| Photos (see all 97 | slideshow) | Videos (see all 5) |
Josh Goldsmith (story) &
Cathy Yuspa (story) ...
(more)
15 December 2000 (USA) more
He has the power to hear everything women are thinking. Finally... a man is listening.
After an accident, a chauvenistic executive gains the ability to hear what women are really thinking. full summary | add synopsis
Nominated for Golden Globe. Another 5 wins & 7 nominations more
New It’s Complicated Trailer and Poster: Meryl Streep and Alec Baldwin
(From Filmofilia. 7 November 2009, 10:03 AM, PST)
It’s Complicated Trailer: Meryl Streep and Alec Baldwin Get It On
(From FilmSchoolRejects. 5 November 2009, 6:22 PM, PST)
Does Anyone Really Know? Even Mel? more (373 total)
| Mel Gibson | ... | Nick Marshall | |
| Helen Hunt | ... | Darcy McGuire | |
| Marisa Tomei | ... | Lola | |
| Alan Alda | ... | Dan Wanamaker | |
| Ashley Johnson | ... | Alex Marshall | |
| Mark Feuerstein | ... | Morgan Farwell | |
| Lauren Holly | ... | Gigi | |
| Delta Burke | ... | Eve | |
| Valerie Perrine | ... | Margo | |
| Judy Greer | ... | Erin the File Girl | |
| Sarah Paulson | ... | Annie, Nick's Secretary | |
| Ana Gasteyer | ... | Sue Cranston | |
| Lisa Edelstein | ... | Dina | |
| Loretta Devine | ... | Flo the Doorwoman | |
| Diana-Maria Riva | ... | Stella | |
| Eric Balfour | ... | Cameron | |
| Andrea Baker | ... | Inner Voice Actress / Office Intern (as Andrea Taylor) | |
| Jon Frazier | ... | Truck Driver (credit only) | |
| Joe Petcka | ... | Man on Street | |
| Brian Callaway | ... | Man on Street | |
| Coby Goss | ... | Man on Street | |
| Christian Michel | ... | Man on Street | |
| Perry Cavitt | ... | Ogling Man | |
| Crystal McKinney | ... | Unimpressed Woman | |
| Jeanne Renick | ... | Unimpressed Woman | |
| Kathrin Lautner | ... | Gigi's Friend | |
| Logan Lerman | ... | Young Nick Marshall | |
| Kelly Cooper | ... | Showgirl | |
| Palmer Davis | ... | Showgirl | |
| Katie Miller | ... | Showgirl | |
| Dana Waters | ... | Nick's Mom | |
| Gregory Cupoli | ... | Male Role Model | |
| Alexondra Lee | ... | Woman in Pink Sweater | |
| Aviva Gale | ... | Counter Girl | |
| Shirley Prestia | ... | Coffee Shop Customer | |
| T.J. Thyne | ... | Coffee Shop Customer | |
| Norman H. Smith | ... | Norm | |
| Audrey Wasilewski | ... | Secretary with Danish / Kitchen Secretary | |
| Angela Oh | ... | Jess, Dan's Secretary | |
| Robert Briscoe Evans | ... | Ted | |
| Chris Rolfes | ... | Woman in Park | |
| Katie Kneeland | ... | Woman in Park | |
| Jeanine O'Connell | ... | Woman in Park | |
| Kelley Hazen | ... | Woman in Park | |
| Brooke Elliott | ... | Woman in Park | |
| Kristina Martin | ... | Woman in Park | |
| Harmony Rousseau | ... | Sloane / Curtis Receptionist | |
| Lisa Long | ... | Sloane / Curtis Executive | |
| Heidi Helmer | ... | Marshall Field's Shopper | |
| Marla Martensen | ... | Marshall Field's Shopper | |
| Sally Meyers Kovler | ... | Marshall Field's Shopper (as Sally Meyers-Kovler) | |
| Ashley Quirico | ... | Marshall Field's Shopper | |
| Regan Rohde | ... | Marshall Field's Shopper | |
| Liz Tannebaum | ... | Marshall Field's Shopper | |
| LeShay N. Tomlinson | ... | Marshall Field's Shopper | |
| Cristine Rose | ... | Sloane / Curtis Attorney | |
| Arden Myrin | ... | Darcy's Assistant | |
| Rachel Duncan | ... | Alex's Friend | |
| Alex McKenna | ... | Alex's Friend (as Alex Mckenna) | |
| Regiane Gorski | ... | Yoga Instructor | |
| Juliandra Gillen | ... | Woman in Library | |
| Lisa Anne Hillman | ... | Woman in Library | |
| Tracy Pacheco | ... | Woman in Library | |
| Ashlee Turner | ... | Woman in Library | |
| Jamie Gutterman | ... | Jogger by Lake | |
| Maggie Egan | ... | Kitchen Secretary | |
| Juanita Jennings | ... | Kitchen Secretary | |
| Robin Pearson Rose | ... | Kitchen Secretary | |
| Hallie Meyers-Shyer | ... | Girl at Lunch Counter (as Hallie Meyers Shyer) | |
| Laura Quicksilver | ... | Girl at Lunch Counter | |
| Kate Asner | ... | Woman at Lunch Counter | |
| Caryn Greenhut | ... | Woman at Lunch Counter | |
| Jennifer Greenhut | ... | Woman at Lunch Counter | |
| Marnie Mosiman | ... | Woman at Lunch Counter | |
| Sierra Pecheur | ... | Woman at Lunch Counter | |
| Nnenna Freelon | ... | Nightclub Singer | |
| Gil Hacohen | ... | Haim | |
| Nancy Monsarat | ... | Nike Executive | |
| Jacqueline Thomas | ... | Nike Executive | |
| Rory Rubin | ... | Nike Executive | |
| Christopher Emerson | ... | Mail Room Kid | |
| Victoria Kelleher | ... | Secretary | |
| Gertrude Wong | ... | Old Woman in Chinatown | |
| Andi Eystad | ... | Girl at Prom | |
| rest of cast listed alphabetically: | |||
| Kelsey Oldershaw | ... | (unconfirmed) | |
| Julie White | ... | (unconfirmed) | |
| Kiva Dawson | ... | Showgirl (uncredited) | |
| David C. Fisher | ... | Restaurant Patron (uncredited) | |
| Drew Howerton | ... | Boy at Prom (uncredited) | |
| Kimberly Lyon | ... | Showgirl (uncredited) | |
| Krista McRoberts | ... | Angela (uncredited) | |
| Heidi Merrick | ... | Secretary (uncredited) | |
| Bette Midler | ... | Dr. J.M. Perkins (uncredited) | |
| Bobbi Miller-Moro | ... | Ad executive (uncredited) | |
| Robin Nance | ... | Red Head (uncredited) | |
| Grace O'Neill | ... | Shopper (uncredited) | |
| Kristine Perchetti | ... | Showgirl (uncredited) | |
| Andy Schofield | ... | Man walking in Park (uncredited) | |
| Richard Simmons | ... | Himself (uncredited) | |
| Nancy Sinclair | ... | Woman #2 Getting Manicure (uncredited) | |
| Melinda Songer | ... | Dancer (uncredited) | |
| Martha Stewart | ... | Herself (uncredited) | |
| Tracey Stone | ... | Black Haired Beauty (uncredited) | |
| Dean Teaster | ... | Taxi Driver (uncredited) | |
| Danielle Weeks | ... | Meg Ryan Lookalike (uncredited) | |
| Nancy Wetzel | ... | Co-Worker (uncredited) | |
Directed by | |||
| Nancy Meyers | |||
Writing credits(WGA) | ||
| Josh Goldsmith | (story) & | |
| Cathy Yuspa | (story) and | |
| Diane Drake | (story) | |
| Josh Goldsmith | (screenplay) & | |
| Cathy Yuspa | (screenplay) | |
Produced by | |||
| Bruce A. Block | .... | co-producer | |
| Susan Cartsonis | .... | producer | |
| Bruce Davey | .... | producer | |
| Carmen Finestra | .... | executive producer | |
| Gina Matthews | .... | producer | |
| Stephen McEveety | .... | executive producer | |
| David McFadzean | .... | executive producer | |
| Nancy Meyers | .... | producer | |
| Matt Williams | .... | producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Thomas J. Nordberg | |||
| Stephen A. Rotter | |||
Casting by | |||
| Deborah Aquila | |||
| Howard Feuer | |||
Production Design by | |||
| Jon Hutman | |||
Art Direction by | |||
| Gae S. Buckley | (as Gae Buckley) | ||
| Tony Fanning | |||
Set Decoration by | |||
| Rosemary Brandenburg | (as Rosemary Bradenburg) | ||
Costume Design by | |||
| Ellen Mirojnick | |||
Makeup Department | |||
| Jeri Baker | .... | hair stylist (as Jeri Baker Sadler) | |
| Karen Blynder | .... | makeup artist: Mr. Gibson | |
| Hannah Gibson | .... | makeup artist | |
| Stephanie L. Massie | .... | makeup artist (as Stephanie Massie) | |
| Beth Miller | .... | hair department head | |
| Suzi Ostos | .... | makeup artist: Chicago | |
| Darrell Redleaf-Fielder | .... | hair stylist: Ms. Hunt (as Darrel Fielder) | |
| Marsha Shearrill | .... | makeup artist: Chicago | |
| Ronnie Specter | .... | makeup artist: Ms. Hunt | |
| Laine Trzinski | .... | hair stylist: Chicago (as Elainie M. Casico) | |
| Candy L. Walken | .... | key hair stylist | |
| Brad Wilder | .... | makeup department head | |
| Kay Majerus | .... | additional hair stylist (uncredited) | |
| Robert Ramos | .... | hair stylist: Bette Midler (uncredited) | |
| Sherilyn Stetz | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Karyn McCarthy | .... | unit production manager: Chicago (as Karyn Mccarthy) | |
| Helen Pollak | .... | unit production manager | |
| Nancy Sandberg | .... | production supervisor: second unit (uncredited) | |
| N.L. Sandberg | .... | production manager: second unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Bruce A. Block | .... | second unit director (as Bruce Block) | |
| Paula Case | .... | first assistant director: second unit | |
| Paula Case | .... | second second assistant director | |
| K.C. Colwell | .... | first assistant director | |
| Craig Comstock | .... | additional second assistant director | |
| Traci M. Lewis | .... | additional second assistant director: Chicago (as Traci Lewis) | |
| Darin Rivetti | .... | second assistant director | |
Art Department | |||
| Chuck Askerneese | .... | assistant property master | |
| Mychael Bates | .... | property master | |
| Bruce A. Block | .... | storyboard artist (as Bruce Block) | |
| Ashley Burnham | .... | art department coordinator | |
| Michael Crowley | .... | construction foreperson | |
| Stacy Doran | .... | set dresser | |
| David Elliott | .... | construction coordinator (as David Elliot) | |
| Marcus Epps | .... | set dresser | |
| John P. Goldsmith | .... | set designer (as John Goldsmith) | |
| Darryl Henley | .... | illustrator | |
| Craig Jackson | .... | set designer: Chicago | |
| Kristin Frances Jones | .... | set dresser (as Kristin Jones) | |
| Andrew Menzies | .... | set designer | |
| Angi Neff | .... | second lead person | |
| Troy Osman | .... | construction foreperson: Chicago | |
| Tyler Osman | .... | construction coordinator: Chicago | |
| Joel Prihoda | .... | lead person: Chicago | |
| Nathan Schroeder | .... | illustrator | |
| Brett C. Smith | .... | lead person (as Brett Smith) | |
| Easton Michael Smith | .... | set designer (as Easton Smith) | |
| John Snow | .... | paint foreperson (as John W. Snow) | |
| Patrick M. Sullivan Jr. | .... | set designer (as Patrick Sullivan) | |
| Jason Sweers | .... | graphic designer (as Jason Swears) | |
| Beck Taylor | .... | set designer | |
| John Warnke | .... | set designer | |
| Chris Alvarez | .... | welding foreman (uncredited) | |
| Salvador Anaya | .... | plasterer (uncredited) | |
| Doug Anderson | .... | on-set plasterer (uncredited) | |
| Emily Crupper | .... | decoration coordinator (uncredited) | |
| Phil Ellman | .... | greensman (uncredited) | |
| Ryan Handt | .... | construction propmaker (uncredited) | |
| Barry Jones | .... | painter (uncredited) | |
| David Ladish | .... | set dresser (uncredited) | |
| Steven Ladish | .... | set dresser (uncredited) | |
| Andrew Menzies | .... | assistant art director (uncredited) | |
| Andrew Neujahr | .... | art department assistant (uncredited) | |
| Fred O'Connor | .... | propmaker (uncredited) | |
| Edward V. Pannozzo | .... | set estimator (uncredited) | |
| Franklin T. Perry | .... | propmaker (uncredited) | |
| Edward J. Protiva | .... | gang boss (uncredited) | |
| Eric Reichardt | .... | painter gang boss (uncredited) | |
| Glenn H. Roberts | .... | set dresser (uncredited) | |
| Patte Strong-Lord | .... | set designer (uncredited) | |
Special Effects by | |||
| Kenneth Van Order | .... | special effects construction (uncredited) | |
Visual Effects by | |||
| Robert Cribbett | .... | paint supervisor: CFX (as Rob Cribbett) | |
| Tim T. Cunningham | .... | visual effects coordinator: CFX (as Tim Cunningham) | |
| C. Marie Davis | .... | executive visual effects producer: CIS Hollywood | |
| Conny Fauser | .... | digital compositor: CFX | |
| Larry Gaynor | .... | digital painting and rotoscoping: CIS Hollywood | |
| Greg Groenekamp | .... | digital compositor: CFX | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood (as Dr. Ken Jones) | |
| Suzanne Mitus-Uribe | .... | digital visual effects supervisor: CIS Hollywood | |
| Gregory Oehler | .... | digital visual effects supervisor: CIS Hollywood | |
| Cristin Pescosolido | .... | digital compositor: CFX | |
| David Rand | .... | digital artist: CFX (as Dave Rand) | |
| Kosta Saric | .... | visual effects editor: CFX | |
| Nelson Sepulveda | .... | digital effects supervisor: CFX | |
| Ka Yaw Tan | .... | digital artist: CFX | |
| Jessica Trento | .... | visual effects producer: CFX | |
| Aaron Dem | .... | head of production: CFX (uncredited) | |
| Mark Franco | .... | visual effects executive producer: CFX (uncredited) | |
| Todd Mesher | .... | Inferno artist (uncredited) | |
| Steve Miller | .... | assistant visual effects editor: CFX (uncredited) | |
Stunts | |||
| Lance Gilbert | .... | stunt coordinator | |
| Joe Bucaro III | .... | stunts (uncredited) | |
| Matt Byrne | .... | stunts (uncredited) | |
| Lance Gilbert | .... | stunt double: Mel Gibson (uncredited) | |
Camera and Electrical Department | |||
| James Alden | .... | rigging grip | |
| Mike Bonnaud | .... | rigging electrician (as Michael Bonnaud) | |
| Kevin Boyd | .... | key video assist operator: Chicago | |
| Jim Bradfield | .... | electrician | |
| Travis Busenbark | .... | electrician: Chicago | |
| Steve Chandler | .... | electrician | |
| Joseph P. Connelly | .... | rigging grip: Chicago | |
| Vincent Contarino | .... | dimmer operator (as Vince Contarino) | |
| Andrew Cooper | .... | still photographer | |
| Theodore A. Corso | .... | grip: Chicago | |
| William Coss | .... | first assistant camera (as Bill Coss) | |
| Eric Davidian | .... | electrician | |
| Peter Davidian | .... | assistant chief lighting technician | |
| Terry Dee | .... | electrician: Chicago | |
| Peter J. Donoghue | .... | rigging grip: Chicago (as Peter Donoghue) | |
| Malcolm Doran II | .... | grip | |
| Joe Evreniadis | .... | electrician: Chicago (as Joe Evraniadis) | |
| John P. Friday | .... | electrician: Chicago (as John Friday) | |
| Mike Gentile | .... | film loader | |
| R. Scott Goodrich | .... | second assistant camera (as Scott Goodrich) | |
| Melinda Sue Gordon | .... | still photographer | |
| Lisa Guerriero | .... | second assistant camera: "b" camera | |
| Lawrence Hammer | .... | grip: Chicago | |
| Mort Hyatt | .... | second company rigging electrician: Chicago (as Morton E. Hyatt) | |
| Timothy Jipping | .... | grip: Chicago | |
| Walter 'T.J.' Johnson | .... | second company grip (as Tom Johnson) | |
| David Kaiser | .... | rigging electrician | |
| Daniel L. Kelly | .... | rigging grip | |
| Eugene B. Kerry | .... | grip (as Gene Kerry) | |
| Jay Laws | .... | rigging electrician | |
| Michael Laws | .... | assistant chief rigging electrician | |
| Josh Levy | .... | video assist operator (as Joshua Levy) | |
| Karl Linde | .... | second assistant camera | |
| Jason E. Lord | .... | set lighting technician | |
| Mel P. Mack | .... | first company rigging electrician: Chicago | |
| Glen Magers | .... | rigging electrician | |
| Frank Mathews | .... | chief rigging electrician (as Frank Matthews) | |
| Blake E. Matthys | .... | rigging grip: Chicago | |
| Bradley T. Matthys | .... | first company grip: Chicago (as Brad Matthys) | |
| Mark E. Matthys | .... | second company grip: Chicago | |
| Hugh McCallum | .... | grip (as Hugh Mccallum) | |
| Steve Meyers | .... | rigging electrician: Chicago | |
| Elizabeth Miller | .... | film loader: Chicago (as Elizabeth Smith) | |
| Tyree P. Miller II | .... | rigging electrician: Chicago | |
| Frank Montesanto | .... | first company grip (as Frank A. Montesanto) | |
| Luis Moreno | .... | rigging electrician | |
| Michelle Morgan | .... | film loader | |
| Bill O'Drobinak | .... | camera operator (as Billy O'Drobinak) | |
| Angelo Orefice | .... | electrician (as Angelo M. Orefice) | |
| Atillio Orefice | .... | electrician (as Altilio Orefice Jr.) | |
| Keith Orefice | .... | electrician | |
| Michael Orefice | .... | chief lighting technician (as Michael Paul Orefice) | |
| Robert A. Preston | .... | dolly grip | |
| Mark Purkart | .... | dolly grip operator: Chicago (as Mark Purkat) | |
| Michael G. Riba | .... | first assistant camera: "b" camera (as Michael Riba) | |
| Thomas J. Ridgen | .... | grip: Chicago | |
| Gary D. Scott | .... | first assistant camera: "b" camera (as Gary Scott) | |
| Don Selsor | .... | second company rigging grip | |
| Jason Selsor | .... | rigging grip | |
| Richard Sobin | .... | first assistant camera: "b" camera, Chicago (as Rick Sobin) | |
| Raymond Stella | .... | director of photography: second unit | |
| Michael Strong | .... | first company rigging grip | |
| Robert Swander | .... | chief lighting technician: Chicago (as Robert S. Swander) | |
| Joe Tomko Jr. | .... | rigging electrician: Chicago (as Joseph C. Tomko Jr.) | |
| James Topel | .... | rigging electrician: Chicago (as James A. Topel) | |
| Robert Ulland | .... | Steadicam operator | |
| Robert Ulland | .... | camera operator: "b" camera | |
| Ron Vargas | .... | first assistant camera: "b" camera | |
| Melvin 'Butch' Von Bulow | .... | grip (as Butch Von Bulow) | |
| Mark Walthour | .... | chief lighting technician: second unit | |
| Scott Wells | .... | rigging grip | |
| Kevin Wisor | .... | rigging electrician: Chicago | |
| Mitchell Bergman | .... | rigging electrician (uncredited) | |
| Vidal Cohen | .... | grip (uncredited) | |
| Adam Glick | .... | set lighting technician (uncredited) | |
| William H. Harlow IV | .... | camera loader: second unit (uncredited) | |
| Michael J. Schwartz | .... | rigging electrician (uncredited) | |
| David Vlasits | .... | still photographer assistant (uncredited) | |
| Monty Woodard | .... | dimmer board operator (uncredited) | |
| Andy Young | .... | rigging grip (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Kelly O'Brien | .... | casting assistant | |
| Mickie Paskal | .... | casting: Chicago | |
| Mark A. Ridge | .... | extras casting: Holzer & Ridge Casting, Chicago | |
| Steve Spiker | .... | extras casting | |
| Rachel Tenner | .... | casting: Chicago | |
| Meredith Tucker | .... | casting assistant | |
| Wendy Washbrook | .... | casting associate | |
| Mary Tricia Wood | .... | casting associate | |
| Amanda Koblin | .... | casting associate (uncredited) | |
| Michele Short | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Fran Allgood | .... | costumer | |
| Dorothy Baca | .... | costumer | |
| Myron Baker | .... | costumer | |
| Robin Borman | .... | costumer (as Robin Borman-Wizan) | |
| Ann Culotta | .... | set costumer | |
| Michael Dennison | .... | costume supervisor (as Michael P. Dennison) | |
| Kimberly Sue Furlong | .... | costumer: Ms. Hunt | |
| Linda Henrikson | .... | costumer | |
| Jennifer Jobst | .... | costume supervisor: Chicago | |
| Suzanne McCabe | .... | assistant costume designer (as Suzanne Mccabe) | |
| Eileen McCahill | .... | set costumer: Chicago (as Eileen Mccahill) | |
| Susi Campos | .... | costumer (uncredited) | |
| James P. Cullen | .... | costumer (uncredited) | |
| Shoshana Rubin | .... | costume shopper (uncredited) | |
| Nancy Smytka | .... | set costumer (uncredited) | |
Editorial Department | |||
| Philip Beech | .... | assistant editor | |
| Laura Lee Bong | .... | first assistant film editor (as Laura Bong) | |
| James Durante | .... | assistant editor | |
| Audrey Evans | .... | assistant editor (as Audrey J. Evans) | |
| Rolf Fleischmann | .... | first assistant film editor | |
| Carol Littleton | .... | additional editor | |
| Dana L. Marker | .... | negative cutter | |
| A. Michelle Page | .... | assistant editor | |
| J. Papajoanou | .... | post-production assistant | |
| Jim Passon | .... | color timer | |
| Randy Trager | .... | second assistant editor | |
Music Department | |||
| David Bifano | .... | music programmer | |
| Chris Boardman | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Robert Fernandez | .... | music mixer | |
| Robert Fernandez | .... | music recordist | |
| Christy Gerhart | .... | music coordinator | |
| Bonnie Greenberg | .... | music supervisor (as Bonnie Greenberg-Goodman) | |
| Conrad Pope | .... | orchestrator | |
| William Ross | .... | orchestrator | |
| Daniel Schweiger | .... | assistant music editor | |
| Andrew Silver | .... | music consultant | |
| Andrew Silver | .... | music editor | |
| Alan Silvestri | .... | conductor | |
| Sally Stevens | .... | choir contractor | |
| Jacqueline Tager | .... | assistant music editor | |
| Christine Cholvin | .... | assistant music editor (uncredited) | |
| Mark Graham | .... | music copyist (uncredited) | |
| Michael Lustig | .... | music consultant (uncredited) | |
Transportation Department | |||
| Wendy S. Hallin | .... | transportation captain (as Wendy Hallin) | |
| James F. Hogan | .... | transportation captain: Chicago (as James A. Hogan) | |
| John Lybrand | .... | driver: cast | |
| Armand Paoletti | .... | transportation coordinator: Chicago | |
| Tom F. Thomas | .... | transportation coordinator (as Tom Thomas) | |
| Denis Hennelly | .... | transportation secretary: Chicago (uncredited) | |
| Stephen A. Latina | .... | transportation captain (uncredited) | |
| Ron Poniewaz Jr. | .... | driver (uncredited) | |
| Dana Schisler | .... | driver (uncredited) | |
Thanks | |||
| Jessica Mcclintock | .... | thanks | |
Rated PG-13 for sexual content and language.
127 min
1.37 : 1 more
USA:PG-13 (certificate #37911) | Iceland:L | Argentina:Atp | Australia:PG | Chile:TE | Denmark:7 | Finland:K-7 | France:U | Germany:6 | Hong Kong:IIB | Hungary:14 | Netherlands:AL | New Zealand:PG | Norway:7 | Peru:PT | Portugal:M/12 | Singapore:PG | South Korea:15 | Spain:7 | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12
The Nike representatives are in fact the real Nike ad representatives and not actresses. more
Continuity: When we first see Nick, his cigarette is partly smoked. After he lights it, the cigarette is about twice as long. more
Lola: [inner thoughts after she and Nick have had sex] Ladies and gentlemen, Nick Marshall is a sex god! more
Referenced in The Reel Thing (2008) more
I Won't Dance more
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| Carrie | The Lady Eve | Seabiscuit | 50 First Dates | Feast of Love |
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Here is a movie that, to be sure, is part fantasy, part wacky comedy; but to call `What Women Want,' directed by Nancy Meyers, `just' a comedy would be not only inaccurate, but would be doing an injustice to the film as well. Because-- while there are plenty of laughs to be had (especially early on)-- in the end, there is a lot more bite and substance to it than first meets the eye. Enough to definitely raise it far above the `fluff' piece many will perceive it to be, if only due to some shallow reviews and the theatrical trailer currently being shown, which gives only the vaguest notion of what this movie is really all about. In fact, once most of the `cute' stuff is out of the way (about a third of the way through), the film really starts to get good,with a message about decency that is worthwhile, if only it can penetrate the formidable barrier of the viewer with an attention span barely able to accommodate an episode of `Friends.' Beyond the humor, there is a story here about a man named Nick Marshall (Mel Gibson) who literally receives the shock of his life, and afterwards must deal with who he is by coming to terms with his past, realizing the truth about himself in the present, and understanding what his future will be if he does not change his ways . It's something of a contemporary take on `A Christmas Carol,' with Nick an egotistical, self-centered, witty (In his own eyes) Scrooge; a veritable legend in his own mind, which is not-- as he comes to find out-- necessarily the way he is perceived by many of those around him, especially the women in his professional life. The screenplay, written by Cathy Yuspa and Josh Goldsmith, is extremely insightful and brought to the screen with equal acuity by director Meyers, who goes to great lengths at the beginning of the film to explain Nick's exaggerated chauvinism, what made him the `Man's man' he has become. And while it is clever and effective, closer scrutiny in the editing room may have benefited the overall film, as his character is somewhat `overly' established. But just about at the point when you're saying to yourself, `All right I get it!' Meyers grabs the helm with both hands and suddenly the ship is at full mast and on course, where she keeps it for the rest of the journey. The turning point comes after Nick's visit to a marriage counselor (a terrific cameo by Bette Midler) with whom he had had business some years before. It's as if not only Nick, but Meyers as well, had heeded Bette's advice. Mel Gibson does a good job of getting into Nick Marshall's skin, and he's to be commended for going out on a limb and taking on a character that may not be immediately embraced by even die-hard Gibson fans. It's a testimony to his ability as an actor, though, because he does make Nick the epitome of chauvinism, and except for the few throw-back Neanderthals (women as well as men) still in existence who subscribe to the `Man's man' theory of de-evolution, Nick will effect the same response from the audience that he does in the minds of many of the women who surround him in the movie. It's only when you've had a chance to consider Gibson's performance at arm's length that you will realize how good he is in this film. On the other hand, the real saving grace of this movie is immediately discernible, and that is the performance of the wonderful Helen Hunt. As Darcy McGuire, the professional hired to lead the ad agency for whom Nick works into the Twenty-first Century, Hunt is nothing less than sensational. One of the most gifted, expressive actors in the business, she raises the level of the drama (not to mention the comedy) by succinctly conveying the strength-- and at the same time the vulnerability-- of Darcy, while exhibiting a depth of emotion that adds so much to the impact (and the success) of the film. And, in a notable supporting role, Judy Greer is memorable as Erin, a lonely young woman who works at the ad agency. It's the `Tiny Tim' role of the film, and though a small part, it figures prominently in revealing Nick's inner-most feelings at a pivotal moment of the film. Rounding out the supporting cast are Alan Alda (Dan), Marisa Tomei (Lola), Ashley Johnson (Alexandra), Mark Feuerstein (Morgan), Lauren Holly (Gigi), Delta Burke (Eve), Valerie Perrine (Margo) and Sarah Paulson (Annie). What Meyers has created here is a mixed-bag, sleight-of-hand bit of entertainment that is so much more than what it seems to be on the surface that it is bound to evoke an equally mixed-bag of reactions (positive and negative) from the audience. It's amusing-- downright funny at times-- but also exasperating. To receive the full rewards offered by `What Women Want,' you're going to have to give it something as well. If you do, you'll be pleasantly surprised by what you get in return. And that, my friends, is the magic of the movies. I rate this one 8/10.