Westman | .... | makeup artist: Ms. Diaz | |
Art Department | |||
| Denise Anderson | .... | assistant property master | |
| Mark Anderson | .... | property master | |
| William DeBiasio | .... | lead man | |
| Lance DeSpain | .... | lead scenic | |
| Paul Etheredge | .... | swing gang (as Paul Etheredge-Ouzts) | |
| Susana Inés Fattorini | .... | assistant art director | |
| Joel Miller | .... | set dresser | |
| Lisa Robinson | .... | on-set dresser | |
| Christopher Schultz | .... | on-set dresser (as Christopher A. Schultz) | |
| David Slater | .... | construction coordinator | |
| Patrick Tonioli | .... | scenic artist (as Patrick Starr Tonioli) | |
| Marisa Vargo | .... | scenic artist | |
| Brad Zuckerman | .... | construction foreman | |
Sound Department | |||
| Joe Barnett | .... | sound re-recording mixer | |
| Dylan Bond | .... | boom operator | |
| Jed M. Dodge | .... | adr supervisor | |
| Matt Dubin | .... | digital transfer engineer | |
| Alan Freedman | .... | adr mixer | |
| Jonathan Fuh | .... | boom operator | |
| Cormac Funge | .... | supervising sound editor | |
| José Antonio García | .... | production sound mixer | |
| Robert Getty | .... | assistant sound editor | |
| Michael Hertlein | .... | dialogue editor | |
| Chato Hill | .... | assistant sound editor | |
| C.W. Jones | .... | foley mixer | |
| Craig Jurkiewicz | .... | sound editor | |
| Ossama Khuluki | .... | foley artist | |
| Sarah Smith | .... | sound editor | |
| William Smith | .... | sound re-recording mixer (as Bill Smith) | |
| Walter Spencer | .... | dialogue editor | |
| Johanna Turner | .... | digital transfer engineer | |
| James Wright | .... | stereo sound consultant: Dolby | |
Visual Effects by | |||
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
Camera and Electrical Department | |||
| Ivan Allen | .... | rigging assistant lighting technician | |
| Pasquale Attanasio | .... | grip | |
| Mitchell Bergman | .... | set electric technician | |
| Bill Brummond | .... | Steadicam operator | |
| Colin J. Campbell | .... | chief lighting technician (as Colin Campbell) | |
| Russ I. Conklin | .... | rigging lighting technician | |
| C.E. Courtney | .... | assistant lighting technician | |
| Jeffrey Goodman | .... | camera loader | |
| Erik Hecomovich | .... | best boy | |
| Erik Hecomovich | .... | grip | |
| Robert Jason | .... | additional chief lighting technician | |
| Lee Jimenez | .... | dolly grip | |
| Dana Kroeger | .... | second assistant camera | |
| Jay Levy | .... | additional first assistant camera | |
| Mark Lipson | .... | still photographer | |
| Christopher M. Morlock | .... | electrician | |
| Greg Patterson | .... | grip | |
| Larry Sweet | .... | key grip | |
| Christopher Warren | .... | electrician | |
| Harry Zimmerman | .... | first assistant camera | |
Casting Department | |||
| Bill Dance | .... | extras casting | |
| Gary Davies | .... | extras casting assistant | |
| Alyssa Embree | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Leslie Fill | .... | costumer | |
| Dee Dee Hopkins | .... | costumer | |
| Jennifer K. Moore | .... | costume supervisor | |
| Carlane Passman | .... | assistant costume designer (as Carlane Passman Little) | |
Editorial Department | |||
| Phillip J. Bartell | .... | assistant editor | |
| George Koran | .... | telecine colorist | |
| Bob McMillian | .... | color timer (as Bob McMillan) | |
| Michael Nouryeh | .... | assistant editor | |
| Timothy E. Wilson | .... | assistant editor | |
Music Department | |||
| Francis Buckley | .... | music recordist | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Daryl B. Kell | .... | supervising music editor | |
Transportation Department | |||
| Kip Johnson | .... | transportation captain | |
| Terry R. Mack | .... | transportation coordinator (as Terry Mack) | |
| Sandra Ninham | .... | crew driver | |
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| Short Cuts | Fierce People | Feast of Love | The Hours | Le temps qui reste |
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The only other movie I've ever been moved to write a comment for was Mission to Mars. Unlike MtM, which I was moved to review due to it being one of the very worst movies I've ever seen, this one is truly touching. Things You Can Tell... is a testimony that an American movie, with well-known American actors, can be delicate, beautifully acted, and most of all, not chewed and explained to death. It does not regard its viewers as braindead; neither does it regard them as artsy. It is a movie for everyone, about people just like us.
This is not an art-house movie - the story plot is a collection of stories about the everyday lives of everyday women (the reviewer who said she never seen such repulsive characters might be in for a shock if she actually talks to her daughter / mother / sister).
It shows women beautifully, and absolutely believably. It also shows nicely that diversity is not a question of the skin color, but of the attitude (hence the stories feature only white women).
It's also not a chick flick - while certainly it will be loved by women, it also works for cynical, hard to move guys like me.
Watch it, it's really good, in a not-in-your-face, subtle way.