IMDb > Beau travail (1999)
Beau travail
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Beau travail (1999) More at IMDbPro »

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Beau travail (1999) -- MyMovies.Net - Trailer (WM9 - 128kbps)
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Overview

User Rating:
6.9/10   2,107 votes
MOVIEmeter: ?
Down 4% in popularity this week. See why on IMDbPro.
Director:
Claire Denis
Writers:
Claire Denis (writer)
Jean-Pol Fargeau (writer)
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Contact:
View company contact information for Beau travail on IMDbPro.
Release Date:
3 May 2000 (France) more
Genre:
Drama more
Plot:
This film focuses on an ex-Foreign Legion officer as he recalls his once glorious life, leading troops in Africa. full summary | add synopsis
Plot Keywords:
more
Awards:
5 wins & 8 nominations more
NewsDesk:
(6 articles)
Decade in Review: 2000 Top Ten
 (From FilmExperience. 5 November 2009, 1:07 PM, PST)

400 Screens, 400 Blows - 'Rum' Diary
 (From Cinematical. 25 October 2009, 7:03 AM, PDT)

User Comments:
An effective study on what military life does to human expression. more (60 total)

Cast

  (Cast overview, first billed only)
Denis Lavant ... Galoup
Michel Subor ... Commander Bruno Forestier
Grégoire Colin ... Gilles Sentain
Richard Courcet ... Legionnaire
Nicolas Duvauchelle ... Legionnaire
Adiatou Massudi ... Legionnaire
Mickael Ravovski ... Legionnaire
Dan Herzberg ... Legionnaire
Giuseppe Molino ... Legionnaire
Gianfranco Poddighe ... Legionnaire
Marc Veh ... Legionnaire
Thong Duy Nguyen ... Legionnaire
Jean-Yves Vivet ... Legionnaire
Bernardo Montet ... Legionnaire
Dimitri Tsiapkinis ... Legionnaire
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Additional Details

Also Known As:
Good Work (Europe: English title)
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Runtime:
Argentina:92 min | Australia:90 min | Italy:90 min | UK:93 min | USA:90 min
Country:
France
Color:
Color
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Dolby SR
Certification:
Singapore:NC-16 (re-rating) | Singapore:PG (cut) | Argentina:13 | Australia:M | Chile:14 | France:U | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | Hong Kong:III | Iceland:L
Filming Locations:
Djibouti
Company:
La Sept-Arte more

Fun Stuff

Quotes:
Commander Bruno Forestier: If it weren't for fornication and blood, we wouldn't be here. more
Movie Connections:
References Le petit soldat (1963) more

FAQ

This FAQ is empty. Add the first question.
13 out of 15 people found the following comment useful.
An effective study on what military life does to human expression., 21 June 2000
9/10
Author: The Truth from Helsinki, Finland

Claire Denis' Beau travail, alongside Bruno Dumont's L'Humanité, is a French film I wouldn't suggest to those who get easily bored in a movie theater. But if one is willing to forget the conventions of narrative cinema and accept the sometimes documentarian, sometimes corporeally poetic way Beau travail approaches it's subject, this should be a true treat for both the eyes and the mind.

The story of the movie is thin as paper: Galoup, a sergeant in the French Foreign Legion, has to deal with his jealousy when a new recruit called Sentain becomes a hero in the eyes of his men. Alongside Galoup's soldiers, the only other important player in this bizarre drama is Forestier, Galoup's superior, who he obviously admires, but who doesn't share his resentment for Sentain. Gradually, Galoup's envy for Sentain becomes too much for him to take, and his downward spiral begins.

Denis depicts, with great sense for details, how the military routines dominate every aspect of the legionnaires' (and especially Galoup's) life. This is portrayed effectively in the beginning of the film, when the soldiers' crude attempts to dance in a disco are compared to their beautiful, elegant movements during physical training. To Galoup, military discipline has become the only form of self-expression, and for this reason he hates Sentain, who tries to bring a little more humanity to the camp. Or does he? A curious aspect of the film is that we never see any of the things Galoup, in his narrative, accuses Sentain of. Only in the end Sentain acts against Galoup's strict orders, and this could be seen as counterreaction to Galoup's obvious hatred and unreasonable forms of punishment; the humane deed Sentain commits is something any soldier who isn't thoroughly programmed would do. So, since the story is told from Galoup's point of view, it could be argued that he has become paranoid, that as soldier without a war or an enemy he is only looking for an object to his emotional output (which the military life has distorted into hatred and envy), and Sentain, because of his one act of heroism, happens to be an apt target.

The above, however, isn't the only way to interpret the story. It is quite possible that Sentain acts the way Galoup says he does, and this turns the movie into a triangle (or a rectangle) drama between Galoup, Sentain and his men, possibly even his superior. The only thing Galoup's seems to (or is able to) care about is the military, and disciplining the legionnaires is his way of showing his affection. But this balance is broken by Sentain, whom the men admire, and who's actions are approved by Forestier. Since Galoup fears he is about to lose the very substance of his life, he reacts the only way is familiar with: by tightening his rule. Galoup's behaviour is, of course, bound to have repercussions, but there is no other option he can possibly think of.

Besides the way military life takes control of the men, Denis' other obvious point is to show how absurd and pointless the army routines seem in the eyes of an outsider. During the film we see countless training numbers and war excercises and witness the soldiers dull everyday life, but never do we see them doing anything useful. At one time the legionnaires build a camp in the desert, but the only reason for this seems to be Galoup's desire to get some action to the bored men. Beau travail's antimilitaristic theme becomes even more obvious, when the legionnaires' life is shown in contrast of the Africans who neighbour them. These people shepherd their herd, weave mats, sell things, make food, and watch with astonishment as the soldiers dig a hole in the middle of nowhere. The personal drama in the film becomes even more tragic, when Denis shows just how meaningless is the system that produces these kind of human beings. In the terrific final scene of the film we see the whole scale of Galoup's desperation as it becomes obvious, that he could never be anything else than a sad, retired army officer with no chance of fitting into the civilian world.

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Galoup's Dance commanderbigpants
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