| Photos (see all 44 | slideshow) | Videos |
| Alec Baldwin | ... | Mr. Conductor | |
| Cody McMains | ... | Patch | |
| Russell Means | ... | Billy Twofeathers | |
| Peter Fonda | ... | Grandpa Burnett Stone | |
| Jared Wall | ... | Young Burnett | |
| Laura Bower | ... | Young Tasha | |
| Didi Conn | ... | Stacy Jones, Shining Time Station Manager | |
| Mara Wilson | ... | Lily, Burnetts Grand Daughter | |
| Lori Hallier | ... | Lily's Mother | |
| Michael E. Rodgers | ... | Mr. C. Junior | |
| Edward Glen | ... | Thomas (voice) (as Eddie Glen) | |
| Neil Crone | ... | Diesel 10 / Splatter / Gordon (voice) | |
| Colm Feore | ... | Toby (voice) | |
| Linda Ballantyne | ... | Percy (voice) | |
| Kevin Frank | ... | Dodge / Bertie / Harold / Henry (voice) | |
| Susan Roman | ... | James (voice) | |
| Shelley Skinner | ... | Annie / Clarabel (voice) | |
| Britt Allcroft | ... | Lady (voice) | |
| rest of cast listed alphabetically: | |||
| Robert Tinkler | ... | Older Patch | |
| Robert Black | ... | Train passenger (uncredited) | |
| Robbie Bugbee | ... | Actor (voice) (uncredited) | |
| Mike Lazorcik | ... | Train Passenger (uncredited) | |
Directed by | |||
| Britt Allcroft | |||
Writing credits | ||
| Rev. W. Awdry | (books) uncredited | |
| Britt Allcroft | (writer) | |
Produced by | |||
| Britt Allcroft | .... | producer | |
| Brent Baum | .... | executive producer | |
| John Bertolli | .... | executive producer | |
| Nancy Chapelle | .... | executive producer | |
| Charles Falzon | .... | executive producer | |
| Philip D. Fehrle | .... | producer (as Phil Fehrle) | |
| Mark Jacobson | .... | co-executive producer | |
| Barry London | .... | executive producer | |
| Shelley Skinner | .... | associate producer | |
| Steven Stabler | .... | executive producer | |
Original Music by | |||
| Hummie Mann | |||
Cinematography by | |||
| Paul Ryan | |||
Film Editing by | |||
| Ron Wisman | |||
Casting by | |||
| Juli-Ann Kay | |||
| Karen Margiotta | |||
| Mary Margiotta | |||
Production Design by | |||
| Oleg M. Savytski | |||
Art Direction by | |||
| Lucinda Zak | |||
Costume Design by | |||
| Luis Sequeira | (as Luis M. Sequeira) | ||
Makeup Department | |||
| Susan Exton-Stranks | .... | head of hair department | |
| Kathleen Graham | .... | key makeup artist: Isle of Man | |
| Mary Sue Heron | .... | key makeup artist: second unit | |
| Pamela Peitzman | .... | hair stylist: Pennsylvania (as Pamela Cozen) | |
| Pamela Peitzman | .... | makeup artist: Pennsylvania (as Pamela Cozen) | |
Production Management | |||
| Mary Ann Grainger | .... | post-production supervisor | |
| Noella Nesdoly | .... | production manager | |
| Keith W. Strandberg | .... | unit production manager: Pennsylvania | |
Art Department | |||
| Greg Chown | .... | storyboard artist | |
| Peter Constantinides | .... | construction coordinator | |
| Cheryl Dorsey | .... | set decorator: Isle of Man | |
| Charles Dunlop | .... | assistant set designer | |
| Caroline Gee | .... | set decorator: Toronto | |
| Michael Gilman | .... | greensperson | |
| Brad Kenyon | .... | property master | |
| Jason Knox-Johnston | .... | assistant art director | |
| Norm Ouzounis | .... | lead greens person | |
| Mark Scruton | .... | assistant art director | |
| Bruce Simpson | .... | storyboard artist | |
| Travis Staley | .... | head carpenter | |
| Rob Valeriote | .... | co-head carpenter | |
Sound Department | |||
| Chris Bottomley | .... | boom operator | |
| Joe Bracciale | .... | dialogue editor | |
| Andrew Bray | .... | sound designer | |
| Alek Bromke | .... | assistant sound recordist | |
| Al Buchok | .... | boom operator | |
| Richard Calistan | .... | adr mixer: Toronto | |
| Steve Copley | .... | foley supervisor | |
| Malcolm Davies | .... | production sound mixer | |
| Malcolm Davies | .... | sound mixer | |
| Lee de Lang | .... | assistant sound editor | |
| Nelson Ferreira | .... | adr editor | |
| Nelson Ferreira | .... | supervising sound editor | |
| Bruce Fleming | .... | sound editor | |
| Cory Mandel | .... | sound re-recording mixer | |
| Nathan Robitaille | .... | sound assistant | |
| Stephen Roque | .... | sound effects editor | |
| David Schatanoff Jr. | .... | post audio coordinator | |
Special Effects by | |||
| Dave Asling | .... | key model builder | |
| Dan Brooks | .... | model builder | |
| Rick Gajdecki | .... | key model builder | |
| Peter Hutchinson | .... | special effects supervisor: Isle of Man | |
| Christine Kowbuz | .... | model builder | |
| Laird McMurray | .... | special effects coordinator | |
| Bill Neil | .... | special effects supervisor (as William Neil) | |
| Roger Nichols | .... | senior technician | |
| Duncan Orthner | .... | model maker | |
| David Reaume | .... | special effects technician | |
Visual Effects by | |||
| Stephen Asquith | .... | model supervisor | |
| Dave Axford | .... | visual effects producer: GVFX | |
| Berj Bannayan | .... | software engineer | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | visual effects producer | |
| Kristy Blackwell | .... | digital artist | |
| Mike Borrett | .... | motion control operator | |
| Lisa Carr-Harris | .... | digital effects artist | |
| Mike Chambers | .... | visual effects producer | |
| Bret Culp | .... | visual effects supervisor: C.O.R.E. Digital Pictures | |
| Colin Cunningham | .... | lead 3D animator: Toybox | |
| Debora Dunphy | .... | digital compositor | |
| Janeen Elliott | .... | digital compositor | |
| Andreas Fehrle | .... | assistant to the visual effects supervisor | |
| Mark Goldberg | .... | digital compositor | |
| Maria A. Gordon | .... | visual effects | |
| Dipankar Goswamy | .... | 3D animator | |
| Derek Grime | .... | visual effects director: Toybox | |
| Rob Gyorgy | .... | visual effects artist | |
| Robert Hackborn | .... | visual effects draftsperson | |
| Michael Hatton | .... | digital effects compositor: Toybox | |
| Wilton Higgins | .... | grip: visual effects | |
| Robbi Hinds | .... | director of photography: principal and greenscreen visual effects | |
| Tania Janthur | .... | visual effects coordinator | |
| Sasha Jarh | .... | visual effects producer | |
| Shane Kinnear | .... | executive producer: C.O.R.E. Digital Pictures | |
| Michael Kowalski | .... | 3D animator: C.O.R.E. Digital Pictures | |
| Daniel Lee | .... | digital compositor | |
| Chad Malbon | .... | visual effects coordinator | |
| Ray McMillan | .... | miniature supervisor | |
| Bill Neil | .... | visual effects supervisor | |
| Sarah Norton | .... | digital compositor | |
| Ken Ouellette | .... | CG animator/compositor: C.O.R.E. Digital Pictures | |
| Terry Permane | .... | model visual effects | |
| Marco Polsinelli | .... | Inferno artist/digital compositor: Topix/Mad Dog | |
| Stephen Price | .... | visual effects executive producer: TOPIX/Mad Dog | |
| Nordin Rahhali | .... | CG animator/technical artist: C.O.R.E. Digital Pictures | |
| Kennedy Shah | .... | motion control operator | |
| Barb Shaw | .... | visual effects coordinator: CORE Digital Pictures | |
| Joel Skeete | .... | digital compositor | |
| Linda Tremblay | .... | digital compositor | |
| Thomas Turnbull | .... | motion control | |
| Mark Visser | .... | technical support: C.O.R.E. Digital Pictures | |
| Aaron Weintraub | .... | Inferno artist/digital compositor: Topix/Mad Dog | |
| Sean Wickett | .... | model maker (as Richard Cudmore) | |
| Michael Wile | .... | 3D animator & technical director | |
| Ron Wisman Jr. | .... | visual effects editor | |
| Patrik Witzmann | .... | CG animator/compositor: C.O.R.E. Digital Pictures | |
| Alphonso Young | .... | digital compositor: C.O.R.E. Digital Pictures | |
Stunts | |||
| Mike Jones | .... | stunt coordinator | |
| Mike Jones | .... | stunts | |
| Chris Lamon | .... | stunt coordinator: second unit | |
| Dave Van Zeyl | .... | stunt coordinator: second unit | |
Camera and Electrical Department | |||
| Chris Alexander | .... | focus puller | |
| John Botelho | .... | gaffer | |
| Randy Chupa | .... | generator operator | |
| Jim Denny | .... | gaffer | |
| Ted Erne | .... | dolly grip | |
| Courtney Graham | .... | clapper loader | |
| Tim Lewis | .... | assistant camera | |
| Anthony Meade | .... | clapper loader | |
| Pat Miller | .... | electrician | |
| Nigel Permane | .... | first assistant camera: model unit | |
| David Rumley | .... | assistant camera: model unit | |
| Daniel D. Sariano | .... | assistant camera: Pennsylvania | |
| Michael Spicer | .... | camera operator | |
| Karen Steyr | .... | still photographer | |
| Peter Stranks | .... | still photographer | |
Casting Department | |||
| Ross Clydesdale | .... | casting: Canada | |
Editorial Department | |||
| Claire Freeland | .... | post-production coordinator | |
| Teresa Garber | .... | post-production executive | |
| Chad Glastonbury | .... | first assistant film editor | |
| Rick Greenhead | .... | telecine colorist | |
| Vaughan Killin | .... | co-color timer | |
| Annellie Rose Samuel | .... | first assistant editor (as Annellie Samuel) | |
| David Tarnawsky | .... | second assistant editor | |
| Paul Whitehead | .... | assistant editor | |
| Ron Wisman Jr. | .... | first assistant editor | |
Music Department | |||
| Frank Bennett | .... | orchestrator | |
| Brad Dechter | .... | orchestrator | |
| Yuri Gorbachow | .... | music editor | |
| Ira Hearshen | .... | orchestrator | |
| Hummie Mann | .... | conductor | |
| Matthew McKenzie | .... | associate audio engineer: orchestra record & pre mix | |
| Don Nemitz | .... | orchestrator | |
| Jacquie Perryman | .... | music consultant | |
Other crew | |||
| Lucy Ainsworth-Taylor | .... | production coordinator | |
| Michael Barnes | .... | financial legal services | |
| Eric Beldowski | .... | production coordinator | |
| James Cleary | .... | location manager | |
| Jason Contino | .... | production assistant | |
| Donna Croce | .... | script supervisor | |
| Tracy Fedak | .... | first assistant accountant: post-production | |
| Claire Freeland | .... | assistant to producer | |
| Katharine Gray | .... | assistant production coordinator | |
| Joel Green | .... | unit publicist: USA | |
| Ron Gwynne | .... | location manager | |
| Paul Jennison | .... | production accountant | |
| Ashifa Lalani | .... | first assistant accountant | |
| Kevin Robertson | .... | assistant to director | |
| Darren Wilson | .... | assistant production accountant | |
| Judy Sharinger | .... | completion and delivery supervisor (uncredited) | |
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With evil engine Diesel back on the track and looking to get rid of the old steam engines. Mr Conductor is put in charge of using his gold dust to jump around the area and keep an eye on Diesel - but his supply runs out and he finds himself stuck. Meanwhile Diesel is looking for the steam engine that got away from him in the past - the same engine that was repaired and hidden by Grandpa Burnett many years ago.
Being a reasonable fan of Thomas in my youth I decided to watch this film to see what it was like. The first problem of the film is that it doesn't resemble the UK version, with characters and sentiments added for the American audience. This isn't a major problem - only that it affects what I remember from the original series. The plot is very fragmented and is far too hard for very young children to follow; the basic is good but the addition of various characters and such just complicates things. The issue I had with the story was the fact that it is almost totally lacking in any sense of fun or wonder; I don't mean it should have been hilarious but it should have been at least enjoyable. Instead, there is no sense of fun here - it is very plodding and makes it nigh on impossible to stay with.
The animation is basic but is more or less true to the original series; downside of that is that the trains all look rubbish - with the eyes being the only bits that move (constantly). However the film straw is the fact that the cast are pretty poor. The voice work on the trains is very simplistic and it just made all of them sound the same. Peter Fonda is awful and can't even muster the energy to deliver the most basic of lines (when his granddaughter returns he says `Oh Lily. I'm so glad you're back' with all the emotion of a man reading out his shopping list). It's like he got drunk and woke up to find himself contractually obliged to do this film and decided to not even put in a little bit of effort. Baldwin tries hard and is actually OK because he is at least putting in effort; more than that, considering his tough guy image, this was a strange role for him to play and he does do it pretty well although I would have liked his character to insert more of the wonder and fun that he hints at rather than delivers.
Overall this is a pretty poor film that never really goes anywhere. The plot is weak - too complex for tots and too convoluted for adults to bother with. The acting is roundly poor and the film manages to be totally missing any sense of fun. It's easy to tire of kids films that are full of knowing humour but this is one film that was crying out for a bit of silliness or tongue in cheek humour.