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Directed by | |||
| Sally Potter | |||
Writing credits | ||
| Sally Potter | (written by) | |
Produced by | |||
| Simona Benzakein | .... | co-producer | |
| Tim Bevan | .... | executive producer | |
| Linda Bruce | .... | line producer | |
| Eric Fellner | .... | executive producer | |
| Christopher Sheppard | .... | producer | |
Original Music by | |||
| Osvaldo Golijov | |||
Cinematography by | |||
| Sacha Vierny | (director of photography) | ||
Film Editing by | |||
| Hervé Schneid | (as Herve Schneid) | ||
Casting by | |||
| Irene Lamb | |||
| Frédérique Moidon | (as Frederique Moidon) | ||
Production Design by | |||
| Carlos Conti | |||
Art Direction by | |||
| Laurent Ott | |||
| Ben Scott | |||
Set Decoration by | |||
| Maggie Gray | |||
| Philippe Turlure | |||
Costume Design by | |||
| Lindy Hemming | |||
Makeup Department | |||
| Jan Archibald | .... | chief hair designer | |
| Anita Burger | .... | hair stylist | |
| Gérard Carrissimoux | .... | hair stylist (as Gerard Carrissimoux) | |
| Reynald Desbant | .... | hair stylist | |
| Beya Gasmi | .... | chief hair stylist | |
| Karina Gruais | .... | makeup artist | |
| Melissa Lackersteen | .... | makeup artist | |
| Chantal Leothier | .... | makeup artist | |
| Sylvie Lonchamp | .... | makeup artist | |
| Morag Ross | .... | chief makeup designer | |
| Loulia Sheppard | .... | hair stylist | |
| Liz Tagg | .... | hair stylist: Christina Ricci (as Elizabeth Tagg) | |
| Liz Tagg | .... | makeup artist: Christina Ricci (as Elizabeth Tagg) | |
| Nathalie Tissier | .... | chief makeup artist | |
Second Unit Director or Assistant Director | |||
| Jerome Borenstein | .... | first assistant director | |
| Ben Howarth | .... | second assistant director | |
| Christopher Newman | .... | first assistant director (as Chris Newman) | |
| Janet Nielsen | .... | third assistant director | |
| Sue Wood | .... | crowd assistant director (as Susan Wood) | |
| Iris Wong | .... | third assistant director (uncredited) | |
Art Department | |||
| Carl Apsey | .... | carpenter (as Karl Apsey) | |
| Leon Apsey | .... | head carpenter | |
| Pierre Bandini | .... | dressing props | |
| François Barre | .... | assistant dressing props (as Francois Barre) | |
| Malcolm Bensted | .... | storeman (as Sulaiman Malcolm Bensted) | |
| Bruce Bigg | .... | supervising propman | |
| Peter Bigg | .... | dressing props | |
| Bernard Boivin | .... | construction manager | |
| Dennis Bovington | .... | carpenter | |
| Alan Brooks | .... | carpenter (as Alan P. Brooks) | |
| David Bubb | .... | construction manager (as Dave Bubb) | |
| Alastair Bullock | .... | draughtsman (as Al Bullock) | |
| David Carter | .... | painter | |
| Guy Chouard | .... | painter | |
| Daniel Clerici | .... | carpenter (as Daniel Clereci) | |
| Olivier Crespin | .... | chargehand stand-by props | |
| Stéphane Cressend | .... | second assistant art director (as Stephane Cressend) | |
| Jean Dambrin | .... | carpenter | |
| John Davey | .... | supervising scenic painter | |
| Patrick Delmas | .... | carpenter | |
| Anne Dolet | .... | sculptor | |
| Michael R. Driscoll | .... | stagehand (as Michael Driscoll) | |
| Dean Dunham | .... | scenic painter | |
| Stephane Fortier Durand | .... | draper trainee | |
| Alex Dury | .... | art department assistant | |
| Gregory Eck | .... | assistant dressing props | |
| Lee Edwards | .... | carpenter | |
| Ronald Fallen | .... | painter | |
| Eric Frion | .... | carpenter | |
| Christian Giambasi | .... | painter (as Christian Giambiasi) | |
| David Gibson | .... | carpenter | |
| Isabelle Globensky | .... | sculptor | |
| Jonathan Godfrey | .... | carpenter | |
| Matthew Gray | .... | assistant art director | |
| Christian Guillebaud | .... | carpenter (as Christian Guillebaut) | |
| Bertrand Guinnebault | .... | painter | |
| Pascal Guyot | .... | carpenter | |
| Bruno Hadjadj | .... | stand-by props | |
| Peter Hammond | .... | stand-by painter | |
| Bill Hargreaves | .... | stand-by props (as Billy Hargreaves) | |
| Yann Haugomat | .... | sculptor | |
| Brian Higgins | .... | carpenter | |
| Jason Hopperton | .... | props trainee | |
| Jean-François Juvanon | .... | painter | |
| Jacques Kazandian | .... | head draper (as Jacques Kazandjian) | |
| Yannis Kyroglou | .... | painter | |
| Ronald Lattimore | .... | painter | |
| Michael Law | .... | carpenter | |
| Patrick Lepetit | .... | painter | |
| Christian Lionel | .... | carpenter (as Lionel Christian) | |
| Bert Long | .... | carpenter (as Albert Long) | |
| Jérôme Magne | .... | carpenter (as Jerome Magne) | |
| Andrea Matheson | .... | art department assistant | |
| Daniel Mauvignier | .... | head painter | |
| Gary McCarthy | .... | painter (as Gary Mccarthy) | |
| Kevin McCarthy | .... | painter (as Kevin Mccarthy) | |
| Laurent Micheletti | .... | painter | |
| Nick Milner | .... | dressing props (as Nicholas Milner) | |
| Jacques Moissignac | .... | assistant dressing props (as Jacques Moissinac) | |
| Igor Mollet | .... | head carpenter | |
| Philip Morris | .... | stagehand | |
| James Muir | .... | stand-by stagehand | |
| Keith Muir | .... | chargehand stagehand | |
| Miguel Nougier | .... | assistant dressing props | |
| Wolfgang Osterholzer | .... | carpenter | |
| Allen Pack | .... | stand-by carpenter | |
| Steve Payne | .... | chargehand dressing props | |
| Caroline Platiau | .... | draper trainee | |
| Alba Ponce | .... | letter painter | |
| Adeline Praizner | .... | draper trainee | |
| Graeme Purdy | .... | props master | |
| Arnaud Putman | .... | assistant props buyer | |
| Jacques Quinternet | .... | props buyer | |
| Stanislas Robiolle | .... | painter | |
| Roger Saillard | .... | head carpenter | |
| Bob Sherwood | .... | chargehand stand-by props (as Robert Sherwood) | |
| Michael Simpson | .... | carpenter | |
| Lucinda Sturgis | .... | production buyer | |
| Michael Traynor | .... | carpenter | |
| Roman Turlure | .... | art department trainee | |
| Bettina von den Steinen | .... | second assistant art director (as Bettina Von Den Steinen) | |
| Barry Weller | .... | carpenter | |
| Dean Weller | .... | carpenter | |
| Peter Wells | .... | stagehand | |
| Stephen Weston | .... | wood machinist | |
| Paul Whitelock | .... | painter | |
| Patrick Widdrington | .... | construction manager | |
| Jean Wirth | .... | sculptor | |
| Marianna Zentchenko | .... | second assistant art director | |
| Lionel Pouchard | .... | storyboard artist (uncredited) | |
| Toby Shears | .... | propmaker (uncredited) | |
| Dicken Warner | .... | thatcher (uncredited) | |
Sound Department | |||
| Nigel Bennett | .... | assistant sound re-recording mixer | |
| Ricky Butt | .... | foley artist | |
| Sophie Chiabaut | .... | boom operator | |
| Ed Colyer | .... | foley mixer | |
| Peter Cowasji | .... | sound assistant (as Peter Cowajji) | |
| Richard Fordham | .... | assistant sound editor | |
| Pauline Griffiths | .... | foley artist | |
| Peter Holt | .... | foley editor | |
| Alex Joseph | .... | assistant sound editor | |
| Eddy Joseph | .... | supervising sound editor | |
| Dominic Lester | .... | sound re-recording mixer | |
| Nick Lowe | .... | dialogue editor | |
| Steve Mayer | .... | assistant sound editor | |
| Jean-Paul Mugel | .... | sound mixer | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Stéphane Soye | .... | sound assistant (as Stephane Soye) | |
| Richard Street | .... | assistant sound re-recording mixer | |
| David Tyler | .... | assistant foley mixer | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Nigel Mills | .... | supervising sound editor: final mix (uncredited) | |
Special Effects by | |||
| Alain Couty | .... | special effects | |
| Jeremy Lovett | .... | special effects assistant | |
| Dominic Tuohy | .... | special effects supervisor | |
| Olivier Zenenski | .... | special effects | |
| Dave Crownshaw | .... | snow effects supervisor (uncredited) | |
Visual Effects by | |||
| Christophe Belena | .... | digital scanning supervisor: Duboicolor | |
| Coralie Boulay | .... | scan assistant: Duboicolor | |
| Andre Brizard | .... | operator: Dutruc, Duboicolor | |
| Solena Collignon | .... | operator: Matador, Duboicolor (as Solen Collignon) | |
| Claire Coutelle | .... | digital color grader: Duboicolor | |
| Thierry Delobel | .... | operator: Dutruc, Duboicolor | |
| Séverine De Wever | .... | special effects project supervisor: Duboicolor (as Severine De Wever) | |
| François Dupuy | .... | digital transfers: Duboicolor | |
| Rip Hampton O'Neil | .... | technical director: Duboicolor | |
| Alexandre Jeanneret | .... | digital title designer: Duboicolor | |
| Alexandre Kolasinski | .... | operator: Matador, Duboicolor | |
| Antoine Lhoullier | .... | operator: Dutruc, Duboicolor (as Antoine Lhouiller) | |
| Tina Lin | .... | digital title designer: Duboicolor | |
| Jean-Francois Michelas | .... | operator: Dutruc, Duboicolor | |
| Marc Paccosi | .... | special effects supervisor: Duboicolor (as Marco Paccosi) | |
| Sebastien Rame | .... | operator: Dutruc, Duboicolor | |
| Antoine Simkine | .... | chief executive officer: Duboicolor | |
| Daniel Trujillo | .... | operator: Dutruc, Duboicolor | |
| Edouard Valton | .... | special effects production manager: Duboicolor | |
| Tommaso Vergallo | .... | production manager: Duboicolor | |
| Veronique Zylberfain | .... | digital title designer: Duboicolor | |
| Xavier Fourmond | .... | digital compositor (uncredited) | |
| Pete Hanson | .... | studio manager: Double Negative (uncredited) | |
| Rudi Holzapfel | .... | digital effects supervisor: Double Negative (uncredited) | |
| Steve MacPherson | .... | technical operations manager: Double Negative (uncredited) | |
Stunts | |||
| Laurent Alexandre | .... | stunt double: Johnny Depp | |
| David Anders | .... | stunt performer | |
| Joëlle Baland | .... | stunt coordinator (as Joelle Baland) | |
| Andy Bradford | .... | stunt coordinator | |
| Richard Bradshaw | .... | stunt performer | |
| Gary Connery | .... | stunt performer | |
| Gabe Cronnelly | .... | stunt performer | |
| Derek Lea | .... | stunt performer | |
| Pascal Madura | .... | stunt coordinator (as Pascal 'Chino' Madura) | |
Animation Department | |||
| Timothy Shanahan | .... | breakdown artist (as Tim Shanahan) | |
Casting Department | |||
| Mary Colquhoun | .... | casting director: US | |
| Louis Elman | .... | adr voice casting | |
| Annick Hemon | .... | casting director: Romany | |
| Andreas Meszaros | .... | extras casting | |
| Helene Pautre | .... | casting assistant | |
| Lucy Townsend | .... | casting assistant | |
| Iris Wong | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Eric Bigot | .... | dresser | |
| Vicky Clark | .... | wardrobe assistant | |
| Andrea Cripps | .... | wardrobe assistant | |
| David Crossman | .... | wardrobe supervisor | |
| Amanda Derby | .... | wardrobe assistant | |
| Sandrine Douat | .... | assistant dresser | |
| Jacqueline Durran | .... | first assistant costume designer | |
| Carin Hoff | .... | assistant costume designer | |
| Janet Latimer | .... | dresser (as Janet Fiona Latimer) | |
| Jacques Mazuel | .... | dresser | |
| Karen Muller Serreau | .... | wardrobe mistress | |
| Sebastian Perrone | .... | dresser | |
| Véronique Portebois | .... | assistant dresser (as Veronique Portebois) | |
| Guy Speranza | .... | assistant costume designer | |
| Silvana Sacco | .... | costume effects artist (uncredited) | |
| Dominic Young | .... | costume maker (uncredited) | |
Editorial Department | |||
| Phil Ashton | .... | color timer | |
| Tania Clarke | .... | second assistant editor | |
| Simon Cozens | .... | first assistant editor | |
| Yvan Lucas | .... | color timer | |
| Isabelle Proust | .... | first assistant editor | |
| Natasha Pym | .... | second assistant editor | |
| Steve Harrow | .... | post-production consultant (uncredited) | |
Music Department | |||
| Matthew Barr | .... | assistant music editor | |
| Ivan Chandler | .... | music supervisor | |
| Sophie Cornet | .... | assistant music editor | |
| Sian Edwards | .... | opera music coordinator | |
| Terry Edwards | .... | chorus director: The Royal Opera Chorus | |
| Fred Frith | .... | musician: guitars | |
| David Frost | .... | opera music producer | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Christopher Laurence | .... | musician: double bass | |
| Tony Lewis | .... | assistant music editor | |
| Jill Meyers | .... | music licensing consultant | |
| Sally Potter | .... | music producer | |
| Amos Field Reid | .... | music coordinator: Adventure Pictures | |
| Mike Ross-Trevor | .... | music mixer | |
| Mike Ross-Trevor | .... | music recordist | |
| Christopher Sheppard | .... | executive music producer | |
| Bob Thompson | .... | music consultant: Mr. Golijov (as Robert Thompson) | |
| Jenny Took | .... | music coordinator | |
| Vasko Vassilev | .... | concert master: The Orchestra of the Royal Opera House | |
| Salvatore Licitra | .... | singing voice: "Dante" (uncredited) | |
Transportation Department | |||
| Felix Baudouin | .... | driver | |
| Mathias Bocquillon | .... | driver | |
| Hélène Chalant | .... | driver | |
| Fred Chiverton | .... | driver | |
| David Crenn | .... | driver | |
| Mick Crowley | .... | driver | |
| Colin Davies | .... | driver | |
| Stéphane Floc'h | .... | driver (as Stephane Floc'h) | |
| Martin Grange | .... | vehicle consultant | |
| Yahn Jeannot | .... | driver | |
| Paul Jones | .... | driver | |
| Phil Knight | .... | driver (as Philip Knight) | |
| Dave Manning | .... | transportation manager | |
| Jerry O'Connor | .... | driver | |
| Nicolas Ploux | .... | driver | |
| Ken Price | .... | driver | |
| Laurent Rizzon | .... | transportation manager | |
| Bob Sachs | .... | driver | |
| Marc-Antoine Trani | .... | driver | |
| Gerry Turner | .... | driver | |
| R.J. Turner | .... | driver (as RJ Turner) | |
Other crew | |||
| Betty Ainslie | .... | assistant accountant | |
| Alex Alexander | .... | stand-in: Oleg Yankovsky | |
| Colette Appleby | .... | stand-in: Cate Blanchett | |
| Felicia Banu | .... | liaison: Romany | |
| John Bartram | .... | utility stand-in | |
| Francois Bell | .... | floor runner | |
| Xavier-David Benkemoun | .... | location scout | |
| Barbara Berkery | .... | dialect coach | |
| Ludovic Beurton | .... | location trainee | |
| Fabio Cardascia | .... | utility stand-in | |
| David Crenn | .... | runner | |
| Sébastien Darbois | .... | extras handler (as Sebastien Darbois) | |
| Bill Darby | .... | location manager | |
| Alexis Delage-Toriel | .... | publicist | |
| Aaron De Luca | .... | production assistant | |
| Alain Dominiecki | .... | accountant | |
| Walter Donohue | .... | story editor | |
| Juliette Dow | .... | assistant: Tim Bevan | |
| Sonia Duclos | .... | location trainee | |
| Emmanuel Rondeau du Noyer | .... | location scout (as Emmanuel Rondeau Du Noyer) | |
| Penny Eyles | .... | script supervisor | |
| Duncan Flower | .... | assistant location manager | |
| Isabel Fonseca | .... | consultant: Romany | |
| Florence Forney | .... | production coordinator | |
| Diane Gelon | .... | legal services | |
| Cyril Gibbons | .... | health and safety officer | |
| Florence Grunfelder | .... | stand-in: Christina Ricci | |
| Marc Guidetti | .... | location manager | |
| Karen Halliday | .... | utility stand-in | |
| Jean-Pierre Hervé | .... | operator: second unit (as Jean-Pierre Herve) | |
| Mathieu Hiltzer | .... | location trainee | |
| Rachel Holroyd | .... | head of business affairs: Working Title | |
| Sébastien Jacquet | .... | stand-in: Johnny Depp (as Sebastien Jacquet) | |
| Nicky Jarvis | .... | nurse (as Nicola Gregory Jarvis) | |
| Kate Jones | .... | assistant: Christina Ricci | |
| Stephane Karo | .... | manager: Taraf de Haïdouks | |
| Bridget Kenningham | .... | location assistant | |
| Donald Kenrick | .... | consultant: Romany | |
| Nina Khobiashvili | .... | interpreter: Russian | |
| Nina Khoshaba | .... | company coordinator: Working Title | |
| Lisa-Kim Ling Kuan | .... | accountant | |
| Jean Labille | .... | locksmith | |
| Jacky Lansley | .... | choreographer | |
| Francis Lebrun | .... | locksmith | |
| Marc Le Campion | .... | location trainee | |
| Emmanuel Libermann | .... | location trainee | |
| Daniel Lipnik | .... | consultant: lip-synching | |
| Mario Luraschi | .... | horse master | |
| Chantal Malrat | .... | production administrator (as Chantal Malrat-Atanassian) | |
| Steve Masters | .... | graphic consultant | |
| Xavier Menut | .... | stand-in: John Turturro | |
| Sophie Mollier | .... | nurse | |
| Roanne Moore | .... | production coordinator | |
| Elodie Morales | .... | extras handler | |
| Angela Morrison | .... | chief operating officer: Working Title | |
| Lindsey Muse | .... | stand-in: Claudia Lander-Duke | |
| Josephine Olive-O'Neill | .... | assistant accountant | |
| Nicolas Ploux | .... | runner | |
| Amos Field Reid | .... | assistant: Sally Potter | |
| Jane Robinson | .... | opera coach | |
| Emmanuel Roussille | .... | location scout | |
| Dominique Sellier | .... | stand-in: Harry Dean Stanton | |
| Helen Slaymaker | .... | stand-in: Christina Ricci | |
| Frédéric Sobczak | .... | assistant location manager (as Frederic Sobczak) | |
| Dathi Sveinbjarnarson | .... | floor runner | |
| Marie-Pierre Thomas | .... | historical advisor | |
| Samantha Thomas | .... | location assistant | |
| Lara Thompson | .... | assistant: Eric Fellner | |
| Julian Tomlin | .... | head of finance: Working Title | |
| Kevin Trehy | .... | financial controller | |
| Pierre Turquet | .... | floor runner | |
| Françoise Valentine | .... | underwater communications nurse (as Francoise Valentine) | |
| Pablo Verón | .... | choreographer: Romany cafe (as Pablo Veron) | |
| Harvey Waller | .... | production runner | |
| Michel Winter | .... | manager: Taraf de Haïdouks | |
| Mireille Wozny | .... | stand-in: Cate Blanchett | |
| Douglas Yates | .... | health & safety officer | |
| Arnaud Cafaxe | .... | runner (uncredited) | |
| Dominique Green | .... | production executive (uncredited) | |
| Michael J. Harker | .... | completion bond representative (uncredited) | |
| Arnaud Mathey-Dreyfus | .... | set runner (uncredited) | |
| Joan Washington | .... | pre-production coach (uncredited) | |
Thanks | |||
| Diane Balser | .... | special thanks | |
| Brigitte Brauner | .... | special thanks: Marie De Paris (as Madame Brigitte Brauner) | |
| Alexandra Cann | .... | special thanks | |
| Julie Christie | .... | special thanks | |
| Adrienne Clarkson | .... | special thanks | |
| Robyn Davidson | .... | special thanks | |
| Peter Gelb | .... | special thanks | |
| Dominique Green | .... | special thanks | |
| Mark Halloran | .... | special thanks | |
| Monsieur Jean-Pierre Haubensack | .... | special thanks: France Rail Publicite | |
| Julian Henriques | .... | special thanks | |
| Charles Moore | .... | special thanks | |
| Simon Perry | .... | special thanks | |
| Hugo Rolo | .... | special thanks | |
| Tony Safford | .... | special thanks | |
| Pierre Selinger | .... | special thanks | |
| Betty Mary Sheppard | .... | in loving memory | |
| Parminder Vir | .... | special thanks | |
| Bart Walker | .... | special thanks | |
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| Au revoir les enfants | Europa Europa | Novecento | L'accompagnatrice | Gone with the Wind |
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Christina Ricci sings more than she speaks in the movie, but she manages to hold your attention nevertheless for a pretty solid hour and a half in this well-acted and profound, but uneven period piece. Sally Potter, who also directed the similarly problematic "Orlando", clearly has the visual and thematic talent to be a much better respected director than she is - she just needs to learn how to tell a story.
The first forty minutes of the film, which begins in the year 1927, are absolutely masterful. The sublime Claudia Lander-Duke plays young Fegele, an impoverished Russian-Jewish girl whose beloved father decides to journey to America in search of a better life. After that, Fegele and her family are set upon by unnamed bad guys (probably either Cossacks or Communists), and Fegele is separated from them. She ends up on an ocean liner bound for England, where her name is changed to Susan, she is adopted by an English family that doesn't understand her, and she is forced to begin the process of assimilation.
Flash forward ten years or so (Potter is regrettably and consistently unspecific about such things). Fegele (now Suzie and now played by Christina Ricci, she of the large, expressive eyes) wants to be a showgirl so she can earn money to go to America and find her father. She auditions and is accepted by a group based out of Paris. Once in Paris, she rooms and becomes tight with fellow showgirl Lola (Cate Blanchett), a somewhat vapid and materialistic creature with no ambition save that of landing a rich man - which she manages to do in the form of opera singer and Mussolini supporter Dante Dominio (John Turturro, in one of his better performances). Around the same time, Suzie meets and falls in love with Cesare (Johnny Depp), the leader of a band of gypsies.
Once all the dominoes are in place, Potter wastes no time in knocking them down. You can see trouble coming a mile away: Lola, Suzie's one confidant who is aware of her Jewish ancestry, begins falling under the emotional and political spell of anti-Semitic, gypsy-hating fascist Dante. Meanwhile, the Nazis have invaded Poland and, despite everyone's self-assured predictions that they'll stop there, the French border is neither geographically nor historically distant. Suddenly, it's a race against time for all involved, but especially for Suzie - will she stay behind with her gypsy king, or, given a choice, will she escape certain death? The problem with all of this is that it's all so familiar. Potter adds nothing to the old story. There are some wonderful messages in this film about multiculturalism, nationalism, and the sometimes subtle nature of fascism, but if you don't care about the story you're not going to be interested in listening to the messages. The gypsy subplot, for instance, seems tacked on, like it was an excuse to give Ricci a love interest and have him be played by Johnny Depp.
The really interesting plot line here involves Lola and Dante, and I would pay ten dollars to see a movie that was just about them. Both Blanchett and Turturro create real, flesh-and-blood human beings, and it's in their scenes that Potter's writing really soars. Watching Dante sink deeper and deeper into a political philosophy fueled by his own insecurity while the irrepressibly optimistic Lola tries to turn a blind eye to it all is a fascinating and marvelous experience.
Ricci gives a good performance too, although occasionally that Valley Girl tone she uses in most of the rest of her movies slips out a little too much here and there. Fortunately, Potter doesn't give the shy, quiet Suzie very much to say. Most of her acting is done with her eyes, and she's really quite good. Johnny Depp does what he can with Cesare, but there's only so much an actor can accomplish when playing a plot device.
Art direction, music, and cinematography were all top-drawer. As is par for the course with Sally Potter's films, it looked good and had some interesting things to say. I just wish it had been more compelling.