| Videos |
| Julie Delpy | ... | Louise Créteur | |
| Shaun Dingwall | ... | Richard Grünewald | |
| Harriet Walter | ... | Olive Burrell | |
| Shirley Henderson | ... | Ella | |
| Timothy West | ... | Hugh Burrell | |
| Frank Vercruyssen | ... | Aasgaard | |
| Toni Barry | ... | Mrs. Bunny Wimhurst | |
| Jan Decleir | ... | Monsieur Brizard | |
| Dora van der Groen | ... | Mrs. Gendron | |
| Albert Delpy | ... | Antoine Créteur | |
| Stéphane Excoffier | ... | Jeanne de Keros | |
| Rifka Lodeizen | ... | Radsky | |
| Halina Reijn | ... | Natsje | |
| Maya van den Broecke | ... | Anna Kuprinski | |
| Gary Whelan | ... | Mr. O'Connor | |
| Alfredo Pea | ... | Mr. Craxi | |
| John Dobrynine | ... | Eustache Lejeune | |
| Simon Chefnourry | ... | Lucien | |
| Jean Hayet | ... | Maurice | |
| Michel Franssen | ... | Bernard | |
| Michel Jurowicz | ... | Bellboy | |
| Fred Van Kuyk | ... | Compére | |
| Phil Kaizer | ... | German officer | |
| Chris Anthony | ... | Postman | |
| Léo Dherte | ... | Newspaperboy | |
| Malkiel Golomb | ... | Newspaperboy | |
| François Brice | ... | Waiter | |
| Peter van den Eede | ... | Le Pétomane | |
| Bernard Marbaix | ... | Mr. Perret | |
| Philippe Vincent | ... | Conductor | |
| De Nieuwe Snaar | ... | Orchestra |
Directed by | |||
| Frank Van Passel | |||
Writing credits(in alphabetical order) | ||
| Christophe Dirickx | writer | |
| Willem Elsschot | novel | |
| Frank Van Passel | writer | |
Produced by | |||
| Julie Baines | .... | co-producer | |
| Wilfried Depeweg | .... | associate producer | |
| Dirk Impens | .... | producer | |
| Jason Newmark | .... | associate producer | |
| Jani Thiltges | .... | associate producer | |
| Els Vandevorst | .... | co-producer (as Els Van De Vorst) | |
| Rudy Verzyck | .... | producer | |
| Claude Waringo | .... | associate producer | |
Original Music by | |||
| Paul M. van Brugge | |||
Cinematography by | |||
| Jan Vancaillie | |||
Film Editing by | |||
| Ludo Troch | |||
| Karin Vaerenberg | |||
Casting by | |||
| Gerda Diddens | |||
| Job Gosschalk | |||
| Emma Style | |||
Production Design by | |||
| Willem Klewais | |||
Art Direction by | |||
| Johan Van Essche | |||
Set Decoration by | |||
| Hendrik Van Kets | |||
Costume Design by | |||
| Marianne Agertoft | |||
| Kristin Van Passel | |||
Makeup Department | |||
| Marco Chiodi | .... | makeup artist | |
| Frank Declercq | .... | makeup artist | |
| Christine De Keukelaere | .... | makeup artist | |
| Cathy Folmer | .... | makeup artist | |
| Frank Hard | .... | makeup artist | |
| Mariël Hoevenaars | .... | hair designer (as Mariël Hoevenaers) | |
| Mariël Hoevenaars | .... | makeup designer (as Mariël Hoevenaers) | |
| Ineke Ramakers | .... | makeup artist | |
| Ghislaine Soisson | .... | makeup artist | |
| Wendy Van De Cruys | .... | makeup artist | |
| Ingeborg Van Eetvelde | .... | hair designer | |
| Ingeborg Van Eetvelde | .... | makeup designer | |
| Annemie Van Haverbeke | .... | makeup artist | |
| Frank Van Wolleghem | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Fons Feyaerts | .... | assistant director | |
| Valentina Katina-Chistova | .... | assistant director (as Valentina Katina) | |
| Valérie Schiel | .... | assistant director | |
| Eddy Stevesyns | .... | assistant director | |
| Martine Temmerman | .... | assistant director | |
Art Department | |||
| Douglas Boswell | .... | set dresser | |
| Edouard Pallardy | .... | painter decorator | |
Sound Department | |||
| Dirk Bombey | .... | boom operator | |
| Peter Flamman | .... | sound designer | |
| Peter Flamman | .... | sound | |
| Philippe Kohn | .... | second boom operator | |
| Orm Sobrino | .... | sound editor | |
| Carlo Thoss | .... | sound engineer | |
| Wart Wamsteker | .... | sound editor | |
| Wart Wamsteker | .... | sound effects | |
Special Effects by | |||
| Olivier de Laveleye | .... | special effects | |
| Marie Pierre Franck | .... | special effects | |
Visual Effects by | |||
| Yves Delforge | .... | visual effects | |
| Matthias Huret | .... | visual effects | |
| Francis Schmets | .... | visual effects | |
| Ann Vandenbussche | .... | visual effects | |
Stunts | |||
| Roland Goddijn | .... | stunt double | |
Editorial Department | |||
| Petro van Leeuwen | .... | color timer | |
Transportation Department | |||
| Joe Kotroczo | .... | driver | |
Other crew | |||
| Patrick Blocman | .... | location runner | |
| Tamara Degrève | .... | production intern | |
| Joe Kotroczo | .... | production assistant | |
| Ragna Arny Larusdottir | .... | production coordinator | |
| Claude Ludovicy | .... | location manager | |
| Beatrice Pettovich | .... | assistant location manager | |
| Raf Reyntjens | .... | set location manager | |
| Sofie Tusschans | .... | location manager | |
| Peter Van den Borre | .... | location manager | |
| Kim Wyns | .... | location manager | |
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| The Libertine | Peter's Friends | Juana la Loca | L'accompagnatrice | Metroland |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Belgium section | Add this title to MyMovies |
Frank Van Passel proves again he is one of Belgiums leading directors. Once again, the crew he uses is very talented, he has some big international stars in the film (some), and the film is an adaptation of Willem Elschot classic novel. You can understand, we have been waiting for it. But Frank van Passel fails in this adaptation (or is it screenwriter Christophe Dirickx, who hasn't been very impressionating any more for some years).
The novel is a tipical multi plot story about the guests of an old pension in Paris. Christophe Dirickx and Frank Van Passel choosed to pick out one story line, and to minimize or forget the others. They tri to tell a little and painfull love story about a young servant and a german guest in an old paris hotel in 1913. Sure the story is painfull, but not always as it was ment to be. They meet, the seem to fall in love, 3 minutes later Grunewald (the german guest) seems to have lost his interest in the girl, they have some emotional conflict (Grunewald still loves her?) and the world war one begins and ends the story.
During this film you keep on asking the question why. Why do they fall in love in the first place? Why does she has to give up her father and son for grunewald? Why does grunewald believes they can't live together when they love eachother so much? You don't get any answer, and as a result of this, you lose interest in the story.
Maybe, Villa des Roses just doesn't work as a movie, maybe some novels can't be translated to the screen. But I lost the trust I had in Christophe Dirickx since Manneke Pis, Frank Van Passels debut. There are just to many holes in this script. To many personages disapear before they are properly introduced, like the abandond girlfriend of one of the guest, who we see for the first time the moment she has to leave the pension. Or the "nurse" who "helpes" the couple with an abortion, and then seems to live in the pension?
Not a bad film after all, thanks to the talent of Frank Van Passel and dop Jan van Caille. But after Manneke Pis and Terug naar Oosterdonk, never the less a disapointment. 7 out of 10