The Dish (2000)

User Rating:

7.1/10   

Director:

Rob Sitch

Writers:

Santo Cilauro (conceived and written by) &
Tom Gleisner (conceived and written by) ...
(more)

Release Date:

27 April 2001 (USA)

Genre:

Comedy | Drama

Tagline:

Man's first step on the moon nearly stumbled on earth

Plot:

A remote Australian antenna, populated by quirky characters, plays a key role in the first Apollo moon landing.

Plot Keywords:

NASA | Satellite Dish | Australia | Moon Walk | Space

Awards:

3 wins & 11 nominations

Cast

Sam Neill	...	Cliff Buxton
Billy Mitchell	...	Cameron
Roz Hammond	...	Miss Nolan
Christopher-Robin Street	...	Damien
Luke Keltie	...	Graeme
Naomi Wright	...	Melanie
Ben Wright-Smith	...	Nicholas
Beverley Dunn	...	Secretary (voice)
Grant Thompson	...	Mr. Callen
Bille Brown	...	Prime Minister
Bernard Curry	...	Newspaper Reporter
Kevin Harrington	...	Ross 'Mitch' Mitchell
Tom Long	...	Glenn Latham
Patrick Warburton	...	Al Burnett
Roy Billing	...	Mayor Robert 'Bob' McIntyre
Andrew S. Gilbert	...	Len Purvis
Matthew Moore	...	Keith Morrison
Kerry Walker	...	Pearl
Denise Roberts	...	Bronwyn
Jeff Keogh	...	Ray
Jason Ritterman	...	Adrian Hobbs
Alexander Zent	...	Lead Guitarist
Rowan Macartney	...	Trumpet
Aidan Macartney	...	Trombone
Jarrod Factor	...	Drummer
Oliver McGill	...	Pianist
Genevieve Mooy	...	May McIntyre
Marilyn O'Donnell	...	Melva
Jane Menelaus	...	Gwen
Lenka Kripac	...	Marie McIntyre
John Flaus	...	Ron
Carl Snell	...	Billy McIntyre
Eliza Szonert	...	Janine Kellerman
Tayler Kane	...	Rudi Kellerman
Neil Pigot	...	Journalist
Darren Davidson	...	Camera Person
Simon Donaldson	...	Sound Person
John McMartin	...	U.S. Ambassador Howard
Frank Bennett	...	Barry Steele
Randall Berger	...	Ambassador's Aide
Charles 'Bud' Tingwell	...	Reverend Loftus
Mal Walden	...	ABC Journalist (voice)
Rod McNeil	...	Radio Newsreader (voice)
Alister Paterson	...	ABC TV Newsreader
Colette Mann	...	Betty the Bush Poet
Susan Ward	...	Female Print Journalist
Roger Crisp	...	Male Reporter
rest of cast listed alphabetically:
Buzz Aldrin	...	Himself (archive footage)
Neil Armstrong	...	Himself (archive footage)
Michael Collins	...	Himself (archive footage)
John Glenn	...	Himself (archive footage)
Nicholas Bell	...	TV Scientist (uncredited)
Walter Cronkite	...	Himself (archive footage) (uncredited)
Hubert H. Humphrey	...	Himself (archive footage) (uncredited)
John F. Kennedy	...	Himself (archive footage) (uncredited)
Richard Nixon	...	Himself (archive footage) (uncredited)
Sir Eric Pearce	...	Himself (TV Newsreader) (archive footage) (uncredited)

Directed by
Rob Sitch

Writing credits
Santo Cilauro		(conceived and written by) &
Tom Gleisner		(conceived and written by) &
Jane Kennedy		(conceived and written by) and
Rob Sitch		(conceived and written by)

Produced by
Debra Choate	....	line producer
Santo Cilauro	....	producer
Tom Gleisner	....	producer
Michael Hirsh	....	producer
Jane Kennedy	....	producer
Rob Sitch	....	producer

Original Music by
Edmund Choi

Cinematography by
Graeme Wood		(director of photography)

Film Editing by
Jill Bilcock

Casting by
Jane Kennedy

Production Design by
Carrie Kennedy

Art Direction by
Ben Morieson

Costume Design by
Kitty Stuckey

Makeup Department
Simone Albert	....	makeup artist
Jill Fischer	....	prostethics makeup artist: Creative Audience Productions Inc.
Ian Loughnan	....	makeup artist
Caroline Styles	....	hair designer
Caroline Styles	....	makeup designer
Noriko Watanabe	....	makeup artist: old man sequence
Noreen Wilkie	....	hair stylist: Sam Neill
Noreen Wilkie	....	makeup artist: Sam Neill
Wesley Wofford	....	key prostethics makeup artist
Mark Nieman	....	silicone prosthetic technician (uncredited)

Production Management
Andrew Osboldstone	....	unit manager
Sylvia Walker-Wilson	....	post-production supervisor

Second Unit Director or Assistant Director
Santo Cilauro	....	second unit director
Annie Maver	....	first assistant director
Justin O'Neill	....	assistant director
Iain Pirret	....	second assistant director
Matthew Rooke	....	third assistant director

Art Department
Liam Adam	....	art department assistant
Jane Burns	....	props buyer
Robert Elliott	....	storyboard artist
Sandy Grant	....	stand-by props
Troy Hardy	....	art department runner
Carrie Kennedy	....	model maker
Ben Morieson	....	model maker
Andre Potappel	....	technical supervisor
Stephen Travers	....	additional art department (as Steve Travers)
Darren Unsgaard	....	set dresser
Warren Vigor	....	additional art department
Lisa Wang	....	art department coordinator
Richard Wenzel	....	props buyer

Sound Department
Philippe Decrausaz	....	sound recordist
Tony Dickinson	....	boom operator
Bruce Emery	....	stereo sound consultant: Dolby
Helen Field	....	coordinator: Soundfirm Australia
Richard Girvan	....	sound engineer: ABC
Francis Ward Lindsay	....	foley artist
Gerry Long	....	foley artist
John McKerrow	....	additional boom operator
Damien Montalto	....	sound recording engineer
Andrew Neil	....	assistant sound mixer
Andrew Neil	....	foley recordist
Skye Ritchie	....	special sound effects editor
Livia Ruzic	....	dialogue editor
Roger Savage	....	sound mixer
Danny Sullivan	....	sound recording engineer
Jenny Sutcliffe	....	additional boom operator
Gareth Vanderhope	....	special sound effects editor

Special Effects by
Aaron Beaucaire	....	special effects

Visual Effects by
Paul Cross	....	optical effects
Murray Curtis	....	visual effects: Complete Post
Andrea Parkes	....	visual effects: Complete Post
Tim Parrington	....	visual effects: Complete Post
Peter Webb	....	visual effects: Complete Post

Camera and Electrical Department
Tov Belling	....	focus puller: second unit
Dan Carr	....	fourth electrician
Joanne Donahoe	....	camera operator: epk
Craig Dusting	....	key grip
Warwick Field	....	aerial camera operator: second unit
Anthony Gerrish	....	grip
Richard Hosking	....	camera operator: second unit
Marin Johnson	....	clapper loader
Trish Keating	....	focus puller
Adam Litchfield	....	video split operator
Jude Lovatt	....	focus puller: second unit
Lex Martin	....	third electrician
Peter Moloney	....	electrician
Josh Moore	....	additional grip
Timothy Morrison	....	best boy electric (as Tim Morrison)
Harry Panagiotidis	....	Steadicam operator (as Harry Panogiotidis)
Peter Stockley	....	additional grip
Lisa Tomasetti	....	still photographer
Colin Williams	....	gaffer

Casting Department
Rachel Bailey	....	casting assistant: Australia
Richard Hicks	....	casting consultant: USA
Yeskel Hicks	....	casting consultant: USA
Leesa Scheller	....	casting assistant: Australia

Costume and Wardrobe Department
Michael Davies	....	stand-by wardrobe
Maida Jereb	....	costume maker
Gabrielle Travers	....	costume supervisor

Editorial Department
Arthur Cambridge	....	color grader
Robert Hall	....	second assistant editor
Noel Hansen	....	telecine dailies
Julia MacLeod	....	negative matcher (as Julia Macleod)
Rochelle Oshlack	....	first assistant editor
Bill Daly	....	post-production executive (uncredited)
Justin Heitman	....	telecine colorist (uncredited)

Music Department
Noel Ancell	....	artistic director: choir
Doug Brady	....	music editor
Edmund Choi	....	conductor: Melbourne Symphony Orchestra
Lynette Clarkson	....	liaison: choir
Graeme Evans	....	musician: horn solo
Barb Glaser	....	orchestra manager (as Barbara Glaser)
Jane Kennedy	....	music producer
Michael Kisin	....	concert master
Sonny Kompanek	....	orchestrator
Ron Layton	....	orchestra contractor
Lawrence Manchester	....	score mixer
Lawrence Manchester	....	score recordist
Geoffrey Payne	....	musician: trumpet solo
Markus Stenz	....	artistic director: music
Markus Stenz	....	chief conductor
Peter Sullivan	....	composer: additional music
Christine Woodruff	....	music licensing

Transportation Department
Maurice Randall	....	vehicle supervisor

Other crew
Brett Anderson	....	safety supervisor
Ian Anderson	....	liaison: Cinevex
Jim Atkins	....	engineer: ABC
Cassandra Barbour	....	rights and clearances
Tony Bartuccio	....	choreographer: dance hall
Bernadette Breitkreuz	....	assistant accountant
Tom Dillon	....	production runner
Greg Duncombe	....	helicopter pilot: second unit
Jeanette Fisher	....	caterer: Sweet Seduction
Sarah Gilligan	....	unit assistant
Jeremy Gray	....	insurance: AON insurance
Wendy Gregory	....	production assistant
Gordon Gribbin	....	copyist
Nikki Hamilton	....	second production assistant
Foster Hart	....	legal
Pauline Hirsh	....	second unit coordinator
Pauline Hirsh	....	unit publicist
Mika Holliday	....	researcher: stock footage
Jane Manning	....	researcher: stock footage
Susannah Mott	....	production coordinator
Vanitha Naidu	....	production accountant
Chris Peters	....	safety supervisor
Arch Roberts	....	safety supervisor (as Archie Roberts)
Ian Russell	....	liaison: Atlab Australia
Antonetta Russo	....	accounting assistant
Laura Sevier	....	rights and clearances
Greg Sitch	....	legal
Kate Thomson	....	assistant production coordinator
Sophie Vickers-Willis	....	catering: office
Sophie Vickers-Willis	....	food stylist
Brenda Vincent	....	assistant: Sam Neill
Polly Watkins	....	assistant to executive producer
Anne Went	....	continuity (as Annie Went)

Thanks
Dr. Miriam Baltuck	....	grateful acknowledgment
Nicholas Bell	....	thanks: assistance
Rupert Burns	....	grateful acknowledgment
Kristen Coney	....	grateful acknowledgment
Brian Coote	....	grateful acknowledgment
Walter Cronkite	....	thanks: assistance
Davids Darzins	....	grateful acknowledgment
Mike Dinn	....	grateful acknowledgment
Prof. Ron Ekers	....	grateful acknowledgment
Derek Fellows	....	grateful acknowledgment
Lynn Gailey	....	thanks: assistance (as Lynne Gailey)
Frederic N. Gaines	....	thanks: assistance
Lorraine Hall	....	thanks: assistance
Mr. Will Houghton	....	grateful acknowledgment (as Mr. Will Houghton QC)
Yvonne Hutton	....	grateful acknowledgment
Ben Lam	....	thanks: assistance
Fox Mason	....	grateful acknowledgment
John Masterson	....	thanks: assistance
Billy Pinnell	....	thanks
Greg Ross	....	grateful acknowledgment
John Saxon	....	thanks: assistance
John Scott	....	grateful acknowledgment
Sharon Scott	....	thanks: assistance
Cliff Smith	....	thanks: assistance
Jeff Stilson	....	thanks
Helen Stuckey	....	grateful acknowledgment
Bruce MacA Thomas	....	grateful acknowledgment
Noriko Watanabe	....	thanks: assistance
David Williams	....	grateful acknowledgment
Alan Woodruff	....	thanks: assistance

Production Companies

• Dish Film Ltd.
• Distant Horizons (as Distant Horizon)
• Village Roadshow Pictures
• Working Dog (presents)

Distributors

• Roadshow Entertainment (2000) (Australia) (theatrical)
• Cinéma Indépendant (France) (DVD)
• Highlight Film (Germany)
• Icon Film Distribution (UK)
• Istituto Luce
• Opening Distribution
• Planeta 2010 (Spain)
• Roadshow Entertainment Video (Australia) (VHS)
• Warner Bros. Pictures (USA) (as Warner Bros. Pictures) (an AOL Time Warner company)
• Yleisradio (YLE) (2007) (Finland) (TV)

Special Effects

• Complete Post (visual effects) (as Complete Post)

Other Companies

• ABC Southbank Studios  music recorded at: Melbourne Symphony Orchestra
• AON/Albert G. Ruben Insurance Services  insurance (as AON Insurance)
• Atlab  color grading (as Atlab Australia)
• Australia Telescope National Facility  made with the assistance and cooperation of
• Australian Boys Choir  choir
• Australian Broadcasting Corporation (ABC), Radio Archives  stock footage provided by
• Australian Department of Foreign Affairs and Trade  stock footage provided by
• British Broadcasting Corporation (BBC)  stock footage provided by
• Burnet Antique Cmputer Knowhow Pty. Ltd.  PDPS supplied by
• CBS News Archives  stock footage provided by
• Cameraquip Australia  camera equipment
• Captive Audience Productions Inc.  prosthetics
• Commonwealth Scientific and Industrial Research Organisation (CSIRO)  made with the assistance and cooperation of
• Commonwealth of Australia  made with the assistance and cooperation of
• Cowra Antique Vehicle Club  thanks for assistance
• Entertainment Clearances  rights and clearances: US footage
• Epicure Catering  thanks for assistance
• Genovese Coffee  thanks for assistance
• Hotel Como  thanks for assistance
• John F. Kennedy Library Foundation  stock footage provided by
• Lone Wolf Pictures  stock footage provided by
• Macservice Pty. Ltd.  racks supplied by
• Mayer, Glassman & Gaines  thanks for assistance (as Mayer Glassman Gaines & Rapore LLP)
• Media Entertainment Arts Alliance  thanks for assistance
• Melbourne Symphony Orchestra  music performed by
• NBC News Archives  stock footage provided by
• National Aeronautics and Space Administration (NASA)  stock footage provided by (as National Aeronautics and Space Administration, Johnson Space Center)
• Network Signs and Scenic Arts Pty. Ltd.  set construction
• Nine Network Australia  stock footage provided by
• Old Treasury Building  thanks for assistance
• Optical & Graphics  titles
• Panavision Australia  camera equipment
• RaiTrade  stock footage provided by
• Screensound Australia  stock footage provided by
• Soundfirm  post-production facility
• Splitrock Mineral Water  thanks for assistance
• St. Brigids Primary School, North Fitzroy  thanks for assistance
• Stage One Promotions Pty. Ltd.  desk construction
• Stageweld Pty. Ltd.  set construction
• Sully Studios  band music recorded at
• Summit Entertainment  sales
• Sweet Seduction  catering
• Varèse Sarabande  soundtrack
• Weston Security  security: Parkes/Forbes

MPAA:

Rated PG-13 for brief strong language.

Runtime:

101 min | France:97 min (DVD)

Country:

Australia

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:L | Australia:M | Chile:TE | France:U | Germany:6 | Spain:T | UK:12 | USA:PG-13 | Singapore:PG

Filming Locations:

Crawford Productions, Box Hill, Victoria, Australia

Company:

Dish Film Ltd.

Trivia:

Visa d'exploitation en France : # 1O4714. MPAA certificate # 38002.

Goofs:

Factual errors: 40 minutes into the film, Mayor Bob McIntyre puts a record on and dances with his wife to Blood Sweat & Tears 'You Made Me So Very Happy'. But BS&T recorded exclusively for CBS/Columbia at the time and the record on the turntable is clearly a red label Decca pressing.

Quotes:

Janine Kellerman: You have a gun?
Rudi Kellerman: Yep. This is an official NASA instalation, afterall.
Janine Kellerman: Does mum know you have a gun?
Rudi Kellerman: No. And don't you go telling her, either! Or else she might come and take it off me.

Movie Connections:

References "Hawaii Five-O" (1968)

Soundtrack:

The Loved One

Aussie humour at its finest, in a gentle, joyful piece of comedy.

At a time when the comedy genre is saturated with the crude, lewd and unsophisticated toilet humour of the U.S ('See Spot Run', 'The Animal', 'Say It Isn't So'), it's encouraging to watch a film that really makes you laugh out loud without wanting to cringe at the same time. Like it's antipodean predecessor 'Priscilla...', 'The Dish' takes the best aspects of Australian culture and the Aussie persona and uses them to create the finest comedy of the year so far. Much of the humour is brutally honest, delivered in the kind of relaxed, conversational style which has become an Aussie trademark. Paired with a homegrown cast (headed by a wonderfully understated Sam Neill) and filmed on location at the satellite receiver station in South Australia, the film feels refreshingly natural and unconstructed.

This sense of cultural identity gives 'The Dish' a surprising depth for such an uncomplicated film. Rather than resorting to the contrived, exaggerated Australian image of Paul Hogan, it revels in its roots without a hint of self-consciousness or compromise. Such an intense warmth towards its small-town location and everyman characters is shown that it is impossible not to share it, and from that grows a wonderful sense of intimacy. Despite the global importance of Apollo 11's mission, a real sense of the importance of it to the community and the individuals therein is present throughout. An American film may have made this subservient to the moon landings - here, the two are intertwined on an equal footing, and you care equally about each.

And in that lies the secret of why 'The Dish' is such a damn good film. It's not the well-paced, extremely funny and well-delivered script, nor the quality of the acting, nor the great location or period soundtrack. It's because the film has a real sense of soul. It makes you want to care about it and it's characters. In mainstream film, that's a rare achievement indeed. Let's hope the Farrelly brothers are watching...

8.5/10