| Photos (see all 73 | slideshow) | Videos (see all 9) |
| Stellan Skarsgård | ... | Father Merrin | |
| Izabella Scorupco | ... | Sarah | |
| James D'Arcy | ... | Father Francis | |
| Remy Sweeney | ... | Joseph | |
| Julian Wadham | ... | Major Granville | |
| Andrew French | ... | Chuma | |
| Ralph Brown | ... | Sergeant Major | |
| Ben Cross | ... | Semelier | |
| David Bradley | ... | Father Gionetti | |
| Alan Ford | ... | Jefferies | |
| Antonie Kamerling | ... | Lieutenant Kessel | |
| Eddie Osei | ... | Emekwi | |
| Israel Aduramo | ... | Jomo | |
| Patrick O'Kane | ... | Bession | |
| James Bellamy | ... | James | |
| Cecilia Amati | ... | Little Dutch Girl | |
| Matti Ristinen | ... | Medieval Priest | |
| Lidia Darly | ... | Sebituana's Wife | |
| James Paparella | ... | Boy in Market | |
| Silvio Jimenez Hernandez | ... | Stricken Turkana Worker | |
| Yemi Goodman Ajibade | ... | Turkana Shaman | |
| Michel Leroy | ... | Tribesman in Hospital | |
| John Sesay | ... | Turkana Warrior #1 | |
| Sayoh Lahai | ... | Turkana Warrior #2 | |
| Alessandro Casula | ... | Preacher with Pazuzu | |
| Roberto Purvis | ... | Corporal Finn | |
| rest of cast listed alphabetically: | |||
| Rupert Degas | ... | Voice of the Devil (uncredited) | |
Directed by | |||
| Renny Harlin | |||
Writing credits(WGA) | ||
| William Peter Blatty | (movie The Exorcist) | |
| William Wisher Jr. | (story) (as William Wisher) and | |
| Caleb Carr | (story) | |
| Alexi Hawley | (screenplay) | |
Produced by | |||
| Omneya 'Nini' Mazen | .... | post-production producer (as Nini Mazen Shutan) | |
| Guy McElwaine | .... | executive producer | |
| Wayne Morris | .... | co-producer | |
| David C. Robinson | .... | executive producer | |
| James G. Robinson | .... | producer | |
Original Music by | |||
| Trevor Rabin | |||
Cinematography by | |||
| Vittorio Storaro | |||
Film Editing by | |||
| Mark Goldblatt | |||
| Todd E. Miller | |||
Casting by | |||
| Pam Dixon | |||
Production Design by | |||
| Stefano Maria Ortolani | (as Stefano Ortolani) | ||
Art Direction by | |||
| Eugenio Ulissi | |||
| Andy Nicholson | (uncredited) | ||
Set Decoration by | |||
| Carlo Gervasi | |||
Costume Design by | |||
| Luke Reichle | |||
Makeup Department | |||
| Blake Bolger | .... | special effects assistant | |
| Hayat Ouled Dahhou | .... | hair stylist (as Hayat Oulet Dahhou) | |
| Emma Deacon | .... | special effects assistant | |
| Sam Debree | .... | special effects assistant | |
| Barbara De Leonardis | .... | hair stylist | |
| Giancarlo De Leonardis | .... | head hair stylist (as Gioncarlo De Leonardis) | |
| Christopher K. Grap | .... | special makeup effects assistant | |
| Eric Harris | .... | makeup effects painter | |
| Snowy Highfield | .... | makeup effects painter (as Peter 'Snowy' Highfield) | |
| Raffaella Iorio | .... | key makeup artist | |
| Steven Lawrence | .... | makeup effects painter | |
| Steven Lawrence | .... | special makeup effects artist | |
| Richard Maybery | .... | makeup effects painter (as Richard Mayberry) | |
| Mike J. Regan | .... | animatronic designer (as Michael Jay Regan) | |
| Fabrizio Sforza | .... | head makeup artist | |
| Marlene Stoller | .... | hair artist: special effects | |
| Gary J. Tunnicliffe | .... | special makeup effects designer | |
| Claire Jane Vranian | .... | special makeup effects coordinator | |
| Grady Holder | .... | makeup effects technician: K.N.B. EFX Group (uncredited) | |
| Christopher Allen Nelson | .... | special makeup effects artist (uncredited) | |
| Carla Vicenzino | .... | makeup artist: second unit (uncredited) | |
Production Management | |||
| Khadija Alami | .... | production supervisor: Morocco (as Khadija 'Fred' Alami) | |
| Wayne Morris | .... | unit production manager | |
| Stefano Spadoni | .... | production supervisor: Rome | |
| Kate Dain | .... | post-production supervisor: UK (uncredited) | |
| Francois Garcia | .... | head of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Oscar Beuselinck | .... | second assistant director | |
| Gilles Cannatella | .... | second assistant director: second unit | |
| Filippo Fassetta | .... | second assistant director: Italy | |
| Bruce Franklin | .... | first assistant director | |
| Antti Jokinen | .... | second unit director (as Antti J. Jokinen) | |
| Luca Lachin | .... | first assistant director: second unit | |
| Catherine Olaya Salazar | .... | second second assistant director | |
| Noureddine Aberdine | .... | first assistant director: second unit (uncredited) | |
| Emma Horton | .... | second assistant director (uncredited) | |
| Giampiero Pelusi | .... | assistant director: second unit (uncredited) | |
Special Effects by | |||
| Brian Blair | .... | senior effects technician (as Bryan Blair) | |
| Danilo Bollettini | .... | special effects supervisor | |
| Massimo Cardajoli | .... | special effects technician | |
| Stefano Corridori | .... | special effects technician | |
| Jeff L. Deist | .... | mold designer (as Jeff Deist) | |
| Robert Freitas | .... | mold designer | |
| Moto Hata | .... | sculptor | |
| Mark Maitre | .... | sculptor | |
| Stephen Norrington | .... | sculptor | |
| Patrick Tasse | .... | senior animator | |
| Miles Teves | .... | sculptor (as Myles Teves) | |
| Kevin Carter | .... | special effects contact lenses (uncredited) | |
Visual Effects by | |||
| Laurent M. Abecassis | .... | visual effects supervisor: Digital Dimension | |
| Syed Ali Ahsan | .... | technical manager | |
| Douglas Aiken | .... | digital compositor: Kleiser-Walczak | |
| Ian Allard | .... | lighting: Meteor Studios | |
| Joe Alter | .... | digital effects: Kleiser-Walczak | |
| Alp Altiner | .... | lead matte painter | |
| Robert Alves | .... | character animator: Meteor Studios | |
| Steve Ansell | .... | visual effects editor | |
| Mathieu Archambault | .... | visual effects: Meteor Studios | |
| Shaikh Ata-ur-Rehman | .... | digital artist: Kleiser-Walczak | |
| Michael Baltazar | .... | lead technical director: Meteor Studios | |
| Laurie Baranyay | .... | texture painter: Kleiser-Walczak | |
| Stephane 'Bal' Barbin | .... | CG supervisor: Digital Dimension | |
| David Beedon | .... | digital effects artist: Morgan Creek | |
| Mathieu Blouin | .... | character animator: Meteor Studios | |
| Genevieve Boisvert | .... | visual effects coordinator: Meteor Studios | |
| Reine Bourgault | .... | lighting artist: Meteor Studios | |
| Frederic Breault | .... | matchmover lead: Meteor Studios | |
| Arnaud Brisebois | .... | concept artist | |
| Arnaud Brisebois | .... | matte painting lead | |
| Edoardo Brizio | .... | rotoscope artist | |
| Philippe Brochu | .... | CG modeler: Meteor Studios | |
| Dany Brouillette | .... | system administrator | |
| Jeremy Burns | .... | sequence supervisor | |
| D. Walt Cameron | .... | digital compositor | |
| Massimo Cipollina | .... | pre-visualization coordinator | |
| Adriano Cirulli | .... | visual effects coordinator | |
| Eric Clement | .... | visual effects: Meteor Studios | |
| Daniel Coupal | .... | digital compositor | |
| Jason Crosby | .... | digital artist: Digital Dimension | |
| Steve Cummings | .... | digital artist: Kleiser-Walczak | |
| Clay Dale | .... | visual effects | |
| Paul A. Davies | .... | animator | |
| Chris Del Conte | .... | visual effects producer: Digital Dimension | |
| Primo De Santis | .... | digital artist | |
| Marc Desmarais | .... | texture artist: Meteor Studios | |
| Ivan DeWolf | .... | visual effects: Martian Labs | |
| Frank D'Iorio | .... | digital compositor: Meteor Studios | |
| Thai Son Doan | .... | digital compositor | |
| Sebastien Dostie | .... | digital creature supervisor: Meteor Studios | |
| Maxime Ducharme | .... | rendering artist | |
| Jason Edwardh | .... | technical director: Meteor Studios | |
| Christopher English | .... | digital artist: Kleiser-Walczak | |
| Richard Flores | .... | character animator: Meteor Studios | |
| Marco Foglia | .... | character animator | |
| Michel Frenette | .... | digital compositor: Meteor Studios | |
| Spence Fuller | .... | digital compositor | |
| Benoit Girard | .... | visual effects supervisor: Digital Dimension (as Benoit 'Ben' Girard) | |
| Charles Granger | .... | digital compositor | |
| Marc Hall | .... | digital artist | |
| Laura Hanigan | .... | digital artist: Kleiser-Walczak | |
| Mike Hardison | .... | CG supervisor: Pixel Magic | |
| Jamie Helman | .... | character animator: Meteor Studios | |
| Alex Hernandez | .... | imaging technician | |
| Daniel Hernandez | .... | visual effects: Meteor Studios | |
| Michel Héroux | .... | visual effects producer: Digital Dimension | |
| Jason Hill | .... | digital effects artist: Pixel Magic | |
| Steve Hodge | .... | imaging technician | |
| Chris Holmes | .... | 2D supervisor: Kleiser-Walczak | |
| Meredith Hook | .... | paint and rotoscope artist: PacTitle | |
| Chris Hummel | .... | effects technical director: Meteor Studios | |
| Richard Hurrey | .... | character rigger | |
| Joni Jacobson | .... | digital compositor | |
| Lucas Janin | .... | visual effects: Meteor Studios | |
| Brian Jennings | .... | visual effects supervisor (as Brian M. Jennings) | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Zeeshan Karimi | .... | digital artist: Kleiser-Walczak | |
| Taryn P. Kelly | .... | visual effects coordinator: Digital Dimension | |
| Richard Kidd | .... | visual effects supervisor: Meteor Studios | |
| Jeffrey Kleiser | .... | executive producer: Kleiser-Walczak | |
| Brian Knudson | .... | digital artist: Martian Labs | |
| Jason Kreller | .... | character animator: Meteor Studios | |
| Geneviève Labelle | .... | digital compositor: Meteor Studios | |
| Emanuel LaFrance | .... | compositor: Meteor Studios | |
| Yann Laliberte | .... | digital compositor: Meteor Studios | |
| Nicolas Lamy | .... | character animator: Meteor Studios | |
| Christopher Lance | .... | compositor | |
| Cam Langs | .... | technical director: Meteor Studios | |
| Martin Larrivée | .... | digital compositor | |
| Claude Lauzon | .... | compositor: Meteor Studios | |
| Claude Lauzon | .... | matchmover: Meteor Studios | |
| Christine Leclerc | .... | texture lead: Meteor Studios | |
| Tom Leeser | .... | visual effects producer: Kleiser-Walczak | |
| Tom Leeser | .... | visual effects supervisor: Kleiser-Walczak | |
| Jacques Levesque | .... | compositing supervisor: Meteor Studios | |
| Kenneth Littleton | .... | digital effects supervisor: Radish | |
| Lawrence Littleton | .... | digital effects supervisor: Radish | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| Tom Mahoney | .... | digital visual effects supervisor (as Thomas Mahoney) | |
| Jacques Marchand | .... | lighting artist: Meteor Studios | |
| Simon Marinof | .... | digital compositor | |
| Jeffrey Martin | .... | visual effects: MeteorStudios | |
| Omar McClendon | .... | character rigging lead: Meteor Studios | |
| John R. McConnell | .... | 2D compositor: Pixel Magic | |
| John McCunn | .... | visual effects producer | |
| Dennis McHugh | .... | visual effects director of photography | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Jason Meier | .... | digital effects artist | |
| Jamie Minett | .... | lead lighter: Meteor Studios | |
| Kama Moiha | .... | digital compositor: Morgan Creek | |
| Jerome Morin | .... | visual effects executive producer: Digital Dimension | |
| Jean-Francois Morissette | .... | layout & tracking artist: Meteor Studios | |
| Juliette Mourez | .... | compositor: Meteor Studios | |
| Brad Moylan | .... | lead compositor: Pixel Magic | |
| Paul Nightingale | .... | visual effects producer: Meteor Studios | |
| Tom Nixon | .... | digital artist | |
| Stéphane Paradis | .... | digital compositor | |
| Andrew A. Paules | .... | digital artist | |
| Erik Paynter | .... | digital effects supervisor: Kleiser-Walczak | |
| Michael Pecchia | .... | digital compositor: Kleiser-Walczak | |
| Robert W. Peishel | .... | digital visual effects producer | |
| Todd Perry | .... | 3D digital artist: Crows Tomb Sequence, Morgan Creek on loan from Max Ink Cafe | |
| Cristin Pescosolido | .... | compositor | |
| Travis Pinsonnault | .... | digital artist: Kleiser-Walczak | |
| Emma Pittson | .... | character animator: Meteor Studios | |
| Antonin Plante | .... | character animator | |
| Ali Imran Qadir | .... | digital artist: Kleiser-Walczak | |
| Zakir Ali Qureshi | .... | digital artist: Kleiser-Walczak | |
| Yves Rainville | .... | CG modeling lead: Meteor Studios | |
| Alfredo Ramirez | .... | digital compositor | |
| Jesse Rapczak | .... | CG effects artist | |
| Kashif Raza | .... | digital artist: Kleiser-Walczak | |
| Rob Reinhart | .... | digital artist (as Robert Reinhart) | |
| David Ridlen | .... | digital effects artist | |
| Philippe Roberge | .... | digital compositor: Meteor Studios | |
| Andrew Romine | .... | digital artist: Pixel Magic | |
| Amanda Roth | .... | digital effects supervisor: Kleiser-Walczak | |
| Pascal Ruest | .... | animation supervisor: Meteor Studios | |
| Jeff Sargent | .... | digital compositor | |
| Mark Schane-Lydon | .... | digital artist: Kleiser-Walczak | |
| Kevin Schwab | .... | imaging technician | |
| Nicola Sganga | .... | pre-visualization | |
| Doug Smith | .... | CG supervisor | |
| Laurent Solignac | .... | lighting: Meteor Studios | |
| Tim Stevenson | .... | digital effects supervisor: Meteor Studios | |
| Kevin Struckman | .... | CG artist: Pixel Magic | |
| Tracy Takahashi | .... | visual effects producer | |
| Wilson Tang | .... | digital restoration | |
| Mandy Tankenson | .... | visual effects producer: Meteor Studios | |
| Patrick Tasse | .... | senior animator | |
| Ferdinand N. Terado | .... | animator: Kleiser-Walczak | |
| Sylvain Thibodeau | .... | render lead: Meteor Studios | |
| John Tissavary | .... | digital compositor: Kleiser-Walczak | |
| Chuck Toussieng | .... | visual effects | |
| Jeff Varga | .... | digital effects artist | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Ariel Velasco-Shaw | .... | visual effects supervisor (as Ariel Velasco Shaw) | |
| Leandro Visconti | .... | compositor: Digital Dimension | |
| Diana Walczak | .... | executive producer: Kleiser-Walczak | |
| Eric Wilson | .... | digital artist: Kleiser-Walczak | |
| Brian Wolf | .... | digital compositor | |
| Dan Wrightsell | .... | visual effects: Meteor Studios | |
| Saqlain Zaidi | .... | digital effects coordinator | |
| Paolo Zeccara | .... | visual effects supervisor: Proxima | |
| Sylvain Allard | .... | render artist: Meteor Studios (uncredited) | |
| Steeve Boulianne | .... | matchmover: Meteor Studios (uncredited) | |
| Laurent Charbonnel | .... | software development: Meteor Studios (uncredited) | |
| Etienne Daigle | .... | compositor (uncredited) | |
| Dana Darie | .... | character rigging (uncredited) | |
| Charles Desilets | .... | I/O: Meteor Studios (uncredited) | |
| Maxime Ducharme | .... | render artist: Meteor Studios (uncredited) | |
| Christian Emond | .... | render artist: Meteor Studios (uncredited) | |
| Eve-Marie Gingras | .... | visual effects production assistant: Meteor Studios (uncredited) | |
| Patrick Gray | .... | lighting artist: Meteor Studios (uncredited) | |
| Chloe Grysole | .... | digital effects producer: Meteor Studios (uncredited) | |
| Matthew Herzog | .... | technical director: Meteor Studios (uncredited) | |
| Elizabeth Maxwell Keith | .... | software development (uncredited) | |
| Alain Lachance | .... | digital compositor (uncredited) | |
| Nancy Larouche | .... | lighting artist: Meteor Studios (uncredited) | |
| Joey Lessard | .... | character rigging: Meteor Studios (uncredited) | |
| Jami Levesque | .... | systems: Meteor Studios (uncredited) | |
| Dave Massicotte | .... | production coordinator: Meteor Studios (uncredited) | |
| Thai-My Nguyen | .... | character animator: Meteor Studios (uncredited) | |
| Maxim Olivier-Adlhoch | .... | software development: Meteor Studios (uncredited) | |
| Marc-Antoine Paquin | .... | software development: Meteor Studios (uncredited) | |
| Martin Pélissier | .... | texture artist: Meteor Studios (uncredited) | |
| Yann Provencher | .... | texture artist: Meteor Studios (uncredited) | |
| Guillaume Rodrigue | .... | assistant visual effects editor: Meteor Studios (uncredited) | |
| Gabriel Rouette | .... | software development: Meteor Studios (uncredited) | |
| Nathalie Tremblay | .... | compositor: Meteor Studios (uncredited) | |
| Radu Vintila | .... | visual effects editor: Meteor Studios (uncredited) | |
Stunts | |||
| Mohamed Ali | .... | stunt performer | |
| David Ambrosi | .... | stunt coordinator | |
| David Ambrosi | .... | stunt performer | |
| Giorgio Antonini | .... | stunt performer | |
| Massimiliano Bianchi | .... | stunt actor | |
| Massimiliano Bianchi | .... | stunt rigger (uncredited) | |
| Alessandro Borgese | .... | stunt performer (as Alessandro Borjese) | |
| Bruno Di Luia | .... | stunt soldier: second unit | |
| Akouala Cristel Julien | .... | stunt performer | |
| Alessandro Novelli | .... | stunt performer | |
| Mario Novelli | .... | stunt actor: Dutch peasant, second unit | |
| Valentina Paradiso | .... | stunt actor: Dutch girl, second unit | |
| Wilson Peres | .... | stunt performer | |
| Tatiana Romanova | .... | stunt performer | |
| Enrico Salamon | .... | stunt performer | |
| Paolo Susani | .... | stunt performer | |
| Diego Tomassini | .... | stunt performer | |
| Paolo Antonini | .... | stunts (uncredited) | |
| Massimiliano Catasta | .... | stunts (uncredited) | |
| Bianchi Massimiliano | .... | stunt actor: blacksmith (uncredited) | |
| Massimiliano Ubaldi | .... | stunts (uncredited) | |
Animation Department | |||
| Steeve Boulianne | .... | layout artist | |
| Marco Foglia | .... | animator | |
| Kim Richardson | .... | animation supervisor | |
Casting Department | |||
| Paolo Dragone | .... | extras casting assistant | |
| Buffy Hall | .... | additional casting | |
| Felice Lattes | .... | extras casting | |
| Karen Lindsay-Stewart | .... | additional casting | |
| Tate Palmer | .... | casting assistant: Los Angeles | |
| Vicky Wildman | .... | additional casting | |
Costume and Wardrobe Department | |||
| Tim Aslam | .... | assistant costume designer | |
| Alma Barbieri | .... | cutter: ladies | |
| Mauro Berti | .... | wardrobe assistant | |
| Piera Cimino | .... | seamstress | |
| Giovanni Lipari | .... | key costumer | |
| Valentia Pintus | .... | costume dyer | |
| Marta Renzi | .... | costume dyer | |
| Giovanni Scotti | .... | costumer | |
| Marco Scotti | .... | costume supervisor | |
| Gemma Spina | .... | wardrobe assistant | |
| Vittorio Torrieri | .... | cutter: mens | |
| Abdelkrim Akallach | .... | crowd wardrobe supervisor (uncredited) | |
| Lois DeArmond | .... | costume illustrator (uncredited) | |
| Annalisa Schmid | .... | costume department coordinator (uncredited) | |
| Cristina Tucci | .... | costume textile effects (uncredited) | |
Editorial Department | |||
| Steve Ansell | .... | first assistant editor | |
| Ron Barr | .... | digital conforming and opticals | |
| Jennifer Bunting | .... | post-production assistant | |
| Aaron Denenberg | .... | digital intermediate lineup | |
| Tony Dustin | .... | digital color assist | |
| Johanna Gavard | .... | editorial intern | |
| Dale E. Grahn | .... | lab timer (as Dale Grahn) | |
| Leslie D. Guettler | .... | editorial intern | |
| Mo Henry | .... | negative cutter | |
| Stephanie Ito | .... | digital intermediate producer | |
| Trent Johnson | .... | digital film colorist | |
| Emanuela Lucidi | .... | avid assistant: Italy | |
| Mark Sahagun | .... | digital conform assistant | |
| Glen Scantlebury | .... | editorial consultant | |
| Yvonne Valdez | .... | first assistant editor | |
| Monica Anderson | .... | assistant editor (uncredited) | |
| Dwight Raymond | .... | assistant editor (uncredited) | |
Music Department | |||
| Herbert Beckir | .... | conductor | |
| Herbert Beckir | .... | orchestrator | |
| Mark Berger | .... | music supervisor | |
| Tom Hardisty | .... | music assistant engineer | |
| Steve Kempster | .... | orchestra recordist | |
| Steve Kempster | .... | score mixer | |
| Paul Linford | .... | score producer | |
| Jennifer Nash | .... | music editor: temp | |
| Trevor Rabin | .... | score producer | |
| Shie Rozow | .... | assistant music editor | |
| Jeanette Surga | .... | music editor | |
| Indiana Woodward | .... | vocalist: little girl | |
| Lizzy X. | .... | vocalist | |
| Kory Kruckenberg | .... | assistant score engineer (uncredited) | |
| Paul Linford | .... | composer: additional music (uncredited) | |
| Joe Lisanti | .... | music editor: temp music (uncredited) | |
| Danita Ng | .... | music preparation (uncredited) | |
| Jason Poss | .... | music preparation (uncredited) | |
| David Sabee | .... | orchestra contractor (uncredited) | |
| Aaron Symonds | .... | music technical assistant (uncredited) | |
Transportation Department | |||
| Carlo Di Bianca | .... | driver: grip van | |
| Carlo Lamoratta | .... | driver: camera van (as Carlo La Moratta) | |
| Mario Lamoratta | .... | driver: genny van (as Mario La Moratta) | |
| Roberto Ruggieri | .... | driver: van | |
| Mauro Stefanucci | .... | transportation assistant | |
| Emiliano Verni | .... | driver: production minivan | |
| Aldo Zangrilli | .... | driver: electrics van | |
| Najma El Mahjoub | .... | transportation captain (uncredited) | |
Thanks | |||
| Dr. Archie Buffkins | .... | in memory of | |
| Barnaby Paul Cadiou | .... | in memory of | |
| David 'Kam' Coyner | .... | in memory of | |
| John Frankenheimer | .... | in memory of | |
| Michael Kamen | .... | in memory of | |
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| Dominion: Prequel to the Exorcist | The Omen | The Exorcist | Beowulf | Rambo |
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After a prologue showing a priest walking through the results of an astonishing massacre, we meet a young Father Merrin (Stellan Skarsgard) not long after he's abandoned his faith and is considering himself an archaeologist rather than a priest. Merrin is asked in his new capacity to travel to British East Africa, where a Christian church has been discovered 1500 years older than any church in the area should be. He's specifically asked to find a particular relic/statue--of Pazuzu, the infamous demon from the Exorcist films. The bulk of Exorcist: The Beginning has Merrick in what has come to be known as Kenya, exploring the bizarre occurrences surrounding the town where the church is located, the other European residents, the natives, and of course the church itself.
Series note: Since this is well set up as a prequel, I recommend watching Exorcist: The Beginning as the first film in the series. There is no need to watch any of the other Exorcist films before you see this one.
This film is getting knocked a lot, but I can't help thinking that much of it might stem from the fact that Morgan Creek initially had Paul Schrader shoot the film, then canned the result when he turned in his cut. It was said that they believed Schrader's version wasn't "visceral" enough. So they hired Renny Harlin to direct and had a completely new script written, although one still based on novelist Caleb Carr's initial treatment, which he wrote after finding an older script that had been languishing in Morgan Creek's vaults, or "tomb", as he calls it (Carr has been employed as a "script polisher" for Morgan Creek). In any event, I agree that Morgan Creek's actions were loathsome, especially their eventual decision to not include Schrader's version on the same DVD as Harlin's (initially they had promised this, but it seems that they have some other scheme in mind for trying to recoup some of the money sunk into the fiasco). But I don't agree that Morgan Creek's actions make Harlin's film bad by association. It isn't. In fact, this is an excellent film that comes just short of being a 10 out of 10.
Harlin's effort certainly is visceral--wonderfully so. He lets us know this from the first frames by showing us the haggard priest's face overbaked by desert sun and wind and then pulling back to a wider shot showing the massacred bodies. The film has an incredible visual style. The gorier aspects are extremely well done--always servicing the story and having maximum impact. The special effects are often subtle and for my money, the sparse use of cgi (most noticeably with the hyenas) is handled brilliantly.
The current trend towards monochromatic cinematography is strongly present, but rather than overused blues, Harlin has cinematographer Vittorio Storaro embed us in browns/sepia tones and grays with many scenes having very deep shadows. Harlin has said that he was aiming for the look at the end of Apocalypse Now (1979), when Captain Willard (Martin Sheen) finally encounters Colonel Kurtz (Marlon Brando) in Kurtz' compound. It was probably no accident then that Storaro was chosen, as he was also the cinematographer on that Francis Ford Coppola masterpiece. Amusingly, Harlin and Storaro reference Apocalypse Now many times during Exorcist: The Beginning. For example, we get shots looking at Father Merrin from above a ceiling fan. One sequence is even constructed similarly to the opening scene of Apocalypse Now and ends with Father Merrin breaking a mirror.
But Harlin references all of the Exorcist films to date as well. This helps integrate Exorcist: The Beginning into the mythos of the series, deepening the stylistic and subtextual ties. The bulk of The Beginning can be scene as an extension of the middle section of John Boorman's severely under-appreciated Exorcist II: The Heretic (1977). Although the details may have been changed, The Beginning's plot is very similar to Merrin's trek to Africa to explore a mysterious church in Boorman's film. The only thing lamentably missing is a reference to locusts, or the locust man. Harlin also gives us an excellent asylum scene and more subtle nurse references that are reminiscent of The Exorcist III (1990). And of course there are numerous references to the "big daddy", The Exorcist (1973). These range from admirable small details, such as the supernaturally halting pendulum, to major plot elements, such as Pazuzu and a possessed woman looking and sounding very similar to a pea soup-vomiting Regan (Linda Blair).
Although an artistic triumph, Harlin may have chosen a hurdled route in presenting a film that is often "difficult". He doesn't pander to shortened attention spans or a need for a clearly linear, simple plot line. The pacing of many scenes is not what most viewers would expect, but it's always right for the scene, at least in retrospect. The cast turns in complex performances, and Harlin requires that you pay rapt attention to visual cues--silence is often stretched while narrative is conveyed in a manner closer to a silent film. Part of Harlin's more studied approach may have been due to an attempt to bridge the style and language of film-making circa 1973 with modern sensibilities. Whatever the motivation, it works, but Exorcist: The Beginning isn't exactly a "popcorn film".
The most obvious themes and subtexts are those related to faith and the nature of evil, but Exorcist: The Beginning also has interesting things to say about European colonization and domination of non-European cultures and religious and other cultural appropriation/absorption of preexisting Others. The latter subtext is interestingly present in a very literal way in the church that is the focus of the film.
But the primary attraction is the emotionally dark face of Exorcist: The Beginning, and its comfortable place in a very unusual series of films. Don't let Hollywood's behind-the-scenes blunders dissuade you, this is a film that deserves to be watched and appreciated.