Tart (2001)

User Rating:

4.7/10   

Director:

Christina Wayne

Writer (WGA):

Christina Wayne (written by)

Release Date:

15 June 2001 (Italy)

Genre:

Crime | Drama | Romance

Tagline:

Sex, Drugs and Study Hall.

Plot:

After her only friend is expelled from their private school in the Upper East Side of Manhattan, Cat...

Plot Keywords:

Manhattan | Private School | Dysfunctional Family | Mother Daughter Relationship | Fancy Dress

Awards:

1 nomination

Cast

Dominique Swain	...	Cat Storm
Brad Renfro	...	William Sellers
Bijou Phillips	...	Delilah Milford
Mischa Barton	...	Grace Bailey
Alberta Watson	...	Lily Storm
Myles Jeffrey	...	Pete Storm
Scott Thompson	...	Kenny
Michael Murphy	...	Mike Storm
Nora Zehetner	...	Peg
Jacob Pitts	...	Toby Logan
Chelse Swain	...	Heather von Strum
Lacey Chabert	...	Eloise Logan
Melanie Griffith	...	Diane Milford
Shawn Lawrence	...	Fred the Doorman
Peter Snider	...	Richard Logan

Also Known As:

Naïve (Canada: French title)

MPAA:

Rated R for strong drug use, language, some sexual content and a scene of violence, all involving teens.

Runtime:

94 min | Germany:83 min (TV version)

Country:

USA | Canada

Language:

English

Color:

Color

Certification:

Iceland:12 | Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Chile:14 | Germany:16 | Singapore:M18 | South Korea:18 | Spain:18 | USA:R

Filming Locations:

Bethesda Fountain, Central Park, Manhattan, New York City, New York, USA

Company:

Green Moon Productions

Quotes:

Eloise Logan: What is that?
[Delilah is holding coke in her hand]
Delilah Milford: Nose candy? Want some? Fine. Full of calcium good for you too.

Movie Connections:

References Gimme Shelter (1970)

At least the Production Design was Good

"Tart" is a good illustration of old the Yogi Berra saying: "If you don't know where you are going, you will probably end up someplace else". Writer/Director Christina Waye (in her first feature) has managed to make a $3 Million movie that ends up someplace else. "Tart" is either a coming of age story devoid of characters that a rational person can connect with, a black comedy without any humor, or a sexploitation movie without anything that is particularly sexy.

Unlike the standard Swain film, "Tart" actually employed a competent and experienced production designer. Good enough to provide two extremely nice shots: the scene of Swain and Barton taking a bubble bath together and the scene of Swain in the park-featuring a nice montage of the "Alice in Wonderland" sculpture. The symbolism incorporated into these elements supports the possibility that Waye (despite the absence of a linear logic or unity of tone) actually has some visionary talent and aspirations for making a quality film.

It is even possible that Waye was trying for a fusion of the somewhat expressionistic "Metropolitan" and the camp classic "Cruel Intentions" which also deal with the Manhattan upper class. There are many camera shots framed by windows and doors yet few tight shots of faces and eyes. The former technique hinting at symbolism and the latter at intentional distancing from the characters and their motivations. "Tart" seemed on the verge of veering into camp territory at least twice and would have been well advised to keep going in that direction. First there was the scene where they try to dump the seemingly deceased Swain into the garbage chute. Then there is the whole bit about her father being Jewish (played to the same extreme as Joel Grey dancing with the Jewish guerrilla in "Cabaret").

In her other films Swain's acting technique is to overwhelm each scene in which she appears (insert scenery chewing here) but in "Tart" she actually shows an ability to restrain herself. This is the best performance of her career. It also provides some clues about her physical deterioration from willowy super cute in "Girl" to hulking lumpy-faced in "Pumpkin". This transformation was about half-complete by the time she made "Tart"; so go the ravages of time.

Mischa Barton ("Sixth Sense's" I feel better girl) and Lacey Chabet are excellent in supporting roles. The rest of the cast is simply horrible, although some of the blame for this should go to Waye's script and direction.