| Anna Levine | ... | Bella (as Anna Thomson) | |
| Jamie Harris | ... | Bruno | |
| Louise Lasser | ... | Emily | |
| Robert Modica | ... | Paul | |
| Lonette McKee | ... | Sherry-Lynn | |
| Victor Argo | ... | Seymour | |
| Angelica Torn | ... | Vitka | |
| Austin Pendleton | ... | George | |
| Sandrine Holt | ... | Giselle | |
| Valerie Geffner | ... | Wanda | |
| Mark Margolis | ... | Graham | |
| Judith Roberts | ... | Bella's Mother | |
| Lynn Cohen | ... | Jesse | |
| Salem Ludwig | ... | Leo | |
| Irma St. Paule | ... | Mary-Beth (as Irma St. Paul) | |
| Chuck Pfeiffer | ... | Driver (as Chuck Pfeifer) | |
| Loulou Katz | ... | Betsie | |
| Tahesha Parker | ... | Kelly | |
| Joe Davieau | ... | Jasper | |
| Dequan Henderson | ... | Roger | |
| Ellee Panahi | ... | Shawn (as Elie Limosin) | |
| Richard Scanlon | ... | Kimmelman | |
| Maggie Baisch | ... | Babysitter | |
| Saul Stein | ... | Agent | |
| James Biberi | ... | Trick | |
| Tim Williams | ... | Kindergarten Teacher | |
| Haim Abramsky | ... | Ron | |
| Dechen Thurman | ... | Homeless Man | |
| Joan Rahav | ... | Literary Receptionist | |
| Betsy Jacobson | ... | Lady in Street | |
| Rick Loman | ... | Fast Food Patron 1 | |
| Tibor Feldman | ... | Fast Food Patron 2 | |
| Jessica Orlinsky | ... | New Tenant | |
| Kelly Cole | ... | Punk 1 | |
| Beau Van Donkelaar | ... | Punk 2 | |
| Adam Dannheisser | ... | Vitamin Salesman | |
| Nazanin Homa | ... | Stewardess 1 | |
| Lisa Sauber | ... | Stewardess 2 | |
| Leah Garland | ... | Redhead in Red Dress | |
| Kyle Derek | ... | Man on Bike (as Jonathan Mark Gold) | |
| Kevin Gold | ... | Kid in Park | |
| Kristin Taylor | ... | Mom in Park | |
| James Nee | ... | Schneider | |
| Bob Reynolds | ... | Ludwig | |
| rest of cast listed alphabetically: | |||
| Breindel Wood | ... | Mother at Zoo (extra) (uncredited) | |
Directed by | |||
| Amos Kollek | |||
Writing credits | ||
| Amos Kollek | (written by) | |
Produced by | |||
| Sherry Greenberg | .... | line producer | |
| Avram Ludwig | .... | co-producer | |
| Hengameh Panahi | .... | producer | |
Original Music by | |||
| David Carbonara | |||
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Sheri Bylander | |||
Casting by | |||
| Caroline Sinclair | |||
Production Design by | |||
| Stacey Tanner | |||
Set Decoration by | |||
| Amanda Carroll | |||
Costume Design by | |||
| Pascal Gosset | |||
Makeup Department | |||
| Renee Didio | .... | key hair stylist (as Renee Von Maluski) | |
| Renee Didio | .... | key makeup artist (as Renee Von Maluski) | |
| Hector Ferrer | .... | additional hair stylist | |
| Hector Ferrer | .... | additional makeup artist | |
| Angela Gallagher | .... | assistant hair stylist | |
| Angela Gallagher | .... | assistant makeup artist | |
| Susanna Ripley | .... | additional hair stylist | |
| Susanna Ripley | .... | additional makeup artist | |
Production Management | |||
| Walter Bell | .... | unit manager | |
| Claudia Balthazar Medeiros | .... | production manager (as Claudia Balthazar Madeiros) | |
Art Department | |||
| Neal Acosta | .... | art department production assistant | |
| Saku Ee | .... | additional art department production assistant | |
| Suzanne Kent | .... | scenic artist | |
| Jose Pavon | .... | set dresser | |
| Michael Prettyman | .... | scenic artist | |
| Diana Puntar | .... | property master | |
| Emilio P. Stamos | .... | additional art department production assistant | |
| Rebecca Vaughan | .... | additional art department production assistant | |
| Pierre Vial | .... | on-set dresser | |
Sound Department | |||
| Stan Bochner | .... | supervising sound editor | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby (as Eric Christoffersen) | |
| Peter Fonda | .... | boom operator | |
| Chen Harpaz | .... | sound mixer | |
| David Raphael | .... | sound mixer | |
| Michelle De Chiara | .... | additional sound mixer (uncredited) | |
| Anne-Gaelle Picart | .... | additional boom operator (uncredited) | |
Stunts | |||
| Kyle Derek | .... | stunt coordinator (uncredited) | |
| Tony Guida | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Guy-Auguste Boléat | .... | key grip (as Guy-Auguste Boleat 'Bobol') | |
| Rick Griggs | .... | best boy grip | |
| Henry Krinkle | .... | best boy grip | |
| Marc Labbate | .... | best boy electric | |
| Benjamin Lehmann | .... | first assistant camera | |
| Rick Pierson | .... | third assistant camera | |
| Brian Pryzpek | .... | gaffer | |
| Osnat Shalev | .... | still photographer | |
| Andrew Voegeli | .... | second assistant camera | |
Casting Department | |||
| Sheila O'Malley | .... | extras casting | |
| Robert Channing Reynolds | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sharon Jordan | .... | assistant to costume designer | |
| Leana Zuniga | .... | wardrobe supervisor | |
Editorial Department | |||
| Joshua Boggioni | .... | post-production intern | |
| Seth Kramer | .... | assistant editor | |
Music Department | |||
| David Rogow | .... | music supervisor | |
| Alan Silverman | .... | music mixer | |
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| Basic Instinct | The Unbearable Lightness of Being | Les invasions barbares | Sideways | Monster's Ball |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Today I'm happy that I'm from Israel. This is directly connected to the fact that the director of this film is from Israel either.It really makes me proud to know that the brain who create this wonderful film,grew up here. It is a comedy about life, and all the regular components of our routine: love, sex, work, children, money, getting older... All characters are looking for love and warmness, in their boring life, and they all get connected in some way... We can find ourself in each characters, even thought it present strangeness, and something bizar.This is why I enjoyed watching the film- you can't tell what happened with the character a minute after you've seen her\him on the screen. You won't get any big ideas from the film, and you won't find a message that will make you think allot after the film ends, but- it has a positive atmosphere, and you'll get out from the cinema with a big smile, and with an optimist opinion about life.