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Children of Men (2006)
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Overview
User Rating:
Release Date:
5 January 2007 (USA) moreTagline:
No children. No future. No hope. morePlot:
In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind. full summary | full synopsisAwards:
Nominated for 3 Oscars. Another 20 wins & 24 nominations moreNewsDesk:
(96 articles)
Preview: 2012 (From HeyUGuys. 6 November 2009, 4:01 PM, PST)
Alfonso Cuaron to Direct The Tourist Starring Johnny Depp
(From FilmJunk. 6 November 2009, 2:16 PM, PST)
User Comments:
"The future's a thing of the past." Tremendous from start to finish. more (1055 total)Cast
(Cast overview, first billed only)| Juan Gabriel Yacuzzi | ... | Baby Diego (as Juan Yacuzzi) | |
| Mishal Husain | ... | Newsreader | |
| Rob Curling | ... | Newsreader | |
| Jon Chevalier | ... | Café Customer | |
| Rita Davies | ... | Café Customer | |
| Kim Fenton | ... | Café Customer | |
| Chris Gilbert | ... | Café Customer | |
| Phoebe Hawthorne | ... | Café Customer | |
| Rebecca Howard | ... | Café Customer | |
| Atalanta White | ... | Café Customer (as Atlanta White) | |
| Laurence Woodbridge | ... | Café Customer | |
| Clive Owen | ... | Theo Faron | |
| Maria McErlane | ... | Shirley | |
| Michael Haughey | ... | Mr. Griffiths | |
| Paul Sharma | ... | Ian |
Additional Details
MPAA:
Rated R for strong violence, language, some drug use and brief nudity.Parents Guide:
View content advisory for parentsRuntime:
109 minColor:
ColorAspect Ratio:
1.85 : 1 moreCertification:
Ireland:15A | UK:15 | Netherlands:16 | France:U | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Portugal:M/16 | Australia:MA | Finland:K-15 | Germany:16 | Singapore:NC-16 | Canada:14A (Ontario) | USA:R (certificate #42838) | New Zealand:R16 | Hungary:16 | Norway:15 | South Korea:15 | Malaysia:18PL (DVD) | Brazil:16 | Sweden:15 | India:A | Spain:13 | South Africa:16LVFun Stuff
Trivia:
When Owen enters the dining room in Battersea power station, the large black and white mural behind him is Pablo Picasso's. "Guernica." The same image is drawn on the wall of the tunnel which Theo and Kee use to escape in the rowboat. The painting was Picasso's reaction to the Nazi bombing of Guernica, Spain during the Spanish Civil War, which killed an estimated 1,600 civilians. moreGoofs:
Continuity: When Nigel yells at Alex to take his pills, Alex takes the first pill and drinks some water. The next camera shot of Alex shows him taking a second pill but his glass has more water in it than before. Also, in these same three camera swaps Nigel's pill box moves closer to his wine glass, which now has less wine than the previous shot, even though Nigel's position doesn't change. moreQuotes:
[first lines]Newsreader: Day 1,000 of the Siege of Seattle.
Newsreader: The Muslim community demands an end to the Army's occupation of mosques.
Newsreader: The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
more
Soundtrack:
Ruby Tuesday moreFAQ
What is the name of the music track Jasper plays with a lot of screaming?Why does the blood on the camera disappear?
What is the psalm from the P.D. James novel "The Children of Men", which contains the words "children of men"?
more
more (1055 total)
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The apocalypse arrives on film once again in a plot so simple it's horrifyingly believable. It's 2027 and the world is close to annihilation because no child has been born in 18 years. London office worker Theo (Clive Owen) is offered cash by a radical ex-girlfriend to escort a refugee (Claire-Hope Ashitey) to safety. Their lives are soon at risk from both government and revolutionaries.
Although the camera work and cinematography is nothing short of stunning the focus always with our protagonist, ensuring we're kept in the middle of the action throughout. It is also undoubtedly one of Owen's finest performances to date. Theo is never far from danger yet he struggles on with convincing dignity. Occasionally baffled but far from stupid - Theo is essentially a reckless, underplayed action hero that doesn't jump at every opportunity to arm himself with a gun. This works well with the international ensemble of incredible talent: Michael Caine's charming pot dealing hippie, feisty Julianne Moore, key role Claire-Hope Ashitey, the wonderful Pam Ferris, the increasingly busy, excellent Chiwetel Ejiofor, Danny Huston and writer/director/producer Peter Cullen (gloriously sadistic Syd) to name a few... This is surely a casting coup to be jealous of.
The episodic nature of the story makes Children of Men difficult to place into one genre alone. Briefly glimpsed futuristic sci-fi technology is grounded in reality and looks entirely achievable while grey, graffiti ridden concrete locations provide an excellent backdrop for the near satirical look of our current social and political climate. There's poignant drama interspersed amongst exhilarating action and yet enough twists to call it a thriller.
This is not to say it's flawless. Some exposition is handled better in places than others for instance. However Alfonso Cuarón has achieved a completely remarkable experience. Arguably the film could have been longer given how strong most of it is. The only really hard pill to swallow is the comedy juxtaposed with some stark imagery that looks all too familiar to anyone who has ever seen the News from the past few decades. Nice to see a Pink Floyd reference though (pigs might fly!), and someone finally found a use for Battersea Power Station.
Ideally an audience should see this film with no preconceptions and know as little about the plot as possible. This will be unlikely though due to a staggered box-office release schedule, word of mouth and a plethora of reviews and trailers that are eager to give much of the game away. Ironic then perhaps that it must be said - Children of Men is a cinematic milestone. Great special effects and an effective soundtrack accompany this heartfelt, moving and thought-provoking film. Easily one of the best films in recent memory.