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Directed by | |||
| Guy Ritchie | |||
Writing credits | ||
| Guy Ritchie | (written by) | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Tim Maurice-Jones | (director of photography) | ||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Lucinda Syson | |||
Production Design by | |||
| Hugo Luczyc-Wyhowski | |||
Art Direction by | |||
| Julie Philpott | |||
Set Decoration by | |||
| Linda Wilson | |||
Costume Design by | |||
| Verity Hawkes | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist: Brad Pitt (as Jean Black) | |
| Fae Hammond | .... | chief hair stylist | |
| Fae Hammond | .... | chief makeup artist | |
| Fae Hammond | .... | chief tattoos | |
| Belinda Parish | .... | hair stylist | |
| Belinda Parish | .... | makeup artist | |
| Pebbles | .... | key hair stylist | |
| Pebbles | .... | key makeup artist | |
| Pebbles | .... | key tattoos | |
Production Management | |||
| Adam Bohling | .... | production manager | |
| Ashton Radcliffe | .... | location unit manager | |
Second Unit Director or Assistant Director | |||
| David Reid | .... | first assistant director | |
| Daniel Toland | .... | second assistant director (as Dan Toland) | |
| Mick Ward | .... | third assistant director | |
| Tom Delmar | .... | action unit director (uncredited) | |
| Tom Rye | .... | third assistant director (uncredited) | |
| Mick Ward | .... | second unit director (uncredited) | |
Art Department | |||
| Peter Burden | .... | dressing props | |
| Will Cann | .... | stand-by props | |
| Graham Cole | .... | stand-by carpenter | |
| Chris Cutler | .... | dressing props | |
| Sandra Fattorre | .... | art department production assistant | |
| Martin Foley | .... | assistant art director | |
| Verena Kahn | .... | assistant art director (as Verena Khan) | |
| Campbell Mitchell | .... | stand-by props | |
| Tom Pleydell-Pearce | .... | property master | |
| John Roberts | .... | supervising painter | |
| Tom Roberts | .... | stand-by painter (as Tommy Roberts) | |
| David Smith | .... | stagehand | |
| Philip Smith | .... | supervising carpenter (as Phillip Smith) | |
| Dennis Wilson | .... | construction coordinator (as Denis Wilson) | |
Sound Department | |||
| Matthew Collinge | .... | sound designer | |
| Matthew Collinge | .... | sound effects editor | |
| Mike Dowson | .... | sound re-recording mixer | |
| Arthur Fenn | .... | boom operator (as Arthur Turner) | |
| Diane Greaves | .... | foley artist (as Dianne Greaves) | |
| James Harris | .... | cable person | |
| Simon Hayes | .... | sound mixer | |
| Robin Johnson | .... | cable person | |
| Michael Redfern | .... | foley editor | |
| Danny Sheehan | .... | dialogue editor | |
| Jason Swanscott | .... | foley artist | |
| Mark Taylor | .... | sound re-recording mixer | |
| Darren McQuade | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Casper Lailey | .... | special effects technician (as Caspar Lailey) | |
| Ken Lailey | .... | special effects supervisor | |
| Alastair Vardy | .... | special effects technician (uncredited) | |
| Gareth Wingrove | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Paul Conway | .... | compositing artist | |
| Gavin Digby | .... | compositing artist | |
| Michael Elson | .... | digital effects producer | |
| Michael Elson | .... | head of production: MPC | |
| Kristin Emblem | .... | digital effects producer | |
| Ed Hawkins | .... | compositing artist | |
| Gregory Salter | .... | compositing artist | |
| Jean-Clement Soret | .... | digital colorist | |
| Mark Stannard | .... | compositing artist | |
| Jelena Stojanovic | .... | compositing artist | |
| Tom Wood | .... | compositing artist | |
| Willi Geiger | .... | research and development (uncredited) | |
| Alasdair MacCuish | .... | senior data-op: Moving Picture Co. (uncredited) | |
| Daniel Walton | .... | digital artist (uncredited) | |
Stunts | |||
| Tom Delmar | .... | stunt coordinator (as Tom Delmar-McCormick) | |
| Tom Delmar | .... | fight director (uncredited) | |
| Charles Jarman | .... | stunt double: Robbie Gee (uncredited) | |
Camera and Electrical Department | |||
| Ray Bateman | .... | electrician | |
| Frank Cox | .... | electrician | |
| Andy Duncan | .... | chief lighting technician | |
| Stuart Graham | .... | focus puller | |
| Gerry Higgins | .... | stand-by rigger | |
| Elizabeth Hoar | .... | camera trainee | |
| Jake Marcuson | .... | clapper loader (as Jake Marcusson) | |
| Richard Oxley | .... | assistant chief lighting technician | |
| Sebastian Pearson | .... | still photographer | |
| Chris Polden | .... | electrician | |
| Peter Wignall | .... | camera operator | |
| Terry Williams | .... | key grip | |
| Sam Barnes | .... | focus puller: second unit (uncredited) | |
| Stuart Howell | .... | additional steadicam operator (uncredited) | |
| Jon Mitchell | .... | daily clapper loader (uncredited) | |
Casting Department | |||
| Emma Engers | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Melina Fragkia | .... | wardrobe | |
| Sharon Gilham | .... | costume supervisor | |
| Caroline McCall | .... | wardrobe | |
| Nicki Varney | .... | costume assistant (as Nicky Varney) | |
Editorial Department | |||
| Jatinderpal Chohan | .... | post-production | |
| Peter Dansie | .... | assistant editor | |
| Les Healey | .... | additional editor | |
| David Rees | .... | color timer | |
| Paul Swinburne | .... | first assistant editor | |
Music Department | |||
| Matt Biffa | .... | music researcher | |
| Karen Elliott | .... | music researcher | |
| Daniel L. Griffiths | .... | score engineer | |
| Daniel L. Griffiths | .... | score mixer | |
| Ged Lynch | .... | music contractor | |
| Ian Neil | .... | music consultant | |
| Danny Sheehan | .... | music editor | |
| Patricia Joseph | .... | soundtrack producer (uncredited) | |
Transportation Department | |||
| Simon Barker | .... | transportation captain | |
| Fergus Cotter | .... | driver | |
| Colin Giffin | .... | driver | |
| Melvin Kiernan | .... | driver | |
| Steve Rogers | .... | driver | |
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| Pulp Fiction | Lock, Stock and Two Smoking Barrels | The Departed | Live Free or Die Hard | Reservoir Dogs |
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Guy Richie's follow up to Lock Stock and Two Smoking barrels is every bit as astonishing as its predecessor. The humour is better and I have never seen people in a cinema laugh as loud and as frequently as they did here. Vinnie Jones plays a similar role as Big Chris, here as Bullet Tooth Tony. His appearance is limited but boy does he make an impact. Even when he is not on screen there is much to savour from Dennis Farina as Avi and a trio of pawnbrokers who are sent to rob a bookies. Brad Pitt sheds his movie start personna and preforms impressively as an Irish gypsie. Unlike Lock Stock.. the humour will appeal to all nationalities. However they mind some slang expressions such as Pikey and blag hard to understand. Good preformances, fantastic characters, razor sharp diologue, expert direction and camera work and brilliant humour, Snatch will make you laugh more than any other movie this year. See it now.